Home Music album Heavy Rotation, Stations Pick the Best Music of September: World Cafe: NPR

Heavy Rotation, Stations Pick the Best Music of September: World Cafe: NPR

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Mikel Cee Karlsson / Courtesy the artist

José González

Mikel Cee Karlsson / Courtesy the artist

The September edition of Heavy rotation, chosen by NPR member stations, features music by José González, The Linda Lindas, Leon Bridges and more.

All of this month’s picks are available to stream on the Heavy rotation Spotify and Apple Music playlists at the bottom of the page. As always, you can experience fantastic music programming across the country in real time by clicking on the links to each station’s website.

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Charley Crockett, “I need your love”

The music took Charley Crockett from her home in Texas, to the streets of New Orleans and New York, and recently to the Ryman stage in Nashville to accept the Emerging Act of the Year award at this Americana Honors & Awards. year. Its latest version is City of Music United States, Nashville being a city that once would have embraced it hardcore. Of course, “the country is no longer a country,” and Crockett still is. On the first single “I Need Your Love”, he brings an R&B overlay – you can feel the juke-joint sweating on a sweltering night, dancing cheek to cheek. – Jessie Scott, WMOT

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Clairo, “Amoeba”

On “Amoeba,” Clairo confronts his ego and gets lost in the music industry, taking the time to acknowledge his insecurities while leaving a glimpse of his growth. Beautifully written with collaborator-producer Jack Antonoff, the lush and playful instrumentation forms around his voice, making lyrics the primary focus. “You haven’t called your family twice, I hope tonight turns out differently,” she sings, mocking her lifestyle. “But I’m showing up at the party just to leave.” After debuting as a bedroom pop artist, Clairo’s second album Sling Finds her even more at home in the studio, and the musician’s lyrical evolution has solidified her as one of the best Gen Z artists to watch. – Alisha Sweeney, Colorado Public Radio, Indie 102.3

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Gego and Nony, “Reloj”

Gego and Nony are two brothers from southern Milwaukee who make reggaeton music that rivals Bad Bunny, Ozuna, or whatever else you hear on Alt.Latino. They have such a definitive sound that it’s amazing that this is the duo’s debut album, putting time and effort into making it perfect. “We’re going 110%. If it’s not quality, we don’t publish it,” Gego told us in an interview. This is the sound of 110%. – Justin Barney, Radio Milwaukee

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José González, “Swing”

We’ve been addicted to José González’s beautiful voice since the time he was featured by the little-known band Zero 7, who are also credited with discovering Sia, among others. Fast forward to his new album Local valley, his first in more than five years, where he offers us his unique vocal styles in three different languages, Spanish, English and his native Swedish! I can honestly say that I have been waiting for the release of this album for months and specifically want to play “Swing”. Beyond great music, it’s a vision of how perfect life is and why we should appreciate everything we have. We are a product of our environment that should be cherished for all that it is. – Raul Campos, KCRW

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Leon Bridges, “Steam”

It’s amazing to see Leon Bridges growing up since his debut album in 2015 Go home. His new record Sound of gold diggers, named after the East Hollywood hotel and studio where it was recorded, finds Bridges exploring all aspects of modern R&B and bringing his own unique twist to the genre. The groove running through “Steam” is reason enough to play it, but the chorus, which opens with the lyrics “let yourself in”, not only brings you in, it doesn’t let go. Our listeners love Bridges and hearing the song on the radio reinforces his status as one of the new flagship artists of our format. – Russ Borris, WFUV

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The Linda Linda, “Oh!”

On the new song “Oh! From teenage punk band The Linda Lindas, the quartet embarks on a visceral and upbeat rock and roll attack. For two minutes and 35 seconds, they storm out the door swiftly and furiously, rushing at you with a propulsive explosion of catchy beats, hard rock chords, and a catchy chorus. With sisters Lucia and Mila de la Garza, their cousin Eloise Wong and Bela Salazar, “Oh!” is a rock song reminiscent of the ’70s girl group The Runaways, whose song “Cherry Bomb” was a hit in 1976. It’s impossible not to embrace the energy of “Oh!” the aerial guitar or drums in seconds. – Bruce Warren, WXPN

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The Marías, “Hush”

It is fitting that The Marías’ first feature film is called MOVIE THEATER. The band’s frontman and namesake, María Zardoya, first hooked up with producer and drummer Josh Conway in 2017 when the two began composing film scenes together. Now, they’ve used their soundtrack prowess to create one of the most intriguing and catchy releases of the year. Born in Puerto Rico and raised in Atlanta, Zardoya applies her bilingual background, singing both Spanish and English throughout the record. The first single, “Hush”, is a brooding synth loaded game that evokes the tone of film noir. With his punchy bassline, alluring vocals, and moody overtones, it’s no surprise that “Hush” recently reached No. 1 on Billboard’s Adult Alternative Airplay chart. – Desires Moses, WNRN

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The war on drugs, “I don’t live here anymore”

After nearly four years of absence, The War On Drugs is back with “I Don’t Live Here Anymore”, the title track from their upcoming fifth album. It’s the type of song we love in the radio world because it’s a total “radio song” – a song you instinctively turn up whenever you hear the sparkling hint of its opening chords to. through your speakers. Frontman Adam Granduciel sings about letting go of his past, while the band’s wall of guitars, synths and drums creates an equally nostalgic vibe, adding something that wouldn’t seem out of place in a John Hughes film. Indie-pop duo Lucius joins the group on the track, taking an already anthemic chorus to another level with their stunning harmonies. – Brian Burns, WUNC Music

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Tyler, the creator, “Wusyaname”

Tyler, the excellent creator Call me if you get lost pays homage to the golden age of rap mixtape of the 2000s, when streaming and social media seemed exciting and full of endless creative potential. True to the fast, loose spirit of the era, the album combines Tyler’s harsher flows and DJ Drama’s gruff jokes with softer, more moving instrumentals. We come to a romantic oasis with “Wusyaname,” where a snippet of H-Town’s 1994 R&B song “Back Seat (Wit No Sheets)” softens Tyler’s pleas for a woman in love. With sweet crooning from Ty Dolla $ ign and a guest verse from YoungBoy Never Broke Again, the track shows a sincere side of the notoriously troll lyricist. – Nastia Voynovskaya, KQED


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