It was Beethoven’s year. In 2020, the world wanted to celebrate Beethoven’s 250th birthday with concerts, seminars, lectures, podcasts, radio broadcasts, etc. At least that’s what had been planned. And then, COVID.
Still, Beethoven’s musical legacy is worth celebrating every year on his birthday, and so for this year’s Beethoven birthday party on CPR Classical, we’re bringing back recent radio reports from his birthday. great year. From how Beethoven was known to smash pianos to exploring how he could compose while still being deaf, these insightful short films will help bring Beethoven to life as a human and an artist.
Hear Beethoven’s greatest pieces live throughout the day on December 16, and Marilyn Cooley’s âLife of Beethovenâ is a must-see event at 11:00 am and 7:00 pm.
When you have finished listening, take our quiz to test your Beethoven IQ. And explore Beethoven’s life in relation to other major historical events in our Beethoven timeline.
Our hosts put Beethoven in the spotlight in December – find out more about the composer:
This is the best “Fidelio” RBG has ever known – by Marilyn Cooley âI will never forget the pride I felt when RBG (Judge Ruth Bader Ginsburg) wrote me a letter (saying) that this was hands down the best ‘Fidelio’ she has ever known and she was so moved, âsaid artistic director Francesca Zambello.
He wanted bigger and louder: the pianos of the Beethoven era weren’t enough for him – by David Ginder At the age of 26, Beethoven wrote to a piano maker complaining: “… we often think that we are just listening to a harp”. Beethoven wanted a Stronger piano. Yes, he was hearing loss, but he also wrote stimulating music. And he also broke a lot of pianos.
How did Beethoven compose when he was deaf? We asked Evelyn Glennie how she felt – by Karla Walker âWhen I decided to study music full time, there was still this feeling that being deaf meant silence,â said Evelyn Glennie, who has been profoundly deaf since the age of 12. Glennie was admitted to the Royal Academy of Music at age 16 by persuading the academy that she could “hear” with other parts of her body.
Beethoven’s successors struggled to live in the shadow of the classic GOAT – by Jean Inaba âA few years ago, I was stopped at a traffic light and heard Johannes Brahms’ Symphony No. 1 on the radio. van Beethoven. “