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Hits Making Moves on the World Songs Board

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Almost exactly half of all the spaces in the global digital song sales chart this week are occupied by tracks that were not present last time around. There are nine debuts on the 25-place tally and several older hits also return, with one going all the way to the top.

Here are five tracks whose movements are worth noting in this week’s digital song worldwide sales chart.

N ° 1 – BTS – “Start”

BTS is back at No. 1 in this week’s global digital song sales chart, although they didn’t top the tally with a brand new single. Instead, the band’s fans worked together not only to bring the band’s song “Begin” back on the charts for a second round, but to send it all the way to the top. “Begin” is back on the list as high as a track can climb, and in doing so, it became BTS’s thirty-first number 1.

N ° 2 – Golden Child – “Ra Pam Pam”

Coming just behind new frontman of BTS, “Ra Pam Pam” of South Korean vocal group Golden Child. The group returns with the first single from their second album Game changer, which came out not long ago. The cut marks the framework’s highest debut on the global digital song sales chart, failing to become No.1 in one space.


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# 10 – Sunmi – “You cannot sit with us”

Sunmi began to establish herself as a solo musician before Wonder Girls, the act that made her a star in South Korea, broke up, and in the years since members of the pioneering girl group got together. are separated, she continued to record and release music which is snapped up by millions. After a hiatus of several years, she is back with more songs, and the interest of the fans never seems to go away. “You Can’t Sit With Us” starts at # 10 on the latest edition of the Global Digital Song Sales Chart, pushing it down to the top of the tally.

“You Can’t Sit With Us” tops Sunmi’s new EP 1/6, which was released earlier this month. She is now in the top 10 of this ranking as a soloist with at least seven pieces.

N ° 17 – Hyo – “Second (ft. Bibi)”

Just like Sunmi a few places ahead, Hyo has been one of the most successful musicians in the South Korean music industry for many years, having first conquered the local charts with the group Girls’ Generation (and its subunits). This group hasn’t been together for several years now, but Hyo certainly hasn’t left the company. This week, she finds her way back to the global digital song sales chart with the new single “Second”, which at the moment appears to be a standalone track. The cut stars hip-hop musician Bibi, and it arrives at No.17.

N ° 22 – Oneus – “Shut up, go crazy!”

Based in South Korea, boy group Oneus is quickly becoming one of the most popular groups in the business, and their popularity continues to grow in the United States with each subsequent release. The band scored another World Digital Song Sales hit with “Shut Up Get Crazy Hot! . It’s clear fans in America love what they’re hearing (and seeing) so far, as they’ve bought the cup in numbers enough to send it straight to the count.

MORE FORBESBTS can plot a # 1 hit whenever they want, so now what?


What happens if you cannot repay your payday loan?

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What happens if you cannot repay your payday loan?

In default of a payday loan, your bank account could be drained. This could also lead to collection calls. It is essential to pay off your debt quickly and as efficiently as possible.

Don’t be fooled by the fact that you borrowed $300.

Payday loan defaults can result in bank overdraft fees, collection calls, credit score damage, and even a day in court. Your pay could also be garnished. If you are unable to repay your payday loan, you can pay less or file bankruptcy. Here’s where you can check more loans options www.greendayonline.com

Bruce McClary is the spokesperson for National Foundation for Credit Counseling.

Bank withdrawals and collection calls

Payday loan lenders won’t waste time when your money is due.

They will withdraw the money immediately if they have access to your account as per the loan agreement. They will most likely try to extract the money from your account if the debits fail to go through.

Each failed attempt could result in a bank fee. Failure to succeed could result in your bank being closed and any other transactions being bounced. This could cause additional costs.

Lenders will start calling, writing letters, and making phone calls to the people who were your references when you borrowed a loan. Lenders cannot request help in finding you. Federal law does not allow this. They can’t tell you about your debt or whereabouts.

Is there a possibility of going to jail? No, although there are certain frequent dangers.

It’s not a crime to fail to repay a loan. Lenders can threaten to arrest or put borrowers in jail. Payday lenders may use bad-check laws to file criminal complaints against borrowers. Judges will incorrectly rubber stamp the complaints.

The Consumer Financial Protection Bureau recommends that anyone threatened with being arrested for nonpayment contact the state attorney general. Even if the charges are incorrect, you should not refuse to appear in court.

Chance to Negotiate

An outside agency will not collect your debts, but a lender would instead make money directly from you than take them. Third-party debt collectors can buy your debt for a fraction of the amount you owe. As a starting point, you can offer half the amount that you owe to settle your debt.

John Ulzheimer, a credit expert, says: “Tell lender: I simply cannot afford you and consider bankruptcy.” John Ulzheimer is a former Equifax Credit Bureau and FICO Credit Scoring Company credit expert. BK is a way to make them take you seriously. This means they won’t get anything if you use it.

All agreements must be in writing. You must state in writing that you will pay off your debt. The debt should be “exhausted.”

If you are unable to settle your debt, it is essential to communicate with creditors. Collection agents can’t continue calling you, making false statements about your debt, or threatening to harm you.

The court summons

I do not believe that collection agencies aren’t interested in small amounts.

Michael Bovee, the president of Consumer Recovery Network, is a debt resolution firm. He claims that most consumer lawsuits are for small amounts.

Pew Charitable Trusts 2020 research shows that lenders are more likely than consumers to win. The judge enters the default judgment, and the court can begin to collect the money owed to the agency.

Bovee said that property liens, bank account levies, and wage garnishment could all be possible, depending on your location.

Lauren Saunders, associate director at National Consumer Law Center. She believes that you should not ignore any lawsuit.

Saunders suggests that you go to court and ask for proof of the amount owed.

Saunders cautions against prioritizing the payday lender’s payment over food and rent.

If you are unable to pay a payday lender, there are other options

Take care of your most essential needs first. Community assistance plans may be available to help you with rent, utility bills, or food.

Ask for advice from a non-profit credit counselor, bankruptcy lawyer, or legal aid center regarding your next steps.

You may get fast cash without adding to your debt.

Although it’s not worth filing bankruptcy for one small debt, you might consider it if your total unsecured debts, including credit cards, medical bills, and payday loans, exceed half of your income.

Do not wait to see if your debt disappears. “Time never makes debt go away,” Ulzheimer says. “Bankruptcy does.”

Jackson Wang teases intense preparations for upcoming album

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GOT7 member Jackson Wang has revealed he has prepared over 20 songs for his upcoming solo album.

In the early hours of August 16, the singer revealed on Twitter that he was awake working on new music. Initially teasing his live performance from Shanghai, which aired later the same day, Wang then wrote that he was working on mixing his new songs “one by one”.

“I don’t sleep, I take care of the song mix, too many songs. More than 20 songs ,,, each one by one…, but I’m fine, go to bed everyone, sleep well and I miss you all, ”he tweeted.

Later today, the singer uploaded a live performance of his new collaboration with Internet Money record producer collective, “Drive You Home,” which was first dropped last month. Bruised and bloodied, Wang sings emotionally on the trap-inspired track next to a wrecked car.

Earlier this year, Wang confirmed that he was working on two new albums, at least one of which should be released by the end of 2021. Although the artist has remained rather low-key on these upcoming records, he has teased a few details when it appeared in April on The Late Late Show with James Corden.

Wang revealed that the album will contain a “whole new sound”, compared to his debut solo album of 2019, “Mirrors”. The singer also added that the project will be “something that people don’t expect from [him]”.

In an interview with the host of a Big Reid radio show last month, Wang explained how he stays motivated to keep busy. “You know why [I’m a busy man]? Because I’m not the best, I’m still working hard to become the best, to become someone there, ”Wang said.

“I know I’m so far from the best, or even so far from it all. You know, I’m doing my best. I push myself.



Iggy Azalea Criticizes Music Labels For Mental Health, Fans Say “Artist’s Death Boosts Sales”

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Many musicians have spoken belatedly about protecting mental health, and the latest to join the movement is rapper and singer-songwriter Iggy Azalea. On Monday August 16, Iggy used his official Twitter account to launch mental health truth bombs while calling on record companies not to take care of artists’ mental health.

The “Black Widow” hitmaker posted a thread that sparked a conversation in her comments section. The 31-year-old host also raised the question of why record companies haven’t hired a psychologist for their artists while sports teams still do for their athletes. On the work side, the Australian rapper recently released her third and most likely her last album titled “The End of an Era”.

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Iggy openly called the record companies, saying, “I REALLY WISH that the record companies would all agree to make it mandatory to hire at least ONE psychologist per label. Almost ALL of the artists in recent times have expressed their struggle against the level of hate and pressure. Sports teams do it for their athletes, why not music labels? She then posted another tweet that only four guys run the entire music industry. “Yes too, it may sound like ‘But there are so many labels! There are actually only about 4 people running the whole music business, so it would be pretty easy to hold them accountable and get them to implement a change in their businesses.

Well, Iggy didn’t stop there as she also pulled Universal Music Group CEO Lucian Grainge and Sony Music Group Chairman Rob Stringer into the conversation. “Lucian Grainge is at the top of this list,” adding in another tweet, “Rob Stringer is also on the list, why isn’t he doing anything.” Iggy in concluding his thread, claimed that taking care of artists’ sanity was not a Herculean task. “Between these two guys, it’s literally 85% coverage on all labels. Do you see what I’m saying? It’s not difficult to do that actually. Why don’t they do it? But you’ve got 20 or so A&R teams that literally nobody wants in the studio. More recently, Lil Wayne had also opened up about his mental health issues, saying he first realized he had mental health issues when he pulled the trigger on his attempt. suicide at the age of 12.











“In the music industry, the death of an artist increases sales”

Mental Health Warriors rushed to the comments section of Iggy Azalea’s thread where one user said, “Wait, couldn’t the artist just see a psychologist or psychiatrist himself?” I mean I use Dr. on Demand and it’s so easy I just have to do it FaceTime! Couldn’t the label just give them a discount or a budget for it? Another said: “This is cute until you realize the medic can be used to pick up and trick the artist like they do with @britneyspears Not like they’re gonna let the trusts choose their own doctor to travel. “

The next one agreed with the rapper and added, “Alright! I don’t think it’s fair for someone to be punished SO harshly for living their dream. That’s crazy; this problem should be resolved as soon as possible. Meanwhile, one user pointed out: “Because record companies only think about their profit and well-being, they don’t want to know how the artist feels … They don’t mind. treating them like disposable animals is sad, but this is the industry. And, another person concluded, “The real problem is that when a sports team loses an athlete to suicide, that team loses money, she loses fans, etc. committing suicide or fighting addiction is disgusting.











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Thomas Quasthoff: “From birth, my mother felt guilty. I had to show him that I had done the best of my life ‘| Classical music

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Thomas Quasthoff has been retired from classical music for almost a decade now. The German bass-baritone was in his early fifties when he made the shock announcement – an age when singers of his type are still in their prime. His older brother Michael was diagnosed with lung cancer in 2010, and that diagnosis and his brother’s subsequent death had left Quasthoff temporarily unable to sing.

“Three days after learning that my brother wouldn’t live more than nine months, I lost my voice,” he recalls. “The doctors looked at my throat and said, ‘It’s okay.’ But my heart was broken, and if the heart is broken… ”he pauses.“ The voice is the mirror of the soul.

Poor health was cited as the reason for his retirement in 2012, but he had expressed concern over the sterility and formality of the classical world for some time, and although his brother’s death was the trigger, he such a decision may already be prepared. .

“I always wanted to be part of the group of singers who retired quite early,” he told me on a video call from his home in Berlin. “I never wanted to hear people say about me, ‘Oh, you should have heard it three years ago. “” But his decision was a blow to the public – Quasthoff was one of the best lieder singers in the world, acclaimed for the range and colors of his voice, for his attention to detail and exceptional frankness as a ‘interpreter. In 2009, the Royal Philharmonic Society awarded him the Gold Medal, its highest honor. Previous recipients have included Brahms, Elgar, Stravinsky, Bernstein, Barenboim, Jessye Norman and Sir Simon Rattle.

“I preferred to play kings and ministers” … Quasthoff in the role of Amfortas in Wagner’s opera Parsifal in Vienna in 2004. Photograph: Herwig Prammer / Reuters

That Quasthoff had a classical singing career, let alone such a successful one, was simply amazing. While pregnant with him in 1959, his mother took the morning sickness medication thalidomide and he developed phocomelia, which left him with stunted limbs. He is just over 4ft tall and life has been a constant physical struggle, but he’s not only completely selfless, but a force of nature – exuberant, loud, uncompromising.

During his classic career, he did not want any allowance for his disability. “It’s a fact, not a problem,” he says. “I achieved everything I wanted in my life. I have had success as a singer; I have one [music] chair; I have been married for 15 years and have a wonderful, amazing and intelligent daughter-in-law; we live in a beautiful house in Berlin. What will I say? I know a lot of colleagues who are much less satisfied than me.

Quasthoff was determined never to let his disability define him. “I was educated like that,” he explains. “My parents and my brother never treated me like a disabled person. My brother’s friends were my friends. I have always been part of a normal family life. He likes to quote a quote from his wife, Claudia Stelzig: “Tommy, for me you are not disabled, you are only smaller. That’s all.”

Placido Domingo conducts as Quasthoff sings during dress rehearsals for the inaugural concert to mark the opening of the Theater an der Wien in Vienna in 2005.
Placido Domingo conducts as Quasthoff sings during dress rehearsals for the inaugural concert to mark the opening of the Theater an der Wien in Vienna in 2005. Photograph: Robert Newald / EPA

He accepts that some of his viewers came because they were intrigued by his personal story, but believes they were a small minority. “Most came to hear me,” he says, “because they were entertained in a high quality way. I wanted to be accepted as a disabled artist, not seen as a disabled person who was an artist. He realized that the public would never be blind to his disability – “If I go on stage, a meter 35 [tall], with short legs, short arms and seven fingers, who will ignore it? He said with his deep, echoing laugh – but hoped that once he opened his mouth in a lieder recital, they would forget about him.

Quasthoff exudes self-confidence and resilience, but says it hasn’t always been that way. “In the first 18 years, there were more of the dark sides than the positives,” he says, “especially during puberty when boys have girlfriends; i was standing [on the sidelines]. I wanted to study music, but the university told me that I was not allowed because I could not play an instrument. Instead, he studied singing in private. The key, he says, is “not for these negative things to happen, but how do you deal with them and what do you get out of the situation? He treated every obstacle, every failure, every boring job he had to do to pay for his singing lessons as a challenge and a source of learning.

There was one overriding motivation that guided him as he studied for over a decade and a half and built a career. “I never wanted my mom to feel guilty,” he says, “and she did – from the moment I was born she felt guilty [for having taken thalidomide]. Even though I said 100 times that she shouldn’t, she still did, so I tried to show her that I had made the most of my life and my talent.

Thomas Quasthoff with his jazz quartet at the Kurt Weill festival in Dessau last year.
New groove… Thomas Quasthoff with his jazz quartet at the Kurt Weill festival in Dessau last year. Photography: Sebastian Gündel

Since his exit from the classical world and the return of his voice, Quasthoff turned to jazz, which he had always loved, and in which he had immersed himself even in the classical era: he had made an album of jazz welcomed in 2007. “I had done this very rare in my classical days because it’s a different kind of singing, but now I’ve learned a new instrument – the microphone – and I love it. He finds singing jazz and being part of a quartet to be a wonderfully relaxed form of musical creation – intimate, pressure-free music produced by a group of friends.

This month’s Edinburgh Festival will feature Quasthoff in three forms: singing jazz with his quartet, as a teacher, and playing in a semi-staging of Richard Strauss’s opera Ariadne auf Naxos. The latter does not, however, constitute a full return to the classical scene – he will play the spoken role of the pompous butler.

Although he is mainly found in the concert hall as a recitalist, Quasthoff has performed a few operas during his classical career, but his roles have been limited by his disability. In part, the restrictions were self-imposed – he rejected Daniel Barenboim’s liberating idea that he should sing Leporello in Don Giovanni, worrying about the moment in the opera when he would have to swap clothes with the Don, who was played by the giant. Bryn Terfel. He turned down offers to sing the hunchback Rigoletto and the evil dwarf Alberich in The Ring of Wagner – a cast he felt was a bit too obvious. But he played Don Fernando, the minister who obtained Fidelio’s release from prison, and had considerable success in Amfortas in Parsifal at the Vienna State Opera. “I preferred to play kings and ministers,” he said with another deep laugh.

Quasthoff denies finding the opera physically taxing. “I was in good shape,” he says. “At the first meeting, the director [of Parsifal] asked what can I do. I told him everything you wanted except to get naked. This will not happen, for two reasons. I don’t want it, and I don’t want the audience to be gone in seconds!

But her first love has always been to sing songs. In opera, he said, he feared that his disability would become the focal point of public attention; in recitals he succeeded in getting the audience to suspend their disbelief. “As a lied singer you have to be a really good actor,” he says. “I think it’s missing right now”: he worries that today’s singers are putting the beauty of timbre above characterization. “You have these mini-scenes that you have to fill with expression and color. At the opera house, you can hide behind your clothes and the set.

What about the classic world he left behind? Does he have any qualms about resisting the flattery of his agents to come back? “I loved what I was doing, but the business is very shallow. You have a number of stars that I can count on on my right hand – and my right hand isn’t that big! I had my time and I was in a wonderful situation where I was able to have a global career. As a concert singer, winning six Echoes and three Grammys is very rare.

But he insists he doesn’t miss it. “I have nothing more to prove.

The Thomas Quasthoff Quartet is at the Edinburgh International Festival on August 24. Quasthoff is giving masterclasses on August 29 and performing at Ariadne auf Naxos from August 25 to 29, available online from August 29 to February 27.


India vs England, Lord’s Test: bow out, “drummers” Jasprit Bumrah and Mohammed Shami! | Cricket News

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When Day 5 of the second test at Lord’s beckoned, all of the plans England had made focused on eliminating Rishabh Pant early and limiting India’s advance to under 200 as much as possible. and the pursuit of the total. They got what they wanted.
SCORECARD
Pant slashed Ollie Robinson at Jos Buttler behind the sticks for 22 and the smirk on Virat Kohli’s face on the team’s balcony showed just how worried he was. India was still only 167 ahead and the long tail had been exposed. The new ball only had three overs.
Ishant Sharma hung around for a while, but was put off by a slower Robinson for a useful 16. The visitors were 182 ahead and when Jasprit Bumrah stepped out to join Mohammed Shami, a pair best known for their bowling exploits, Indian players would have been tempted to change into their whites.

Kohli did not. Maybe he trusted Shami and Bumrah and their long net sessions with the other bowlers, during their two week camp in Durham before the series.
They were also helped by the tactics used by the English bowlers. Instead of bringing out the drummers, they focused on knocking Bumrah and Shami’s head back, because of the chin music Bumrah gave to their bowling talisman James Anderson late on Day 3.
There were also generous words from the England point guard and Buttler and it seemed to distract them from their plans. After a few anxious moments and blows to the helmet, the two new ball throwers, perhaps became more determined by the whole conversation and settled down to script a touching retaliation.

They whistled and pained at first, but quickly focused on getting behind the line and only played offensive shots when they felt the ball was in their half.
The field started to expand, making both available and with each added run the smirk on Kohli’s face slowly turned into a smirk. He found more company near him and the lodge found his voice.
The nervous movements in the balcony chairs turned into excited leaps. Shami Square led Robinson to the top point, took Anderson over the midwicket, and when Moeen Ali threw the ball he dropped it into the top level to remember his second half-century.
Bumrah was more orthodox after an angry slap in the face of Wood. England’s attack also faltered a bit and after Wood had another shoulder injury and they didn’t have enough ammo to blast the players up on flat, slow ground.

Bumrah and Shami added 89 for the ninth wicket, the highest for that position at Lord’s, beating the 66 between Kapil Dev and Madan Lal in 1982. India’s lower order contributed the least in terms of races of all. test teams since 2018. But things seem to be changing.
After bowlers contributed a substantial amount of races with Ravindra Jadeja in Nottingham, Kohli, in her post-match interview, said those races were like gold dust and a reward for all the hard work that they provided.
“They’ve been in the net regularly, wanting to contribute regularly. As the opposition, when bowlers get points it can be boring, ”Kohli said.


Greek musician plays bouzouki while having brain surgery

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Greek musician Dimitris Kyrtsos plays his bouzouki while undergoing brain surgery. Photo: document by Dimitris Kyrtsos

A Greek played the bouzouki, a traditional Greek musical instrument, in the operating room while doctors performed brain surgery on him.

Dimitris Kyrtsos is a virtuoso bouzouki player who never wants to part with his favorite instrument, even in the most difficult moments of his life.

Grecian Delight supports Greece

Two and a half years ago, the 37-year-old man from Veria went to AHEPA hospital in Thessaloniki to have a brain tumor removed.

Dimitris took his bouzouki with him and asked the doctors if he could play his favorite instrument – and most Greeks’ favorite – during the operation.

Brain surgery by playing music on the bouzouki

“I had seen on the Internet videos of operations abroad where the operation is done this way,” he told Agency 104.9 FM radio.

“I saw a man who had been operated on playing the guitar and another playing the violin during the operation. I said to myself “why not me? “, He noted.

“I asked my doctors if I could play my bouzouki in the operating room during the procedure, but they told me it was not doable at the time,” he said. .

Two years later, however, the reappearance of the tumor brought him back to the operating room of the same hospital.

All the necessary procedures and arrangements were made so that this time he did not enter the operating room alone, but accompanied by his favorite musical instrument.

A camera was installed in the operating room and the recording shows Dimitris Kyrtsos playing the bouzouki on the table, while all the details of the demanding and lengthy operation were projected on the monitor behind him.

AHEPA’s experienced and renowned surgeons performed the operation to music. The first song Dimitris played was “Mavromata mou” (My Black-Eyed Wife), which he dedicated to his wife.

Bouzouki brain surgery
Dimitris Kyrtsos and his bouzouki. Credit: Athens-Macedonia News Agency

Operate while talking to the patient

“To operate on a patient in this way, that is to say (him) communicating and talking to the doctors at that time, is something that has been going on for at least 14 years at the AHEPA hospital,” said the neurosurgeon in Athens. Macedonian News Agency.

Nikolaos Foroglou, associate professor of neurosurgery at the medical faculty of Aristotle University of Thessaloniki, who operated on the musician, added:

“It is a technique that ensures maximum detection of brain tumors, while maintaining its necessary functions,” said Foroglou.

In the case of the 37-year-old musician, doctors were able to extract information about how his brain was working, in addition to answering questions asked during such surgeries.

Also, by the way he interpreted the music and by listening to his whispers, the operating team received the best proof that all was well in the patient’s brain.

“I hope the doctors who were in the operating room liked my music… I owe them a huge thank you.” said the bouzouki player.

“My students ask me how I felt in the operating room and if my bouzouki helped me. The answer is everything just got easier and calmer, ”Kyrtsos said.


Beloved Bay Area rapper Steve ‘Zumbi’ Gaines dies at 49 – East Bay Times

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Famous Bay Area rapper Stephen Gaines, father of three and performer known by the stage name “Baba Zumbi” with Bay Area hip-hop group Zion I, has passed away.

“It is with a heavy heart that we confirm the news regarding the transition of our friend, partner, brother, son and father, Steve ‘Zumbi’ Gaines,” said a post on the official Zion I Facebook page. “Zumbi was a man of many talents and was fortunate to be able to share his gifts and his love of music, especially hip-hop, with the world. “

His family says KQED that the 49-year-old rapper died at Alta Bates Hospital early Friday “of unknown causes.”

Citing a statement from the Hip-hop collective Project Blowed, KQED reported that DJ True Justice – who toured with Gaines – noted that Gaines was recovering from COVID and “had a severe asthma attack and his heart stopped. He died in the hospital.

Gaines started releasing music with DJ and producer Amp Live over 20 years ago under the name Zion I. The duo released seven albums between 2000 and 2012, as well as a few collaborations with another rapper from the Bay Area, The Grouch, according to Rolling stone. Amp Live left the group in 2016, but the duo were planning a tour for their 20th anniversary this fall, according to announcements revealing tour dates posted on their social media accounts.

Dozens of tributes to the beloved artist have spilled onto social media and online. Many noted that in addition to being a talented performer and poet, he was also dedicated to his community.

“Oakland has lost a legendary emcee, loving father, comrade and friend. We are heartbroken, ”said a tweet from Oakland-based youth organization Urban Peace Movement. “Zumbi has supported our community, donating their time and donations to so many causes over the years. He loved and fought for our people and we are deeply grateful to him. “

Zion I’s song “Tech $” went viral in 2016: The video documented Gaines’ family preparing their home, forced to move out due to rising bay area rents.

“In art, you take your hard times and turn them into good times. I wrote this song in reaction to my experience of being suddenly introduced to this gentrification thing in the city that I love ”, Gaines told MarketWatch in 2016.

And although he made his mark as a passionate and spiritual artist, “his true passion and purpose was the love and energy he put into his three sons,” the post read on the Facebook page. of Zion I and on a GoFundMe page set up to provide a scholarship fund for his sons. “Zumbi’s children were his beautiful beings of light and his desire to rise up and pour himself into his three kings kept him rooted.”



Angus & Julia Stone Announce “Life Is Strange: True Colors” Soundtrack Album

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Angus and Julia Stone have reunited to compose the soundtrack for Deck Nine’s upcoming video game Life is Strange: True Colors.

The release is scheduled for August 20. “Life Is Strange” will be the sibling duo’s fifth album, following “Snow” in 2017. In the years since, Angus released their 2019 album “Smooth Big Cat” under the nickname Dope Lemon, and Julia released their first album in nine years, “Sixty Summers”, in April.

The album was made over the past few years, when Angus and Julia weren’t focusing on their own solo work. The music has been recorded in several locations, including Angus Farm, Colorado, and Neil Finn’s studio in Auckland.

According to the australian, one of 12 tracks on the record, ‘Blue’, is a reinterpretation of the duo’s song from 2014 ‘Main Street’.

“I really like this record because it’s a real mix of old and new,” Julia said in a statement.

“I can hear how, on this record, we weren’t afraid to try, follow our noses and not force any direction it was going. It didn’t matter if there was a really folk song next to a really dance song. I can hear him feeling very free.

True colors is the last opus of the Life is strange franchise, which debuted in 2015. The game will arrive on September 10 for most platforms, and later this year for Nintendo Switch after its release has been delayed.

The game follows protagonist Alex Chen, who has the supernatural ability to sense, manipulate, and absorb the emotions of others. After moving to Haven Springs, she must use her power to uncover the truth behind her brother’s death.


Julie Anne San Jose unleashes her musical prowess in “LIMITLESS, A Musical Trilogy” – Manila Bulletin

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Julie anne san jose

Asian Star Without Limits Julie Anne San Jose unleashes his musical prowess in the extraordinary musical journey “LIMITLESS, a musical trilogy” with the first part on September 17th.

“LIMITLESS, a musical trilogy” is about to unveil the different sides of Julie as a singer, songwriter, dancer, actress and multi-instrumentalist as she travels to the three island groups of the Philippines where she discovers new inspiration in unexpected places in Mindanao, Visayas and Luzon.

Observe how Julie shows a new side of herself that she has never shown before. Here she shares what she can do as a performer and what she has to go through to become limitless.

“Any artist would be very happy to be a part of this unique project,” shared Julie. “And for me, being able to share my talent and my experience with my fans here and abroad is something that really excites me. I thank GMA Network and GMA Synergy for trusting me for this one of a kind company.

This journey of discovery is something anyone can relate to, especially now that we have to stay home for our safety again.

“Each of us is always trying to face tough times and be able to produce a musical trilogy like LIMITLESS and have it seen by people not only here in the Philippines but in all parts of the world is something that I hope will inspire. everyone to continue to see the good things around us ”, the The unlimited star of Asia added.

For the first step, Julie flies to Mindanao for a great adventure. Facing picturesque landscapes, she meets the locals and learns more about their culture and values.

Julie also collaborates with local talents from Kapuso and local artists from across the country.

For the September 17 stage, Julie will be joined by Asian Romantic Balladeer Christian Bautista and former Clash Jong Madaliday, himself from Mindanao. Julie will work with Myke Salomon, the musical director of the hit musicals “Huling El Bimbo” and “Rak of Aegis”. JC Gellidon is the director of photography.

A versatile artist, Julie is one of the hosts of GMA’s flagship show “All-Out Sundays”. She is also set to return with Rayver Cruz as the Clash Masters in the original musical competition “The Clash”. She presented GMA’s rom-com series “Heartful Café” alongside David Licauco and will soon be starring in the “Still” music series on an online video streaming platform alongside Christian Bautista.

Julie was recently featured on a digital billboard at the iconic Times Square in New York City. This billboard was for Spotify’s EQUAL campaign, which encourages users to listen to amazing women around the world.

“We have witnessed Julie’s powerful stage performance on GMA Synergy’s hit ‘Kapuso Concerts’ series ‘The Sweetheart and the Balladeer’ as well as ‘3 Stars, 1 Heart,’ said GMA Regional TV and Synergy Senior Vice President and Chief Oliver Victor Amoroso. “WITHOUT LIMITS, A Musical Trilogy is about to unleash Julie’s musical prowess that we have never seen before and we can’t wait for her fans at home and abroad to be a part of this new musical experience that begins on the 17th. September, “he added.

“As one of GMA’s top local talent, Julie has blossomed to be one of our country’s top performers and is now starting to gain recognition overseas as well. This is why we are delighted to present Julie fans with this musical trilogy, “LIMITLESS”, because we know that Julie’s talent will take her fans to limitless heights when they join her on this musical journey, “shared First Vice-President of the Business Development Department III Darling De Jesus-Bodegon.

Special ticket packages

Anywhere in the Philippines or around the world, anyone can participate in “LIMITLESS, A Musical Trilogy” by purchasing tickets via www.GMANetwork.com/synergy. The steps to mark the ticket of your choice are available on the website.

Buyers can choose to purchase a ticket for each stage or to take advantage of the ticket package and pay for all three stages.

Tickets are priced at P599 (general admission); P1,499 (Synergy Pass GA); P1,199 (VIP); and P3,299 (Synergy Pass VIP). Special merchandise awaits ticket buyers who will purchase the VIP and the VIP Synergy Pass.

“LIMITLESS, A Musical Trilogy” is under the creative direction of Paolo Valenciano. This one-of-a-kind event is produced by GMA Synergy – the same team behind the Philippines’ first-ever virtual reality concert, “Alden’s Reality: The Virtual Reality Concert”, held last December. The concert’s televised broadcast, “Alden’s Reality: The Virtual Reality Concert TV Special,” is a finalist for the New York Festivals Awards.

To breathe. To tend to. To augment. Join Julie Anne San Jose in “LIMITLESS, A Musical Trilogy: Part 1” this September 17th.

Watch the full trailer on All Out Sundays on August 29.



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Wellingborough Musical Theater Society Tap Dance and Snack

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A Wellingborough musical theater troupe will host an afternoon of mind-blowing entertainment and mouth-watering cakes to raise funds for their shows.

The Wellingborough Musical Theater Society has invited special guest Maurice Kachuk, singer, dancer and complete performer, to step onto the stage at the Masque Theater at Barton Seagrave.

Taking place on Friday, August 27 at 2 p.m., the Chants et Danse show will replenish the group’s coffers and help them finance their next musical.

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Maurice kachuk

A spokesperson for the Wellingborough Musical Theater Society said: “The society needs to raise funds for us to play other great musicals.

“Our spectacular staging costs a lot of money, especially the shows that we know, you, the audience, enjoy – we love to present them.

“Maurice Kachuk is such an artist and he will do just that. He has performed with the company on several occasions playing the lead role in ‘Singing In The Rain’, directing and choreographing several other shows for us.

“Come join us at our first fundraising event. We know you will have a great afternoon of song and dance and there will be so many delicious cakes. Your support will be greatly appreciated.”

The song and dance performance takes place at the Masque Theater, Latimer Community Arts College, Castle Way, Barton Seagrave. Tickets cost £ 12 which includes afternoon tea to be served during intermission. Call 07486 684586 for tickets.


Machine Gun Kelly presents album with new ‘Papercuts’ video

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Machine Gun Kelly has dropped the video for the new song “Papercuts”. The track will appear on his next album, Born with horns.

The clip directed by Cole Bennett opens with black and white footage of MGK riding a motorcycle with gigantic horns on Sunset Boulevard. The lyrics dive into the struggle to find balance in the midst of stardom, and the surreal video features an oversized MGK surrounded by masked figures raging as the video progresses.

“Bleach my hair, mess it up / Take my life, dress it up,” he sings. “I signed a deal, I got paper clippings / They wanted them, but they got us.”

MGK announced Born with horns earlier in the week on Instagram, where he and his frequent collaborator Travis Barker (who also appears in the new clip) showed off their matching tattoos bearing the album’s name. Barker is the executive producer of the LP and also plays drums on set. Machine Gun Kelly’s sixth studio album follows the 2020s Tickets for My Fall, which was also produced by Barker.

“Travis showed me the art of not overthinking,” MGK said recently. Rolling stone to work with Barker. “There were times when I would come in, we would plug in instruments, and all that would come out while we were playing was the song. But then he also showed me that you can completely delete an entire song, just when you think it’s done, and start over until it becomes everything it should be. He would answer the phone at 5 a.m. if I called. The studio sessions have become cathartic. There was no censorship. He encouraged the raw emotion to come out.

Machine Gun Kelly recently made a surprise appearance at Lollapalooza, where he presented “My Ex’s Best Friend” (which was nominated for a VMA on Wednesday), “Bloody Valentine” and a cover of Paramore’s “Misery Business”.


“Songs from the Sand” will feature a dynamic duet | News, Sports, Jobs

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Sheena Brook. PHOTO PROVIDED

The Lee County Visitor & Convention Bureau, iHeartMedia and Cat Country 107.1 will present “Songs of the sand” August 19 at 8 p.m. hosted by VCB Director of Communications Miriam Dotson.

Available through the Island Hopper Songwriter Fest Facebook page, Instagram and The Beaches of Fort Myers & Sanibel YouTube channel, the virtual concert will feature acoustic music and conversation as Sheena Brook and Angie K tell their stories behind the songs. at the Pinchers at The Marina at Edison Ford in Fort Myers.

BMI singer-songwriter and Fort Myers Beach native Brook brought nationwide attention to NBC season 12 “The voice.” Since appearing on the show, she has worked with songwriters and multi-platinum artists to deepen her creativity in her style of artist and songwriter. The Island Hopper alum is also the founder of The FEM – Female Empowering Musicians – an organization that organizes events to empower women and provide an outlet for their own creativity.

Country artist born in El Salvador and raised in Georgia, BMI singer-songwriter Angie K has just released her new single, “Real conversation,” which was immediately added to mega-playlists “Wild country” and “New boots” on Spotify, as well as “Country of rupture” on Apple Music. In 2017, his Disney duo with Jordan Fisher, “Happy forever,” became the soundtrack of the Magic Kingdom night fireworks display. Angie K opened for Tanya Tucker, Trace Adkins, Melissa Etheridge and more.

Songs from the Sand is a preview of the Island Hopper Songwriter Fest, which runs September 17-26 in Captiva, historic downtown Fort Myers and on Fort Myers Beach. Songs from the Sand debuted in February and gives music lovers a chance to see the sights of Southwest Florida. Songs from the Sofa debuted in 2020.

Angie K. PHOTO PROVIDED

For more information visit https://islandhopperfest.com/.


Second-round PPP loans in Shenango Valley total $ 128.8 million – Business Journal Daily

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YOUNGSTOWN, Ohio – Business entities in the Shenango Valley have received $ 128.84 million in the second round of the Paycheck Protection Program.

According to data released by the Small Business Administration, 2,044 corporations, nonprofits, S corporations, LLCs, independent contractors, and sole proprietorships received loans in the second round of funding, which ran from January 11 to May 31.

While the number of loans approved by the SBA was similar to the first round offered last summer – 2,399 companies then obtained loans – the volume was much smaller, down about $ 100 million from the first. tower.

The decrease is largely due to the reduction in the maximum loan amount from $ 10 million to $ 2 million. In the second round, sole proprietorships were also capped at $ 20,833 for all of a businessman’s operations.

Only one entity in Mercer and Lawrence counties received the maximum amount: Thiel College.

However, a handful of companies were near the ceiling, such as Grove Manor Corp. in Grove City, a senior health center, with $ 1,999,999 and Blackhawk Neff Inc. of New Castle, an electrical service contractor, with $ 1,919,536.55.

A total of 17 organizations received second-round PPP loans over $ 1 million, while 233 received $ 5,000 or less. Meanwhile, the first round of loans saw 43 loans over $ 1 million and 227 loans under $ 5,000.

The median loan amount in the last funding round was $ 20,832 – a sign that much of the funding went to sole proprietors and independent contractors – and the average was $ 63,035.14.

According to documents filed with the SBA, companies receiving loans had a total of 15,592 employees, with the average number of jobs per company being 7.63. Most of the companies, 1725, had 10 or fewer employees.

Among locally established banks, the First National Bank of Pennsylvania had the most loans in Mercer and Lawrence counties with 514 for a total of $ 31.45 million.

Mercer County State Bank was No. 2 with 200 loans for $ 9.02 million, followed by PNC Bank with 147 for $ 8.89 million, Huntington National Bank with 118 for $ 6.13 million and First Commonwealth Bank based in New Castle with 95 loans for $ 16.12 million.

A full list of Shenango Valley entities that were approved for PPP loans in the second round of the program, sorted by loan amount, can be read HERE.

Although the list contains duplicate entries, the loans were approved on different dates; there was no rule against receiving two PPP loans in the second round.

Copyright 2021 The Business Journal, Youngstown, Ohio.

Posthumous Chynna album set for release next week

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Chynna’s posthumous album, “drug opera”, is due out next week.

According to a press release, the rapper was working on the new version before he passed away last year.

Released on August 20 – a day after what would have been the rapper’s 27th birthday – the statement reads: “Before her death, Chynna was preparing this project and it is with her family’s wishes that the music is released without change in vision. , including the name of the project.

The hardware remains unchanged except for a few “minor production changes” made due to licensing issues.

The announcement, made on Monday August 9, accompanies the release of a new single, titled “Season Depression Pt. 2 ‘.

A sequel to Chynna’s track “Music 2 Die 2,” “Seasonal Depression,” the song, like its predecessor, was produced by Nedarb and Suicideyear.

Listen to the ‘Season Depression Pt. 2’ atmosphere below:

Chynna – full name Chynna Rogers – died in April 2020, at the age of 25, of an accidental drug overdose. His death drew tributes from A $ AP Rocky, Brockhampton and more.

His posthumous debut single, ‘stupkid’ was released on August 19, 2020, which would have been the artist’s 26th birthday.

A second single produced by Kirk Knight, “burnout”, was released earlier this year, marking the first anniversary of Rogers’ untimely death.


Eastbourne hosts Beyond the Barricade musical theater concert tour

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Beyond the barricade
Beyond the barricade

Starring former lead performers of Les Misérables and offering over two hours of the best of Broadway and the West End, the evening ends with a finale of Les Mis.

The all-new show for 2021 will feature many of the best acts that made Beyond the Barricade the most popular theater concert in the country, the promoters promise.

Expect songs from The Phantom of the Opera, Jesus Christ Superstar, Chicago, The Lion King, Blood Brothers, Hamilton and more.

The concert features David Fawcett (Valjean) Andy Reiss (Enjolras and Resident Director of the Les Misérables National Tour) Katie Leeming (Eponine) and Poppy Tierney (Cosette), with a live band that captures the feel of the original orchestrations of the elected musicals.

Performers Andy Reiss and David Fawcett designed Beyond the Barricade after appearing in the Manchester and London castings of Les Misérables. David played the lead role of Jean Valjean in the Manchester and London productions, and Andy played most of the male characters, including Enjolras and Valjean, and remains the only person to serve as the show’s Resident Director throughout. occurring at the same time.

Alongside Andy and David on stage, Katie Leeming (Eponine, Les Misérables West End and together in the film version) and Poppy Tierney (Cosette, Les Misérables UK tour, lead roles in Evita, The Witches of Eastwick, Miss Saigon. Also appearing in Mamma Mia: Here we go again).

Andy, David, Katie and Poppy are joined on stage with their own set of musicians.

Show time 7:30 p.m. Book online at eastbournetheatres.co.uk or call the ticket office on 01323 412000. This show is covered by Eastbourne Theaters’ Book with Confidence ticket policy. See the Your Visiting section of the website for more details.


Brad Paisley gets the crowd dancing and singing at the Concert for Legends

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TOWNSHIP – Brad Paisley’s energetic, upbeat and at times heartfelt performance on Monday night washed away the previous gloom from the raindrops and left fans dancing, drinking and smiling near the stage.

After the opening act Jimmie Allen, an award-winning country music artist, Paisley performed before an uncrowded Concert for Legends at the Tom Benson Hall of Fame Stadium.

The event concluded the Pro Football Hall of Fame Enshrinement Festival, which included both the 2020 and 2021 inductee classes.

An attendance figure was not available from the Hall of Fame, but there were a fair number of empty seats in a stadium that could accommodate around 18,000 people for a concert.

Brad Paisley performs at Monday night's Concert for Legends in Canton amidst a video backdrop of the Space Shuttle.  Paisley was the headliner for the concert at the Tom Benson Hall of Fame Stadium.

Rich Desrosiers, a Hall of Fame spokesperson, said ahead of the concert that some fans bought tickets specifically for Lynyrd Skynyrd and then were refunded after the legendary southern rock group canceled Canton’s appearance on Saturday because a member had contracted COVID-19.

Most of the seats in the field were filled with a pinch of vacant seats. The stadium seats, however, were less occupied.

Full or not, it didn’t seem to affect Paisley’s performance in the slightest.

Brad Paisley performs at the Concert for Legends Monday night in Canton as headlining at the Tom Benson Hall of Fame Stadium.

With a vivid and ever-changing video backdrop, often song-related imagery, the Grammy winner and A-list country musician delivered a soft, ear-pleasing vocals with a country twang while impressively handling a guitar.

Paisley’s talent as a guitarist was especially visible during the solos, where he made his way to center stage in front of adoring and festive fans.

In addition to a slew of original hit songs, Paisley slipped in a few surprises – a single from Prince’s “Purple Rain”, quickly followed by a jaw-dropping and catchy version of Van Halen’s classic, “Hot For Teacher.”

Jimmie Allen joined Brad Paisley on stage to sing

Unscripted moments also underscored the show.

After spotting a young girl in the spotlight, Paisley handed the guitar he was playing to the child and his family.

Another time he borrowed a fan’s cell phone and pretended to order burgers and fries for the crowd.

Brad Paisley performs at the Concert for Legends Monday night on the Tom Benson Hall of Fame Stadium stage.

Paisley, who appeared in a Nationwide Insurance TV commercial with former NFL star quarterback Peyton Manning, joked about the football legend, who was inducted into the hall during the festival.

Members of the military were also brought on stage during a song set against a video background of an American flag.

Contact Ed at 330-580-8315 and [email protected]

On Twitter @ebalintREP


Qudos Bank Arena converted into a vaccination center for HSC Sydney students

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Sydney’s Qudos Bank Arena has become a mass vaccination center for HSC students living in the city’s southwest.

The Olympic Park Stadium, which typically hosts live sporting and musical events, has been converted into a vaccination center for grade 12 students in eight local government areas (LGAs) of concern to receive their first dose of Pfizer vaccine

The center will have the capacity to administer approximately 4,000 vaccines per day and is expected to vaccinate up to 24,000 students between August 9-14 as part of a bet for NSW Year 12 students to resume learning by face to face by next week. .

Over 3,000 students from Liverpool, Fairfield, Canterbury-Bankstown, Cumberland, Parramatta, Blacktown, Georges River and Campbelltown came to the stadium to receive their first jab yesterday, with another 8,000 reserved for later in the week .

Qudos Bank Arena, owned by Australian event giant TEG, has not hosted any live music performances since Whitesnake, Tool, Alice Cooper and Michael Buble performed on site in February 2020.

TEG CEO Geoff Jones highlighted the importance of the mass immunization effort in a post on his LinkedIn, writing “We are proud to support NSW in their immunization program by opening Qudos Bank Arena as a vaccination center ”.

TEG representatives have been contacted to provide further comments on the vaccination center.

Interview with Steven Price (David Attenborough: A Life on Our Planet)

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“David Attenborough: A Life on Our Planet” is not the first David Attenborough project which Steven Price scored, but this is the most different. The Netflix movie is not your typical nature documentary, but rather Attenborough’s “witness statement” of how humanity has harmed the planet in its 93 years on Earth alone.

“It was the first time that David really wanted to sit in front of the camera and give his take on things. It was a totally different and very intimate approach. And for him, he’s a very private man who isn’t really known for expressing his own opinion on things, that’s a big deal at the age of 93 like he was when he did this. film, ”Price told Gold Derby during our meeting with CSI: Composers panel (look above). “It was an amazing honor to be asked and then you are faced with, how are we going to make this as good as we all want for David and the message he’s giving and for the world as well?”

An average nature doc would call for epic, sweeping music behind stunning visuals or animals in their element, but Price, who won an Emmy nomination for his score “A Life on Our Planet”, used the “less” approach. it’s more “with a ladder – down, sparse pieces, usually just in the form of a cello or piano. While the subject of the documentary is grand, it is ultimately very intimate and personal as Attenborough chronicles his life and how the planet changed during this time.

TO SEE Watch our interviews with over 150 of this year’s Emmy nominees

“The key thing for me from the start was that it has to be music that resembles its story and how to do it,” Price shares. “I would ask the people around him who work with him a lot, ‘What does David like to listen to?’ And the answer was that he had a library in his house and there were heaps and heaps of chamber music vinyl records. He likes intimate and detailed bedroom stuff, which immediately means we weren’t going to do the big orchestral stuff. It was going to be a low-key and detailed thing. It meant I could go over the musicians I have worked with a lot over the past few years… and write pretty much specifically for people I know very well who are trying to capture a feeling of David.

In this sense, the voice of the revered nature historian has been Price’s main instrument. “I definitely consider Sir David’s voice to be my main instrument and everything has to work around him. He speaks in this really beautifully musical way, ”he notes. “There are gaps and the way he sort of digs into his ideas is really musical and you find yourself playing the game and like magic takes you to places you wouldn’t normally have been to. I was lucky on this movie that a lot of its narration was already recorded before I saw the movie and I could really build around that.

TO PREDICT 2021 Emmy winners until September 19

Make your Gold Derby predictions now. Download our free and easy app to Apple / iPhone devices or Android (Google Play) to compete with legions of other fans as well as our experts and editors for the best prediction accuracy scores. See our latest prediction champions. Can you then surpass our estimated rankings? Remember to always keep your predictions up to date as they impact our latest race odds, which terrify chefs and Hollywood stars. Don’t miss the fun. Speak up and share your edgy opinions in our famous forums where 5,000 showbiz leaders hide every day to keep up with the latest awards buzz. Everyone wants to know: what do you think? Who are you predicting and why?


Apple Music for Artists Adds New “Shareable Milestone” Feature

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Image credit: Appleinsider

A recent update to Apple Music for Artists now allows them to share milestones and successes with their fans.

Apple Music recently updated its Apple for Artists app and added a new “Shareable Milestone” feature that allows artists to share milestones and achievements with their fans on social media.

The “Shareable Milestones” feature allows artists to generate automatic milestones, such as highs and highs in both Shazams and Plays within a country or region. On top of that, artists can post tracks that Apple has added to their own editorial playlists.

Apple Music artists will also be able to share a stage map via Twitter, Facebook and Instagram, as well as Facebook or Instagram stories. There is also a feature to easily generate posts for posts or emails from Apple Music for Artists app.

If you’re an artist and your music is distributed to Apple Music (via RouteNote or otherwise), you can access the Apple Music for Artists app, a tool filled to the brim with additional stats and tips. We’ve written a little how-to guide on how it works here, it’s easy to sign up and gives you more power as an artist.


Watch the new Coheed And Cambria video for Shoulders – Kerrang!

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Last month, Coheed And Cambria released Shoulders, their first real new music since 2018‘s Vaxis I: The unheavenly creatures. Now the US proggers have released the video, although they are keeping a low profile on a potential Vaxis. II album, which would continue the conceptual return of the group in their Amory Wars universe, as in the first part.

Speaking of the track, frontman Claudio Sanchez said: In art, in your career, in your relationships … No matter how much you give yourself or try, you have to accept that not everything in life can be perfect.

As a band we’ve always been a bit outside the mainstream and that has helped us stay true to ourselves. As a person, it’s important to focus on your strengths and who you are, and not try too hard to gain acceptance. Everyone is special and has their own contribution and that’s what the video represents.

Meanwhile, Coheed is preparing to hit the road in the United States with The Used, which will debut at the end of the month.

Coheed and Cambria tour in the United States 2021

August

27 Los Angeles, California – FivePoint Amphitheater
28 Phoenix, from A to Z – Mesa Amphitheater
30 Salt Lake City, Utah – The complex
31 Denver, CO – Levitt Denver Pavilion

September

02 Irving, Issue – The pavilion of Toyota Music Factory
04 Austin, Issue – Germania Insurance Amphitheater
05 Houston, Issue – The Cynthia Woods Mitchell pavilion
07 Wichita, KSWAVE
08 Saint Louis, MO – Saint Louis Musical Park
11 Columbus, OH – Express live!
12 Cleveland, OH – Jacobs Pavilion in Nautica
14 Cincinnati, OH – The ICON Festival scene at Smale Park
15 Indianapolis, INTCU White River State Park Amphitheater
18 Worcester, MY – The Palladium
19 Holmdel, New JerseyPNC Bank Arts Center
21 Baltimore, MARYLANDMECU Flag
22 Raleigh, NC – Red Hat Amphitheater
24 Jacksonville, Florida – Daily Square

Posted on August 9, 2021 at 4:06 p.m.

British Sea Power changes its name to Sea Power and shares “Two Fingers”

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British Sea Power has announced a name change and a new album alongside the release of the single “Two Fingers”.

Now known as Sea Power, the band are back after four years with new music and the sequel to “Let The Dancers Inherit The Party”. The new album ‘Everything Was Forever’ will be released on February 11, 2022.

Topping the news is “Two Fingers”, a song the group describes as having “a strong intention of hope, a desire to start over” amid contrasting observations about racism and the social fabric of the country. UK.

“The song is partly inspired by our late father,” said co-singer Yan Wilkinson. “He always gave a two-fingered salute to people on TV – a sort of old-fashioned consumer term, toasting to people or events: ‘I’ll drink two fingers to that’, to a news item. or memories of a childhood friend.

Yan, who is joined by his brother Hamilton alongside Martin Noble and Matthew Wood in the group, added:. The song is ‘Fuck me, fuck you, fuck everything.’ But it’s also ‘Love me, love you, love everything’ – exultation in the dark. If you say “fuck yourself” the right way, it can really be cathartic, a fresh start. “

He continued, “Maybe it’s interesting that the song mentions nightmarish monsters from the world of [writer] HP Lovecraft. This song has been around for a little while, in part because of the big Covid hiatus. Between the song being written and the end of the album, the television series Lovecraft Country aired – which took the supernatural Lovecraft and aired it alongside 1950s America and Lovecraft’s racism.

“[Lovecraft] was a terrible racist, a white supremacist, which is why his world is there in song, like anti-matter – something full of horror and humanity at its worst. But, alongside the negative forces of the song, there is also a strong intention of hope, a desire to start over. Beyond that, the track has influences that are just inspiring – David Lynch, Cold War Steve, the Sex Pistols, Joe Meek’s Telstar, the beauty of secluded landscapes.

The group said they decided to change their name to Sea Power to avoid any misinterpretation of chauvinism. They have said in press documents that they “love the British Isles deeply”, but the name change “is a modest gesture of separation from the wave of crass nationalism that has recently swept through our world.”

‘Everything Was Forever’ artwork. CREDIT: Press

“Everything Was Forever” tracklist:

01. ‘Scare the sky’
02. ‘Transmitter’
03. “Two fingers”
04. ‘Emergency fire in the sea’
05. ‘Doppelgänger’
06. ‘Fear eats the soul’
07. ‘Madness’
08. ‘Green Goddess’
09. ‘Lakeland Echo’
10. “We only want to make you happy”

Fans can pre-order “Everything Was Forever” here.


Tiny Desk Concert (at home): NPR

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The Tiny Desk is operating from home for the foreseeable future. Introducing NPR Music’s Tiny Desk (home) concerts, bringing you performances from across the country and around the world. It’s the same spirit – stripped back decors, an intimate setting – just a different space.

Having spent time with Whiteout, Ben Howard’s Collections Adventurous sounding fourth album, I was curious to see how he would adapt these songs to the Tiny Desk (at home) concert format. So when the opening shot shows Ben alone in a room, an acoustic guitar in his hand, it was both an “oh yeah!” and an “uh-oh” moment. Gone are all those textures that he, Aaron Dessner, and a bunch of talented musicians had worked on, but in the foreground was that delicate, thoughtful voice that I love. It is a voice which in the recent past was often swarming with effects and buried in reverberation.

As Ben Howard opens his Tiny Desk with the album’s opening track, I found myself focusing on the oblique and pictorial images of “Follies Fixtures”: “Walk with me to the burning spire. / We can count the dead at Ender’s stake. / The dusty towns where the number was found / Don’t quite match the missing. ” He later created a new song, “Oldest Trick In The Book”.

“Thanks for having me and allowing me to play the slight variations of songs that I’m forced to settle down with right now,” Ben says, and with that he kicks the box. rhythms and plays the music that drew me to his work in 2021. Look at those fingers on the guitar and hear that tone. “Far”, indeed.

SET LIST

  • “Folies Fixture”
  • “In the distance”
  • “I forget where we were”
  • “The oldest trick in the book”

THE MUSICIANS

  • Ben Howard: vocals, guitar, drum machine

CREDITS

  • Video: Allan Wilson
  • Audio: Richard Thomas

SMALL OFFICE TEAM

  • Producer: Bob Boilen
  • Video producer: Kara Frame
  • Audio mastering: Josh Rogosin
  • Small production team: Maia Stern, Gabrielle Pierre, Bobby Carter
  • Executive Producer: Keith Jenkins
  • Senior Vice President, Programming: Anya Grundmann


The Unofficial Bridgerton Musical concept album to be released in September

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Abigail Barlow and Emily Bear announced their pandemic project will be dropping September 10th.

Viral songwriters Barlow and Bear announced on TikTok that their concept album, The Unofficial Bridgerton Musical, will debut on September 10th.

The album will focus on the first season of the Netflix hit show – which stars Ireland’s own Nicola Coughlan – and will feature 15 original songs written and performed by 22 year old Abigail Barlow and 19 year old Emily Bear.

The Unofficial Bridgerton Musical was originally composed by the music duo for social media, garnering 36 million likes, more than 2 million followers, and nearly 200 million views on the #bridgertonmusical hashtag.

Barlow and Bear have been live streaming their writing sessions to give their fans a behind-the-scenes look at how their music is made. “The duo has broken new ground by involving their audience in their process every step of the way via social media, and will be mirroring this direct-to-consumer distribution by self-releasing the album on all major streaming and downloading music services,” a statement described.

“The Unofficial Bridgerton Musical concept album is poised to delight fans and new listeners alike with its sweeping orchestrations, clever lyrics, power ballads, and pop topline, ”the statement continues. “The result is a uniquely contemporary score with classical, pop and Broadway influences.”

Barlow began writing pop songs at age 16 and her recent hit ‘Heartbreak Hotel’ reached # 2 on the iTunes pop charts. the pop singer even caught the attention of Meghan Trainor on social media, whom Barlow calls her biggest mentor.

Bear has been composing classical music since she was a toddler. The child prodigy has scored music for Disney, DreamWorks, Warner Brothers, and Universal, earning herself an honor in the Songwriters Hall of Fame.

The pair will be performing The Unofficial Bridgerton Musical Aug. 12 through 14 at Bicester Village in the Oxfordshire countryside in England, as well as Aug. 29 at Broadway’s outdoor music festival, Elsie Fest, in New York.


EST Gee talks to Apple Music about new album ‘Bigger Than Life or Death’ on Rap Life Radio – GRUNGECAKE

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Photo: Courtesy of Apple Music

EST Gee joins Ebro Darden on the latest episode of Rap Life Radio on Apple Music 1 to discuss his new album “Bigger Than Life or Death”. He tells Apple Music about his collaboration with Jack Harlow, the collaboration with Drake that wasn’t meant to be, and the possibility of collaboration down the line.


Video | EST Gee Tells Apple Music About New Album “Bigger Than Life or Death” on Rap Life Radio


EST Gee tells Apple Music that Drake was originally supposed to be on “Lick Back (Remix)”

It was supposed to be Drake too, but he got out of the country. He said he wasn’t really recording. But Drake hit me like, “Dude, I wish I was part of this.” That’s how the structure came about because he was the third person on it, but instead I just came back.

EST Gee talks to Apple Music about collaborating with Jack Harlow

Jack, he really does. He was doing things the people of Louisville had never seen from a rapper in Louisville. He made sure I stay focused, he’s a big part of me to get here because that’s not going to deter you.

EST Gee talks to Apple Music about possible future collaboration with Drake

Drake busy man, but he got the songs and shit. I don’t pressure him for no cost or anything like that, I know he respects him and greets him. That’s all I need, I don’t need the song. I know he recognizes that it is something to recognize. When it’s supposed to happen, it’ll be like this. It might be on the next album. We may already have four or five songs. You’ll just wait and see.

EST Gee Tells Apple Music About Her Hair Growth

When I was shot, I was in the hospital for about two weeks, so I didn’t have a cut. You know when I got out I got a bullet in the eye. You feel me, so I had that fat ass over my eye. You feel me so I couldn’t cut myself. The moment I thought about getting cut, I was like fucking this. I will keep it for a long time.



YK Osiris denounces the “false” artists who do not follow up on collaborations

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YK Osiris recently jumped on the gram to criticize “bogus” artists who do not respond to requests for collaboration.

“That’s why I’m not friendly,” the singer said in the video. “The artists have the same line, this one line: ‘What’s your number, when are we going to lock? N *** a I gave you my number a hundred thousand times, n *** a! We don’t lock ourselves in! Like, nigga, stop asking my number every time you see me! As if we had never met! And they say, ‘When do you leave more music?’ N *** do you care! Why do you care ?! “

Appalled, he went on to say, “N **** s crazy, brother. It will be the same row each time you see them. Even smile. Same fake smile. N / A! To go up. Let’s say “hey” and “goodbye”. If you want to fuck with someone, you will fuck with them. Earlier in 2021, Osiris was spotted “locked” in the studio with Lil Tjay and Hitmaka, allegedly working on new music.

That said, YK’s seizures have garnered more attention than his music lately. In January, her custom Gucci outfit was roasted by Mustard and 21 Savage, the latter claiming that YK “looked like a suitcase.” I have to explain myself, ”Osiris said in a clip shared on social media to refute all the clowns. “You are all so stupid. Made by an exclusive gang. And you all know my boy. [It’s a] custom jacket. You’re all talking about all this bullshit. Savage replied, “He needs help. I can’t make it look like Delta luggage.


Recap of weekend events: Beartrap, Bar Nunn car show and more live music

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By Oil City staff on August 6, 2021

CASPER, Wyo. – Here’s a look at the activities going on in the Oil Town this weekend.

Beartrap Summer Festival

  • 11:00 a.m. Saturday – 8:00 p.m. Sunday

The annual event at Beartrap Meadow on Casper Mountain celebrates over 25 years of “sun, mountain air, vendors, food and drink,” event organizers said. This year will also see the return of The Bear Club VIP area. Benefits include VIP parking, shaded seating and access to the exclusive VIP bar.

Tickets purchased until midnight Friday will be free, thanks to the event’s sponsors. Tickets cost $ 40 per day during this promotional period and are available here. Children 12 and under can participate for free.

The article continues below …

The music lineup brings national and regional musicians to the Hilltop Bank stage, with styles ranging from ‘traditional roots’ to ‘genre acts who aren’t afraid to mix bluegrass with grunge’.

On Saturday:

  • 11 a.m .: Wylie Jones
  • 12:45 p.m .: Ben Rice
  • 2:30 p.m .: That damn Sasquatch
  • 4:15 p.m .: Ryan Chrys & The Rough Cuts
  • 5:45 p.m .: Craig Morgan

Sunday

  • 10:00 am: Pipe Band of the Lander fire brigade
  • 11 a.m .: Lionel Young Band
  • 12:45 p.m .: Félix and Los Gatos
  • 2:30 p.m .: Ghost Town Blues Band
  • 4:15 p.m. Kenny Wayne Shepherd

More live music

Quinlan Valdez, with Charles Benson

  • Oil City Beer Company
  • The show starts at 6:00 p.m.

Singer-songwriter Quinlan Valdez will bring his lyrical and melodic acoustic styles.

Oil City Beer Company

Chad Lore Pork Chop Extravaganza

  • 7:00 p.m. Saturday
  • Frontier Brewing Company and Taproom
  • Papa’s Pork Chop on site all day
  • “As always, families and patio puppies are welcome”
  • With a brand new batch of Magpie Pale Ale, plus what’s left of Laffy Taffy Hef
  • Event publication

The monkey brain

  • Oil City Beer Company
  • Saturday at 7:30 p.m.
  • Classic, modern rock, covers and originals
  • “For the whole family, with homemade sodas and of course an award-winning and tasty beer!”
  • Event publication

‘Clueless’ (1995) – Free at David Street Station

Jane Austen’s satirical ’90s update premieres at 7:00 p.m. Friday at David Street Station as part of the free summer series Cinema at the Station, presented by Memorial Hospital of Converse County.

NOTE: Outdoor shows are weather dependent. Monsters Inc. rained last week and was rescheduled to Thursday August 12 at 6:00 p.m.

Bar Nunn Fire Department’s 4th Annual Car Show

  • 7:00 a.m. – 3:00 p.m.
  • Antelope Park at Bar Nunn
  • Free for the public
  • Food trucks, vendors and children’s activities
  • Event publication

Report a correction or typo.

Catskill Music Consort to perform in Franklin on Sunday | Entertainment News

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FRANKLIN – The Franklin Farmers’ Market will host the Catskill Music Consort on the Music at the Market stage from 11 a.m. to 1:30 p.m. on Sunday, August 8.

According to a press release, the trio will play a repertoire ranging from baroque to modern classical, including fugues, tangos and jazz.

Described as a summer community chamber orchestra, the group includes conductor / arranger Nicholas Scarim on guitar and Amy Pratt and Wynne Shilling on flutes.

Scarim, who grew up in Chicago and attended Chicago Musical College before moving to New York City, spent summers in South Kortright for three decades.

He has commissioned and performed ballets, operas, film scores, chamber and orchestral works by numerous American orchestras and opera companies. Her work has been performed at Alice Tully Hall, Avery Fisher Hall, and New York City Hall. “A Simple Melody,” commissioned by Carnegie Hall, was performed there by the American Composers Orchestra and St. Luke’s Orchestra for eight seasons and by 14 other orchestras in the United States and Canada. He has also taught composition at Third Street Music School in New York since 1979.

The Sunday performance is free. Tables and chairs will be available and guests are welcome to bring their own seats.

The market is open from 10 a.m. to 2 p.m. on Institute Street.


Paula Cole Taps Cleveland’s Americana Sound This Weekend At Cain Park

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The Grammy-winning singer-songwriter’s performance will feature songs from her new album American Quilt.

Over the past 25 years, Paula Cole’s impact on music and culture has been palpable, whether through her own music or her impact on the sound of others. In May, the Grammy-winning artist added to that legacy with American Quilt, an immensely moving journey through the patchwork of American history. Embellished with soulful sounds and rhythmic riffs, American quilt pays homage to the pulse of American music by presenting interpretations of songs rich in history such as “Wayfaring Stranger” by Johnny Cash, “Nobody Knows You” by Eric Clapton and “What A Wonderful World” by Louis Armstrong. Ahead of his touring opening performance at Cain Park this Saturday (doors open at 7 p.m.), Cole shares the inspiration behind his eleventh studio album.

Cleveland Magazine: Why did you choose to start your tour in Cleveland?

Paula Cole: It was the moment, but it seems so fatal. The Rock and Roll Hall of Fame is here. The lyrics “Cleveland” crept into the only song I wrote for my new album. So it’s on my mind. It’s just interesting that it all landed cosmically like this. Cleveland has a lot of heart. I have always liked people. It’s a hard work ethic, and yet a real open-mindedness.

CM: After decades of consistently producing and playing music, what motivates you to continue and evolve your sound?

computer : The muse is alive and I am very prolific at the moment. I am not someone who took a beating and then moved on to a comfortable life. If anything, the punches gave me a chip on my shoulder to show that I’m not just the punches. I feel like a legacy artist and these successes were kind of an anomaly. I love music and am still working to become a better pianist and writer. I basically love music at the altar. I meditate on my death and think I want to leave a beautiful catalog behind me.

CM: Why do you think your impact on music and culture in the 1990s still resonates today?

computer : It’s so gratifying to see young artists discover me or cover my songs. It is the most beautiful of compliments. I always thought time would tell. I had a great influence when my star was shining brightly at the time when I had the hits. But, I didn’t feel well and left the company for a while. I wanted to have my daughter and welcome a quieter time while building more catalog and thinking long and hard. I’m not an extrovert and it was difficult for me to be in the spotlight. I have not always been well received. Some of the things that people find out now and love so much, like my album Amen, have been really castigated. Things are not always well received at the time, then time shows what music really is and who the artist really is. So, I just have faith in that. I am so touched that people appreciate it. In a way, I feel more connected to the younger ones. I always pushed the boundaries as a feminist and my sounds were misinterpreted. For example, “Where have all the cowboys gone?” – people thought it was a call for conservatism, when it was really a feminist and ironic message.

CM: What was the inspiration behind American quilt?

computer : I wanted people to appreciate my roots and the music that informed me. I wanted to pay tribute to the masters who taught me, from Bessie Smith to John Coltrane, from Emmylou Harris to Johnny Cash. Also, to break down gender barriers because we tend to over classify music. It’s based on money, demographics, and advertisers. They categorize and separate people on radio stations or platforms. Too often it’s based on race, age or gender. When really, all American music is quite similar. Some could come from the mountains, some could come from the cities and some could be 200 years old. I think it’s really similar and we’re just this beautiful, diverse patchwork. American quilt is symbolic for breaking genders and unifying the human family. He recognizes the beautiful music that has come from the dark underbelly of American history. That’s why I wrote about Cleveland because it was a city where the Underground Railroad ended. It is very deep.


Two albums from The Suicide Squad now available at Troll Court / WaterTower Music

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The Suicide Squad (Original Motion Picture Soundtrack) Includes songs from the movie, including grandson’s new original song “Rain (with Jesse Reyes)” The Suicide Squad (Score from the movie soundtrack) Includes music by composer John Murphy

LOS ANGELES, August 06, 2021– (BUSINESS WIRE) – Troll Court / WaterTower Music today released TWO music albums by The suicide squad, the superhero action-adventure film from writer / director James Gunn that features a collection of the most degenerate offenders in DC lineup and is now in theaters and also available on HBO Max via the Ad-Free Plan for 31 days. One album contains songs heard in the film, including the grandson’s new track “Rain (With Jesse Reyes)”. The other album is music from composer John Murphy’s film (Kick ass), who took a decidedly punk stance in his approach to creating music for an insanely visceral and outrageously The suicide squad.

James Gunn takes an extremely hands-on approach to infusing music into his films. Not only does he plan the music he will use when writing his screenplays, but he also uses the playback of selected songs on set, allowing actors to enter his world from the other side of the cut. , thus facilitating performance. .

The Suicide Squad (Original Motion Picture Soundtrack), what Gunn calls his “organized mix tape,” features tunes from classic artists such as Johnny Cash, The Jim Carroll Band, Kansas, Louis Prima and Pixies, alongside a handful of today’s rising stars like grandson and Jessie Reyez; in addition to their own songs, the latter two even perform the duet “Rain” which was written specifically for the film.

“A movie for me is two things,” says Gunn, “The image and the sound. This is how you combine those two things that help tell a story and hopefully move an audience. So the music is incredibly important, and not just the songs that I choose but also the music that I built with my songwriter, John Murphy, which is absolutely beautiful for this movie. A lot of John’s score was written in advance and we play it on set as well, and that guides the scenes, the way the cameras move, and really informs the actors. “

Murphy said to work on The Suicide Squad (Score from the movie soundtrack) with Gunn, “From day one with James it was really creative and a lot of fun. Nothing was out of place. He loves music. You can feel it in his films. And we wanted this score to be different; sometimes raw, sometimes epic, sometimes unexpected – but always with attitude. I’ve heard people say that a good score is the one you don’t notice. I think that’s bullshit. We wanted one. score that gets noticed! “

Murphy and Gunn were never going to go with typical superhero movie music, so Murphy, who started out in a punk band, picked up his guitar, plugged it into an AC15 Vox, and started writing riffs. guitar as low and dirty as the Squad themselves. . “Because,” explained Murphy, who plays all of the guitars on the soundtrack, “I write differently with a guitar. Emotionally, I come from a different place. I like to write on the piano, but with the guitar. , I can explode to different rhythms, walk around the room, keep cranking up the amp. I can have a beer. “

As the story (and music) of the film shifted from dirty guitars and bass drums to more epic orchestral pieces, instead of switching to the piano to compose, Murphy continued to write with his guitars and songs. pedals. He then built the orchestral action tracks from these raw guitar ideas. This way he could keep the same “punk” feeling he had established at the start of the score while rocking his entire orchestra with him. Murphy explained, “When we recorded the orchestra, I loved hearing all those thundering brass themes and soaring violins that started out as fuzz guitar riffs. And timpani riffs that, in my head, were. really drum fills. The orchestra killed him! “

Much like the Suicide Squad themselves, the score gets progressively bigger and more heroic, but it gets there in its own way.

“James trusted me to go with my guts; and I trusted him to say it,” the composer concluded. “Then The suicide squad score was a collaboration from start to finish. And probably the most fun I have ever had in a movie! “

The Suicide Squad (Original Motion Picture Soundtrack) is now available, and the list of tracks is as follows:

Folsom Prison Blues (Live at Folsom State Prison, Folsom, CA – January 1968)

Johnny cash

The suction cup prayer

The Decemberists

Samba Na Sola

This U

Whistle for the choir

The Fratelli

Back to the point of knowing

Kansas

Sola

Jessie reyez

I can not sleep

K. Flay

Quem Tem Joga

Drik Barbosa, Gloria Groove & Karol Conká

Rain

grandson and Jessie Reyez

Just a gigolo / I have no one (and no one cares about me) – Medley

Louis prima

Hey

leprechauns

So busted

Culture abuse

Oh no!!!

grandson

The Suicide Squad (Score from the movie soundtrack) featuring John Murphy’s sheet music is now available, and the track list is as follows:

Here is the famous Suicide Squad

Dirty little secrets

Approaching the beach

Peacekeeper … what a joke

Chaos on the beach

King Shark and the Clyrax (feat. Jessica Rotter)

Waller’s Deal – Meet the team

Bombs explode!

Harley gets the javelin

Suicide Squad vs. Starro the Conqueror

Approaching the guerrilla camp

The starry awakening

Starfish Project

Panic in the streets

Red flag

The squad turns around

Interdimensional virus

The squad strikes back

Ratcatcher’s story

Ratism

Harley sings

The Bloodsport Agreement

Breaking into Jotunheim

ABOUT JOHN MURPHY

Born in Liverpool, John Murphy started scoring movies at the age of 25. In 2001, following the success of Lock, reserve and two smoking barrels and To tear out, he moved to Los Angeles. Since then he has worked with some of the industry’s most respected and famous filmmakers including Michael Mann, Danny Boyle, Guy Ritchie, Stephen Frears and James Gunn, producing film scores as important and diverse as Sun, Kick-Ass, The suicide squad, and the seminal 28 days later. His movie trailers include Captain America, X-Men, Cloverfield, War of the Worlds, Ex Machina, and Avatar. His music has been featured in advertising campaigns for Nike, Audi, Microsoft, Google and Apple.

After Kick ass Murphy created the Taped Noise label and began working on several non-film projects. He is currently working on The peacemaker with James Gunn.

ABOUT THE SUICIDE SQUAD

From the horribly beautiful mind of writer / director James Gunn comes the superhero action adventure of Warner Bros. Pictures “The Suicide Squad,” featuring a collection of the most degenerate offenders in DC lineup.

Welcome to Hell – aka Belle Reve, the highest fatality prison in the United States of America. Where the worst supervillains are kept and where they will do anything to get out – even join the super secret, super shady Force X task. Today’s mission? Assemble a collection of drawbacks including Bloodsport, Peacemaker, Captain Boomerang, Ratcatcher 2, Savant, King Shark, Blackguard, Javelin, and everyone’s favorite psychopath, Harley Quinn. Then, heavily arm them and drop them (literally) on the remote, enemy-infused island of Corto Maltese. Traversing a swarming jungle of militant adversaries and guerrilla forces at every turn, the squad is on a search and destroy mission with only Colonel Rick Flag on the ground to make them behave… and Amanda’s government technicians. Waller in their ears, tracking their every move. And as always, one wrong move and they’re dead (whether at the hands of their opponents, a teammate, or Waller herself). If anyone makes any bets, the smart money is against them, all of them.

The film stars Margot Robbie, Idris Elba, John Cena, Joel Kinnaman, Jai Courtney, Peter Capaldi, David Dastmalchian, Daniela Melchior, Michael Rooker, Alice Braga, Pete Davidson, Joaquín Cosio, Juan Diego Botto, Storm Reid, Nathan Fillion , Steve Agee, Sean Gunn, Mayling Ng, Flula Borg, Jennifer Holland and Tinashe Kajese, with Sylvester Stallone and Viola Davis. Gunn made from his own screenplay, based on DC characters. The film was produced by Charles Roven and Peter Safran, with Zack Snyder, Deborah Snyder, Walter Hamada, Chantal Nong Vo, Nikolas Korda and Richard Suckle in executive production.

Warner Bros. Pictures presents an Atlas Entertainment / A Peter Safran production, a film by James Gunn, The suicide squad. The film is distributed worldwide by Warner Bros. Pictures. It’s in theaters and IMAXs nationwide today and available on HBO Max on the ad-free plan in UHD, HDR10, Dolby Vision, and Dolby Atmos on supported devices for 31 days from theatrical release. .

ABOUT THE MUSIC OF THE TOUR D’EAU

WaterTower Music, the in-house label of the WarnerMedia companies, publishes recorded music as rich and diverse as the companies themselves. It has been the soundtrack to many of the world’s most iconic movies, TV shows, and games since 2001.

See the source version on businesswire.com: https://www.businesswire.com/news/home/20210806005003/en/

Contacts

Polar Bear Contact
Andrew Krop – John Murphy’s Publicist
Polar bear PR
[email protected]

Water tower music
Joe kara
[email protected]


Aidan O’Rourke: Iorram (ship song)

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Aidan O’Rourke – Iorram

Reveal Records – August 6, 2021

A movie soundtrack always exists in two different states simultaneously. It can, of course, be consumed as part of a larger work of art – the movie – but it’s also still possible to listen to a soundtrack independent of its parent movie, as a standalone album. .

It gives the soundtracks an inherent strangeness, an otherness. They create their own shadow life: although the content is the same, the context makes the shadow different. A good soundtrack will work as well as a backdrop to a movie as it does as a full-fledged listening experience. Whether or not a listener can participate in both sides of this dual existence depends on whether or not they have seen the film. Still, sometimes a soundtrack is so well done that you don’t necessarily need to be on both sides.

Perhaps the magic of a good soundtrack comes from the tension involved in its two states, and you don’t always have to have seen the movie to appreciate that tension. This is certainly the case with the composer and the fiddler. Aidan O’Rourkefor the recent documentary film Iorram (Boat Song). Iorram, directed by Alastair Cole, is a skillful, subtle, and eerily moving portrayal of Gaelic-speaking Hebridean fishermen. Contemporary images are supported by archival talking documents dating back almost three quarters of a century – a technique that gives the film its own double life.

Due to this method of layering, the idea of ​​time in the film becomes fluid, stretches and redoubles so that the roles of past and present fishermen merge, shift and come in and out. O’Rourke’s soundtrack must therefore encapsulate both the modern and the old, often simultaneously.

O’Rourke is, without a doubt, qualified for this particular project. His day job as a third of the iconic Scottish folk trio Lau – a group that has always had an eye on the future – sees him combine his violin with guitar and song by Kris Drever and the often experimental electronic magic of Martin Green. On Iorram, alongside his violin playing, he takes on a role that is somewhere between composer and curator. He enlisted the help of some of the leading figures in contemporary folk, including Brighde Chaimbeul on smallpipes, cellist Lucy railton, Thomas gibbs on piano and harmonium, Graeme stephen on guitar and Adam kinner on sax. The result is a very loose approach to folk music, incorporating elements of jazz and modern composition in a perfectly organic way and fully suited to the subject.

The Kaylana (Introduction), a one-minute instrumental, is a hypnotic, beautifully disconcerting whirlwind, punctuated towards its conclusion by a short, brilliant violin rocket. It casts a soft shadow over the album – there’s another one-minute iteration before a longer, fully fleshed out version. Then there’s the title track, which sparkles and sparkles like an impressionist painter’s interpretation of the sea, before a 1974 recording of Sorley MacLean reading her own Gaelic poem Reothairt (Spring Tide) introduced an air of Quiet melancholy, heavily backed by Stephen’s soulful electric guitar. The Herring Girls and Barra Boys showcase Chaimbeul’s remarkable flute, high and wild against the hum of Gibbs’ harmonium.

Am Bòchdan is an amazing lesson in restraint: supported by Railton’s sympathetic cello, Gibbs’ minimal piano melody wraps around a vocal performance by Lizabett russo reminiscent of the glossolalic heights of Liz Fraser. The song passes like a breeze but leaves a lasting impression.

O’Rourke’s musical pedigree isn’t the only thing that suits him for this project. He grew up on the Scottish coast and witnessed the slow decline of the fishing industry. He brings his obvious love for the region to these compositions, and his affinity for communities is particularly evident in songs containing archival vocal material. He knows when to apply the lightest of touches, and on songs like Óran Nan Sgalpach (a 1968 recording by fisherman Harris Donald Alex MacDonald) he just lets the vocals speak for a soft touching effect. The album’s centerpiece, Fuadaichean Nan Gaidheal / O Hó Hoireann ó, Tha Mi Ann Am Èiginn, is an eight-and-a-half-minute epic of shared memory and social history, examining Highland Clearances and the subsequent poverty of l Rural Scotland and, in particular, its fishing industry. The story is told through the words of Peggy MacCuish (recorded in 1968) and the singing of Peggy MacLennan (1965). If that sounds dry or overly didactic, it really isn’t: the sheer passion of the female voices (along with O’Rourke’s tuning) makes listening to it incredibly moving.

O’Rourke is a master when it comes to creating an atmosphere: The Sandbank And The Whale slowly grows and then falls into nothingness before the sweet and pretty first notes of Fhir A ‘Bhata / Nuair Thàinig Àm An Iasgaich rock the listener. The song’s final surprise is a vocal piece sung in 1951 by Peggy MacRae, which appears to have come from a much older musical generation. MacRae’s altered voice collides with the noises of the seemingly outer setting in which she was recorded and the limitations of the recording equipment and still manages to shine.

The Six Widows once again showcases the otherworldly beauty of Russo’s voice – made all the more alluring by excellent studio deception – in combination with the deliciously quirky piano and saxophone. The album ends with a cover of the title track, a calm shimmer reminiscent of the sea after a storm. A violin melody is interrupted halfway and then flies off again, the guitar falls asleep and calms down as barely present voices scream above the water. Then there is a surge of waves, a white noise of the tide which inaugurates the final, almost transcendental swell. It crowns a truly magical listening experience, one which, despite its calm exterior, is brimming with ideas and teeming with the history of an often overlooked part of British culture. Even without the context of the film it accompanies, O’Rourke’s masterful document has an almost visual liveliness in itself.

Movie trailer for Iorram:

Iorram out today (August 6), for pre-order through Bandcamp: https://aidanorourkemusic.bandcamp.com/album/iorram-2021

https://www.aidanorourke.net/

Photo credit: Geneviève Stevenson


Jimmie Allen excited to perform Concert for Legends with Skynyrd, Paisley

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When Jimmie Allen steps onto the stage at the Tom Benson Hall of Fame for the Legends concert on Monday night, the country music star will be watching thousands of fans and always being in awe of the moment.

Although he is considered a pioneer of music as a black artist in the country genre. Even if he won the biggest prizes. Even though he recorded songs to top the charts and was praised for his latest album.

“Dude, every time,” Allen said of the privilege of performing live. “I do it every moment. Even sitting here talking to you (in a phone interview). These are things we’ve dreamed of as artists all of our lives.

“You still pinch yourself,” he added, noting that when the thrill and appreciation is gone, “that’s when you messed up, that’s when you messed up. lost. “

Lynyrd Skynyrd will still perform at the Concert for Legends despite the fact that its only original member, Gary Rossington, recently had emergency heart surgery.

Allen will open the concert of co-headliners Lynyrd Skynyrd and Brad Paisley to close the Pro Football Hall of Fame Enshrinement Festival.

The concert will not be subject to any pandemic restrictions as the event is outdoors, said Rich Desrosiers, Hall of Fame vice president of communications and public relations.

Who else is playing?

Three-time Grammy winner Paisley is one of the most accomplished and popular country music artists. He also won two American Music Awards and 15 Academy of Country Music Awards.

Inducted into the Rock & Roll Hall of Fame in 2006, Lynyrd Skynyrd is best known for the songs “Sweet Home Alabama”, “Free Bird” and “Simple Man”.

The southern rock group will perform the Canton show without its only original member, Gary Rossington, who is recovering from recent emergency heart surgery.

Johnny Van Zant, younger brother of Lynyrd Skynyrd co-founder Ronnie Van Zant, is the band’s lead vocalist. Elder Van Zant died in a plane crash in 1977 with band guitarist Steve Gaines and backing vocalist Cassie Gaines.

Tickets, ranging from $ 75 to $ 152 each, were still available Wednesday and can be purchased online at www.profootballhof.com/tickets.

The concert will conclude a festival honoring both the Hall of Fame Class of 2020 and the Class of 2021 due to the COVID-19 pandemic canceling out last year’s events.

Fan of the Eagles

During an approximately 15-minute phone interview, Allen was courteous, engaging, and seemed delighted to perform at the Concert for Legends. He was also looking forward to his first trip to the Hall of Fame museum.

Allen has said he is a die-hard Philadelphia Eagles fan.

“I’m bleeding green,” he said excitedly.

Brad Paisley co-headlines the Concert for Legends on August 9 with Lynyrd Skynyrd at Tom Benson Hall of Fame Stadium.  Jimmie Allen was added as the opening act.

“I can’t wait to see Reggie White’s bust there,” Allen said of the legendary defensive lineman and former Eagle.

Shifting the conversation to the gig, Allen said he wouldn’t be a stranger to Paisley. The two have already played a few dates together on the Paisley summer tour.

Allen looked ecstatic when asked if he would join Paisley on stage to perform the song “Freedom Was a Highway”. The track, taken from Allen’s “Bettie James” album, features Paisley.

“In fact, my team tapped their team to make sure that happened,” he said. “It has to happen! “

The Concert for Legends at the Tom Benson Hall of Fame Stadium on Monday will close the Pro Football Hall of Fame Enshrinement Festival.

Jimmie Allen would love to work with Elton John

Allen’s success in country music was not immediate.

Attempts to break into the music-focused TV shows “America’s Got Talent” and “American Idol” did not materialize. Persistence, however, ultimately led to a recording deal with BBR Music Group’s Stoney Creek label.

The song “Best Shot” from her 2018 debut album, “Mercury Lane” reached No. 1 on the country radio charts, followed by a second No. 1 hit, “Make Me Want To”.

And her 2020 album “Bettie James” has been praised for its diversity of sounds and styles. Joining Allen on the album are Noah Cyrus, Darius Rucker, Tim McGraw, Rita Wilson, The Oak Ridge Boys, Mickey Guyton and others.

At the end of June, he released the sequel to the project, “Bettie James Gold Edition”. Nine new songs are included with Babyface, Keith Urban, Little Big Town, Pitbull, LANCO and more.

Allen said there are a number of other artists he would like to work with on new music.

“I would really love to do a song with Elton John,” he said. “I would love to do a song with Adele, OneRepublic (and) Maroon 5. I want to do a song with Camila Cabello. I really want to do a song with Celine Dion.”

“Your moment will come”

Allen perked up when asked what advice he would give to others who pursue lofty dreams and goals.

Among the skeptics and skeptics, he said, “I would say keep going. The only opinion that matters is yours. The last thing I care about is what someone thinks about what I’m doing.

“… The more you get from no … use it as fuel,” he added, calling it “logs on the fire” that serve as extra motivation.

“You have to believe in yourself no matter how many no’s you get,” Allen said before adding, “Ultimately your time will come.”

‘Beneath the surface’

Allen became the first black musician to be named New Male Artist of the Year at the 56th Academy of Country Music Awards. Allen was also nominated for the Country Music Association’s New Artist of the Year in 2020.

When asked about songwriting and the pursuit of a hit, he named abandoned music industry icons including Michael Jackson and Whitney Houston.

“I think what makes a song special is the depth of what connects to people below the surface,” Allen said of songs that have remained popular over the decades.

“The first and only you”

And it is important for a musician to be himself, he said.

“There is a Paul McCartney,” Allen said. “There is a Beyoncé.”

“What happens is that people buy into who they are through their music, and I think that’s the thing – being yourself,” he added. “… Don’t worry about being the next so-and-so – just worry about being the first and only you.”

Allen has spoken openly about his accomplishments as a black country music artist.

He also addressed the issue on his debut record on the clever and poignant track, “All Tractors Ain’t Green”, when he sings:

Not all guitars sound the same

I can’t judge the whiskey by the bottle

Can go against the grain

From that country boy motto

Sometimes what you get is not always what you see

Not all fields are corn and not all tractors are green

“We’re a little closer to normal,” Allen said of black country musicians. “That’s what excites me … because in all genres (other than) country music, race is not an issue.”

Contact Ed at 330-580-8315 and [email protected]

On Twitter @ebalintREP

If you are going to

WHAT Legends Concert

WHO Jimmie Allen opens for co-headliners Lynyrd Skynyrd and Brad Paisley

WHEN 8 p.m. on Monday

OR Tom Benson Hall of Fame Stadium at the Pro Football Hall of Fame

HOW Tickets cost $ 75 to $ 152 and are available at www.profootballhof.com/tickets



‘Unprecedented’ fraud penetrated COVID-19 small business loan rollout, watchdog warns

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On the cusp of the COVID-19 pandemic, when offices and restaurants began to close, the federal government worked to keep small businesses afloat – ultimately spending more than $ 1 trillion to help protect the American dream of millions of workers and business owners.

But even before the first checks, the alarm bells went off.

The person who rang those bells the loudest was Hannibal “Mike” Ware, the Inspector General of the Small Business Administration. The veteran internal watchdog says he attended a series of meetings with Trump administration officials and SBA analysts that were interspersed with “difficult discussions” on how to quickly distribute funds without leaving them vulnerable fraudulent claims.

His warnings have gone unheeded, Ware said, and the fallout has “transformed him from a black-haired man to a gray-haired man.”

“My level of frustration was extremely high,” Ware told ABC News in a recent interview. And now, a year and a half later, he has declared that “the scale of the fraud we are witnessing is unprecedented – unprecedented”.

As small businesses emerge from the pandemic, the Paycheck Protection Program (PPP) and Economic Injury Disaster Loans (EIDL), two key relief programs passed under the CARES Act of Congress, are drawing to a close. But for all the jobs they saved, their legacy can be tarnished by unprecedented amounts of fraud – a reality that experts say could hamper efforts to adopt future emergency relief programs.

“In terms of dollar value, the amount of fraud in these COVID relief programs will be greater than any government program that came before it,” Ware said.

All government programs suffer from some fraud, experts say. And emergency programs are even more sensitive, due to the inherent tension between the pressure to approve loans quickly and the need to screen applications and maintain other fraud prevention measures that can prolong the process.

In an October 2020 report, Ware’s office found that “to speed up the process, the SBA” lowered safeguards “or relaxed internal controls, which significantly increased the risk of program fraud.”

A senior SBA official in the Biden administration concurred with Ware’s analysis, noting that “it shouldn’t be an expectation that we have to sacrifice speed for certainty – you can do both.”

“The story of 2020 for PPP and EIDL is the fact that the leadership of the previous administration did not have enough controls in place to determine individual identity or corporate identity,” the official said. . “There are absolutely different choices that could have been made to limit vulnerabilities to fraud.”

“With limited staff, few technological tools to perform prepayment verification, and an overwhelming need, the SBA and other agencies have abandoned many traditional checks and simply approved applicants with little or no verification of self-reported information. “, according to Linda Miller, the former assistant manager. director of the Pandemic Response Accountability Committee, a government task force established under the CARES Act.

“Best practices require upstream due diligence to avoid making the fraudulent or improper payment in the first place,” Miller wrote in June, after leaving the PRAC. “But in the rush to quickly distribute pandemic relief, we failed to do so and so are continuing now [funds that were fraudulently granted] … but the funds recovered will be a fraction of what was stolen. “

Ware said this is precisely what his office seeks to avoid. Even before PPP and EIDL were finalized, the SBA Inspector General’s office submitted three reports to the SBA “detailing the importance of the initial checks,” according to Ware. During the grueling exchanges of spring 2020, he said he warned the SBA to “pump the brakes” on the process.

“Scammers are going to do what scammers are going to do,” Ware said. “But the initial controls mitigate exposure to fraud, and that would have saved taxpayers a lot of downline heartache. Unfortunately, heartache was not avoided because of the way these programs were implemented from the start. departure.”

Jovita Carranza, the former SBA administrator who resigned when President Trump stepped down, could not be reached by ABC News for comment. Last October, in a letter responding to Ware’s report, Carranza wrote that the Inspector General “failed to recognize the improved and effective system checks and validations that the SBA uses” to eliminate fraudulent claims and “grossly overestimates the risk of fraud, waste and abuse. “

Carranza’s successor as SBA administrator – Biden candidate Isabella Casillas Guzman – said “reducing the risk of fraud, waste and abuse” in the distribution of relief loans and grants is a top priority . She said a series of measures implemented in December – including initial verifications and claimant tax information – had already produced “a sharp drop” in fraud, and that she was working closely with Ware to further improve safeguards and vigorously track and recover previous fraudulent dispersions.

Ware agreed that the controls put in place late last year helped fight fraud, but said the efforts were too weak, too late.

“At that point, well, you already know how much money is gone,” he said. “A lot of money was out.”

Among the relief programs, the deployment of the EIDL of the previous administration was given special consideration. James W. Cooper, a former federal prosecutor who now works for the law firm Arnold & Porter, called the program a “fraud magnet,” citing a provision that allowed beneficiaries to receive up to $ 10,000 in ‘advance “without any conditions”.

“That money is gone,” Cooper said.

But that didn’t stop Ware from trying to get him back. Its investigative efforts have resulted in 307 indictments, 205 arrests and 69 convictions related to PPP and EIDL fraud, which has raised more than $ 600 million to date.

This figure, however, only reflects a fraction of what experts believe was defrauded. Of the more than $ 1,000 billion distributed, Ware and others estimate that more than 5% of transactions were fraudulent – a staggering rate that would suggest tens of billions of dollars lost.

The first accusations of PPP fraud came just weeks after the program was launched, Ware said, and will continue for years to come. Fraudsters have used a range of strategies to illegally obtain the relief funds, including identity theft and setting up bogus companies to submit loan applications.

Those charged include a former “Love & Hip Hop: Atlanta” reality star accused of defrauding PPP to the tune of $ 2 million, and a former New York Jets football player who allegedly obtained a loan. PPP of $ 1.2 million and spent a large chunk of the money on jewelry and Gucci and Dior items. Other fraudsters are accused of spending their loot on Tesla shares and a 40-foot catamaran sailboat.

A NASA executive recently pleaded guilty to submitting fraudulent loan applications to PPP and EIDL seeking more than $ 350,000 and then spending the money on various personal expenses, including a swimming pool and a breeder. dogs. Prosecutors said the executive “views COVID-19 relief programs as a personal piggy bank.”

For those found guilty, prosecutors call for severe penalties; Last week, a Texas man who submitted false documents and received over $ 17 million in PPP loans was sentenced to 11 years in prison and ordered to repay $ 17 million in restitution. He had used the illicit funds to buy several houses and a fleet of luxury cars, including a convertible Bentley, a Corvette Stingray and a Porsche Macan.

But experts fear these bold and expensive cases are just the tip of the iceberg – and they warn that over time investigators will uncover even more complex scams.

“This first round of lawsuits targets the fruits at hand – clear cases of fraud involving large sums of money that are relatively easy to trace,” said Cooper, the former federal prosecutor. “What will be interesting to see is whether investigators will end up turning their attention to more nuanced and sophisticated fraud cases.”

A notable challenge for investigators will be to identify the organizers of large-scale schemes that have been a pervasive source of fraud. This includes schemes in which a small number of people enlist others to submit a high volume of low-cost loan applications and then take a share of the proceeds – a kind of fraudulent crowdsourcing, experts said.

“In many cases, individuals have obtained these loans at the request of one or more people who sought multiple advances using straw applicants,” Cooper said. “It will be very difficult for investigators to identify the real perpetrators.

These complex cases require more time and energy to investigate, straining already depleted resources. Brandon Brockmyer, research director at Project on Government Oversight, a nonprofit watchdog group, said investigators will likely have to prioritize the most egregious cases.

“Official watchdogs are trying to slice up and slice up the data to figure out where to spend their time and resources because they are overwhelmed,” Brockmyer said. “These are a huge number of deals. They have no choice but to be strategic about where they are looking.”

In light of the challenges, Ware predicts that the investigative work will continue for years to come. And experts fear more and more that there is more at stake than unrecovered money.

“It comes down to the public’s confidence in government to administer programs of this magnitude,” said Brockmyer. “The rate of fraud in these COVID relief programs will have an impact the next time a major emergency rescue program is needed.”

Tommy Shaw from Styx has a heart full of music and Montgomery

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Tommy Shaw from Styx has a heart full of music and Montgomery


If the definition of a professional singer pays off, Styx frontman Tommy Shaw has been one since he was five years old.

“I remember when I was just a bighead kid sitting on the back porch,” Shaw said.

It was 1958 in Prattville, and little Tommy had a knack for remembering radio tunes.

“My grandfather, who was retired, had this job where he went around the newspaper machines and made every penny out of them,” Shaw said. “He was walking by and I was going out with my brother on the porch swing. He gave me pennies for singing little pieces of songs.

Tommy Shaw of Styx performs on Thursday March 2, 2017 at the Montgomery Performing Arts Center in Montgomery, AL.

At 67, the payout is little more than a nickel for Shaw these days, and his music is still flowing. In nearly 50 years since Styx signed their first recording contract in 1972, the band have released 42 albums (17 studio, 9 live and 16 compilation).

Tommy Shaw performed with the band Styx on Friday, June 29, 2001, at Montage Mountain in Scranton, Pennsylvania.

In addition to Shaw’s vocals and guitar, Styx’s current lineup includes James “JY” Young (vocals, guitars), Lawrence Gowan (vocals and famous rotary keyboard), Todd Sucherman (drums) and Ricky Phillips (bass) , as well as an occasional appearance by original bassist Chuck Panozzo.

Earlier this summer, the multi-platinum rockers released The Same Stardust EP for Record Store Day on June 12. Less than a week later, Styx released a full new album “Crash of the Crown”, with recordings made at Shaw’s home studio in Nashville. .

“We were able to keep writing and playing new music, and making it sound like Styx and be like Styx, because it’s Styx,” Shaw said. “We know who we are. “

Shaw hasn’t forgotten who he is, either.

“I am proud to be from Montgomery. This is where I learned to be a musician, ”said Shaw.

Mildred Shaw of Montgomery was the mother of Styx frontman Tommy Shaw.

The youngest of four children, Shaw was born in Montgomery on September 11, 1953. At the age of two, his parents Dalton and Mildred Shaw moved to Prattville for the next decade.

“Prattville is where I first got my hands on a guitar,” Shaw said. His parents gave it to him when he was seven. Five years later, they returned to Montgomery.

“A lot of parents don’t like rock and roll… but we’ve always encouraged it,” Shaw’s mother told The Advertiser in 1977.

Tommy Shaw performs with his first group, the Vagabonds.

The Montgomery drivers may not have caught sight of him until the mid-1960s as they drove past his house, but they were the audience Shaw honed his guitar art on.

“I got my amplifier out on the Madison Avenue porch and was playing in traffic,” Shaw said.

At 14, Shaw and four friends formed his first group, The Vagabonds. While a student at Lee High School, he performed with Jabbo Stokes & The Jive Rockets.

Years later, he teamed up with another group of guys from Montgomery in the Harvest group, just before joining Styx.

Tommy Shaw, a native of Montgomery, performs at the Alabama Music Hall of Fame Awards on Friday, February 22, 2008, at the Renaissance Hotel & Spa at the Convention Center in Montgomery, Ala.

“Montgomery is where I met all of my musician friends,” Shaw said. “It was a great place to grow up.

It’s also a great place to come home.

Shaw said one of his favorite visits to Montgomery was in 2008, when he was inducted into the Alabama Music All of Fame. Her mother was still alive and was able to attend.

“My mom was a good southerner,” Shaw said. “She has always been optimistic about the future, no matter what. She always said that next year would be a better year. She believed in it. I used to think, “You don’t know,” but she was right. Things get different, and sometimes different, it’s just better.

The members of Styx are, from left to right, Lawrence Gowan, Chuck Panozzo, Tommy Shaw, James

Another thing Shaw feels very connected to in Montgomery is a 104-year-old downtown restaurant known for its hot dogs, chili sauce, and attracting music icons like Hank Williams and Elvis Presley.

“Chris’ Hot Dogs is awesome. I’ve been going since I was a little kid and had to crawl to get on the seat,” Shaw said. “My mom was there until the last days of her life. .

Speaking to the announcer in 2017, Styx’s teammate Gowan said he knew how connected Shaw felt to Montgomery through the personal stories he had heard.

“It’s obviously a huge part of who he is,” Gowan said. “It’s something that we celebrate when we have the chance to play there.”

There are no Alabama stops for Styx this time around, although their nationwide tour will land nearby on August 5 in Clearwater, Fla. (Ruth Eckerd Hall), August 6 in Augusta, Ga (The Bell Auditorium). ) and August 8 in LaGrange, Georgia (Sweetland Amphitheater). The tour will conclude next year with a show on January 6 in Nashville, Tennessee (Rhyman Auditorium) and on February 14 on a Rock Legends cruise from Orlando, Florida.

Their most recent show in Montgomery was in 2017 at the Montgomery Performing Arts Center, where one of Shaw’s signed guitars greets guests entering the theater.

“I hope we will play again soon at MPAC. Love this place, ”Shaw said.

From MS Funk to Harvest to Styx and beyond

Shaw went to Nashville at age 19 and joined Smoke Ring, which would later rebrand itself as MS Funk, a big rock band with horns. Shaw learned the meaning of “starving artist” from them. The MS Funk years were much more rewarding in terms of experience than salary.

“We never made any money,” Shaw said. “We were always doubling down in the rooms. We were all skinny because we couldn’t afford to eat a lot.

Things got worse with the emergence of discos and clubs playing recorded music, which cut their concerts in half.

Harvest members Tommy Shaw, Eddie Wohlford, Jimbo Jones and Tommy Beavers.

Around this time, a longtime friend, Eddie Wohlford, contacted Shaw about returning to Montgomery to join the Harvest group, which Shaw did in 1975.

“They already had the gig there,” Shaw said, referring to Montgomery’s famous Kegler’s Cove lounge at the Bama Lanes bowling alley on Atlanta Highway.

“It was a real gift because I got to come home,” Shaw said. “I didn’t come home with an award, but I came home with experience and songs.”

Along with Shaw (guitar) and Wohlford (keyboard), Harvest included Tommy Beavers (drums) and Jimbo Jones (bass). Their harmony transcended the stage.

“On September 14 (1975) we played that night,” Jones said. “After I finished playing, Tommy (Shaw) went with me to Jackson Hospital and waited with me until my first child was born around 3 a.m.”

Harvest had songs like “Reason To Believe”, “The Long Way”, “Bad Weather” and many others. They recorded many of them at Kegler’s Cove, and Jones said he was honored to be invited by Shaw to sing the lead role on Shaw’s song “Merry Go Round”.

Harvest’s music also included Shaw’s iconic “Crystal Ball,” which he would later bring to world fame with Styx.

“I took it in the afternoon and played (Harvest) my idea, and then we made a little recording of it,” Shaw said. “Instead of just one voice on the verses, we did it more like Crosby, Stills and Nash and sang the harmony on all the verses. It was really pretty.

Shaw clearly didn’t have a crystal ball, as he couldn’t see that he had already planted seeds for his musical future. Six months after joining Harvest, Shaw got a call from Styx’s tour director. They needed a guitarist who could sing. He had seen Shaw playing with MS Funk in Chicago and eventually found him bowling.

When Shaw got the job, Styx gained a big fan in Shaw’s mother, who told the announcer in 1977: “There is so much rock and roll where you can’t hear the words, but you can. hear the words in (Styx’s) music. ”

Tommy Shaw of Styx performs on Thursday March 2, 2017 at the Montgomery Performing Arts Center in Montgomery, AL.

While Shaw is still with Styx today, the past 46 years have been a roller coaster and even saw the members of Styx go their separate ways for several years.

Shaw toured and recorded 7 albums with Styx between 1976 and 1984, before going solo with his debut album “Girls With Guns”. In 1989, Shaw joined Ted Nugent, Michael Cartellone and Jack Blades in the super group Damn Yankees. He also had a duet with Blades called Shaw Blades. Shaw returned to Styx to tour in the mid-1990s, while continuing to do solo, duo and Damn Yankees projects. His work with Styx has continued over the past two decades.

Damn Yankees guitarist Tommy Shaw performs to a crowd of around 7,500 fans who braved the stormy elements at the Starwood Amphitheater on August 4, 1990.

“Tommy is a true American soul man, a talented songwriter and wizard and one of the greatest guitarists of all time,” Nugent told the announcer in 2017. “We were obviously destined to create the song together. killer music by Damn Yankee. The man deserves me! “

This year feels like the 1970s for Shaw, as multigenerational fans know both old and new music and want to hear it live.

Something Shaw appreciates about Styx is that the group has a broad artistic license. Shaw said the live shows brought classic songs like “Crystal Ball,” “Fooling Yourself,” “Mister Roboto” and “Blue Collar Man,” as well as new concept album material like “The Mission” from 2017. and “Crash of the Couronne.”

Amidst his work on Styx and other projects, Shaw has returned a few times to reunite with his Harvest buddies, including an Auburn gig in 1978 after the band rebranded themselves as Harmony. In 1984, Shaw invited Wohlford and Jones to collaborate on a new album.

In 1978, the group Harmony (formerly Harvest) reunited with Tommy Shaw for a concert in Auburn.

In 1995, Shaw told the announcer that he would like to return to Montgomery if he could live here and pursue his career. Although he did not quite return to his hometown, he found a place quite close.

After decades of living in California, Shaw and his wife Jeanne moved to Nashville in 2013 to the home formerly occupied by the late singer / songwriter Donna Summer. They fell in love with the city after working on Shaw’s album “The Great Divide”. Shaw said he also enjoys listening to the sounds of all of the city’s train tracks that have inspired greats like Hank Williams.

Contact reporter Shannon Heupel of Montgomery Advertiser at [email protected]


Black Stone Cherry concert shines a light on the weekend’s events

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Hub City Brewery is having another concert Thursday night, and Black Stone Cherry is the performer.

Black Stone Cherry has been playing for 20 years and has six albums to his name.

Most of their music is southern rock, and they’ve toured with legendary bands such as Def Leppard, Lynyrd Skynyrd, Bad Company, Motorhead and ZZ Top.

Their latest album is “Family Tree” which continues their southern rock tradition.

Tickets are between $ 15 and $ 20 and the show starts at 8 p.m. at the Hub City Brewing (250 West Main Street in downtown Jackson).

Friday

Frank’s Friendly Flea Market will be at the Jackson Fairgrounds (800 South Highland in downtown Jackson) this weekend and the first weekend of each month. The flea market will be open on Friday from 5 p.m. to 8 p.m., Saturday from 9 a.m. to 6 p.m. and Sunday from 9 a.m. to 5 p.m. There is no parking or entrance fee. Everyone is encouraged to dress up, distance themselves socially, and profit from the market.

The AMP concert series: Ricky Ray will be the lead performer this week as the AMP summer concert series continues at 91 New Market Street in downtown Jackson. The music will begin at 7:30 pm Blankets and lounge chairs are welcome at this family event. Free parking is available throughout the city center.

Tractor Show at Discovery Park: The 2021 Antique Tractor Show at Discovery Park of America (830 Everett Boulevard in Union City) will be held on Friday August 6 and Saturday August 7 for all tractor enthusiasts and their guests to enjoy. During the show, attendees from across the United States load up their vintage and vintage tractors and take them on display on the beautiful grounds of Discovery Park. The event ends with tractors lining up for a parade around the park as guests line the road and cheer on their favorites. A free special screening of “SILO” at the Simmons Bank Ag Center will take place on Friday at 6.30pm. A limited number of tickets are available. The museum and heritage park will remain open until 8 p.m. on Friday. There will be live music, food from Blue Bank Resort and Fast Macs, and a cash bar. On Saturday there will be a live tractor auction at 11 a.m. Bid on two vintage tractors from the Discovery Park collection. For guests, the tractor show on Friday August 6 and Saturday August 7 is free with your entry to the park or your membership.

Saturday

Karaoke: Hub City Brewing will host the karaoke night at 8 p.m.

Sunday

Sunflower Sundays: Sunflower Sundays is a four-week festival that will combine music, food and sunflowers at Sunset Valley Farms (1190 Tn 200 Huron) from 1 p.m. to 8 p.m. every Sunday for the next four weeks. This week’s music is by Hunt Pearson & the South’rn Sounds Band starting at 5 p.m. Buy your tickets now online at www.cornmazefestival.com to reserve your seat. Tickets are not guaranteed at the door. Come pick sunflowers, make a bouquet and take photos in the field. Farmer Brian will provide a barbecue, mini donuts, fresh lemonade and more. Online admission starts at $ 11.50 with different pricing packages available. Tickets, if available at the door, start at $ 20. Children 2 and under enter for free.

Contact Brandon Shields at [email protected] or 731-425-9751. Follow him on Twitter @JSEditorBrandon or on Instagram at editorbrandon.

Williams Lake Studio Theater outdoor theater event takes the stage August 5-8 – Williams Lake Tribune

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The Williams Lake Studio Theater Society is hosting an outdoor theater event August 5-8 in UBC’s Alex Fraser Research Forest on Fox Mountain. (Photo by Saraphine Carpenter Macfarlane – Williams Lake Tribune)
Tension builds as Curt Sprickerhoff (The Good Samaritan), left, Kathleen MacDonald (the Teacher) and Mimi Searls (the Jumper) perform Playwriting 101: The Rooftop Lesson, one of three plays at the Williams Lake Studio Theater Society ?? s?  ? Garden shorts ??  (Photo by Monica Lamb-Yorski - Williams Lake Tribune)Tension builds as Curt Sprickerhoff (the Good Samaritan), left, Kathleen MacDonald (the teacher) and Mimi Searls (the jumper) perform Playwriting 101: The Rooftop Lesson, one of three pieces from “Garden Shorts” by the Williams Lake Studio Theater Society. “(Photo by Monica Lamb-Yorski – Williams Lake Tribune)
Longtime friends Louis (Donatien Cyr) are gone and Dave (Kristian Volkman) finally got to know each other better on a Saturday night cruise to Louis and Dave, one of three short plays from the Williams Lake Studio Theater Society August 5-8 at UBC's Alex Fraser Research Forest.  (Photo by Sara Carpenter - Williams Lake Tribune)Longtime friends Louis (Donatien Cyr) are gone and Dave (Kristian Volkman) finally got to know each other better on a Saturday night cruise to Louis and Dave, one of three short plays from the Williams Lake Studio Theater Society August 5-8 at UBC’s Alex Fraser Research Forest. (Photo by Sara Carpenter – Williams Lake Tribune)
Veronica Larson (Madeline) and Gabriel Zamorano (John) meet for a love affair in ?? Snocky, ??  one of three short plays presented by the Williams Lake Studio Theater Society at the UBC Alex Fraser Research Forest, August 5-8.  (Photo by Monica Lamb-Yorski - Williams Lake Tribune)Veronica Larson (Madeline) and Gabriel Zamorano (John) meet for a romantic affair in “Snocky”, one of three short plays presented by the Williams Lake Studio Theater Society at the UBC Alex Fraser Research Forest, 5-8 August. (Photo by Monica Lamb-Yorski – Williams Lake Tribune)

Grab a friend, bring a lawn chair, and pray that the rain will hold.

The Williams Lake Studio Theater Society presents outdoor theater from Thursday August 5 through Sunday August 8.

Consisting of three short 15-minute tracks, “Garden Shorts” is presented at the UBC Alex Fraser Research Forest on Fox Mountain at 795 Campbell Road.

Theatergoers will sit down to watch one play, then grab their lawn chairs and move on to the next.

Actors Kathleen MacDonald (The Teacher), Curt Sprickerhoff (The Good Samaritain) and Mimi Searls (The Jumper) and director Cathie Hamm have said they are coming together Dramatic Writing 101: The Rooftop Lesson by Rich Orloff was fun.

“It was different playing a short play as opposed to a two-and-a-half-hour play,” Searls said.

Sometimes playing the part is complicated, but in some ways it’s the easiest part of a play, MacDonald added.

“All the scenes, the sounds, the staging – that stuff is amazing. Sometimes we have the easiest job.

Working with MacDonald, Searls and Hamm was the part that Sprickerhoff enjoyed the most, he said.

“I was lucky Cathie picked us all because it was so much fun working on the play.”

Hamm said that as seasoned actors the three knew what to do and she praised them for their willingness to do the action scenes.

The play explores the best way to tell a story and ends up doing just that.

Louis and Dave, by Norm Foster, presents three newbies. It was Kate Bertenshaw’s directorial debut and the first time that Donatien Cyr (Louis) and Kristian Volkmann (Dave) performed in a WLST play.

The play follows the antics of two longtime friends cruising on a Saturday night making chat calls to women they see along the way.

“I thought having two guys in a car would be a COVID-friendly option,” Bertenshaw said. “We were supposed to have simple sets and this one stood out for me. I also like the play because it is Canadian.

Volkmann has just graduated from Maranatha Christian School and hopes to get into acting in the future. So participating in the play was a good experience, he said. .

Cyr has already played Maranatha and it was his former drama teacher who recommended him to audition.

“I came here and it was an amazing learning experience,” said Cyr. “Everyone always said I was a great actor back then, but I see some of the older actors here and I’m just buddy to them.”

Audiences will love seeing Dave muster the confidence to finally reveal that he is and always has been an intellectual.

Snocky, by Jules Tasca, contains adult content and is strategically staged in the most romantic area of ​​the property with a small lake in the background.

Actors Veronica Larson (Madeline), Gabriel Zamorano (John) and director Sheryl-Lynn Lewis said the creation of the play was based on mutual trust.

It’s about a man and a woman trying to have an affair, but when they meet in a hotel room for a morning date, things start to take a turn for the worse.

“Sheryl-Lynn was instrumental in bringing it together,” said Larson. “The words on the page were funny, but literally with each repeat it just got funnier and funnier for us.”

Zamorano said trust is important because the characters have never met before and need to create playful intimacy through the choreography.

“Every kiss and every caress is all choreographed, so it’s done in a safe way,” he said.

Equally important are the comic elements of the play, he added.

Tickets purchased for Friday, Saturday and Sunday evening performances have the option of including dinner from Mint & Lime Catering Co. for an additional cost, although food orders should preferably be received by Wednesday August 4 or Thursday August 5. at 4 p.m. at the latest.

Show time is 6.30 p.m.

Saturdays and Sundays also have mornings from noon, but without the catering option.

Tickets are available at The Open Book at 247 Oliver Street and will not be available at the door.

Bottled water will be provided, but people are encouraged to bring their own.


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SBA calls for prompt cancellation of PPP loans

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Starting this week, borrowers who have received a Paycheck Protection Program loan of $ 150,000 or less will be able to request a rebate through an online portal set up by the US Small Business Administration.

The portal will go live on Wednesday here, with more than 600 banks nationwide participating.

In Maine, SBA staff members prepare to help, led by Diane Sturgeon, chief of the SBA’s Maine district office, who says the team will keep an up-to-date list of lenders who have opted for the program on its website.

Staff members are also encouraging lenders to reach out to clients directly to let them know about the portal, which she says is designed to be user-friendly with built-in customer service.

Courtesy / US Small Business Administration

Diane Sturgeon is the District Director of the Maine District Office of the US Small Business Administration.

“We’re very happy to see this up and running because it will help the vast majority of our borrowers get their forgiveness as quickly as possible,” Sturgeon told Mainebiz.

“Our ultimate goal is to obtain prompt remission of any loan eligible for remission.”

In total, the SBA and lenders have worked to secure more than 11.7 million loans totaling nearly $ 800 billion in aid to more than 8.5 million small businesses, according to last week’s press release. .

This includes over 6.5 million loans approved in 2021 worth over $ 275 billion, with an average loan size of $ 42,000.

The program has been anything but routine for banks and SBA officials, as detailed in a Mainebiz cover story earlier this year.

“The SBA’s new streamlined application portal will make forgiveness easier for millions of our smaller businesses – including many sole proprietorships – who have used the funds from our Paycheck Protection Program loans to survive the pandemic.” SBA administrator Isabel Casillas Guzman said in a press release.

“The vast majority of businesses awaiting forgiveness have loans below $ 150,000,” she noted. “These entrepreneurs are busy running their businesses and facing an overly complicated surrender process. We need to offer forgiveness to them more effectively so they can get back to bustling our main streets, supporting our neighborhoods and fueling the economy. of our country. “

In addition to the loan remission request portal, the SBA is setting up a PPP customer service team to answer questions and directly assist borrowers with their remission requests by phone (see information below).

“This initiative will allow PPP borrowers to put their worries of obtaining full forgiveness behind them and return to focusing on operating and growing their businesses,” said Patrick Kelley, associate administrator of the Access Office. capital of the SBA. “We are excited to be able to help financial institutions across the United States process pardon requests for small business owners. “

Help desk

Borrowers who need help, including finding their SBA loan number, can call the SBA Helpdesk at (877) 552-2682 Monday through Friday 8:00 a.m. to 8:00 p.m. EST.

Archivo de Guatemala (El Mundo, Richard Savino)

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Move on, Ennio Morricone. While the Italian master composer provided a moving and memorable score to Roland Joffé’s 1986 film The mission, the story of Spain’s imperial and religious ambitions in the heart of South America has its own authentic soundtrack.

Whether in the Bolivian rainforest or in the big cities of the New World, the music of the old world exerted a considerable influence, especially in the religious realm. Take, for example, Guatemala, where the city’s cathedral has a musical archive containing hundreds of compositions by Spanish and local composers.

Among the indigenous composers were Manuel José Quiroz and Rafael Antonio Castellanos, both of whom were capella maestro of the cathedral in the 18th century. These composers were inspired by the xácara dance form with its own catchy rhythms and harmonies. The results are joyful and charming devotional pieces, some dedicated to the baby Jesus, sung with evident affection by members of El Mundo.

Among the Spanish compositions, Joseph de Torres Cantada al Santísimo (Cantata au Saint-Sacrement) impresses with its flowery violin solo, while the contagious rhythms of Sebastián Durón Vaya pues rompiendo el have (Let it go, ripping the air) will make the listener want to stand up and dance.

Reflecting the interest and expertise of band director Richard Savino, the continuo band focuses on plucked string instruments such as guitar, theorbo and harp. Savino himself contributes some beautiful guitar solos, the quality of which is matched by the rest of the instrumental work on this wonderfully engaging program.

Listen on Apple Music.

Composer: Various
Works: Various works
Interpreters: El Mundo, Richard Savino
Label: Naxos 8574295


Hip-hop artist’s Eagle Scout project brings power to the world

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Eagle Scout AY Young, 30, is attracting worldwide attention, both through his activism (which started with his Eagle Project) and through his music. Young has dedicated his Eagle Project to his activism and currently spends much of his time ensuring that underprivileged communities have access to electricity. With his music, Young released two albums full of personal and inspiring songs.

“The idea for me in life is to bring everyone together, because deep down I feel like we are all the same and one big family,” he says.

Growing up in downtown Kansas City, Missouri, Young made it his goal to change the world. He created The battery tour – a renewable energy concert series – which raises funds through donations to provide portable solar boxes to villages in countries that do not have reliable access to electricity. Some examples are Haiti and Honduras.

Out of 18,000 nominations, Young was recently selected to be one of 17 Young leaders for the Sustainable Development Goals by the United Nations. He is the only person in the United States to have achieved this title. Young describes this moment as “incredible”.

“When I look back (almost crying) it’s been 10 long years of trying to connect with the world and make an impact with everyone working together. The UN gave me the credentials and the validity to really amplify the impact.

How it all began

The idea started to germinate in the late 2000s – that’s when Young started thinking about ways to empower his community using music. He later brought his idea to life with the help of his Eagle Project, which involved researching how to power a concert using renewable energy, building a device that could use pre-existing technology, and hosting a concert. .

“I built the energy box I call the ‘Outlet’ and started fueling my concerts by using the Outlet itself to raise awareness about sustainability and fundraising to bring in. electricity to people around the world, ”he said. “So the Battery Tour was born and connected to over 17 countries to date.”

The energy box is a suitcase-sized box with a cover that captures solar energy and stores it in batteries. On the outside of the box are several outlets – allowing people to plug in cords to charge their music equipment, laptops, phones, and more. Young is the first artist to power a concert using these energy boxes.

Young decided to name his project “Outlet” after discovering that nearly a billion people around the world did not have access to electricity. He had also learned through playing that everyone is an outlet for change.

“I remember playing and looking back and saying, ‘Uh, my name is AY and… it’s the Battery Tour. I think I said that because there were batteries behind me, ”he says. “That’s when spectators and spectators started donating money to keep the Battery Tour running. They said, “We are your points of sale. We feed the tour.

Today, the energy boxes are further enriched thanks to the partnerships that Young has with technology companies like 1773 Innovation company and many more.

Raise awareness of sustainable development

As a young leader for the SDGs, Young has partnered with the UN to raise awareness about sustainable development through Project 17, which consists of three phases.

“This is the first project of its kind and it will build bridges between all facets of humanity such as the world’s best artists, the most popular influencers, the biggest companies and the most remarkable charities. While putting people and their passion at the center, inspiring them to take action and together creating real change. “

In the first step, Young and some of the world’s most popular artists, such as Billie Eilish and Coldplay, will record the world’s first lasting album. It will feature 17 songs, each representing a sustainable development goal.

Next, the artists will perform the album at 17 festivals across the United States starting in May 2022. Their goal is to clarify and share the message behind each sustainability goal.

Finally, Young will help promote the Project 17 education program in schools and colleges across the country. And it will help create a guide for the music industry, which will teach musicians how to sustainably produce and tour, collaborate with key players and more.

Passion for music and scouting

Young began his journey as a performer and music producer by writing poetry.

“I wasn’t allowed to listen to hip-hop or rap music, so I wrote about what I saw,” he says. “One day my brother was playing guitar and I started talking about what I wrote about music.

Young’s music draws attention to community development, education, the environment and more. He believes people of all ages will identify with his music, especially children.

“My music will fuel your dreams,” Young says. “I was hassled and bullied a lot for the way I spoke and how I dressed. Don’t worry about what other people say; as long as you are yourself, it’s beautiful and all that is. necessary.

Young, who was with Troop 1024 in Kansas City, Missouri, earned the rank of eagle in June 2009. He thanks his parents and the Scout organization for playing such an important role in his life and success. . He says Scouting made him the person he is today.

“I am blessed. I don’t know if I would have this career, this life and this dream if I hadn’t had scouting to move me forward and prepare me,” he said. “My father supported me. in Scouting and helped me. I owe a lot to Scout Leader David Penner of Troop 1024. And my mom kept me going when I was distracted by sports.

Traveling the world comes with many challenges for Young, especially being away from friends and family. However, he says it’s amazing to know that there are other Boy Scouts in the audience at his concerts.

“You have no idea how difficult it was to power nearly 900 gigs across the United States when most people didn’t even understand sustainability or energy storage,” he says. . “And knowing that others have gone into battle, know the Scout Oath and Law – Patrol Leaders, Star Scouts, Life Scouts, Cub Cubs – it’s so cool to be connected to a group of people who understand. “

AY hopes the Boy Scouts take away a positive message after listening to his songs like “Say Hey”, which inspire people to be themselves. This is one of the important things he learned in life.

“Love yourself. Trust yourself. Be yourself,” Young said.

With all he has accomplished so far, Young wants all Boy Scouts to know they can do whatever they want, regardless of rank.

“It’s been tough, but I’m fortunate enough to finally have a platform through Scouting to hopefully amplify my efforts to bring positive change and real impact,” Young says. “Whether you are an Eagle Scout or not, I am here to prove that you can do it all. So let’s show the world what Scouts are made of!


New music: 5 cool album releases to discover in August | Entertainment

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Here are five albums that should be on your radar in August.

The New Zealand singer-songwriter has created some of the best music of the past 10 years, which listeners can find on “Pure Heroine” in 2013 and “Melodrama” in 2017. Expect that the trend continues with the release of her third studio album, “Solar Power”, on August 20.

“Free Me 2”, Barbra Streisand

Babs is back with a new compilation of rare and unreleased songs. Highlights include a duet with Willie Nelson on “I’d Want It to Be You” and, of course, the rendition of “Rainbow Connection” with Kermit the Frog. Exit Friday.

“Jesus People”, Danny Gokey

The singer who placed third in the eighth season of “American Idol” in 2009, behind eventual champion Kris Allen and runner-up Adam Lambert, has produced a steady stream of successes over the years, including “Hope in Front of Me, ”“ Rise, ”and“ Tell Your Heart to Beat Again. ”Her latest album, which follows the popular 2019“ Haven’t Seen It Yet ”, hits stores August 20.

“Perfect Union”, Kool and the gang

The great funk-disco-R & B troupe of all time – known for hits like “Get Down on It”, “Too Hot”, “Ladies Night” and, of course, “Celebration”. served as Oakland’s A Victory Anthem in home games) returns with a new album on August 20. The first single from the collection is “Pursuit of Happiness”.

“The body remembers”, Debbie Gibson

The formidable singer-songwriter, who sold millions of albums and singles in the late 1980s, is back with her 10th studio release. “The Body Remembers” presents a new version of the wonderful 89 hit “Lost in Your Eyes”, this time recorded as a duet with Joey McIntyre of New Kids on the Block. Released on August 20.

© # YR @ MediaNews Group, Inc. Visit Mercurynews.com. Distributed by Tribune Content Agency, LLC.

Copyright 2021 Tribune Content Agency.


NPR Staff Pick: All Songs Considered: NPR

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Top left, clockwise: Sufjan Stevens and Angelo De Augustine, Canary Room, Billy Bragg, William Parker, IDK, WILLOW.

Courtesy of the artists


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Courtesy of the artists


Top left, clockwise: Sufjan Stevens and Angelo De Augustine, Canary Room, Billy Bragg, William Parker, IDK, WILLOW.

Courtesy of the artists

Every month, we ask the NPR Music team: What’s that song you can’t escape? What is the only album you will come back to all year long? In July, we found solace in veterans (Billy Bragg) and newcomers (Canary Room), witnessed IDK and WILLOW’s personal transformations, hit some funky grooves with William Parker, and heard angels go deadly in a collaboration between Sufjan Stevens and Angelo De Augustine.

Follow the #NowPlaying blog for new favorite songs from NPR Music staff.

Billy Bragg: “I will be your shield” from The million things that never happened

Just as my anxiety started to fade like the summer sunsets I enjoyed on various patios in Nashville, the COVID Delta variant hit hard. I’m vaccinated, but still feel the whiplash as friends test positive and it just doesn’t seem so safe to resume the relaxed and connected life I love. I needed a song that could shelter me. Just in time, Billy Bragg – the troubadour who has been giving fans virtual hugs since the early 1980s – posted this blood pressure lowering testimonial of lasting love and trust. It’s a track from her first solo album in eight years, released in October. –Anne Powers

Youtube

Sufjan Stevens & Angelo From Augustine: “Reach out” from A beginner’s mind

“Reach Out” is one of the first releases of the new collaboration between Sufjan Stevens and Angelo De Augustine, A beginner’s mind. The song is loosely based on the 1987 German fantasy film. Wings of desire, where angels listen to the thoughts of Berliners. An angel wanders off and becomes mortal to feel the sensation of being a human: to smell, touch, love rather than just look.

“Reach Out” echoes these themes of isolation and mortality, embodied in lyrics such as “I’d rather be the flower than the ocean” and soon after, “I’d rather be devoured than broken”. And in the most Sufjan Stevens way, he and De Augustine’s voice and delicate instrumentals make these huge themes floral and accessible. –Sophie Hernandez-Simeonidis

Youtube

Canary Islands Room: “Christine” from Christine

There is a lot of noise in my life: a toddler, an endless inbox, a constant barrage of punk and metal bang from my office speakers. It takes a lot for a singer-songwriter with just an acoustic guitar to break through. Then I heard the song “Christine” from Canary Room. This is a short five song EP recorded outdoors on four tracks; listen closely and you can hear the birds chirping and the leaves rustling in the wind. But most of the time you just hear Maddy Heide’s voice up close, like she’s sitting right next to you, thinking out loud about how the seasons change in a person and how you love them. anyway. The melody rises and falls like rolling foothills – gently, but not without a heart pumping blood. Canary Room has a bunch of songs on their Bandcamp page that are worth listening to, but this one is on repeat. –Lars Gotrich

WILLOW: “don’t save me” from lately I feel EVERYTHING

To quote my esteemed colleague Robin Hilton, WILLOW’s new record really rocks. In case you weren’t careful, this is lately I feel EVERYTHING, the 20-year-old artist’s much-appreciated pivot to pop punk. On the self-produced fourth track, “Don’t SAVE ME”, WILLOW overlays the sonic manifestations of his bellicose psyche. Its first half teases the paradox with anxious guitar chords and restrained drums. His words – delivered with a casual, almost carefree flow – are bare and direct; a conscious but stubborn refrain of “I don’t really think I can do it on my own / But I tell them, ‘Don’t save me'” reveals WILLOW’s internal desire for help battling an external projection of self-sufficiency . It’s a cry for help that lurks in plain sight, ultimately culminating in an explosive bassline of truth in the second half of the track. –The Tesha Harris

Youtube

IDK: “Hey Aunt” from USE YOURSELF

USE YOURSELF plays as the answer to IDK’s debut album, Is it real? But this one goes a step further: IDK speaks candidly about his upbringing, relationships, religion, and what he’s becoming as a man. There’s a lot of substance here, but none of it matters if it’s not the jamming – and it is. USE YOURSELF is brilliantly produced and sequenced, and packed with features, but IDK maintains its position as the star of the series. DMV, get up! –Bobby carter

Youtube

William Parker: “Tabasco” by Mayan space station

Seasoned bassist, songwriter and community organizer William Parker is having an incredible year, with a 10-CD box set and authorized biography already under his belt. He released two new albums in July, and one of them, Mayan space station, feels great for long, hot summer days and nights. Parker and drummer Gerald Cleaver play right behind the beat, adding funky grain to their hypnotic grooves. And Ava Mendoza’s electric guitar sings and flies in a way that might remind you of the late Sonny Sharrock. –Steve smith


We need more Australian music in our coverage of the Olympics – but also in our commercials | The music

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SSinger-songwriter Jack River (AKA Holly Rankin) caused significant unrest on social media last week after calling Channel Seven over the blatant lack of local music used during his full coverage of the Olympics.

It set off a kind of firestorm, with fans piling up to tag not only broadcasters but also the big brands they felt were not doing enough to easily help an industry on its knees since the start of the pandemic.

Having spent nearly a decade working in both the advertising and music industry, I have followed this debate with keen interest. While I think Rankin was right to call Seven – who would have signed a general trade deal with Apra anyway and have no excuses – the biggest opportunity, however, lies in what’s going on between sports coverage.

At a time when the means to make money for artists in this country are increasingly limited, a sure bet is big brand advertising. Over the course of my career I have written for many companies that advertise during games including CBA, Woolworths, Optus, and McDonald’s – companies that I call “blue chips” because they are the only ones with budgets. Decent TV.

Having a song “in sync” in a 30-second marquee venue for these guys may be worth more than being the theme song for a hit show, or even being featured in continuous NRL coverage. It makes your song playing in the background for 30 seconds right after the 400m relay sound like peanuts – and can really change an artist’s life.

This made me reconsider the question that has plagued me since I was a junior writer at Leo Burnett eight years ago: why is there so little Australian music in our advertising? As with any dilemma in the overlapping, complicated and often opaque media and entertainment industries, there is more than one answer. But maybe by unboxing them, we can find a way forward to ultimately support our brilliant talent.

Basically, the reason you hear so few Australian songs in Coles or Woolies commercials is that timing a song is a dark art. It relies on an ecosystem that brings together clients, creatives, producers, publishers, labels, sound design companies and oversight houses and is almost never as simple as a creative suggesting a Sampa the Great banger and the brand that lends it. ‘bought. In order for a song to get to where we hear it on a commercial, each of those arms has to work together despite very different goals. There are so many barriers, internal and external, to getting music featured in advertising in this country that it’s amazing that it is.

Young creative people in advertising companies are often the first to think of fresh music in response to a client brief. But they can often find themselves blocked by creative directors tasked with top-notch brand custodians. Statistically in Australia, they are middle-aged white men. Some of them like cool new stuff, but many don’t. This is where the most ridiculous ideas of Status Quo “Down Down” come from. Nothing comes out without their tacit approval, which may be the first place Australian music dies.

Clients also have a role to play in this file, particularly at higher levels. Because of their size, top-notch brands are inevitably entangled in politics. Given that we live in a conservative country under the sway of a conservative government, it is no surprise that marketers often prefer not to rock the boat, especially with a “mommy and daddy” audience who are theirs. main investors. This explains Australian advertising’s obsession with nostalgia and jingles. When using the local, they’d rather lean on a 20-year-old Powderfinger record multiple times rather than risk something new.

(One of the only memorable successes of a sync featuring a relatively recent song is Clair De Lune from Flight Facilities, sold to Telstra by ad agency The Monkeys for its major brand campaign and hit TVs and theaters. across the country. But they renewed this song for almost five years. It became its own form of nostalgia.)

Assuming that a runway attached to a concept crosses these two hurdles, it still needs to be cleaned up. Music publishers have a bad reputation for the incredibly difficult job of trying to maximize the income of their artists, especially when a white whale like Optus collapses in their lap. This means that they usually shoot for too high a number – something I’ve seen happen a few times i.e. when the client or producer walks away from a song.

Inevitably, the pitch is too advanced for a rewrite and either the client, or the creative, or both, are sold on the track. But they can’t get a license, or they can’t afford it, so they go for the next best thing, which is a knockoff. Our advertising landscape is littered with songs that sound parcel like the big local hits but slightly different – the direct result of “ghost studios” filled with session musicians and sound designers adept at imitating popular music at a fraction of the cost. There are currently at least three to four ads on the market that look way too much like Jungle Giants for it to be a fluke.

The way our overlapping industries tend to deal with these complex issues either by accepting them in bulk or by pointing the finger at the next link in the chain. Neither has proven effective. Putting more Australian music in the publicity is a win for all parties if they start working together. Education and transparency need to happen at all stages of an ad journey, but most urgently with clients, who both write the briefs and have the money to get the job done.

So take a leaf from Rankin’s book. The next time you interact with your bank, phone company, or insurance company, ask them why they use cheap stock music instead of a piece of killer package. Ask yourself why Woolworths hasn’t had a single local artist soundtrack in its commercials since Samantha Jade performed Cheap Cheap in 2015.

We shouldn’t have to rely on a multinational like Apple to hear up-and-coming rappers like Kwame soundtrack for TV spots. This is something that we have the power to collectively change, and at the moment Australian artists are not receiving this support from anyone or elsewhere.

Jonathan Seidler is a Creative Manager at Unyoked. He previously worked as a copywriter at M&C Saatchi and Leo Burnett as well as on music campaigns for Support Act, The Equality Campaign and Keep Sydney Open.

MO treasurer who secured $ 1.3 million in PPP loans calls pandemic aid ‘socialist agenda’

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Click to enlarge

  • Tim Bommel / Missouri House Communications
  • Scott Fitzpatrick campaign says there is a difference between the COVID relief enacted under Trump and the relief signed by Biden

This story was originally published in the Missouri Independent.

When he announced he was running for the post of auditor on Thursday, Missouri Treasurer Scott Fitzpatrick vowed to fight liberal politicians who “used the pandemic as a cover to justify spending trillions dollars of money borrowed to finance their socialist program. ”

What he didn’t note is that the company he founded received more than $ 1.3 million in that federal pandemic relief funding.

MariCorp US, a boat dock repair company on Table Rock Lake in Shell Knob that Fitzpatrick founded as a teenager, has received two loans under the federal government’s Paycheck Protection (P3) program designed to help small businesses cope with payrolls during the COVID-19 pandemic.

The first loan, in the amount of $ 694,562 and received in April 2020, has been canceled.

The status of the second loan, in the amount of $ 646,071 and received just three months ago, has not been made public.

According to the PPP loan database maintained by ProPublica, the first loan aimed to maintain 54 jobs. The second was to maintain 60 jobs. Loans can be canceled if companies meet criteria that include not laying off employees for a set period.

Fitzpatrick’s campaign defended federal funding, saying the loans were necessary because “the government broke the economy and MariCorp US, like millions of other companies, had to lay off employees with families.”

The campaign distinguished between the pandemic relief signed by former President Donald Trump and the subsequent relief signed by President Joe Biden.

“There is a distinct difference between the socialist proposals coming from liberal politicians and the Trump administration’s paycheck protection program, which has received almost unanimous support in Congress to keep people working,” said Steele Shippy, Fitzpatrick campaign advisor.

PPP was created in April 2020 under the CARES Act. The aim was to provide help to businesses to avoid massive layoffs as the economy faltered under the pressure of the pandemic.

A year later, and a month before Fitzpatrick’s company got its second loan, Biden signed the US bailout, which extended the PPP program.

While some economists have questioned its success, arguing that it primarily helps companies that weren’t at risk of going bankrupt, the program is credited with averting millions of job losses and deeper economic catastrophe.

Since almost the start of the program, politicians – especially members of Congress – have come under scrutiny for receiving P3 loans.

Last year, Republican U.S. Rep. Vicky Hartzler of Harrisonville – whose family owns several farms and equipment suppliers – also came under scrutiny for receiving PPP loans. The Kansas City Star reported earlier this month that Governor Mike Parson received a PPP loan of $ 6,288 for his cattle ranch in Bolivar.

Fitzpatrick, 33, was appointed state treasurer and was sworn in in January 2019. The office was released by Eric Schmitt, whom Parson appointed attorney general after Josh Hawley resigned to serve in the US Senate.

He won a full term in November 2020, handily beating Democrat Vicki Englund by 31 percentage points.

He announced Thursday that he was running for the post of auditor, a day after donating $ 250,000 to his own campaign committee.

Shippy said MariCorp US supports nearly 70 families and generates “millions of dollars in wages and tax revenues every year.”

The company qualified for a P3 loan, Shippy said, and accepted the money to “protect families who depend on it for a paycheck.”

“The company used every dollar of funding received under the program to pay employees,” he said, “and luckily did not lay off any employees during the pandemic, despite soaring costs of the labor and materials. ”

SBA streamlines forgiveness process for most PPP loans

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The US Small Business Administration (SBA) on Wednesday released new guidelines designed to simplify and speed up the forgiveness process for businesses and nonprofits with Paycheck Protection Program (PPP) loans of $ 150,000 or less.

The SBA also announced that it will launch a new app portal on August 4, allowing borrowers to request a rebate directly from the agency instead of having to go through their lender. More than 600 banks have agreed to grant access to the portal to more than 2.17 million borrowers.

In a 29-page Interim Final Rule (IFR), the SBA introduced a COVID revenue reduction score that can be used at the time of remittance to document the revenue reduction required for second-draw PPP loans. The new IFR also establishes a direct borrower forgiveness process for lenders who choose to opt for an alternative method of processing loan forgiveness requests.

In addition, the IFR extends the loan deferment period for PPP loans in cases where the borrower files a timely appeal against a final SBA loan review decision.

The PPP has provided more than 11.7 million forgivable loans totaling nearly $ 800 billion to small businesses and other eligible entities affected by the economic impacts of the COVID-19 pandemic. Almost $ 400 billion has been forgiven.

Loans of $ 150,000 or less represent 93% of outstanding PPP loans, the SBA said.

Despite previous measures to streamline the process of remitting these loans, many small PPP lenders have informed the SBA that they lack the technology and manpower to develop effective electronic loan remission platforms for process requests.

Overwhelmed by the volume of PPP loans and aware of the 60-day legal requirement for lenders to issue a forgiveness decision to the SBA upon receipt of the borrower’s loan forgiveness request, many small Lenders limit when they will accept borrowers’ rebate requests. This policy leaves borrowers uncertain whether they will need to start making payments on their PPP loans while they wait for their lenders to process their forgiveness requests.

In addition, the SBA said it has heard from PPP lenders of all sizes that the requirement for borrowers to submit and lenders to review income reduction documents at the time of remission delays the remission process for PPP loans. second draw of $ 150,000 or less. .

To address these issues and ease the forgiveness bottleneck, the SBA is making two important changes, described below. Further guidance for the two changes will be available soon, the SBA said.

1. Introduction of a COVID revenue reduction score

To streamline the cancellation of second-draw PPP loans of $ 150,000 or less when the borrower has not submitted income reduction documentation at the time of loan application, the SBA will offer another form of reduction confirmation. of income.

Each second-draw PPP loan of $ 150,000 or less will be assigned a COVID revenue reduction score created by an independent third-party SBA contractor, based on a variety of inputs including industry, geography and the size of the company; and current economic data on economic recovery and the return of companies to operational status.

The score will be kept in the SBA loan cancellation platform and will be visible to lenders for use as an alternative to document the reduction in income. Additionally, the score will be visible to borrowers who submit their loan forgiveness requests through the platform using the borrower’s direct discount process described in the next section.

When the score meets or exceeds the value required for validation of the borrower’s income reduction, using the score will satisfy the borrower’s requirement to document the income reduction. When the score does not reach the value required for validation of the borrower’s income reduction, and if the borrower has not already provided documentation to the lender that validates the borrower’s income reduction, l The borrower must provide the documentation either directly to the lender (for those lenders who do not opt ​​for the borrower’s direct forgiveness process) or provide documents to the lender by uploading them to the platform.

2. Initiating a direct borrower remittance process

The SBA is launching a new direct remission process that provides PPP lenders with an optional technology solution that will essentially allow their borrowers to request a loan remission directly from the SBA through the new portal that will launch on August 4.

When a PPP lender opts for the direct borrower remittance process, the new portal will provide a single, secure location that integrates with the SBA’s PPP platform and will enable borrowers with loans of $ 150,000. or less to request a loan forgiveness using an electronic equivalent of the SBA form. 3508S. Upon receipt of a notice that a borrower has requested a forgiveness through the platform, lenders will review the loan forgiveness request and render a forgiveness decision to the SBA inside the platform.

The SBA said the new forgiveness process will provide lenders with lower costs, increased efficiency and faster remittance of SBA forgiveness payments, while borrowers will benefit from the ability to submit loan forgiveness requests directly. through the platform and will reduce the waiting time and uncertainty associated with submitting through their lender.

After initiating the borrower direct remission process, borrowers should continue to submit loan remission requests to their lenders, rather than through the platform, under the following circumstances:

  • The PPP lender does not choose to use the borrower’s direct discount process;
  • The borrower’s PPP loan amount is greater than $ 150,000;
  • The borrower does not agree with the data provided by the SBA registration system or cannot validate their identity on the platform (for example, in the event of an unreported change of owner); or
  • For any other reason where the platform rejects the borrower’s submission.

Extension of adjournment for OHA appeals

The current rule for appeals of final SBA loan review decisions on PPP loans provided that, because a PPP borrower must start paying principal and interest on their remaining PPP loan balance when the SBA remits the amount of loan forgiveness to the PPP lender (or informs the lender that no loan forgiveness is allowed), an appeal by a PPP borrower of any final SBA loan review decision does not extend the deferment period of the PPP loan. The IFR amends the appeal rule to provide that a borrower’s timely appeal of a final SBA loan review decision will extend the deferment period for the PPP loan until the The SBA’s Office of Hearings and Appeals (OHA) makes a final decision on the appeal. The revised OHA rule will provide that the borrower must notify the lender of the appeal so that the lender can extend the deferment period. Under the revised OHA rule, an appeal must be filed with the OHA within 30 calendar days of the appellant’s receipt of the SBA’s final loan review decision.

The SBA’s new direct lending process and portal has been discussed at length in two recent AICPA Town Hall webcasts, which address other PPP remittance issues and calculations. Replays of the webcast are available free of charge at AICPA television.

AICPA experts discuss the latest news on PPP and other small business support programs at a virtual town hall that is held every two weeks. The webcasts, which offer CPE credits, are free for AICPA members and $ 39 for non-members. Go to AICPA Town Hall Series web page for more information and to register. Recordings of Town Hall events can be viewed free of charge at AICPA television.

the AICPA Paycheck Protection Program Resource Page houses resources and tools produced by the AICPA to help cope with the economic impact of the coronavirus.

For more information and stories on the coronavirus and how CPAs can handle the challenges of the outbreak, visit JofA‘s coronavirus resource page or subscribe to our email alerts for the latest PPP news.

Jeff drew ([email protected]) is a JofA senior editor.

Asians are represented in classical music. But are they seen?

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Asian artists have long been the subject of racist tropes and slurs, dating back at least to the 1960s and 1970s, when musicians immigrated to the United States from Japan, Korea and others. regions of East Asia to study and perform. A 1967 report in Time magazine, titled “Invasion From the Orient”, reflected the thinking of the time.

“Stringed instruments were physically ideal for Orientals: their nimble fingers, so proficient in delicate calligraphy and other crafts, easily adapted to the demands of the fingerboard,” the article says.

Over time, Asian artists have gained a foothold in orchestras and the concert circuit. In 2014, the latest year for which data is available, musicians of Asian origin made up about 9% of large ensembles, according to the League of American Orchestras; in the United States, Asians make up about 6 percent of the population. In renowned groups like the New York Philharmonic, the number is even higher: Asians now represent a third of this orchestra. (In Europe, it’s often a different story: in the London Symphony Orchestra, for example, three of the 82 musicians, less than 4%, have Asian roots, while Asians make up over 18% of the population of London.)

Yet racist representations of Asian artists have persisted. Some have been told by conductors that they look like computer engineers, not classical musicians. Others were described by hearing panels as too weak and too young to be taken seriously. Still others were told their names were too foreign to say or remember.

“You are considered an automaton,” said Akiko Tarumoto, concertmaster of the Los Angeles Philharmonic.

Tarumoto, 44, who is of Japanese descent, said musicians of Asian descent in the Philharmonic are sometimes confused, and in other ensembles she had heard fellow musicians call new recruits simply of “Chinese girls”.


City Springs Edition – Encore Atlanta

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Atlanta’s break with the theater in person is gradually coming to an end, and we’re ready to go back and see some shows! Let’s take a look at what this season has in store for the City Springs Theatre’s all-musical theater company.

Click here to see the rest of our “Back to the Theater” roundups!

Rodgers and Hammerstein
The sound of music

September 10-26, 2021

The final collaboration between Rodgers & Hammerstein was destined to become the world’s most beloved musical. With a multitude of cherished songs including “Climb Ev’ry Mountain”, “My Favorite Things”, “Do Re Mi”, “Sixteeen Going on Seventeen” and the title number, THE SOUND OF MUSIC has captured the hearts of the audience. around the world, winning five Tony Awards and five Oscars for the feature film version. The inspiring story, based on the memoir of Maria Augusta Trapp, follows a bubbling premise that serves as governess to the seven children of the imperious Captain Von Trapp, bringing music and joy to the house. But as the forces of Nazism seize Austria, Maria and the entire Von Trapp family must make a moral decision.

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A choir line

March 11-27, 2022

Directed by Tony Award recipient and original Broadway actor of A choir line, Baayork Lee

A choir line is a mind-boggling musical concept capturing the spirit and tension of a choir audition on Broadway. Exploring the inner life and bittersweet ambitions of professional Broadway performers, the show presents one power act after another. Memorable musical numbers include “What I Did for Love”, “One”, “At the Ballet”, “The Music and the Mirror” and “I Hope I Get It”. A brilliantly complex fusion of song, dance and irresistibly authentic drama, A choir line was instantly recognized as a classic

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The color purple

May 6-22, 2022

This musical adaptation of Alice Walker’s Pulitzer Prize-winning novel (and popular 1985 Steven Spielberg film) highlights Celie, an oppressed young woman whose personal awakening over 40 years forms the arc of this story. epic. With a joyful score of jazz, ragtime, gospel, African music and blues, The color purple is a story of hope, a testament to the healing power of love and a celebration of life. It premiered at the Alliance Theater Company here in Atlanta, Georgia and opened on Broadway on November 1, 2005, where it was nominated for eleven 2006 Tony Awards®, including Best Musical, Best book and the best original music. The London-based West End production moved to Broadway in 2015, winning the Tony Award® for Best Cover of a Musical.

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West Side Story

July 8-24, 2022

As relevant today as when it premiered in 1957, West Side Story is widely regarded as one of the best musicals ever written. This historic Broadway musical (featuring legendary Leonard Bernstein score and lyrics by Stephen Sondheim) transports Shakespeare’s Romeo and Juliet to today’s New York City as two idealistic young lovers find themselves caught between gangs street in war, struggling to survive in a world of hatred, violence and prejudice. With immortal songs such as “Tonight”, “Something’s Coming” and “I Feel Pretty”, West Side Story is sure to move, charm and captivate audiences old and new.

All performances will take place at the Byers Theater at the Sandy Springs Performing Arts Center. Visit CitySprings Theater.com for more information and to purchase season ticket packages.


CARNIFEX Reveals Graveside Confessions Album Details; Title Track Music Video Posted

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Carnifex is back to rekindle the sonic memories of past albums with the old-fashioned sound burn. On September 3, the band will release their eighth studio album via Nuclear Blast Records. Today, they released the music video for the track “Graveside Confessions”. Check out the video, directed by Jim Louvau and Tony Aguilera, below.

Carnifex comments: “This is an extremely personal album for the four of us. We poured our hearts out with all the love, fear and pain that we know in this album. Please take the journey with us.”

Carnifex’s Graveside Confessions is no stranger to the hostile world in which it was created. As all mankind experiences the torment of pain, weakness and betrayal, it is also deeply rooted in our nature to keep these notions tightly protected; to keep them secret. Often, as death approaches, we feel an insatiable urge to reveal these things to one another; confess.

The album was released just in time to help celebrate the 15th anniversary of Carnifex’s debut album, Dead In My Arms. The group revisited their debut album to re-record three songs, but now with huge advancements in production technology. A return to their roots, these songs act like the completion of a circle; a return to where things started.

Graveside Confessions will be available in the following formats:

– CD box
– Red cassette
– vinyl
– Red and pink swirl with black splashes
– Transparent with red and black splashes

Pre-order your copy here. Pre-record the album here.

With the engineering of the record completed in-house by drummer Shawn Cameron, the band recorded the album at Back Lounge Studios in San Diego, Calif., Almost entirely with help from Mick Kenney for mixing and mastering. This process, especially compared to Carnifex albums of the past, developed a much more satisfying and focused artistic vision for the group. Carnifex enlisted the help of English artist Godmachine, who worked on the previous two albums, to create the next visual art installment for Graveside Confessions.

List of tracks from Graveside Confessions:

“Funeral confessions”
“Pray for peace”
“Seven souls”
“Damn”
“Take us away”
“Talk to the dead”
“January nights”
“Walk to the cemetery”
“Countess of perpetual torment”
“Corpses everywhere”
“Frosty summer”
“Alive for the last time”
“Collaborate Like Killers” (Graveside Edition)
“My atrophied heart” (Graveside edition)
“Slit Wrist Savior” (Graveside Edition)

Video “Confessions at the edge of the grave”:

Video “Pray for peace”:

Align:

Scott Ian Lewis | Voice
Shawn Cameron | Drums
Cory Arford | Guitar
Fred Calderon | Low

(Photo – Jim Louvau)



Spiderhound Expands Musical Abilities and Prowess on “Phlame”

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“Phlame” is a unique and multi-faceted experience that will give music enthusiasts a run for their money. After clicking play and embarking on the inner journey, we are warmly intoxicated by cloudy and highly digitized voices that give a strong first impression. The track has a full-fledged attitude that embraces the unexpected. The relaxed live drums, sometimes completely disappearing in the middle of the song, give more clarity to the experimental electronic components which add to its strength. Lush and atmospheric at times, then gasping and groovy at the next, Spiderhound – the producer behind the track – keeps things cutting edge moment to moment with clever arrangement, among other factors.

Spiderhound is far from a freshly started bedroom producer who throws ideas at the wall to see what sticks. His skills stem from decades of involvement with former bands, absorbing information from artists, performances at shows, and more. Focusing on the chapter of his career he is currently in, he explores the experimental side of the world of electronic music. Spiderhound’s releases have been signed on labels like Alpha Pup, Muti Music, Producer Dojo and Obskure Records, with his talents validated by dozens of other artists above and below him. Receive mentorship from Grammy-winning producers like Charles Dye and top dance stars including ill.Gates and Mr. Bill. A mix of influences plays into the creative chemistry that makes the sound of Spiderhound rise above the tide.


A concert scene that suddenly looks like summer

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Things are not yet running at full speed, it is true. The Sinclair in Cambridge, the Leader Bank Pavilion (formerly Rockland Trust Bank Pavilion, formerly Blue Hills Bank Pavilion, formerly Bank of America Pavilion, etc., etc.) in the Seaport and the Xfinity Center in Mansfield all filled up with schedules. . Other places, like the Knight in Medford and Royale in the Theater District, seem to be proceeding a little more cautiously. And, of course, pour one for places like Great Scott that failed to make it to the other side.

But the machine is on and the live music has started again for good. You can safely imagine that each of the following shows – taking us through the fall equinox and being only a fraction of the musical offerings on offer in and around Boston – will be the first time anyone sees live music for at least a year and a half. Welcome back to each of you.

There are a lot of big guns on the concert calendar. And not just metaphorically, with the jungle-greeters Guns N ‘Roses (August 3, Fenway Park) and rapper turned rocker Kelly machine gun (Leader Bank Pavilion, Sep 15) driving through town. Then there are the pop superheroes (Bordeaux 5 at Fenway Park, September 12), folk (Indigo Girls au Chevalier, September 18), country (Zac Brown Band at Fenway Park, August 8), hip-hop (little baby at the Xfinity Center, September 1, jazz-pop (Michel Bublé at TD Garden, August 24), jazz-jazz (Harry Connick Jr. at the Leader Bank Pavilion, August 14), heavy metal (Megadeth and lamb of god at the Leader Bank Pavilion, September 13), and even classic (John Williams Movie Night, Tanglewood, August 13).

Mavis Staples will appear with Brandi Carlile at Tanglewood on August 21.Emma McIntyre / Getty Images for the Recording Academy

The list of acts adjacent to rock ‘n’ rock is so dense that you might not be able to tell that it all just started all over again. Prove that punk, emo and power pop are both sides of the same coin, Green day, Fall out Boy, and Weezer join forces at Fenway Park (August 5), while Alanis Morissette, Garbage, and Liz Phair (Xfinity Center, September 4) provide a fix from the female point of view a month later. Fill that gap, daddy-rock avatars Wilco and royalty riot-grrl Sleater-Kinney share the bill at the Pavillon de la Banque Leader (24 August), while Brandi carlile and Staples Mavis (Tanglewood, August 21) promise the most amazing concert of the season from a purely vocal standpoint.

Boston synthpop veterans Freezepop occupy the Sinclair for two nights (August 13-14), as Tiger jaw, which will return to the independent label of the 90s (August 27-28). Other indie rock stars include Soccer mom with Squirrel flower (Paradise, August 22-23), Japanese breakfast (Royale, Sept. 9-10), Above (Sinclair, September 15), and Julien Boulanger (House of Blues, September 17). Neo-New Waves Islands of the future (House of Blues, Sep 22) and singer-songwriter Martha wainwright (City Winery, August 25) are also on their way, hearts on their sleeves.

The Roots, presented at the South by Southwest Music Festival 2017, arrives at the House of Blues on August 29.
The Roots, presented at the South by Southwest Music Festival 2017, arrives at the House of Blues on August 29.Jack plunkett

On the hip-hop side, Trippie redd gets the chance to perform a hit song about missing live performances during pandemic lockdown (“Miss The Rage”) at Xfinity Center (September 5), as not-so-secret musical polymaths Roots move from the TV screen to the live stage (House of Blues, August 29) even as “Summer Of Soul” drummer and director Questlove stares at the big screen. Rappers are also passing through Yung Blue (Big Night Live, September 1), Fabulous (Big Night Live, September 9), and Mr. Worldwide and Ms. Down Under themselves, Pit bull and Iggy Azalie (Xfinity Center, August 28). Singer of the Quiet Storm Phone (City Winery, August 14) and performer of rock songs Bettye Lavette (City Winery, August 6) brings R&B and soul.

As for country music, how about reward magnets Lady A (Leader Bank Pavilion, August 15) and King of the Charts Thomas rhett (Xfinity Center, September 18)? Thoughtful thugs Osborne Brothers (Leader Bank Pavilion, July 30) and keen observer Ashley McBryde (House of Blues, August 20) shows the way forward, Jason Isbell and Unit 400 (Boch Center Wang Theater, September 18) expand the genre, while Brooks & dunn (Xfinity Center, September 9) bring back the glory days of Nashville from the 90s / 00s.

Jimmy Buffett returns to the region with a show at the Xfinity Center on August 14.
Jimmy Buffett returns to the region with a show at the Xfinity Center on August 14.Charles Sykes / Invision / AP file

And what summer would be complete without the classics? There are Jimmy buffett (Xfinity Center, August 14), of course, and perennials Billy Joel (Fenway Park, August 4), New Kids On The Block with Bell Biv DeVoe (Fenway Park, August 6) and the immortals To kiss (Xfinity Center, August 18). the Eagles perform “Hotel California” in its entirety (TD Garden, August 27-28) and the Black crows play “Shake Your Money Maker” (Xfinity Center, September 15), each with additional bonus hits. Elsewhere there is Judy Collins and Richard thompson (Tanglewood, August 22) and blues legend John mayall (City Winery, September 4). And Sandra bernhard brings his cabaret number to City Winery on September 2, because without music, summer is nothing.

Marc Hirsh can be contacted at [email protected] or on Twitter @spacecitymarc

22 accused of stealing $ 11 million in business loans to buy luxury cars and jewelry

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Top line

The US Department of Justice announced Thursday that it had indicted a total of 22 people over a scheme in which they set up more than a dozen bogus companies to seek and steal $ 11.1 million from the privacy protection program. payments, which gave companies financial assistance to carry out disruption of the coronavirus pandemic.

Highlights

Federal prosecutors have charged 22 people from five states, Michigan, Georgia, South Carolina, Florida and Illinois, with crimes such as wire fraud, bank fraud and money laundering.

According to court documents, the group applied for PPP loans on behalf of 14 bogus companies and requested assistance of around $ 800,000 for each.

In order to get loans, the group reported that each company had around 60 employees and had to pay $ 300,000 a month in salary expenses, and they submitted a bogus IRS form to report payroll taxes.

Six of the 22, including the mastermind of the operation, Darrell Thomas of Duluth, Ga., Have already pleaded guilty for their role in the fraud scheme, one, Khalil Gibran Green of Cleveland, having previously been sentenced to more than three years in prison. jail.

Thomas, who admitted to defrauding, agreed to hand over items purchased with the stolen funds, including luxury cars like the Acura NSX and a Range Rover and jewelry including a gold Rolex.

Key context

The group is the latest to be accused of attempting to defraud the government with P3 funds. Earlier this month, a Californian was arrested for stealing $ 3.6 million in P3s and economic disaster loans. He has submitted at least 27 PPP loan applications under bogus companies and on behalf of others. He was charged with electronic and bank fraud. In June, a Florida man pleaded guilty to stealing $ 24 million in PPP loans using bogus companies. He has pleaded guilty to conspiring to commit bank fraud and could spend up to 30 years in federal prison.

Large number

800 billion dollars. This is the amount that the US Small Business Association has provided to businesses across the country. However, he has yet to disclose how much has been spent on fraudulent claims. In May, the Justice Department charged 474 people with fraud in an attempt to steal Covid-19 relief money.

Further reading

The Federal P3 Loan Fraud Fees are there to remind you that these loans are not “free money” (Forbes)

Nearly 500 people accused of Covid ‘fraud programs’, according to the DOJ (Forbes)

Find out which Saginaw County companies received the biggest PPP loans

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SAGINAW, MI – The federal Paycheck Protection Program, instituted in 2020 to help keep small businesses afloat during the COVID-19 pandemic, has paid Michigan more than $ 24 billion on approximately 300,000 loans.

Just under $ 414 million of that amount went to Saginaw County through 5,699 loans, of which 558 were worth $ 150,000 or more and 5,131 were under $ 60,000, according to federal data obtained by MLive. The program began providing funds weeks after the start of the pandemic and had a second round of funding in 2021.

Morley Companies Inc., the business services company and Saginaw County’s third largest employer according to Saginaw Future, received the most aid by far and was the only entity to receive the maximum first-round amount of $ 10 million. . With the exception of Duro-Last, which received nearly $ 9 million, no other company exceeded $ 6 million, and apart from the first four, no other company received more than $ 5 million. dollars in program loans.

The 10 Biggest PPP Loans in Saginaw County

  • Morley Companies Inc. received $ 10,000,000.
  • Duro-Last Inc., a national roofing company headquartered in Saginaw, received $ 8,930,292.
  • Merrill Fabricators Inc., which employs 405 people according to Saginaw Future, received $ 5,886,000.
  • Saginaw Cooperative Hospitals Inc., or CMU Medical Education Partners, received $ 5,049,500.
  • Hausbeck Brothers, Inc., based in Reese, received $ 4,939,500.
  • Stone Transport Limited Partnership, a trucking and logistics company based in the Township of Buena Vista Charter, received $ 4,306,538.
  • Spicer Group, Inc., a land surveyor employing 270 people, received $ 3,546,200.
  • Star of the West Milling Co., based in Frankenmuth, received $ 3,538,300.
  • Yeo & Yeo, a business consulting firm, received $ 3,366,600.
  • Zehnder’s of Frankenmuth, Inc. received $ 3,264,100.

In total, entities affiliated with the Zehnder family, whose members own and operate many of Frankenmuth’s most popular tourist destinations, received a total of $ 12,658,797 million on six loans.

  • Zehnder’s of Frankenmuth received an additional $ 2,000,000.
  • Frankenmuth Bavarian Inn, Inc. received $ 2,000,000 and $ 1,679,200.
  • Frankenmuth Bavarian Inn Motor Lodge, Inc. received $ 2,000,000 and $ 1,715,497.

For a full list of Saginaw County loans, browse and search the table below. If you don’t see the graph, click here.

MLive data reporter Scott Levin contributed reporting for this story.

Read more:

Michigan companies got $ 24 billion in P3s – here’s who gets the most

The SBA PPP is over. Here are 5 other small business grant programs

As cases rise, Saginaw health officials view poorly immunized neighborhoods with ‘concern’

Olympics: what can the ROC team and Russia compete in Tokyo?

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In December 2019, Russia was banned from all major sporting events, including the Tokyo Olympics, due to a high-profile doping scandal that rocked the sport around the world.

Although the original ban was to last for four years, it was reduced to two years in 2020.

While the ban is considerably shorter, it still means Russia will miss the Tokyo Olympics this summer and the FIFA World Cup in Qatar in 2022.

However, the ban does not necessarily mean that all Russian athletes are barred from competing, thanks to the creation of the ROC.

Here’s everything you need to know about ROC and what it means for athletes and the games as a whole …

What does ROC mean?

ROC stands for Russian Olympic Committee.

Russian athletes can compete for this team because the ban was not outright, but prevents Russia from using its team name and national anthem at sporting events.

The ROC also has its own emblem rather than the Russian flag, and the entire kit must be embroidered with the ROC instead of Russia or the Russian Olympic Committee, according to a statement issued by the International Olympic Committee: “Any public display of the Name of the participant of the organization should use the acronym “ROC”, not the full name “Russian Olympic Committee”.

If the word “Russia” appears anywhere on the kit, it must be accompanied by “neutral athlete”.

Only athletes who can prove that they were not involved in the doping scandal will be allowed to compete for the ROC.

There will however be a slight nod to Russia on the kit, with flag colors allowed to appear throughout the uniform, in accordance with IOC guidelines.

Why was Russia banned?

The ban was introduced after the discovery of a state-sponsored doping program by which Russian officials falsified data provided by the Russian Anti-Doping Agency.

This means that many Russian athletes were blocked or banned from participating in the 2018 Winter Olympics in Pyeongchang.

Meanwhile, Russia has been banned from competing as an athletics country since 2015.

Russia denies any involvement in a state-sponsored doping program and has appealed the initial four-year ban that was introduced in 2019.

What music will be played instead of the Russian national anthem?

The ROC was invited to submit a musical score proposal to replace the Russian national anthem.

Earlier this year, Russian composer Tchaikovsky’s Piano Concerto No. 1 was approved by the IOC to be performed when ROC athletes win gold.

How many athletes will compete for the ROC in Tokyo?

A total of 335 athletes will compete for the ROC in Tokyo this summer.


Wilmington jazz icon Joe Chambers releases album on Blue Note label

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In terms of jazz, the legendary Blue Note label has long represented the pinnacle of musical form, releasing albums by John Coltrane, Miles Davis, Herbie Hancock and many other jazz icons.

Earlier this year, Wilmington-based composer and percussionist Joe Chambers – who has performed and recorded with Davis, Hancock, Dizzy Gillespie, Chick Corea and many others over a career spanning nearly 60 years – released his own album for the world – renowned Blue Note label.

“Samba de Maracatu” was recorded last year in the Wilmington area with jazz musicians from North Carolina, possibly becoming Port City’s first product with a direct Blue Note connection.

The album, which Chambers produced and plays on, features both originals (“Circles”, the title track) and performances arranged by Chambers of existing jazz compositions by Horace Silver (“Ecaroh”), Bobby Hutcherson (“Visions”) and others. “Samba de Maracatu” effortlessly blends traditional jazz styles with a mix of Cuban, African and particularly Brazilian rhythms that Chambers explores on drums, vibraphone and other instruments.

The album’s title track has nearly 100,000 views on YouTube.

For Chambers, 79 – he moved from New York to Wilmington in 2008 to become Thomas S. Kenan Distinguished Professor of Jazz in the Music Department at UNCW, a position he retired from in 2013 – a return to Blue Note is sort of a circle moment.

Related:Legendary jazz drummer Joe Chambers moves to UNCW

Music news:19 Wilmington bands and musicians who made noise outside the port city

When he moved to New York City in 1963, “I was immersed, almost immediately, in the Blue Note business,” Chambers said in a telephone interview. “This is something that just happened. I was pretty busy recording with people in the ’60s,” including progressive and respected jazz artists like Wayne Shorter, Freddie Hubbard and Joe Henderson.

He was so busy, in fact, that when Blue Note asked him to record an album as a bandleader in the late 1960s, he turned the label down.

“No business sense at all,” Chambers said with a chuckle. “I always say I was spaced out, which I was, spaced out. But I was really busy recording, playing, and touring with bands and things, and I said I wasn’t ready to do it. make.”

Not that the decision would prove to be life-threatening to his career, exactly, as Chambers would continue to perform and record with the best of the best in jazz, including a stint with Max Roach’s groundbreaking percussion ensemble, M ‘Boom.

He also recorded solo albums for other labels, including Blue Note in 1998, making his solo debut for the label with “Mirrors”.

Still, Chambers said, his history with Blue Note played a big part in his drive to make a comeback more than 50 years after first performing with the label, which is now part of the Universal Music Group conglomerate and features performances. artists such as Norah Jones. .

“It means a lot” to be back, he said.

After:After 3 days, Widespread Panic fans leave Wilmington praising the city of Live Oak Bank Pavilion

Entertainment:Wilmington’s Live Oak Bank Pavilion makes what could be the final 2021 concert announcement

In 2019, after the UDiscoverMusic site did an article on Chambers’ work with Blue Note, producer Don Was, who runs the label, caught wind of the story and gave Chambers the green light for a new album.

The original plan was to record in New York with New York musicians, and Chambers traveled to the city in February 2020 to rehearse for studio dates in March of that year.

“Then the pandemic struck,” Chambers said. “I got out, really, just in time. I left town just before the pandemic took hold.”

“I was definitely not going to go back to New York,” he added. “So I told them I was going to do it here in North Carolina.”

Chambers enlisted bassist Steve Haines, a professor at the University of North Carolina at Greensboro whom Chambers first met in New York City, and longtime Wilmington pianist (and practicing dermatologist) Brad Merritt, whom Chambers calls “one hell of a gamer”.

“Samba de Maracatu” was recorded by JK Loftin of Wilmington at Mike’s Music Studios in Rocky Point and Cape Fear Studio in Wilmington.

Music news:Wilmington band Hot Plastic Poets turn weird feelings into catchy rock songs

What is striking about the album is its effortless complexity, with Chambers leading the action with his drums and laying shimmering melodies on the vibraphone.

“I’m still a percussionist,” Chambers said. “But people forget, the vibraphone is a percussion. Vibraphone and marimba.”

He doesn’t exactly do fusion, but he fuses different elements of music throughout his career. In that sense, it’s a big album. Chambers’ arrangement of the jazz standards “You and the Night and the Music” and “Never Let Me Go” – the latter made famous by Nat King Cole, and here features the singer’s voice from New Orleans Stephanie Jordan – is a nod to mid-twentieth-century jazz forms. The hip-hop “New York State of Mind Rain” (which mixes Nas’ 1994 hip-hop hit “NY State of Mind” with “Mind Rain” by Chambers “) may be looking to the future.

Other pieces are rhythmic explorations of the type Chambers said he was fascinated by “since I was little. The thing with the rhythmic aspect of what I do, I’ve always leaned towards syncretic rhythms” which mix the musical traditions of Cuba, Africa, Brazil and other countries. “It rocks harder than anything else.”

Wilmington-based jazz composer and percussionist Joe Chambers has a new album, "Samba of Maracatu," on the legendary Blue Note label.

Chambers said he was worried about the future of jazz, in part because of the concentration of music in academic circles.

“Jazz has become like a museum piece in a sense,” he said. “Schools are good, sure, but you can’t really learn to play jazz in a school. And I taught in a school.”

There are, however, signs of life. The 2020 Pixar movie “Soul” was a popular film with a jazz-driven storyline, and Chambers said he sees promise in players like Wilmington saxophonist Benny Hill, who is “a great player. to be heard, ”Chambers said. “He could be in New York.

As for Chambers, he is eagerly awaiting some European dates he has planned for 2022. He has also long wanted to perform at Thalian Hall in Wilmington, a town Chambers has lived in for over a decade now.

“What kept me here?” Property taxes, ”Chambers said with a laugh. “It’s the housing situation. But it’s a really nice place to live.”

Contact John Staton at 910-343-2343 or [email protected].


How PPP Loans Helped Lane County Nonprofits

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From providing essential community relief to planning for various scenarios to keep the Olympic trials going, federal loans have helped nonprofits continue their key work during the coronavirus pandemic.

Between April 2020 and May 2021, $ 868.6 million entered Lane County from the Federal Paycheck Protection Program, which aimed to provide relief to businesses during the COVID-19 pandemic.

The federal government, through private lenders, has provided loans to about 6,500 businesses in Eugene, Springfield and the rest of Lane County, according to a Register-Guard analysis of US Small Business Administration data.

Read more:* For subscribers * Lane County employers have secured $ 868.6 million in P3s loans. Where did the money go ?

This analysis also found that at least 264 of the loans, totaling $ 58.9 million, went to nonprofits.

The people who run two of these organizations say the loans have been important and have had an impact on the smooth running of things.

Which organizations have obtained loans?

According to SBA data, around 260 organizations classified as nonprofits have obtained loans.

But some organizations that have 501 (c) (3) status have not been marked as nonprofits in federal data. For example, the Cascades Raptor Center is identified as a professional association and Lane Arts Council is listed as a corporation.

Spectators watch the women's 800 meters at the United States Olympic Track and Field Trials at Hayward Field.  The PPP grants helped the TrackTown event organizer prepare for multiple entry scenarios as COVID-19 guidelines changed, enabling spectators.

Organizations labeled as nonprofits received $ 55.6 million, according to the SBA.

The top 10 nonprofits received $ 19.2 million, based on current approval amounts, which sometimes differ from the original amount an employer was approved to receive:

  • Willamette Community Health Solution: $ 2.54 million
  • Family planning in southwestern Oregon: $ 2.13 million
  • University of Oregon Bookstore: $ 2.02 million
  • Oregon Option Advisory Services: $ 1.99 million
  • Mirrored Community Services: $ 1.98 million
  • North West Christian University: $ 1.92 million
  • Oregon Research Institute: $ 1.88 million
  • Alvord-Taylor: $ 1.82 million
  • Drug addiction counseling and education services: $ 1.58 million
  • Northwestern Youth Corps: $ 1.34 million

Use the drop-down menu below to find organizations and see how much money they’ve received along with other details

The story continues under the search box.

Other organizations that have nonprofit status but were not classified that way received at least $ 3.3 million, based on Register-Guard analysis, but an analysis of records could have missed other similar cases.

What difference have loans made?

The loans helped TrackTown USA keep staff on the job to plan various scenarios for track and field trials in the United States after they were delayed for a year, CEO Michael Reilly said.

When the trials were postponed, he said, TrackTown “took advantage of that extra year to really plan for a variety of different scenarios that we might face.”

The impact of the virus was constantly changing, Reilly said, and securing two loans allowed “all staff to work diligently throughout the rigorous planning of these different scenarios.”

TrackTown got about $ 300,000 between rounds of loans, according to SBA data.

When state regulations changed at the end of May, things went even further from no spectators to the possibility of having thousands, he said.

“The only way we could change was because the staff were able to plan this set of scenarios,” Reilly said.

Without the loan to facilitate this planning, he said, TrackTown may have had to cut staff or even cut back on trials and surrounding events.

Keep employees at work to help meet basic needs

A loan has also helped United Way of Lane County keep its staff at full capacity, said CEO Noreen Dunnells.

The organization obtained just under $ 226,000 in the first round of P3 loans.

That amount was “pretty big for us,” Dunnells said.

The money, she said, has helped the United Way keep its staff, create emergency funds and mobilize volunteers.

United Way created a fund that raised around $ 1 million and created a process to distribute money to other nonprofits every two weeks for about 12 weeks, Dunnells said.

Alexis Amavisca-Nieve, United Way Community Engagement Coordinator, delivers sleeping bags to the Willamalane Memorial Building

In total, the organization has distributed 135 grants to organizations across Lane County, she said, including groups focused on housing support, telehealth, food security and other health needs. based.

About a month after United Way finished handing out that money, she said, the organization rallied again when the wildfires started. United Way then raised $ 1.7 million to distribute for wildfire relief.

“Without the PPP we wouldn’t have been able to do all of this, so it was pretty critical,” Dunnells said.

United Way has also helped support other nonprofits through virtual meetings each week. At these meetings, United Way assessed needs and helped connect other nonprofits with various resources, including providing information on PPP loans.

The loans were probably a topic of discussion for four to six weeks, Dunnells said, to “make sure they were aware of the funds so they could apply for their own organizations.”

Nonprofits needed help, she said, as many rely on annual fundraising events they were unable to host during the pandemic.

Many started hosting virtual events in the fall and spring, she added, but many struggled in the first six months due to canceled events.

Federal P3 loans “have plugged the hole to some extent,” Dunnells said, and helped nonprofits to be “a little bit more operationally sound.”

United Way has also partnered with other organizations to form the Lane Emergency Response Network, adopting 15th Night’s text program to centralize communication between groups in need and those who can help.

Read more:Help is at your fingertips: Nonprofits connect advocates with supplies, volunteers

The pandemic is not over, Dunnells added, and organizations can still use help.

People can still give to Centraide, she said, as the organization funds others in the community. They can also donate directly to organizations that focus on their interests, she said.

Now that the restrictions are lifted, she said, there are also “lots of volunteer opportunities.”

Contact municipal government watchdog Megan Banta at [email protected] Follow her on Twitter @ MeganBanta_1.

SBA to honor PPP loan guarantee

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The ASB recently published its Notice of procedure on when a lender can ask the SBA to honor its collateral for a PPP loan. The P3 Loan Program has been in place for over a year and has provided billions of dollars in assistance to small businesses across the United States. It is not surprising that some PPP borrowers have encountered persistent financial difficulties, in some cases leading to bankruptcy, dissolution, closure of their doors or the discovery of fraud-related issues. What should a lender do?

Under program 7 (a) (PPP loans are a special part of loan program 7 (a)), a lender has to service the PPP loan just as it would with its other loans. When an SBA 7 (a) loan is in default, the lender usually needs to liquidate a collateral, seek guarantors, obtain judgments, or seek collection through bankruptcy proceedings before asking the SBA to honor. its loan guarantee. These steps make less sense for an unsecured loan, especially a loan that may be eligible for a 100% discount. Fortunately, the SBA has recognized this in its most recent guidelines for PPP loans.

The lender must continue to provide the PPP loan service.

The lender must continue to service the PPP loan until the loan is fully repaid, canceled in full, or the SBA purchases the collateral and withdraws any remaining balance. The procedural notice sets out a number of actions that a lender must take to service a PPP loan.

When can a lender ask the SBA to honor their collateral?

A lender can ask the SBA to make a purchase of collateral and write off the loan under the following circumstances:

  • The loan is 60 days past due and is not remedied, but only after making a demand for payment;

  • The borrower has permanently closed and will not submit a request for remission;

  • The borrower has filed for Chapter 7 bankruptcy, but only after the lender has filed proof of claim (except that proof of claim is not required for a “no assets” Chapter 7 bankruptcy);

  • The borrower is a self-employed, sole proprietor, sole proprietor LLC, or independent contractor, and the owner is deceased;

  • The borrower or any owner 20% or more has been charged or convicted of a crime related to the PPP loan; and

  • 60 days have passed since the borrower filed an appeal against a final SBA loan review decision with the Office of Hearings and Appeals.

In these situations, a lender does not need to exhaust remedies or incur expenses to sue the borrower. On the contrary, the lender can ask the SBA to honor its PPP loan guarantee.

What happens if the PPP borrower files for Chapter 11, 12 or 13 bankruptcy proceedings?

When a borrower files Chapter 11, 12, or 13 reorganization proceedings, the lender must notify the SBA, file proof of claim, and continue to monitor bankruptcy; but he is not required to take any further action in the bankruptcy beyond filing the proof of claim. The lender can then ask the SBA to honor the collateral only when the bankruptcy has been filed more than 60 days after the end of the payment deferral. or at any time after entering the order confirming the plan if the plan does not provide for full payment of the PPP loan. There is a condition on the order confirming the plan: If the confirmed plan provides for the full payment of the PPP loan, the lender must continue to service the PPP loan until it is fully paid, canceled in full or , at an event that allows the bidding to be made to the SBA, the SBA purchases the loan and approves the write-off.

The notice of procedure confirms that a borrower who has filed for bankruptcy can file a request for remission. However, the notice of proceeding does not specify whether the lender should file an objection to a sale of the bankrupt borrower’s property or to a liquidation sale of more than 50% of the assets. Under the SBA notice of change of control procedure, the borrower, under certain circumstances, must sequester enough cash to fully repay the PPP loan or ask the buyer to assume the obligations of the PPP loan.

What does the lender have to file with the SBA?

The official lender must use the existing PPP platform to request both a collateral purchase and a charge. The SBA encourages lenders to process both first and second draw PPP loans simultaneously. The notice of proceeding details the information and documents that the lender is required to file through ETRAN, the required lender certifications, the lender’s document retention requirements and how the collateral purchase payments will be made to the lender. .

At this time, there are no new indications as to when the SBA will honor its guarantee. The notice of proceeding notes that the SBA will pay interest during the payment deferral period, plus up to 120 additional days of interest in the event of default. This could indicate that the SBA intends to process these requests within 120 days.

According to the Notice of Procedure, the SBA’s guarantee will expire 180 days after the loan matures. This can be problematic in some bankruptcy proceedings, as it is possible that a reorganization plan will not be confirmed until more than 180 days after the loan maturity date.

What if a borrower files a forgiveness request?

It is possible that a borrower files a request for remission after the lender requests a purchase of collateral. In this case, the lender is required to process the request for remission. If the SBA has not yet completed the purchase of the collateral and the write-off, the lender should immediately withdraw the application and not resubmit it until the SBA has completed its remission review. If the SBA has already completed the purchase and write-off, the lender should still process the rebate request, but the SBA will not issue a rebate payment to the lender and instead apply the rebate amount to reduce the amount of the rebate. unpaid loan from the borrower.

What if a lender receives a payment from a borrower after the purchase?

A lender can receive payments from or on behalf of the borrower after the SBA has completed the purchase of the collateral and the write-off. This could happen, for example, not only in bankruptcy proceedings, but also in probate proceedings, other proceedings or voluntarily. In this happy event, the lender is required to remit these payments to the SBA using Pay.Gov.

What if a lender suspects fraud?

The procedural notice directs a lender to report fraud, waste, or abuse to the Office of Credit Risk Management and the Office of the Inspector General. However, it gives no guidance on how to process a forgiveness request if fraud is suspected, much less when a lender can ask the SBA for a purchase guarantee and write-off.

© 2021 Miller, Canfield, Paddock and Stone PLC National Law Review, Volume XI, Number 202

Thrice announces new Horizons / East album for September 2021 release and shares new song “Scavengers”

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Thrice announces new Horizons / East album for September 2021 release and shares new song

California rock band Thrice have shared the name and release date of their eleventh studio album. Horizon / East will be released on September 17th via Epitaph records. The announcement of the album is accompanied by the release of the first track from the album “Scavengers”. The band released their previous album Palm trees in 2018.

In June, the group shared their upcoming tour dates with their fans. The group will be supported by hardcore group Touché Amoré, Jim Ward (on certain dates) and Self Defense Family. Touché Amoré releases his album Lament last year and is on the list of the 50 best albums of 2020.

In the official press release, the group describes Horizon / East: “The album illustrates art as a work of recognition – the human task of perceiving oneself in the midst of details, catastrophes and blessings as one relentless relational phenomenon among others.”
Vocalist Dustin Kensure also talks a bit more about their new song. He says the song is about the past, the “toxic worldviews I once lived in” and the fact that “a lot of the people I love are still in this place”.

The song has a certain blackness that is nothing new to Thrice, the ubiquitous guitars and drums contribute to the edge of the track. The theme of being out of a dark place and others still being there is noticeable. The chorus of the song “I will find you in the black light / Of that cold, dry land / Nevermind who hold you last night / Come and take my, come and take my hand”, is what mainly reflects these intentions of Kensure . While the song certainly brings new elements to the table, it still sounds like Thrice.

Horizons / East List of tracks:

1. The color of the sky

2. Scavengers

3. Buried in the sun

4. Northern lights

5. Summer sets the rain on fire

6. Still life

7. The dreamer

8. Robot gentle exorcism

9. Dandelion wine

10. Unitif / Est

Photo credit: Owen Ela


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Familiar face at local bank ends time behind ETM

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Through July 20, 2021 5:10 p.m.

BUCYRUS – A familiar face from downtown FC Bank ends his career at the end of the month.

Bev Daniel, the sympathetic employee behind the electronic teller machine (ETM) screen, retires on July 31 – a day before Medicare begins – to travel, spend more time with her family and continue her career. commitment to community service.

“At the bank, you see a lot more customers coming in and going out every day, so that’s definitely a plus,” said Daniel, a customer service agent at the financial institution. “You can interact with a lot of people. “
Daniel, who lives just 10 kilometers west of town, was first hired as a cashier in 2014. “I didn’t know much about banking when I started, so it was like trying to teach an old dog new tricks, ”she admitted.

Prior to that, she had completed a 37-year career with Timken Co., where she worked in the bearing factory, distribution center, warehouse, and then in the office as an administrative assistant to the plant manager. .

Daniel, a graduate of Colonel Crawford High School, considers herself a “country girl” at heart. She grew up in nearby Sulfur Springs, where her parents, Max and Anita Spiegel, still live and reside in Crawford County.

His older brother, Dennis, is also celebrating his retirement this year, while his brother Kelly leads the clan that retired a year and a half ago. The youngest of the Spiegel family – Scott – is not there yet. He turns the big “6-0” this year.

Daniel sits on the Crawford County Council on Aging Board of Directors and enjoys attending the Summer Music at the Mural concerts in Bucyrus and other community events. The winter months are relegated to his “obsessive hobby” of scrapbooking.

In fact, she said the retreat would be spent compiling albums for her parents and finishing the ones she had already started for her husband, the family of Marvin “Marv”. The two are also planning a much-anticipated trip to Alaska on a cruise.

In the meantime, Daniel said, his days will be filled watching his parents and checking out items on his to-do list, including visits to Kelley’s Island, Malabar Farm State Park and the village of Yellow Springs in Greene County, Ohio.

The list also includes trips to Gatlinburg, Tennessee, Frankenmuth, Michigan, and a spring trip to Holland, Michigan, for their annual “Tulip Time”.

Musical performances for Art at the Park in Appleton unveiled | WFRV Local 5

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APPLETON, Wisconsin (WFRV) – The Trout Museum of Art has released the musical performance lineup for Art at the Park, the first-ever two-day arts festival.

The museum announced on Tuesday July 20 that the selected performances are in collaboration with Mile of music.

The Art at the Park Festival will take place on Saturday July 24 and Sunday July 25 at City Park in downtown Appleton. Beyond this two-day event, that means doubling the amount of music and fun, but it also marks the return of over 100 selling artists showcasing their creations.

The first day of the festival will kick off the event with an astonishing Rondini magic and illusion number. Then the group Nolan Ehlers Quintet will perform. Additional musical performances scheduled for Saturday, July 24 will take place from 12:20 p.m. to 5 p.m. During these hours, guests will attend performances by Ross catterton, Natural satellite, Christophe Gold, Tae, and Girl and the Gunn.

Saturday’s festivities will close the evening with two famous Mile of music bands; Bascom Hill and Good weather. The groups will take the stage from 5:30 p.m. to 8 p.m.

Sunday’s activities will also begin with another performance of Rondini. Four more bands from Mile of Music will then perform throughout the day. The performances take place from 11 a.m. to 4 p.m. with Michael grabner, Natural satellite, Erin krebs, and Feed the dog.

Art in the Park is a completely free event, even musical performances. The event is scheduled for Saturday July 24 and Sunday July 25, and it’s sure to be filled with music, magic and more. To find out about all the activities planned for the two days of the festival, you can find them on their website.


The Big Dirty set to present epic Swine music video at the Picturedrome

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The pork will be showcased at the Picturedrome this Thursday.  Image from GiantDwarf.
The pork will be showcased at the Picturedrome this Thursday. Image from GiantDwarf.

Four years of preparation and conceived before a global pandemic changes the world, Swine – the film project starring The Big Dirty by production company GiantDwarf – will finally be revealed this week.

The launch at the Northampton Picturedrome will be the first time the Northampton rockers have returned to the stage as a full band since January 2020.

For GiantDwarf, it will be the conclusion of an epic project, over 20 minutes, which also stars Tony Ceasar and Danny Nightingale.

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Swine sees members of The Big Dirty embark on a rescue mission to save other artists from an ugly belly of the music industry.

Singer of the hard rock quartet, James Shaw – AKA Johnny Rocket – said: “To have him finally here and ready to be seen by people is really satisfying, the first time I saw him I had my eyes a little fuzzy.

“GiantDwarf has really gone above and beyond with what they’ve produced.”

The first meeting to discuss the project took place in 2017, after the two worked together on The Big Dirty’s single Rhythm Of My Drum.

Shaw, who is joined on The Big Dirty by bassist and backing vocalist JC, lead guitarist C-Diddy and drummer T-Dog, added, “They wanted to jump in, launch their channel and they wanted to do something for the stage. local music.

“We all sat down, put our heads together and came up with Swine’s concept of the ‘meat chopping’ agencies that exist, just producing deeds.

“Pork is a bit of a major on that side of the industry, without wanting to go beyond the brand.”

GiantDwarf’s Phil Chapman and James Millar initially approached Tony Ceasar with the idea of ​​writing a track for a video after a job went wrong and they were left with unused footage.

They then decided to join The Big Dirty and producer Chris Datson – who later joined the latter as lead guitarist.

“We created a folder that they can all work on based on the idea of ​​something that was pro independent music and slightly anti-industry, which reflected the fact that we were burned out by the previous work,” explains Millar.

“The track was so good that we ended up removing the footage we had from the previous video and decided it had to be a completely new thing from scratch and also approached Danny ‘The Drunken Master’ to do the verse. opening.

“Then we had a video concept and an idea for a movie and the project just kept growing from there. “

Filming originally started in 2019, with the intention of releasing that year and although the coronavirus caused significant delays for the project, it allowed GiantDwarf to change what was initially a clip into one. short film.

“It went from a clip with a little intro and an outro to a 22-minute epic,” says Shaw.

“The first part introduces all the characters and you learn more about ‘Swine’.

“There is a scenario where a label organizes a competition for artists to perform and be judged.

“The judges, wearing pig masks, hold up signs showing who they love – while those they are not sent to a place called The Pit where they have to fight pigs, get locked in a dungeon and become slaves to the music industry.

“The Big Dirty are coming in to save people. There are bulletproof vests, guns, we go through a wall in a van, there is a huge shootout where pigs explode and turn into cash and I have a massive brawl with a pig boss which is played by a huge body builder.

“It was stressful, but really a lot of fun. GiantDwarf really made us proud on Rhythm, but it’s their baby. The quality is crazy. “

Speaking about the project, Mr. Millar said, “Phil and I are extremely proud of the end result.

“Pork has become something really cool and everyone who has been involved in one way or another has helped to create something really special.

“Most of the people in the project are musicians and not actors, but honestly you wouldn’t know that.

“They all worked well and the music score is crazy, Chris Datson wrote some really epic music for this movie. I really can’t wait for people to see and hear it all.”

Since Swine’s inception, The Big Dirty has changed their line-up and released their debut album, The Sex. Their most recent single, Under The Crimson Moon, was released in April.

With new management, they now have tours booked for the end of the year and next and hope to increase their presence in America and Japan.

“Releasing our album during lockdown was not ideal,” Shaw admits.

“We couldn’t tour or even train because of the restrictions.

“Now we’re at a point where we’re relearning the album while simultaneously trying to write new music.

“It’s going to be moving to get back on stage.

“We wanted our first show to be back in a place where everyone could stand, dance, jump and have a good time.

“After that, we’ll just go on and hopefully take over the world.”

Swine will premiere at the Picturedrome in Northampton on Thursday 22 July.

The Big Dirty will be joined by Karl Phillips and White Raven Down who will all perform as well as the screening.

Doors open at 7pm, tickets cost £ 10 online in advance via www.seetickets or £ 15 on site.

For more information visit http://giantdwarf.co.uk and https://www.facebook.com/bigdirtyrock


NEA names its 2022 Jazz Masters: Hart, Clarke, Wilson and Harrison

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Drummer and educator Billy Hart, one of the NEA’s jazz masters in 2022.

Desmond White / Courtesy NEA

There is a moment on “Oceans of time”, From a 2016 album by The Cookers, when the alto saxophonist Donald Harrison, Jr. takes a self-confident deviant solo. Swaying mightily behind him is the composer of the melody, master drummer Billy hart.

To this day, Hart and Harrison can be identified not only as members of The Cookers, but also by a prestigious title: they are both NEA Jazz Masters 2022, as well as the magnetic singer-songwriter. Cassandra Wilson and virtuoso bassist Stanley clarke.

According to an announcement made this morning by the National Foundation for the Arts, these four new inductees will be celebrated with a concert and ceremony on March 31, 2022 at the SFJAZZ Center in San Francisco. They will also each receive a prize of $ 25,000, as well as what is considered the highest honor reserved for a jazz artist living in the United States.

“The National Endowment for the Arts is proud to celebrate the 40th anniversary of honoring outstanding jazz personalities with the NEA Jazz Masters class of 2022,” said Ann Eilers, Interim President of the National Endowment of the Arts, in a statement. . “Jazz continues to play an important role in American culture thanks to the dedication and artistry of individuals like these and we look forward to working with SFJAZZ on a concert that will share their music and stories with a wide audience throughout the world. next spring. “

Hart, at 80, is the senior member of this NEA Jazz Masters class. During a career that began in his hometown of Washington, DC, Hart has distinguished himself in a staggering range of settings, always with the earthy elasticity that is his rhythmic hallmark. He was a member of Mwandishi, the pioneer jazz-funk group formed by 2004 NEA Jazz Master Herbie Hancock, and supported everyone from Stan Getz to Shirley Horn. For the past 18 years, he has conducted an acclaimed quartet with several prominent young associates; his most recent album is All things are, performed with pianist Kevin Hays and bassist Ben Street.

Bassist, composer, arranger and producer Stanley Clarke.

Bassist, composer, arranger and producer Stanley Clarke.

Toshi Sakurai / Courtesy NEA

Clarke, who just turned 70, is originally from Philadelphia, where he studied classical music as well as jazz. Recognized as a young phenomenon almost from the moment he arrived in New York, he amassed numerous sideman credits before teaming up with the keyboardist. Chick Corea to form Return to Forever, another defining group in the formative era of jazz fusion. Clarke pursued a very successful solo career: her 1976 album School days hit the Top 40, and “Sweet baby“, a single he made with keyboardist George Duke, was a Top 20 hit. He has also scored heavily for film and television, and he runs the Stanley Clarke Scholarship Foundation, which supports promising young musicians. .

Cultural activist, educator, composer and saxophonist Donald Harrison, Jr.

Cultural activist, educator, composer and saxophonist Donald Harrison, Jr.

Donald Harrison / Courtesy NEA

Harrison, 61, is this year’s recipient of the AB Spellman NEA Jazz Masters for Jazz Advocacy Fellowship – an award that often goes to a writer or producer rather than a musician. His qualifications are rooted in a lifelong commitment to his native New Orleans, where he founded the Congo Square Nation Afro-New Orleans cultural group and is artistic director of the Tipitina Foundation internship program. Harrison is also an alto saxophonist and conductor of great distinction, and the ancestor of a hybrid genre he calls “new swing,” which combines elements from across the African diaspora. (Talk to me in 2019, he explained how this idea applies to his instrumental cover of “Old Town Road”, the Lil Nas X smash.)

Singer, songwriter and guitarist Cassandra Wilson.

Singer, songwriter and guitarist Cassandra Wilson.

Mark Seliger / Courtesy NEA

Finally, we come to Wilson, the youngest member of this year’s Musician Class at 65. Born and raised in Jackson, Mississippi, she’s been a genre-blurring artist since the 1993 release of her Commercial Breakthrough, Blue light until dawn (recognized by NPR Music as one of the 150 greatest albums made by women). Wilson first appeared nearly a decade earlier as an intrepid singer in the avant-garde musical cohort known as M-BASE. Its rich contralto, tinged with smoke and honey, is an inimitable tone at the crossroads of modern jazz, delta blues, classic country and American folk music.

Wilson has also publicly aligned, in recent years, with a political faction that calls for the elimination of the NEA, among other government programs. But she only expressed positive thoughts about the Jazz Masters award. “This honor bestowed upon me by the National Endowment of the Arts lifts my spirits,” she wrote in a statement, “and brings me great joy to know that music will always continue and that the best is to come. come.”

Copyright 2021 WBGO. To see more, visit https://www.wbgo.org/.


WonderStruck Festival to Kick Northeast Ohio’s Return to Big Live Music Events

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KIRTLAND, Ohio – With the live music industry on hold for much of 2020 and into early 2021, the Elevation Festivals team was busy planning the WonderStruck Music Festival.

Postponed and then canceled in 2020, the event was set for July 24 and 25, 2021 in the hope that coronavirus vaccines would be underway and pandemic protocols would be lifted in time for the event.

That timing eventually worked, and WonderStruck established itself as one of the first major music events in Northeast Ohio after COVID-19 restrictions were lifted in May. So, face masks won’t be required for festival outfits – and social distancing won’t prevent crowds from gathering outside the stages of Lakeland Community College. And unlike some music festivals around the world, vaccines and negative COVID tests won’t be required for entry.

The global festival scene remains busy, even here in Ohio. Some festivals, like Nelsonville Music Festival and Sonic Temple, have completely canceled their 2021 events due to the pandemic, but others have decided to continue as planned.

Alive Music Festival was held July 15-18 at Atwood State Park without a face mask requirement, but a six-foot social distancing recommendation between the parties. The Country Fest also took place the same weekend, with no masks or social distancing requirements in place. Incarceration is scheduled for Sept. 10-12 in Mansfield, Ohio, with vague security measures outlined on its website.

  • 5 things to know before you go to the WonderStruck music festival

WonderStruck – and its sister September music festival in Columbus, WonderBus – is a big part of the 2021 music festival landscape in Ohio. And after a very abnormal year, WonderStruck aims to return to a normal festival before the pandemic, building on its first four years of existence as LaureLive at Laurel School’s Butler Campus, from 2016 to 2019.

Adjusting to ever-changing COVID-19 decisions, turbulent tour schedules and a new location have all created tight deadlines for the Elevation group, said Elevation chairman Denny Young.

“It’s busy. Not only are we doing 12 months of work in about four months, but we’re also entering a new site for the first time,” Young said. “So while everything is on schedule, sorted out and ready, it’s a really busy time for all of us at Groupe Elevation. ”

FROM LAUREL TO LAC COUNTRY

After separating from Laurel School in 2019, Elevation Group landed its new location for the festival at Lakeland Community College in 2020. The outdoor grounds, near an I-90 exit, provide easier access for drivers and on-site parking, as well as more space for festival crowds. .

“Where in Laurel we had a long, thin site from south to north when you came in, Lakeland is more of a square site,” Young said. “It’s not long and thin; it’s basically a big square. We had to reconfigure the way we position the scenes and make sure the lines of sight are good. The site is really comfortable.

It’s comfortable, but big. Lakeland Community College offers 400 acres of space for WonderStruck to use with three stages, a sales area, and food offerings from chef Fabio Salerno of Lago East Bank, who also designed LaureLive’s culinary options in 2019.

When it comes to COVID, attendees can primarily expect additional disinfection measures and a partnership with hand sanitizer company GermX – as well as a Lake County General Health District mobile clinic offering COVID-19 vaccines near the entrance to the festival grounds.

Young estimates that 25,000 attendees will attend the festival over its two days. (Tickets are still available for WonderStruck at wonderstruckfest.com.)

During these two days, 28 artists will perform on three stages, wearing some impressive headliners. On Saturday hit rock groups Walk the Moon and Third Eye Blind headlining, and Grammy-winning pop-rock group Portugal on Sunday. The Man and indie-pop stars AJR will close the festival.

But ahead of those shows, there are plenty of other eye-catching acts to perform on stage, including multi-instrumentalist showtopper Trombone Shorty, “You Broke Me First” singer Tate McRae and catchy pop artist Dayglow.

It will be the same for many artists in Cleveland.

LOCAL FOCUS

This year, Northeast Ohio artists make up a big part of the lineup: Detention, The Floorwalkers, The Vindys, Sarah Bailey, Jack Harris, .wavrunner, Jon Caryl, Brent Kirby and Londin Thompson are all set to happen. KennyHoopla, from Cleveland, was also a late addition to the festival lineup, after Noah Cyrus left due to a scheduling conflict.

For Bailey, WonderStruck marks his first big performance. The musician, who was recently selected to work as the Rock & Roll Hall of Fame’s resident rocker, also released her self-produced debut album “13” earlier this year. Bailey will perform at the festival on Saturday.

“It’s my first real performance, which is crazy to say,” Bailey said. “The first time I sing my own songs with a band that I train with, who have learned all of my songs – this is my first big performance with my own music.”

It’s a big moment for Bailey, especially after last year.

“It’s so amazing knowing that I’ve been locked up for the past 15 months,” Bailey said. “Everything is happening so fast, and I think people are very anxious to come back and do some live music, to go to shows. I think there is going to be a big comeback in the music industry.

Kirby, who also plays on Saturday, feels the same way.

“An important part of music and the music experience is the people around you and the people you connect with. To have that kind of connection with an audience and in such an important way as a music festival like this, I think it will be a wonderful experience, ”Kirby said. “The main thing is that I feel like I’m part of something special and unique. And I don’t take that for granted, especially after everything that happened last year. Being able to play an event like this is really something that is close to my heart. “

Kirby has performed at the festival once before, when his name was LaureLive. He performed in 2016, the event’s first year, both as a solo artist and with his 10×3 songwriter showcase.

Now he’s playing the festival’s first year as WonderStruck, after receiving a call from Young – whom he considers a close friend.

“I really feel special. I feel honored, ”Kirby said. “I think it’s really important, and they understand it too, that having local Cleveland bands on the bill is a really important thing to have.”

The Cleveland music community has played an important role in running WonderStruck over the past year. Young said many ticket holders kept their weekend passes from 2019, rolling them over to the 2021 festival. This helped the festival maintain some of its revenue from the canceled event.

Tickets are still available for purchase online, ranging from $ 115 for one-day general admission tickets to $ 499 for weekend VIP passes (with discounts available for children under 10 years).

The excitement for the festival has been palpable, Young said, especially after the lack of live music due to the pandemic.

“Postponing, canceling whatever you want to call it, which took place in 2020, was devastating on so many levels… It was mentally, physically and economically devastating. So we’re all thrilled to have the opportunity to present live events once again, ”said Young. “I think the thirst for live music and entertainment, given that we’ve all been effectively locked up for a year and a half, is at an all time high.”

You can find more information about WonderStruck at wonderstruckfest.com.

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Union Point, Creekside, among six Craven County parks when looking for adventure

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Craven County is home to several parks that residents and visitors can enjoy. Whether you want to go for a walk, go fishing, take in some of the county’s beautiful natural sites, or just sit on a bench and take in some of the breathtaking waterfront views that are available, there is always something available. thing to do when visiting one of the Craven Departmental Parks. Let’s take a look at a few from our list.

Creekside Park

1821 Old Airport Road, New Bern

Creekside Park is Craven County’s largest athletic park. The park has four full-size soccer fields, eight full-size sand volleyball courts, three hard-courts with LED lighting, four youth ball fields and adult softball fields, d A 1-hole disc golf course and an outdoor five-station fitness equipment system. There are also swings, picnic shelters and a walking path.

There are three playgrounds at Creekside Park for children of all ages. They are conveniently located next to shelters, youth ball fields and at the water’s edge, allowing children to play while being supervised from a safe distance. In 2016, an inclusive play area near the Rotary Hut was added with an additional play area for children 2-5 and 6-11. This playground also offers a wide range of play components for children of different ages and abilities and includes a triple zipline, musical play area and the Liberty wheelchair swing specially designed for anyone, from child to child. the adult in a wheelchair. Other features include disabled parking, wide sidewalks, and rubber flooring for safety and ease of movement. The Craven County Department of Recreation and Parks recently added 6 wheelchair accessible picnic tables to the Rotary Shelter, painted all buildings and applied a seal to the front playground in areas that have been rubber mulch.

The waterfront area offers canoe and kayak access, playgrounds, gazebo, picnic shelter, and walkways leading to Brice’s Creek.

Picnic shelters and a gazebo are available for hire for gatherings, such as birthdays, family reunions, business or family picnics. Reservations are not required but are required for exclusive use.

Bricks are available for purchase in memory or in honor of someone or if you wish to support park improvement. The bricks are on display near the flagpole in front of the new playground. For more information or to purchase a brick, contact Billy Wilkes at 252-636-6606 or email [email protected]

Pointe Union Park

210 East Front St., New Bern

The Union Point Park Lookout is a popular venue for events in New Bern.

Union Point Park, located in downtown New Bern, is one of the city’s busiest parks. Several events are held at the park throughout the year, including the New Bern City Summer Concert Series, the Great Trent River Raft Race, and the Seafood Festival. The park is located on six acres and is where the Neuse and Trent rivers meet.

There is a lighted gazebo which is frequently used for weddings and other special events. There is a walking path, boat launch, restrooms, picnic tables, fishing docks, barbecues and a children’s play area.

Visitors to Union Point Park enjoy river views and outdoor activities, along with pleasant weather and balmy summer temperatures, in historic New Bern, North Carolina. Union Point Park is benefiting from storm upgrades and repairs with renovated public facilities, a new boat dock, a new dock, and the completion of the Riverwalk Bridge that connects a popular footbridge along the Trent River and the Neuse river.

Craven Park West

2791 Streets Ferry Road, Vanceboro

Pictured is one of the covered shelters visitors can find at West Craven Park in Vanceboro

West Craven Park is located across from West Craven High School in Vanceboro. It opens from 8 a.m. to dusk and longer for scheduled activities.

The park has four youth baseball fields including one dedicated to older youth, four multi-use fields, six tennis courts, a sand golf course, a walking trail, a picnic shelter and a designed playground. for children from 5 to 12 years old.

The park hosts various sporting events in the county including the Twin Rivers Little League, West Craven Pop Warner League, Craven Jaquars, Cove City Cougars, and West Craven High School Tennis Team, to name a few. .

Latham-Whitehurst Nature Park

1095 Broad Creek Road, New Bern

Pictured is a jetty at Latham-Whitehurst Nature Park

This park opened in 2011 and has 133 acres of pristine coastal land. This is the county’s first nature park and it offers hiking, nature viewing, bird watching, and access to Broad Creek via a boardwalk. There are walking trails that range from 0.16 mile to 0.8 mile. All trails are color coded. The nature park has a 2,000-foot dock overlooking Broad Creek that includes an observation area, a fishing section, and a canoe / kayak launch pad. There is also a picnic shelter at the entrance to the park which is available for small groups and groups and on all trails, picnic tables and benches are available for your convenience as well as a lookout halfway up the gravel trail.

Martin Marietta Park

700 S. Glenburnie Road, New Bern

A recently completed playground at Martin Marietta Park features slides, swings, and a geodesic dome rope course.  An adjacent swimming beach and shelter are also slated to be completed this summer. [TODD WETHERINGTON/ SUN JOURNAL STAFF]

Martin Marietta Park is the newest park in the city, and when completed will be the largest park in the New Bern city park system. Construction of the park began in June 2020 and is currently in phase 1 which includes trails and roads, access to fishing and boating, restrooms, a playground, a picnic shelter and a swimming area. It is planned to add a tree climbing course and an amphitheater.

The park opens at dusk and the gates close at 5 p.m. Guests are urged to exercise caution when visiting the park as it is still currently under construction.

To learn more about Martin Marietta Park, go here.

Glenburnie Park

340 Glenburnie Drive, New Bern

Boaters are on the water while visitors enjoy a temperate climate and panoramic views of Glenburnie Historic Park.

Glenburnie Park is a 51 acre park located on the Neuse River and is located north of town and offers rolling terrain. The trail circles the perimeter of the park, including a short path through the woods and includes views of the river. Toilets are available and the park offers a disc golf course, a fenced dog park, a launching ramp, outdoor shelters, a perimeter path and a playground.


Sarker Tahsin: an aspiring musical artist and freelance writer

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Sarker Tahsin, Bangladeshi blogger, writer, music artist, entrepreneur and digital marketer who started his career studying side by side, dreamed of achieving something big. Recently we looked at two books from The Story Of Digital Marketing which are popular in all online stores. The names of the books are “The Eye of the Prey” and “The Book of Dawn”. Both books are written by Bangladeshi freelance writer Sarker Tahsin.

Sarker Tahsin is a Bangladeshi freelance writer, music composer, musical artist and musician. He Personality providing books, music video, digital marketing, YouTube tutorial, blogging and more on his YouTube channel or website. Born: 2000 Narsingdi, Dhaka, Bangladesh. He studied in the science department of Narsingdi Government College. His research interests: technology, music, digital marketing, writing, musical composition. He founded a digital medium named “Tahsin Digital Media” and a label named “Sarker Tahsin”.

He is a successful entrepreneur, writer, music composer, musical artist and musician today. He is also a self-published author, has published several books on the topic of digital marketing, personal branding and entrepreneurship. Today he has a successful personality. Today, his initiative takes pride of place on social media platforms. At the age of 20, he established a successful career. His achievements are role models for the younger generation. It is a source of positive energy for young people who want to do something for their family and the country.

Its aim is to present its work to the people of the country through social media and various online websites. Sarker Tahsin recently wrote three books, such as – (1). The Eye of the Prey; it is written by a freelance musical artist and writer by Sarker Tahsin. (2) Book of Dawn: (Nazmus Shakib Tahsin). (3). Success Stories of Musical Artist (Nazmus Shakib Tahsin): This book is written by Sarker Tahsin. The most famous and popular instrumental songs of Sarker Tahsin are shown below: (1). So lonely for you, (2). Deep pain, (3). Mad love, (4). Get up, (5). You lost, (6). Need you .

At the beginning of 2020, he launches out with passion in learning musical composition and instrumental musical creation. Tahsin now works independently and tries to make music professionally. Her first song was released worldwide in 2021 on numerous music streaming platforms including Amazon Music, Deezer, iTunes, YouTube Music, JioSaavn, Pandora, Napster, Tidal, and more. Sarker Tahsin has already been verified on some of the major music streaming platforms among those mentioned. Recently he checked on Google and YouTube as a Music Artist. He continually tries to release more and be regular in his work! Now he wants to be a part of Bangladesh’s upcoming music industry and claim a notable place in the ranking. Recently Sarker Tahsin wrote a book, many books by Sarker Tahsin on google Books and amazon Kdp. It is doing better every day for the younger generation.

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MTH Theater announces casting and creations for HAIR: Then & Now

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The Crown Center’s MTH Theater continues its 2021 season with an innovative and powerful production of the iconic musical that defined a generation and changed the world: HAIR: Then & Now.

The production is directed by Nedra Dixon, an actor on the original Broadway production’s 1st Nationwide Tour in 1972. Performing August 5-22 at the Crown Center’s 4th Floor Theater, HAIR: Then & Now captures the music of the legendary comedy musical that brought the passion and revolution of the late 1960s to audiences around the world. MTH’s concert production will feature the full musical score of HAIR, performed by an ensemble of 11 people, as well as a 5-piece rock band.

“We were fortunate to have been allowed to omit the dialogue and present only the songs. This allows us to approach the piece through a contemporary lens and see how current and relevant the music remains today. ‘hui, “Executive Artistic Director Tim Scott said. “Our hope is to blur the iconography of the late 1960s with current imagery to form a powerful portrait of HAIR then and now. We are fortunate to have Nedra and her vast experience with the room to guide us along the way. “

Also of note, HAIR: Then & Now will be one of the first theatrical productions approved by the Actors Equity Association (the union of professional actors and directors) in Kansas City since before the COVID-19 pandemic.

The production team includes musical direction by Mark T. Ferrell, choreography by Kenny Personett, lighting design by Zan de Spelder, sound design by Jon Robertson, costume design by Georgianna London Buchanan, stage design by Glyneisha Johnson and the directing of Lacey Willis.

The ensemble cast includes Abigail Becker, Gabriela Delano, Tyler Fromson, Camryn Hampton, Matthew Harris, Nora Hennessy, Lanette King, Austin Ragusin, Robert Vardiman, Francisco Javier Villegas and Marc Wayne. The five-person group includes Ferrell on piano, Tod Barnard on drums, Cindy Egger on guitar, Jacob Roemer on bass, and Evangelos Spanos on Keyboard II.

“I could go on and on about the power and real ‘magic’ of this groundbreaking rock musical that changed theater forever,” Dixon said. “I will just say that I was a lucky, extremely green, wide-eyed, extremely green new college graduate, a ‘serious’ theater student, when I was selected for this show … my first professional theater job … No! … adventure. HAIR has shaped me as a human being and as an artist in the most positive way. His messages of a global community of empathy, acceptance, peace, environmental awareness , freedom, love resonate as strongly today as I felt them many years ago. It will do the same for you.

Under Union guidelines, all eligible members of the ensemble are vaccinated and seats for the indoor production will be reduced capacity to allow physical distancing and safety. As per current CDC guidelines, masks are not required for fully vaccinated clients; however, other health and safety protocols, including sanitation stations, distancing and no intermission to avoid unnecessary overcrowding, will remain in place. Masks are always recommended for clients who are not fully immunized. MTH staff, ushers and volunteers will be required to wear masks at all performances.

HAIR: THEN & NOW is playing 16 performances, from August 5 to 22. Suitable for ages 17 and over. As a concert production, there will be no nudity.

Due to the reduced capacity, seating is extremely limited. Tickets are available by visiting www.MTHKC.com or by calling the box office at 816.221.6987.


Ideal panic opener for the Live Oak Bank Pavilion in Wilmington

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Lightning passed Sunday night and widespread panic arrived, crackling, sizzling, landing like thunder. The curfew has worn off as the rain before and seven thousand people received another three-hour reprieve of similitude and insanity, savoring every bite of an original stew smoked and simmered for 35 years.

Popularity and longevity cannot be sought after. They can only be won through genuine actions. The proof was there in the sonic flight on Sunday night at the brand new Live Oak Bank pavilion in Wilmington. Fans waited during the storm. The group put on a show. It arrived in a tighter package than usual, but the product remained the same: 164 minutes of music, some soft and smooth, louder and dirtier. Despite the hour later than expected, the place was packed. And the group had no desire to release a substandard product and leave town.

Widespread Panic performs in front of thousands of people at the new Riverfront Park Amphitheater on Friday, July 16, 2021. It was the first of 3 shows the band will be performing in Wilmington this weekend.   [KEN BLEVINS/STARNEWS]

What seemed surreal just a few weeks ago came true over the weekend in the north corner of downtown Wilmington. The streets came alive, 12 hours in a row. People ate, drank and energized the local economy – as has been the case everywhere Panic has traveled for the past two decades. After a year of closures and layoffs, bar managers have surely smiled as they counted the receipts. (Palate on North Fourth Street, a few blocks from the new venue, was closed on Monday because there was no beer left on Sunday night.)

When word spreads, an array of artists will be craving a date at the Live Oak Bank Pavilion in Riverfront Park, the new star and centerpiece of a region hungry for live music. The idyllic riverside location, beautiful expansive stage, excellent sound quality and plentiful parking place the pavilion a cut above the competition, these cookie-cutter amphitheatres dotted around the suburbs of this city. country.

In the days leading up to the weekend, the business seemed ambitious. Was it wise to ask one of the finest and most prolific touring groups in the country to open an amphitheater still surrounded by construction fences and muddy, unfinished scenery?

Widespread Panic performs in front of thousands of people at the new Riverfront Park Amphitheater on Friday, July 16, 2021. It was the first of 3 shows the band will be performing in Wilmington this weekend.   [KEN BLEVINS/STARNEWS]

Moving to a new venue wasn’t something the band had given much thought to before the concerts. Last week, in a phone interview, singer and rhythm guitarist John Bell pointed out that there would be no graffiti to read on the locker room walls; otherwise, he expected the ordinary pre-show experience. (The group only likes to read other groups’ writings, not theirs). But he was eager to return to the stage after his longest layoff in 40 years and excited about the potential of a new market for future shows.

Panic played 61 songs in three nights without any rehearsals, as usual. Some fans came over this weekend to hear keyboardist JoJo Hermann perform “Big Wooly Mammoth” on his birthday. Maybe others sued “Arlene”. The braided “Stop / Go” bass wire is always a pleasant surprise. The familiar covers of Tom Petty, Traffic, and Buffalo Springfield certainly appealed to the casual fan. So many strong moments and to each his own. Anyone who left the premises unsatisfied did not pay attention.

After:Widespread panic at new Live Oak Bank pavilion puts Wilmington on national music scene

After:Wilmington’s Live Oak Bank Pavilion makes what could be the final 2021 concert announcement

Our small group of fans have come together, traveling by highway and commercial jet to celebrate the life of a friend we lost last year. For some, it had been almost 20 years since we got together. We remembered moments and shared experiences, our memories sharper than faded ticket stubs. The music took care of the rest. “Slippin Into Darkness”, “Happy Child”, “Climb to Safety” held their own meeting. The old-fashioned numbers drawn from the band’s roots and the smooth transitions between songs evoked nods and smiles, filling in the gaps.

Through marriage and divorce, birth and death, we have always relied on the next vacation. The Panic community thrives better than most, enjoying life’s victories and grabbing their necks to snatch a sibling from the blues. Panic provided an outlet for like-minded people to look after each other. The group is doing their part by organizing food drives and donating musical instruments to schools.

People feed the music, in their cities and on these trips. The group is aware of the unique relationship, protects and preserves it at all costs. It’s more valuable than any banknote.

There was a feeling in those seats over the weekend that is hard to find and even harder to explain. A shared joy that cannot be found in just any street. Mainly, it was just mind blowing rock ‘n’ roll.

A similar sensation will seep into the venue more often than not in the years to come, delighting tens of thousands and giving some fans their first glimpse of a musical hero. Locals won’t have to spend so much time traveling to listen to great music. People will come to Wilmington for the first time and leave knowing that the visit will not be their last.

Sight lines on the amphitheater’s lower lawn could be better. On-stage video screens would enhance the experience for those beyond the seats. Other minor tweaks improved the venue as the weekend unfolded. Fans flocked to the toilet from their seats and returned within a reasonable time. Plenty of beer and drink stalls alleviated the long lines. People returned home on Sunday evening praising the place and the city.

Widespread Panic performs in front of thousands of people at the new Riverfront Park Amphitheater on Friday, July 16, 2021. It was the first of 3 shows the band will be performing in Wilmington this weekend.   [KEN BLEVINS/STARNEWS]

It’s strange how time goes by. At the start of Widespread Panic, fans dialed a hotline from a landline and were asked to ‘call before transport’, a nudge to ensure the show was still scheduled before opening the roadmap. and take the highway. This weekend we all played in the digital wonderland, sending tickets to cyberspace, securely transferred to a friend’s smartphone and waiting for updates on the status of the Sunday show. delayed via social media feeds.

Besides the obvious appeal of three guaranteed sold-out concerts, Widespread Panic was the perfect band to open the Live Oak Bank Pavilion. Masters of their craft, they went full blast for nearly nine hours of music, showing the city proper professional performance and setting a high standard for the acts that follow.

Not always perfect, but always inspired, honest and real.

Contact StarNews Arts & Entertainment at 910-343-2343.

Tainy and Yandel’s “Dynasty” Album Evokes Reggaeton’s Past

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Reggaeton isn’t that old in the grand scheme of things, but there is an industry-wide aspiration for the heyday of early perreo, which was encouraged in black communities in Puerto Rico in the 90s and 2000s. Artists from Bad Bunny to Rauw Alejandro paid homage to the sounds of their predecessors, reminding listeners that there is a lot of history to dig despite the genre’s relative youth. But while the new acts had to dig deep to capture the returning energy everyone is looking for, some veterans have been around long enough to tap into their past to shape the present.

Puerto Rican rapper Yandel, for example, started making music with the duo Wisin y Yandel over two decades ago. He was in his twenties when he started working with Tainy, a production prodigy whose beats were so loud he was signed to hitmakers Luny Tunes when he was just 15. A decade and a half later, Tainy is one of the most ubiquitous producers. on the global pop landscape, overseeing tracks for Bad Bunny and Selena Gomez, while Yandel claims a prolific career that has eschewed complacency, thanks to an openness to new styles (unexpected entries in his recent catalog include sad-boy trap on Eladio Carrion’s track ‘nightclub’). Despite how active they have been over the years, Yandel and Tainy have repeatedly returned to each other’s orbit – and on Dynasty, an agile eight-song project, they team up again to celebrate their longtime collaboration.

In an age when reggaeton release seems overworked, resulting in albums that can end up crowded and overloaded, Tainy and Yandel go for simplicity – a ’boutique’ approach, like Yandel Put the recently – this is serving the project well. (The leanness of the LP recalls the joint album of Bad Bunny and J Balvin Oasis from summer 2019.) Dynasty starts with the audio of the duo claiming to have won a sports championship, a framing device that is not needed at all, but the momentum picks up once the music arrives. “El Plan” and “Háblame Claro” are more robust, dance catchy pieces reminiscent of the beginnings of reggaeton in club. Overall, however, Dynasty is more forward-looking than nostalgic. Tainy’s production is crisp, spacious and crystal clear; he bends atmospheric synths and vibrant loops to punchy beats on songs such as “Cámara Lenta” and “Buscando Calor” examples of how he has taken the skeleton of reggaeton and constantly transformed it over the years .

Dynasty only has two featured artists, and both choices are intentional. Rauw Alejandro, the rising star whose recent album Vice versa rocketed to the top of the charts this month, delves into the slow groove of “Una Más” and adds dimension to Yandel’s verses with his ability to ramp up. The addition illustrates Yandel and Tainy’s desire to join forces with artists ready to carry the torch afterwards. On ‘Si Te Vas’, Brooklyn-born Guyana-raised rapper Saint Jhn rhymes in Spanish and English on Tainy’s laid-back afrobeat riff – a hint of the cross-cultural and global way Tainy sees the future of reggaeton. .

Old-school touches throughout ground the imagination of the project. Tainy has a penchant for expanding her outros and sprinkling them with surprise flourishes. In the last moments of “Deja Vu”, a star of the album, Yandel lets out some songs of “tra, tra, tra”, an ode to the iconic hit of the late 90s by Puerto Rican rapper Don Chezina. It’s a detail that lasts no more than a few seconds, but it’s a brief glimpse into the state of the genre, before the duo continue to push themselves to new horizons.


Closure of the Musical Theater Academy

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The Musical Theater Academy, founded in 2009, will close at the end of this academic year.

In a statement posted to social media, the school’s principal / CEO Annemarie Lewis Thomas said that “the class of 2021 will be the last year of graduation from the college.” She said the reason for the closure is “not a lack of demand to train with us, there is a lack of funding to facilitate it,” given the financial impacts of the pandemic and a certain many other factors.

The school aimed to offer a musical theater course to aspiring professionals in two years rather than the conventional three years. The academy said it will continue to support all current students, including with all-day access to a mental health clinician.

Lewis Thomas issued a new warning, saying: ‘The UK vocational training industry has been completely decimated in recent years … we are not the first college to close, and we certainly will not be the last. , but the industry needs to wake up and see what’s going on. A conglomerate of “big” colleges shouldn’t be the ultimate goal here. Our industry screams about inclusiveness, diversity and celebrating the individual, but that goes out the window when we have a corporate training industry in the UK. “

She called for an independent body to regulate training and said that “despite tangible successes [including the fact that 100 per cent of students secured agent representation prior to graduating], even our own industry did not give us the support we asked for, with Equity and Spotlight refusing to recognize us as a graduate course, thus preventing our students from getting any of the various scholarships they endorse or manage. “

MTA Chairman Jon Harris further cited Brexit issues as an issue and that the removal of the Professional Career Development Loan program in 2019 also severely compromised students’ ability to apply to the course.

Patrons of the organization included Lara Pulver, the academy twice winning “School of the Year” in The Stage Awards.

You can see the full three page letter below:

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Italian government releases video game

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The Italian government is entering the world of video game publishing. Italy: wonderland is an attempt by the Italian Ministry of Foreign Affairs to introduce the world to Italian cultural heritage. It is launched today for mobile devices.

Wait what? The Italian government publishes a video game?

Yeah. Italy: wonderland contains over 100 puzzle levels for players to solve and will focus on the story of Elio (based on the Greek sun god Helios), a lighthouse keeper who must turn on the sun that rises over Italy. As a new recruit, you must help Elio collect 20 Sparks in a series of adventures across Italy. You will meet five guardians on the theme of the five touchstones of Italian culture: nature, cuisine, art, performance and design. It’s a little strange, but it looks quite charming. You can check out the game’s trailer here.

Italy: wonderland, a game published by the Italian government, will introduce players to Italian culture and monuments.

What the gameplay looks like in Italy: wonderland?

Each of the Italy: wonderland‘100 levels will feature a 3D reconstruction of an iconic Italian monument, so while you’re bound to see a lot of things you know well, there will be some fun surprises, too. The Italian MFA says it is designed for “those who already know Italy, as well as for those who do not know it and want to know more”. In addition to the game, Italy: wonderland will also come with 600 articles filled with “stories, news and fun facts”. Of course, there is also a musical score inspired by centuries of Italian classical music and film scores to enjoy.

Elio in Italy: Land of Wonders, tells you you're the new keeper
Italy may be a heavy responsibility, but Italy: wonderland‘Elio thinks you’re ready for this.

Italy: wonderland promises to be a pretty unique experience. You can download it right now via Android or iOS. The App Store page says the game was designed for iPad devices, so it’s probably best to play this one on a tablet. If you don’t have one, your smartphone will do just fine. It’s completely free to download, so be sure to check it out if you’re interested in a cultural tour of Italy.

Will you give Italy: wonderland a download? What other governments around the world would you like to see a video game release? Let us know in the comments below!


Sunday Supper Art and Music Exhibition Showcases the Creators of Savannah GA

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Sunday Supper Art and Music Exhibition Showcases the Creators of Savannah GA


The room is dark. Jewel-toned stage lights pulsate and swell. The walls adorned with works of art disappear and TNai Amani climbs to the floor. Microphone in hand, Amani begins to sing her song “Island Boy” to an intimate crowd of Savannah art and music lovers.

Slightly backlit, Amani weaves the play of colored light and shadow in her vocal performance. Hypnotized, the audience sways, smiling at each note.

The singer and songwriter warmed up the crowd at the Sunday Supper Art and Music Show last month. This month, she is the lead actor, supported by and working with a talented team of the best R&B and contemporary urban adult artists and visual artists from Savannah at ABZ Studio Gallery.

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The gallery, which opened in April, is the brainchild of Savannah State University graduate Xavier “Zay” Hutchins. He and his colleagues noted a lack of creative space dedicated to artists of color and set out to create such a platform where artists, musicians and performers can express themselves on a professional level. Shows at the studio change monthly and are organized by theme.

Xavier 'Zay' Hutchins with his piece 'Marathon Mentality'

“This month’s theme is ‘For Culture’, explained Hutchins. “Cultural diversity and sensitivity are important issues right now. For this show, the idea is that the artists create works that reflect the culture in which they are anchored.

Visual artists include Ta’Mar Hamilton, Tony Burns and Maya Futch who work in acrylic, oil and mixed media. Hutchins will also exhibit his paintings.

After:Phil Beach and Ray TE are “like yin and yang” in the new album “That’s the Mood”

Phil Beach, who for the past five years has hosted the Creatively Crafted open mic Thursday night at Stafford’s Public House, is the MC for the night. Like Hutchins, he is enthusiastic about the creative potential of space to nurture and stimulate artists of color.

“We are not waiting because it is time. We have to create the spaces in which we want to perform, ”Beach said. “The Stafford’s open mic has been a talent incubator, and for many a therapeutic night of speaking people. We’ve got some killer musical talent lined up for Sunday supper, and I’m looking forward to TNai’s performance. People don’t even know what’s going to hit them.

Phillip Davis, known professionally as Phil Beach, is a local artist and native of Savannah.

With an undergraduate degree in music from the State of Savannah and an MA from Georgia Southern, TNai Amani is a musical powerhouse. Classical, jazz, pop and urban contemporary – she sings it. Currently, Amani teaches music with public schools in Savannah-Chatham County.

“Last month when I played I noticed the audience weren’t there to be entertained,” Amani said. “They were there to embrace the talents of the artists, to immerse themselves in and enjoy the show. It created a real sense of connection and appreciation.

After:Xavier Hutchins hopes his Starland Fence Art will bring the city together for a common goal

On Saturday evening, Amani is also leading a workshop at the ABZ Studio gallery, We Are Eclectic, in which speakers, performers and visual artists focus on cultural awareness and sensitivity and how to put these values ​​into practice. in an authentic way.

“I look forward to how I can educate and inspire through my art and my performances,” Amani said. “It’s the teacher in me who forces me to find ways to teach more holistic lessons through performance.

Artist Artist Xavier Hutchins with his canvas on the building fence on Bull near 31st Street.

Hutchins is also on board teaching and uplifting through creative expression. As the sole owner of the gallery, it is his job to make sure the bills are paid, which he is sure to be able to do one painting, one exhibit, one Sunday dinner at a time.

“The night is really something special – the art, the performances, our host is amazing. It’s a five hour event, and you’re going to want to be involved until the very end because there is There isn’t a dead moment in those five hours. We’re creating the space we want and need, and as long as I’m consistent, that – growth and greater opportunity – will come. “

Sunday Dinner is held every last Sunday of the month at ABZ Studio Gallery, Savannah Mall. Doors open at 3 p.m. with a show from 5 p.m.

Tickets are $ 10 in advance, $ 15 at the door. Wing-N-It Savannah is bringing wings and more to this month’s dinner.

IF YOU ARE GOING TO

WHAT: Artist show for Sunday dinner

WHEN: Sunday from 3 p.m. to 7:30 p.m.

O: ABZ Studio Gallery, Savannah Mall, 14045 Abercorn St.

COT: $ 10 in advance, $ 15 at the door


“Sob Rock” a musical low point for John Mayer | Culture

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Veteran singer-songwriter John Mayer released studio album # 9 last weekend July 16. Supported by the singles “New Light”, “I Guess I Just Feel Like” and “Last Train Home”, “Sob Rock” has only 10 songs but spans 38 and a half minutes.

Mayer has come a long way in his 22-year career as a musician, since being lit on gas by Taylor Swift become a TikTok sensation to keep up with the times, but one thing has remained true: The guy dreads relationships. Going through this millennium without finding and keeping love would cost most people dearly, but Mayer apparently sees no danger in going his own way.

Considering this, the idea of ​​the rock sob seems very much in its wheelhouse. It is therefore curious to know why the album begins with “Last Train Home”. While this is a good song, and certainly the biggest hit on the album, it doesn’t necessarily live up to the album’s title promise and actually seems out of place as it gives way. to “Shouldn’t Matter but It Does”. Songs like this, and later “I Guess I Just Feel Like,” set the tone for the album: understated songs with thoughtful production and lyrics that sometimes pop up as Mayer shows off his mature side.

There are also songs like “New Light” and “Why You No Love Me” that show her other side. The first, although serious, is a few words from an incel hymn and the second has a chorus that absolutely shouldn’t have been written by a 43-year-old man.

“Wild Blue” sneaks up on you. It comes in the middle of the album and is a good change of sound. The most unique track of the 10, it also has the best lyrics on the album, “and you’ll never know the unlikely beauty of letting you go”. It’s head and shoulders above the other songs on the album and gets better with each repeat listening.

“Shot in the Dark” is a heartbreaking song not because of its subject matter, but because it builds towards a perfect bridge and then refuses to cross it. “Til the Right One Comes” exposes the weakness of the album and all of a sudden it becomes hard to endure the mediocrity that is rampant here. Taken with “Carry Me Away” and “All I Want Is to Be With You”, the album limps to the end.

Once it’s over, it’s clear that something is missing and that’s a cornerstone. This latest album feels less like a cohesive piece of art and more like Mayer went to the studio whenever he felt like it, did some cool sounding songs and called it an album when he had had enough. . There isn’t a single song that sums up what this record is because it’s just a collection of songs scattered together somewhat at random.

Looks like Mayer knows he’s on the other side of the hill. When you’ve done “Slow Dancing in a Burning Room”, “Why Georgia”, “Daughters” and the list goes on, who cares if your new music doesn’t take it into account? You are playing with house money, so you don’t have to put in the effort you used to make.

“Sob Rock” is a testament to the struggles artists go through as they age. Like gravity, it’s an inescapable struggle to fight for the light of day against new acts and your own already existing discography. To his credit, he’s fought to delay things by releasing increasingly rare albums, but he may have already emptied the wishing well.

John Mayer could go the rest of his life without releasing more music, and his legacy would be one that 99.9% of artists can only aspire to. Unfortunately for his listeners, he seems to know.


Shakespeare in Boulder, Immersive ‘Beer Quest’ in Denver, ‘Oliver’ in Longmont – Loveland Reporter-Herald

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Beer Quest Immersive theater experience filled with games, puzzles and puzzles, until August 1, Black Actors Guild, 16th and Welton Streets, Denver; $ 35 to $ 45; playbeerquest.com.

Fractured moonlight World premiere of a war reporter trying to rebuild his wounded life, through July 24, And Toto Too Theater Company, Outdoors (bring lawn chairs) at Colorado Free University, 7653 E. 1st Place, Denver $ 25 ; andtototo.org.

JQA Timely Imagination of John Quincy Adams’ Conversations with George Washington, Frederick Douglass and Abigail Adams, Butterfly Effect Theater of Colorado, Butterfly Ensemble Theater of Colorado Theater Truck July 16 at Buntport Theater, 717 Lipan St., Denver; July 17, Firehouse Art Center, 667 4th Ave., Longmont; July 23, Dairy Arts Center, 2590 Walnut St., Boulder; July 31, Depot Museum, 2201 W. 19th Ave., Broomfield; August 8, Echo Brewing and Pizzeria, 600 Briggs St., Erie; free; betc.org.

A Midsummer Night’s dream Shakespeare’s Tale follows the paths of four lovers and a clumsy cast of actors as they collide, until August 15 (sold out), CU Presents, Mary Rippon Outdoor Theater, 277 University Ave., Boulder, cupresents.org.

Mixed taste Two improvisational artists enlighten the public on subjects of their choice, until August 11; Off-Center, Seawell Ballroom, Denver Performing Arts Center, 14th and Curtis Streets, Denver; $ 10 to $ 50; denvercenter.org.

The odyssey The epic journey follows as Odysseus returns to his own kingdom after the fall of Troy, until August 14; $ 19 to $ 71 (sold out); CU Presents, Mary Rippon Outdoor Theater, 277 University Ave., Boulder, cupresents.org.

Olivier An orphan goes through stages of neglect, wrongful accusations, then experiences the true love of a family, until August 29; Jesters Theater, 224 Main Street, Longmont; $ 20 to $ 45; 303-682-9980; jestersheatre.com.

Reading the red thread Actors solicit and replay stories from audiences, July 17, Red Thread Playback Theater, via Zoom; $ 5 to $ 20; eventbrite.com.

Sherwood: The Adventures of Robin Hood A new take on the beloved folk tale, through Sherwood Forest, through July 24; OpenStage Theater Company, Museum of Discovery, 408 Mason Court, Fort Collins; $ 27; 970-221-6730; openstage.com.

Shrek the musical A swamp ogre embarks on a life-changing adventure until August 22; Candlelight Dinner Playhouse, 4747 Marketplace Drive, Johnstown; $ 55.50; coloradocandlelight.com.

Treasurer An adult son has to look after an elderly mother who abandoned him when he was a child, until August 7; Miners Alley Playhouse, 1224 Washington Ave., Golden; minesalley.com.

Coming soon

Alice in Wonderland Musical adaptation of Lewis Carroll’s classic, July 22-Sept. 5; Phamaly Theater Company, Su Teatro Performing Arts Center, 721 Santa Fe Dr., Denver; phamaly.org.

Pericles The story of a castaway prince on the run, from August 1 to 3; out of print; CU Presents, Mary Rippon Outdoor Theater, 277 University Ave., Boulder, cupresents.org.

Communication solutions: an extravagant love story A salacious tale of senior management intrigue, authoritarian coercion and corporate S&M, from July 26 to August 2. 1; Theater29, Denver, $ 20; theatre29denver.com.

Five guys named Moe A musical featuring the works of jazz legend Louis Jordan, from July 23 to August. 22; Period Theater Company, 1468 Dayton St., Aurora; $ 20 to $ 32; 303-856-7830; vintagetheatre.org.

The remarkable life of Howard Barnes Average man wakes up to find his life has turned into a musical, August 6-21, ForgeLight TheaterWorks, The People’s Building, 9995 East Colfax Ave., Aurora; forgelighttheatreworks.org.

Beautiful sisters The story of two opposing poles who happen to be the first and second women on the Supreme Court of the United States, from September 25 to October 2. 31, Theater Or, John Hand Theater, 7653 1st Place, Denver; theatreor.com.

Tenderly, the musical Rosemary Clooney Musical that takes you beyond the limelight with an intimate look at its Appalachian roots, from August 6 to 29; Cherry Creek Theater Company, Mizel Center, 350 S. Dahlia St., Denver; $ 26 to $ 42; cherrycreektheatre.org.

Fires World’s first musical about the lives of eight people in Grand County for a week facing unprecedented fires in 2020, August 16-22; DCPA Theater Company, various locations; $ 30; denvercenter.org.

To submit a theater choice, email the entry along with a high-resolution photo to [email protected], with “Friday Mag Theater pick” in the subject line.


Dark and Stormy Rewards – The Boston Musical Intelligencer

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Saturday night’s threatening weather in Tanglewood anticipated not only Brahms’ first piano concerto, but also Prokofiev’s brilliant, succinct meditation on modern life and its multicolored umbrella rituals.

With the rise of Dadaism in New York and Zurich, a similar revolutionary avant-garde movement was developing in Russia when Prokofiev composed his Symphony No.1 in D major, Op. 25, and nicknamed it “Classic”. Although not himself a Dadaist, Prokofiev hinted at some influence, writing “When our classically inclined (in my opinion false-classical) musicians and teachers hear this symphony, they will be forced to shout for protest against this new example of Prokofiev’s insolence… when the audience will no doubt be content to hear joyful and simple music which they will of course applaud.

With BSOs in their summer white, Nelsons all in black – gave us a read you don’t hear often, taking the Prokofiev with dead seriousness rather than an entertaining plush toy. He infused the opening allegro with a subtle circus feel, taking it at a moderate pace, which worked well to bring out the interplay between the instrumental sections. The Larghetto, pulsing gently and with high, singing strings, evoked a slightly satirical love song, ending in sadness. Nelsons skillfully delivered the quintessentially Hydnesque moment, reminiscent of the “Clock” symphony, a tinge of grotesque, a slight feel of Egon Schiele. Under Nelson’s sharp wand, Prokofiev’s vanity “What would Haydn write if he composed in 1916?” – revealed an uncomfortable parallel between two unstable world orders on the verge of falling into chaos. The moderately paced Gavotte, on the other hand, appropriated Haydn’s appreciation of courtly rituals to ironicize their modern metamorphoses into equally joyful new rituals, such as audiences attending concerts with tickets in hand as laissez-faire. -pass magic, or mass shows for mass consumers. A dark, if not sinister midsection, briefly hinted at the foul smell of nationalism, followed by a distant repetition that inexorably receded with pomp and circumstance to culminate in thermal death. Nelsons transformed Molto vivace’s finale into a manifesto of modern aesthetics: speed, telegraph, mechanization, noise and bustle, almost manic in energy, creating a new modern classicism. Rocking and comedic, with a development of folk dance, it led with an increasing coda rush and star cadence. The modern world, with all its serious progress and confident march towards disaster.

In an attempt to go beyond Beethoven, Prokofiev chose to revive Haydn’s succinct and sober format. Brahms, whose First Piano Concerto honors and struggles with Beethoven’s Ninth Symphony at every turn, has taken the opposite route, plunging his concerto massively into subjectivity. Would Nelsons and Daniil Trifonov fight it, or give it “all the time in the world”?

The last. Keenly probing the ‘Maestoso’ mark and the key of D minor, Nelsons gave the orchestral introduction a fiercely sublime sense of ‘unchanging fate’. The exhibition emerges from the outset with a suffering lyricism, which Trifonov quickly transforms into a kind of Rachmaninoff martyrdom, more titanic in pain than Beethoven’s Prometheus, but infinitely more uncertain in his quest for divine fire. Trifonov is sometimes criticized for resorting to exaggeration for the special effect, but in this context it worked semantically: Absorbing the pain of Schumann’s tragedy, Trifonov’s piano tried unsuccessfully to assert itself against the domineering orchestra, then gathered the inner resources to erupt in violence, provocative crescendo octaves. The hero / songwriter has transformed before our eyes into a visionary – able to meet the challenge of Fate with his own creativity. And, yes, to help Clara – to hold her a mirror, so that she can see the outline and meaning of her own vast and possibly upset genius.

Andris Nelsons and Danil Trifonov at Symphony Hall (photo by Hilary Scott)

The Adagio, explicitly a portrait of Clara, began with an unusually beautiful expansion in the orchestra, spreading stillness like a vast cloak in the night. Against this swollen, melodic flesh, Trifonov entered with a distinctly lonely voice, made of soft phrasing, sweet and deliciously slow passages swollen with emotion, with a dramatic and emphatic trio, as if the young composer’s tribute to Clara was hollowing out a safe hollow. for its own rebirth. The return of Section A felt a little more grounded in the here and now, as well as more nostalgic, topped off with trills descending into a long sigh. The divine gift, at this point, stolen from a maternal and inaccessible figure, is quite simply love, timeless, fulfilling and dangerous.

Which brings us back to the quest for the composer and to the Promethean struggle. Trifonov opened the Rondo finale with a whirlwind of fierce determination – forget the “non troppo” – seizing on those deep subjective energies that make the composer a possessed and irresistible mage. We have now experienced the Paganini-style Trifonov, holding nothing back, harnessing primitive inner powers and rhythms the rest of us have long forgotten and suppressed. A shamanic, captivating, sacrificial priest but also a sacrificial victim of his own barbaric prowess, Trifonov has delighted and captivated, drawing gypsy frenzy from his own substance. Neither could the elegant horns of the orchestra prevent the piano from taking over irreversibly and dominating the score, more menacing in adulthood than triumphant; more volcanic than illuminating in its magnificent and terrible subjective glow.

The audience responded with all the primitive, irrational, and cathartic enthusiasm that Trifonov had mustered, and flashes without the shed reinforced the ovation. Tellingly, Trifonov played an exquisite, calm, and restrained encore: Bist du bei meir, of Anna Magdalena Bach notebook. “If you’re with me. “

We have come to expect the unexpected from Trifonov. He is an extremely gifted pianist and he can give us breathtaking and impressive performances. It can also render a work in the most confusing and even the weirdest way. Saturday night we shared a visceral excitement. Trifonov has proven to be a Paganini-style mage, captivating with his daring daring and captivating with his mind-boggling risk-taking. But he also hinted at his many other incarnations and perspectives.

Leon Golub is an astrophysicist at the Center for Astrophysics in Cambridge and has been a lover of classical music for over 50 years.


Deutschtown Music Festival returns to the North Side – CBS Pittsburgh

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By: KDKA-TV News Staff

NORTH SIDE (KDKA) – The Deutschtown Music Festival returned to the North Side on Saturday.

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It was called “Hands Over Deutschtown”, and it was the eighth year of the festival.

They actually canceled earlier this year due to COVID-19 issues, but organizers have changed their minds as things started to open.

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“I think people are ready to go out and see music and the bands are ready to play in front of people and we were happy to bring these two together,” said festival organizer Ben Soltesz.

People flocked to Allegheny Commons Park to enjoy music, food trucks, family activities and an artists’ market.
Even the rain didn’t deter fans.

“It’s just us dipping our feet in the water or in the puddle, I guess. But we’re having a great time and looking forward to next year and lots of other things we’re going to do, ”said festival president and co-founder Cody Walters.

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Walters and Soltesz said they’ve cut things down a bit for this year to keep it manageable, but plan to get back to normal next summer.


With music and art, Archives Coffee House is preparing for new events

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As with many businesses, 2020 has been a lean year for coffee, located just off University Avenue and Harvard Street. Owner Kyle Thorson has had to cut staff and work hours to stay afloat. He reopened his store in August last year and was successful with a loan from the Paycheck Protection Program and a low-interest business loan from the Bank of North Dakota. They were almost not enough, but things are starting to change.

“It really was a few months ago that I almost thought we weren’t going to exist anymore,” Thorson said.

Thorson had to cut its staff from 15 to six at the worst of the pandemic, when UND students switched to e-learning. Then there were the months when it had to close. But now he feels a renewed optimism. He is hiring more staff and will soon be increasing his food supply, which he had to reduce when students were not on campus.

“Literally, it was from ‘we could go bankrupt’ to ‘there’s some hope at the end of the tunnel,'” Thorson said.

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Part of the renewal is a beer and wine license, which Thorson obtained earlier in July. The cafe, he said, doesn’t sell very well in the evenings and it wants to be open again until 11 p.m., to provide students with a place to study or socialize. The new drink selections will add to the boutique atmosphere as it hosts open mic events, like live music and poetry readings. They usually attract between 30 and 40 people, and he hopes the chance to have a drink will increase the numbers.

“I think it will just help us become profitable again and hopefully provide a unique service to the students, faculty and staff here,” Thorson said.

Archives Coffee House will also begin to organize artistic events. Local artists Adam Kemp and Sheila Dalgliesh have created a gallery of their work around the store, which customers can purchase. He also hopes to have live music at the event.

The staff have started showing enthusiasm again and come up with new ideas for events and activities. An evening of desserts and wine could make a lovely date night, Thorson said, and he’s bringing back Sunday brunch. He can tell that the air has changed in the community, in part due to widespread access to vaccines, and in part because people feel ready to reunite with others.

“I feel a part of life is coming back to the archives, and that’s what turns me on,” Thorson said. “You rediscover this passion. “

Gadsden Theater once again puts gospel music in the spotlight

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The Theater of Gadsden’s “Looking for a City” in 2019 was performed to a sold-out audience drawn to the southern gospel music it was spotlighting.

A follow-up production last year fell victim to the COVID-19 pandemic, but a cast of over 60 singers of all ages are prepared for “In Search of a City: The Gospel Journey Continues” , scheduled for July 22-25 at the Ritz Theater in Alabama City.

This will be the theater troupe’s first full production in over a year (“Charlotte’s Web” premiered earlier this month).

“It’s so exciting to reopen the Ritz Theater after more than a year,” said director Mike Beecham. “Music and theater are an integral part of our lives. ”

About two dozen cast members are veterans of the initial show, and the music will be presented by soloists, small groups, and the full ensemble. Some of the cast grew up singing gospel music; others have only recently become involved in the genre.

There will be familiar selections from older hymns as well as more recent music in the Gadsden Theater. "In Search of a City: The Journey of the Gospel Continues."

There will be old favorites such as “Rock of Ages”, “Mansion Over the Hilltop” and “Dwelling in Beulah Land”, as well as more recent songs such as “Use Me” by Justin Myers, an anthem writer. from Georgia that David Wooten, the show’s musical director, met at a gospel singing school.

“There’s so much gospel music that we could do the show for 10 years and never repeat a song, but we’re bringing back some of the favorites from the last time we did it, as well as other classic gospel songs.” , Beecham said.

There will be a tribute to the musical director of the first show, Rhonda Kiser Ledbetter, who died in a car crash shortly after this production. Revonda Pruitt, Ledbetter’s sister and lifelong partner, will be present in a solo.

This is Wooten’s first show as a music director, and he said he was initially hesitant when Beecham contacted him.

“However, I really enjoyed the process and look forward to getting more into musical direction in the future,” he said. “In addition to the experience, it’s a chance for me to grow as a leader, director and musician. I love collaborating with my fellow musicians on stage, which is a huge part of what we do anyway.

“I enjoyed the spiritual journey this has brought us, and I hope the audience can experience the same fun and heartfelt moments as we do,” said Wooten.

The production will also feature narrations from Harry Butler, a longtime Gadsden radio personality, about the songs and their history.

“Southern gospel music is an art form that must be saved,” Beecham said.

Performances are scheduled at 7:30 p.m. on July 22, 23 and 24 and at 2:30 p.m. on July 24 and 25.

Tickets cost $ 17 for adults and $ 15 for seniors / military / students, and there is a discounted rate for 10 or more tickets.

They can be purchased at www.theatreofgadsden.org or by calling 256-547-7469.


Every Taylor Swift movie ranked from worst to best

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Taylor Swift is one of the best-selling musical artists working today, but how do her movie roles rank from worst to best? It is true that the 11-time Grammy-winning artist did not become a total movie celebrity. She doesn’t have an Oscar like Jennifer Hudson, and she failed to land a major Christopher Nolan vehicle like Harry Styles did with Dunkirk. His film career has been varied and filled for the most part with misfires, but his on-screen character has never been an embarrassment. While she’s excelled fantastically in every other aspect of her career, it feels like she’s just getting started on the big screen.

Somehow, between selling 200 million records worldwide, winning album of the year three times, and writing and producing nine albums, Swift found the time to sow the seeds of a film career. While she has appeared in cameos on shows like New girl, and while his performances in his movie clips have always been exceptional, his films have struggled to win over critics and audiences. Of Cats at The donor, hers might not be the most impressive filmography, but she brought something unique to each of the four films she appeared in.

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Swift has just had one of his most successful years, releasing phenomenally successful albums Folklore and Always in 2020, as well as the acclaimed documentaries Miss American and Folklore: Long pond sessions. While both of these films are indeed excellent, this list will only focus on his performance in narrative feature films. Here are Taylor Swift’s films, ranked from worst to best.

4. Valentine’s Day (2010)


Taylor Swift interviewed on Valentine's Day

In 2010, Garry Marshall made this all-out rom-com bombshell, weaving together the love struggles of a star-studded ensemble for 18 hours on Valentine’s Day. Many critics have noted its imitating nature compared to 2003 Love in fact another star-filled romantic comedy focused on a big vacation, but even the naysayers of this the movie should be okay, looks like Citizen Kane compared to that bland, Hallmark greeting card from a movie. In her first on-screen acting role, Taylor Swift completes a massive cast that also includes Razzie winning spins from Ashton Kutcher and Jessica Alba. It’s a shaky start, especially since his role as ditzy wastes the recording artist’s laser-focused intelligence. There are a lot of awkward, awkward line reads, and for much of the movie, she’s forced to carry a life-size teddy bear. Of course, it’s also a bit of a time capsule movie: its on-screen romantic partner is dusk‘s Taylor Lautner, who she was going to date in real life. The star also recorded a song for the film’s soundtrack, the recently updated country-pop song “Today Was a Fairytale” for the re-recorded 2021 version of Swift from her 2008 album. Intrepid.

3. The Donor (2014)


the-donor-taylor-swift-jeff-bridges

Anyone who took an English class in college has discovered the novel YA by Newberry Medal winner Lois Lowry. The donor. A coming-of-age tale set in a dystopian society where sameness is valued above all else, the book tells the story of a young boy named Jonas, chosen by his community to receive past memories from the Giver ( Jeff Bridges). As he learns more and more about the era before sameness, he becomes more and more sensitive to his emotions and thus rebels against society. Bridges was apparently attached to the film for years before it was finally made, and his performance gives an idea of ​​the infinitely superior film that could have been crafted from this striking source material. Alas, the movie The donor go for a more futuristic, action-packed style, Hunger games ambiance, spoiling much of the textural haunting of the novel and introducing a well-worn love triangle. Brunette Taylor Swift in The donor is actually one of the less offensive parts of the film, playing the expanded role of the Daughter of the Giver, Rosemary, who introduces Jonas to music. While playing an emotionless young woman might not be a natural fit for the bleeding heart singer-songwriter, it’s a clever use of her character in one of the film’s key emotional moments.

2. The Lorax (2012)


Taylor Swift the Lorax

Lois Lowry could certainly regret the lackluster on-screen adaptations of fantasy books with the late great Dr Seuss, whose iconic prose inspired a litany of cinematic catastrophes, from the screaming Jim Carrey Grumpy to Mike Myers’ staple The cat in the hat. Somewhere right in the middle of the pack of these disappointing adaptations lies The Lorax, which has at least one animation style somewhat complementary to the iconic art of Seuss. Of course, he’s also forced to develop the elegant simplicity of one of the writer’s greatest works, telling the story of a boy named Ted (voiced by Zac Efron) who lives in a city without nature. and wants to win the heart. of local girl Audrey (Swift) by bringing her a Truffula tree. Swift gives a solid vocal performance, and the whole movie adds up to perfectly enjoyable family entertainment, but one can’t help but feel the fabulous quality of the book’s tale of nature versus environmental destruction taking place. lose in the wacky antics of the film.

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1. Cats (2019)


This could very well be the only list ranked from ‘worst to best’ that Cats never in mind. The bad news is, this isn’t the movie Tom Hooper thinks he made. At the film’s New York premiere, Hooper introduced it as a film about the “The perils of tribalism”, but much of it is four-alarm mayhem that is disproportionately serious for a cat song movie, while still possessing a look that can only be described as absolutely insane. The good news is that hardly any of this matters; not only is it not fun to say the Cats the movie is bad, it’s also just incorrect. There is too much weirdness, too much oddly endearing energy of Theater Kid to consider this a total failure.

Anyone who has seen this film in a theater with a loud, rushed audience understands the common joy Cats can bring, a Jellicle Ball that transcends hate watching and lands in an ineluctably pure place. Yes, James Corden and Rebel Wilson are wrong there, but that ignores Sir Ian McKellen’s honestly Oscar-worthy turn as Gus the Theater Cat; the deeply bizarre, eerily regal and unmistakably alluring performance of Dame Judi Dench as Old Deuteronomy; and Skimbleshanks the Railway Cat, whose tap number would honestly be at home in any golden age musical. Taylor Swift has a brief role singing one of the score’s most genuinely good songs, “Macavity,” a vampy jazz tune that culminates in a pas de deux with Cat Idris Elba, and she’s having a blast. For a film starring hordes of ominous CGI cats, as well as a five-minute streak of James Corden eating trash, his performance is that of an old pro.

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Alibaba-sponsored Taobao Music Festival to feature Chinese artists selling NFT

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TL; Distribution DR

  • This year’s Taobao Music Festival will host the sale of NFT, supported by Alibaba.
  • The artist who will be presented will be Heshan Huang from China with the sale of his “real estate”.
  • This event will also see the association of the NEAR protocol with Web3Games.

While Bitcoin may be having a rough time now, there is bullish news in the NFT industry. According to the recent tweet from the official NEAR Protocol pseudonym, the partnership between Web3Games and Protocol has been announced.

The partnership will be responsible for promoting and selling the sale of NFT-powered “real estate” from a renowned Chinese artist. The artist is Heshan Huang, who will be the first artist to sell his NFT at the Taobao Music Festival held this year.

Taobao Music Festival started in 2016

Taobao is a subsidiary of Chinese giant Alibaba. The e-commerce site has made a name for itself over the past five years with the Taobao Music Festival which started in 2016. This year, the sixth festival will be held.

The aim of the Taobao Music Festival is to promote Chinese artists and their works by organizing a real exhibition of their works. This is the first time that the festival has hosted the sale of NFT. It can be a revolutionary festival in the NFT industry, paving the way for more such exhibitions.

Registration in a NEAR wallet is mandatory for all buyers

It is mandatory for all buyers to register on a link that they will provide on their mobile phones. The link will direct them to a NEAR wallet. This year’s Taobao Music Festival is powered by the partnership of NEAR Protocol and Web3Games, and therefore, NEAR wallet is mandatory to receive digital NFT for any buyer.

In May, when another Alibaba subsidiary, Alipay, launched two of its NFT tokens, around 16,000 of those tokens were sold within an hour. This art would appear on the payment page of all users who purchased these tokens.


A Quick Lesson on Leadership Transfer and a Thank You | News, Sports, Jobs

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By TODD J. TRANUM

Chairman and CEO of the Chautauqua County Chamber of Commerce and Executive Director of the Manufacturers Association of the Southern Tier

At the end of July 2020, I gave one year’s notice to the Board of Directors of the Chamber of Commerce that I was planning to step down from my role as President / CEO. Over the course of my career, I’ve found that even the most well-thought-out deadlines and action plans don’t always turn out exactly as planned. Some jobs are delayed, some are sped up, and there are often curves and challenges along the way that require reorientation. But there are times when “the stars and the planets align” and things fall into place and the job gets done as planned. In the case of the Chamber, our transfer of leadership went as planned. He was on time and produced an exceptional result. To the merit of the board of directors and the team, we put in place a succession plan a few years ago and the executive committee executed it with the support of RA Koerner & Associates who accompanied us throughout. of our process. So, some practical advice to our members / investors, I recommend that you take the time to develop a succession plan if you do not currently have one. It is worth the time invested.

As I noted, we couldn’t be happier with the outcome. We had several excellent candidates for the position of President / CEO and ultimately the House Board of Directors chose Dan Heitzenrater. I have had the pleasure of working with Dan in various settings for several years and you can rest assured that the Chamber of Commerce is in good hands. Dan loves Chautauqua County, he works hard, he works smart and is dedicated. I am delighted to see him lead and take the organization to new heights.

On leaving, I say thank you to our members and investors for supporting the mission of the Chamber of Commerce, the hard work you put into your businesses and, ultimately, the engines of our economy. I have not only been fortunate enough to work with many of you, but have developed lasting friendships along the way. To our many partner organizations across the region; things only get done if we all work together, and I appreciated your partnership with us on this journey.

Thank you also to our board of directors for supporting me, and sometimes just tolerating me. I would like to note that, especially last year, for about three months, we met every week with the members of the Board of Directors of the Manufacturers Association to navigate through COVID-19. The advice and feedback from the Board of Directors has been extremely helpful at a critical time as we have helped our business community through these difficult days and months.

And a final note of appreciation to the team / staff I have had the pleasure of working with both past and present: Thank you for your dedication and hard work in support of the business community. . You’ve been a wonderful team of people to work with, and for the most part, you’ve done a really good job keeping me out of trouble!

I wish our members / investors, partner organizations, the Chamber team and the new “Room man”, Dan Heitzenrater, only the best in the future!

SILVER CREEK YARD ANNUAL SALES AS OF JULY 31

The Hanover Community Chamber of Commerce will once again host its annual Silver Creek Yard Sales event on Saturday, July 31. The sales are a fundraiser for the Hanover Community Chamber, helping them with events throughout the year, including scholarships for Silver Creek and Forestville School Districts. Residents can register to participate for $ 10 per sale. Registration is now open in person at Silver Creek Optical or online on the Chamber calendar at www.chautauquachamber.org. All registrations must be received by Monday July 26 in order to be included on the card.

JAMESTOWN CRUISE-IN SET FOR AUGUST 6

The Jamestown Community Chamber of Commerce is proud to welcome the return of Jamestown Cruise-In on Friday August 6th! In partnership with the Der Kobblers Automobile Association, the Chamber of Commerce will host this fun annual event from 5 p.m. to 10 p.m. along Third Street between Washington and Spring Streets. Regional collectors of classic cars, hot rods and special vehicles will exhibit their cars and trucks. The evening will also include live music and the Babe Ruth World Series Committee will sell burgers, hot dogs and Pepsi merchandise. Downtown businesses are encouraged to offer extended hours and evening specials. Jamestown Cruise-In is proudly sponsored by Ahlstrom Schaeffer Electric, M&T Bank and Media One Radio Group. Cars can be pre-registered online through the Chamber’s events calendar at www.chautauquachamber.org or can be registered on site. All vehicle registrations are $ 10. Everyone is welcome to stroll downtown and enjoy this free and fun family event!

THE NEXT FIRST FRIDAY IS AUGUST 6

The First Friday is the first Friday of each month during the summer and the next is August 6 in the village of Westfield. These popular events are organized by the Westfield-Barcelona Community Chamber of Commerce and create a street fair every month on Main Street in Westfield, with live music, children’s games, wine, food, vendors and much more. Moreover. The event runs from 5 p.m. to 8 p.m. Everyone is welcome!

REGISTER NOW FOR THE AUGUST CHAMBER GOLF TOURNAMENT. 19

Once again this year, the Chautauqua County Chamber of Commerce will host its annual golf tournament at the Peek’n Peak Resort in Clymer. The event will kick off with a shotgun start at 11 a.m. on August 19. Space is limited. Golfers can register online now with preferential rates until July 29 at www.chamberrsvp.org. The 2021 Chamber Golf Tournament is sponsored by: A Automotive, AES / Empire Solar, Bush Industries, Chautauqua Lake Dental, Chautauqua Patrons Insurance, Community Bank, Dahlstrom Roll Form, DFT Communications, Express Employment Professionals, Graf Realty, Jamestown Container, Jamestown Kitchen & Bath, Jamestown Mattress Company, Koester Associates, Lake Shore Savings Bank, Lawley Insurance, Nestlé Purina PetCare, OBSERVER, The Post-Journal and Shults Auto Group.

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Cleveland musician Joe Wunderle releases aptly titled “Times Are Strange” album

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CLEVELAND, Ohio – For Cleveland musician Joe Wunderle, the past year has been odd.

In late February, he packed his van, ready to move to Tennessee to find work and write a new country record, he said. But then, when the spread of the coronavirus pandemic led to closures in March, Wunderle put his move on hold and moved to Cincinnati for a while.

“The idea occurred to me that they might close the state borders as the news got darker and darker,” he said. “It was like the beginning of the end of the world. So I chose to stay on the Ohio side of the river in Cincinnati.

There, Wunderle lived in his van, quarantined and camping outside his friend’s house for a few months.

“I was homeless and heartbroken, out of work and watching the world go up in flames,” Wunderle said. “Of course, I wrote and thought a lot. The times were really strange.

This sentiment marks the title and title song of Wunderle’s latest album, “Times Are Strange,” released Friday, July 16.

The project follows on from Wunderle’s debut album in 2020, “Nowhere From Here”. Unlike the fancy 2020 project, “Times Are Strange” features tape-recorded lo-fi sound, captured by drummer and producer Matt Kurtz’s tape, live at Kurtz’s last summer after Wunderle moved north. eastern Ohio in July 2020.

The group on “Times Are Strange” includes Wunderle, Kurtz, singer Jane Frazier, pedal steel player Tebbs Karney, violinist Cory Grinder, banjo player Ben Fried and bassist Dan Nicholson. The album was mixed by Matt Kurtz and mastered by Justin Morris.

“Kurtz asked me how many songs I had that I wanted to record and I said, ‘About 50’. We settled for ten, ”said Wunderle. “We did one or two takes per song. None of us used headphones except Kurtz. It was good, friends playing music together in a living room.

“Times Are Strange” captures moments of heartbreak in 10 old-fashioned country tracks. Upbeat and cheerful “Tell the Conductor” meets fiery Wunderle vocals on “Yodel Along”. Wunderle’s band creates a full blues backdrop to songs like “Walkin ‘The Blues With You”, “Go Right Ahead” and “Following the Lines”.

The songs are quite different from some of Wunderle’s other works, playing in Greater Cleveland metal bands like Embalmer. But in some ways, death metal and old country music scratch the same kind of itch, Wunderle said.

“A lot of songs in these genres seem to come from the depths. The themes of death, grief and anguish cut across genres, ”Wunderle said. “I guess the dynamic between playing death metal and country music would be like making tiramisu, rather than grilling a steak, or comparing peaches and burgers. The approach is very different, but who can say one better than the other? I like both of them.

Wunderle will celebrate the release of “Times Are Strange” with a performance at the Beachland Ballroom on Sunday, July 18, which will feature a six-piece band behind Wunderle. Joe Macheret of Joe’s Truck Stop will open the show. Find information about the concert on beachlandballroom.com.

Beyond the release of the album, Wunderle is already working on new songs; he recorded 20 more songs in April 2021 and is planning another recording session in August.

“I’m very proud of the work everyone has done to make my songs the music that they are,” said Wunderle. “I can’t wait to share the new material with everyone. “

You can follow Joe Wunderle on Facebook at facebook.com/joewunderle.

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In the United States: the failure of the FBI to investigate Nassar; Encore musical theater; Flint Poet Semaj Brown

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Today the In the USA, a new report describes how the FBI failed to investigate Larry Nasser. Additionally, a theater company in Dexter took risks during the lockdown and finally returned to the stage. Additionally, poet Semaj Brown spoke of the power to introduce people to writing.

[Get Stateside on your phone: subscribe on Apple Podcasts or Google Podcasts today.]

Listen to the full show above or find individual segments below.

IG finds FBI failed to mitigate threat posed by Larry Nassar, mismanaged investigation

  • Lindsey smith is a Michigan Radio investigative reporter and co-host of the award-winning Peabody Podcast Believed on the conviction of Nassar.

Bis! Dexter theater company takes over after pandemic

  • Dan Cooney is the co-founder and artistic director of the Encore Musical Theater Company and a professional Broadway actor.
  • David Moan is currently a cast member at Encore and professional actor.

Flint Semaj Brown’s poet receives American Academy of Poets scholarship

  • Semaj Brown is Flint-area’s first Poet Laureate and an author, playwright, educator and playwright.
  • Support for arts and culture coverage in the United States comes in part from the Michigan Council for Arts and Cultural Affairs.


The Electric Violin Twins are no strangers to the Redlands music scene | New

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Jason and Nolan Livesay, the Electric Violin Twins, are from Southern California.




Jason and Nolan Livesay are no strangers to Redlands theatergoers. Their original theatrical musical scores have graced the LifeHouse Theater stage for years. Nolan’s score with Michael Tennant for the musical “Moses” is on view at LifeHouse through Sunday August 15th.

The identical twins, graduates of Azusa Pacific University and UCLA, are award-winning composers, orchestrators and conductors for film, television, video games, Broadway and theme parks.

Their particularly comprehensive skills and effective team efforts have led them to create music for many of Hollywood’s biggest music projects, collaborating with composers like John Ottman, John Paesano, John Debney, David Newman, Christopher Lennertz, Chris Bacon, Jason Robert Brown Alain Silvestri

According to the Fandom.com website, Nolan’s professional career began assisting songwriter Lee Sanders on “The Amazing Race” for CBS, opening the door to composing many independent films and trailers for all of the major studios in the world. ‘Hollywood.

The Electric Violin Twins’ show at 8 p.m. on Tuesday, July 20 is sponsored by Loma Linda University Health.

Caro Pierotto:

Brazil beyond samba

As soon as Caro Pierotto expresses her first note, you have the idea that she was born to share her music with the world. Listening to his original tracks and covers transports the listener to Caro’s Brazilian roots, not apologizing for his love of all things Brazil.

Caro’s captivating vintage voice includes a repertoire of samba, forró, reggae, soul and pop. Ernesto Lechner, Latin Alternative to NPR, says: “The expressiveness and technical mastery of Caro Pierotto’s voice underscore the Brazilian tradition of great singers – from Sylvia Telles to Gal Costa. Indeed, Caro Pierotto is listening for a hot summer night at the bowl!

Caro sings in Portuguese, Spanish and English and has toured Indonesia, France, Portugal, Mexico, Canada, UK, Ecuador, Colombia and now Redlands.

Caro Pierotto’s Brazil Beyond Samba show at 8 p.m. on Friday, July 23 is sponsored by Charles R. and Marsha Gebara Geiger in memory of Jim Gebara and Yvonne Geiger.

Tonight’s show

Joya Kazi Unlimited, a Bollywood show, will perform at 8 a.m. tonight as part of the Redlands Bowl Summer Music Festival.

Kazi, who was born in Mumbai, formed the group at the age of 16. She has been training in Indian classical dances for over 28 years and is known for her ability to bridge the gap between Indian classical and commercial dance styles without sacrificing authenticity or quality.

The Redlands Bowl is free and open to the public. The shows start at 8 p.m. on Tuesdays and Fridays until Friday, August 13. There is no restriction.


Metro Detroit hip-hop artist Rod Wallace as community leader

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The Local Spins series showcasing the talent of Eastern Michigan today focuses on a Detroit educator, hip hop producer and community leader who leverages collaboration to develop talent and promote education .

Producing & Talking About The Music That Makes The Difference: Rod Wallace (Photo / Kyla McGrath)

EDITOR’S NOTE: It’s part of a series partnered with Ypsilanti’s Grove Studios to spotlight artists from eastern Michigan – a venture aimed at bridging the gap between east and west. Today, writer Lori Stratton profiles hip-hop producer Rod Wallace, who has become a leader in leading collaborative hip-hop projects and launching a scholarship program for black artists.

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The West Michigan Music Scene

Fueled by community, collaboration and creativity, Rod Wallace continually breaks the mold.

The Metro Detroit educator, hip-hop producer and community leader quickly establishes and maintains local partnerships rooted in art, advocacy and outreach, including the Washtenaw County Amplify Fellowship for black artists.

“It was a manifestation of all the work I have ever done on collaborating, connecting music to the community, and getting involved with the educational side of music. It also includes a production, engineering and project management component, and all of those things helped make it special to me, ”Wallace said.

Last fall, Wallace co-launched the Amplify Fellowship with Maia Evans on behalf of Grove Studios Ypsilanti and Leon Speakers Ann Arbor. The eight-month fellowship provides black artists with 40 hours of studio time and engineering and production support.

Fueling Collective and Individual Growth: Wallace (Courtesy photo)

Three artists from Washtenaw County – singer-instrumentalist London Beck, R&B singer Kenyatta rashon and singer-guitarist Dani Darling – won the scholarship, partnered with community nonprofits and started new projects.

“We’ve seen them grow up collectively and they’ve developed such a fantastic kinship throughout this process. Individually, they all grew up in different ways too. We saw London become that machine almost as Kenyatta became a mother and Dani let go of all conventions while working on her project, ”said Wallace, educational programs coordinator for Grove Studios.

With the end of the inaugural fellowship, Wallace and Evans will bring in another class of fellows later this year and will continue to work with nearly 40 collaborators on the next round of artist projects.

“Our team is even stronger thanks to the opportunity to work with the fellows who were part of it this year. We have great confidence in the program, and I hope to be able to use a lot of our creative and administrative energies in the future, ”said Wallace.

IMPACT HIP-HOP COLLABORATIONS

Outside of the stock exchange, Wallace has played a central role in driving collaborative hip-hop projects at the local and national levels.

In 2020, he co-produced “Formula 734”, a community hip-hop album, with Jamall Bufford and in partnership with Washtenaw County My Brother’s Keeper, the Ann Arbor Area Community Foundation and the Washtenaw Intermediate School District.

Together, Wallace and Bufford have brought together an intergenerational group of disparate male creators to write, record and release a fascinating album featuring emerging hip-hop artists, producers and engineers. The 12 tracks of “Formula 734” challenge false narratives about men of color and raise awareness of the underlying causes of systemic racism.

LISTEN: “Race Relations”

“We have created a historical record for this particular period in Washtenaw County history that people can refer to. They can get a primary analysis of what it was like to be here during the COVID-19 pandemic and the troubles related to the death of George Floyd, ”said Wallace, who hopes to start another cohort of Formula 734 plus late this year.

Wallace also oversaw two releases last year for Dirty Ol ‘Men, an international collective of hip-hop producers, musicians and curators from the United States and Japan.

The Dirty Ol ‘Men: Wallace with the band outside of Grove Studios. (Courtesy photo)

In September, Dirty Ol ‘Men released the midlife-fueled album, “Six Feet,” to reveal life-changing conversations, thought-provoking stories and enduring tales of social injustice, systemic racism, struggles. internal and personal aspirations.

Last February, they also ditched “East Grand,” which was created in a Detroit loft on the corner of East Grand Boulevard and Oakland Avenue during a three-day retreat. The album captures the authentic vibrations of Motor City and features alternative sounds from vinyl records purchased at local record stores.

“I design these projects, so I have the opportunity to take all these diverse ideas and sounds and turn them into a collective vision. It’s almost like the albums are my medium, and I study the albums on the Zero Noize podcast, ”Wallace said.

LISTEN: “Superprédateurs”

This month, Wallace will join Dirty Ol ‘Men in an unknown town to work on a new project. This will be their first in-person gathering in two years and will offer a refreshing change from virtual collaboration on Songlab TV, an online approach to a songwriting session.

“Making ‘Six Feet’ virtually was a great experience for us, and it taught us what we liked and didn’t like. ‘East Grand’ also had a lot of edits and stuff that was done online after the fact. It wasn’t all recorded when we were out of town together, ”he said.

A DOCTORATE, A PODCAST AND A SOLO ALBUM

In addition to collaborative projects, Wallace is pursuing a doctorate in educational studies with a concentration in urban education at Eastern Michigan University. Its graduate courses focus on the critical pedagogy of hip-hop, or how the creation and study of music is a method of performance for those interested in hip-hop culture.

“I studied hip hop a lot in response to social conditions. I’ve done analyzes of public policy as interpreted through hip hop, and I’ve done quantitative studies related to producers and their trends, ”said Wallace, a former high school teacher and administrator.

“I like to call them mad scientists to a point. Manipulation with technology and alignment with artistic theory as well as the context of what is popular does not receive enough attention in terms of people and their creative capacity.

The solo album: “unfreqdblk”

Wallace plans to finish his classes this summer, prepare for the comprehensive exams in the fall, and begin his thesis later this year. He also leads UEM’s Upward Bound program, a federally funded initiative that provides students at Ypsilanti Community High School with improved academic skills and motivation to earn a college degree.

“Upward Bound has kept me grounded in being a hotspot for kids. It gave me the opportunity to broaden my knowledge about a lot of different things and my involvement in the state and the county when it comes to access to education in general, ”he said.

Wallace continues to combine his passions for education and hip-hop through the Zero Noize podcast, which provides a forum for discussing music analytically rather than comparatively. He explores classic albums with artists, producers, educators and executives and examines the impact these works have had on them.

“I wondered what it would be like if I brought people in and started talking to them about the music that made a difference. Music has touched us all at some point in our lives, so I wanted to talk with the guests about a project that represented a time in their lives that we could really dig into without getting too technical, ”said Wallace, who released 16 episodes since February.

Wallace recently moved this musical analysis to his latest album, “unfreqdblk” (pronounced “unfreaked black”), which uses the metaphor of a broken cigar to represent the search for value in any situation. Co-produced by JB Swift, the project addresses loss, marriage, deception, resilience and growth through seven powerful introspective tracks.

LISTEN: “321 / Frontmatter (unfreqdblk)”

Released in January via Bandcamp, “unfreqdblk” allowed Wallace to refine his lyrics against vintage and hypnotic beats and dynamic collaborations with F13ldz, Snapeasy, Josh Hype and Houston Patton. For Wallace, it is about moving from the seat of producer-engineer to that of artist.

“I wanted to be in a position where I was working on a project and all I did was rhyme. JB (Swift) gave me the tracks and the beats, and I worked on things from there, ”Wallace said.

The album’s thoughtful and contemplative opening, “321 / Frontmatter (unfreqdblk)”, pays homage to Wallace’s late father and reflects on his life lessons. Meanwhile, the bouncy and brilliant braggart of “Slush” addresses how tumultuous relationships slowly erode self-confidence over time.

“I hope people recognize that there is always an opportunity to redefine yourself and understand that an end is a beginning. That’s why the project starts with my dad’s funeral because it was a transition for me, ”said Wallace, who will be adding“ unfreqdblk ”to other streaming platforms later this summer.

“I had to grow up from that and the realization that I no longer had that person in my life to tell me if I was wrong. You must have this compass in your life, and when you don’t have this compass, you must become this compass.

Copyright 2021, Spins on Music LLC



10 Things To Do This Week In Philly / NJ / Del.

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The annual children’s concert festival is not just a show: there are also activities and events for children before the live show. And this is not a one-off event – there was one in June and another is on August 13. The concert this Friday presents Alex and the kaleidoscope as well as on-site food trucks and special gifts.

  • What: Live concert for children
  • Or: Smith Memorial Playground, 3500 reservoir promenade
  • When: Friday July 16, 5 p.m.
  • How: $ 12 and more, ACCESS cardholders and Smith members pay $ 6. (You can register in advance to receive your passcode or purchase in person once you’ve presented your card.)
(Upper Darby Performing Arts Center)

the Junie B. Jones Book Series entertained children since its inception in 1992. The 30-book series on the Adventures of 6-year-old Junie, Kindergarten and Grade 1, written by the late Barbara Park, has sold over 55 million copies in the United States alone. In 2005, Junie’s character was adapted for a musical that the Upper Darby Performing Arts Center product, both in person and live.

  • What: Hybrid theater
  • Or: Upper Darby Performing Arts Center, 601 N. Lansdowne Ave
  • When: Thursday July 15, 10:30 am, 7 pm; Friday July 16, 10:30 a.m., 7:30 p.m. (online); Saturday July 17, 1:30 p.m. (online)
  • How: $ 10 – $ 15
(Live World Café)

Local artists Dame Alma, the reigning diva of the city’s house music, and jazz group Vertical current bring their talents to Cira Green Friday night. The rooftop park with stunning city views is the backdrop for the free show, hosted by World Cafe Live. Until the popular indie music hall, which is just down the street, reopens in the fall, this is the best way to see some of the most popular artists who would normally perform there.

(Laura Wheeler Waring, PAFA)

Since its founding in 1805, the Pennsylvania Academy of Fine Arts has been a champion of women artists. More than 80 works of art by more than 50 artists will be on display in the year-long exhibition which opened earlier this month. The works cover the years 1005 until the end of the Second World War. Two of these artists, painter Lauren Wheeler Waring and sculptor Mai Howard Jackson, were among the first African-American women to study at PAFA, and their art has recently been included in PAFA’s permanent collection.

  • What: Art exhibition in person
  • Or: Pennsylvania Academy of Fine Arts 118-128 N. Broad St.
  • When: Until Sunday July 24, 2022
  • How: Free with admission to the museum $ 8 – $ 15
(Camden County website)

South Jersey’s parks are not only places to experience nature and enjoy recreation, they are also outdoor concert halls. The 2021 concert series spread across four leading parks runs through September and technically incorporates the XPoNential Music Festival taking place at Wiggins Waterfront Park from September 17-19. But unlike the festival, the summer concerts – which include the Urban Guerilla Orchestra (August 19, Lindenwold), Grammy winner Lisa Fischer (August 9, Wiggins), Kathy Luge (August 5, Cooper River), The Harlem Spanish Orchestra (July 26, Wiggins), True Diamond Tribute to Neil Diamond (July 22, Lindenwold) and more – are free.

Keep checking back with “Things to Do” as we continue to deliver our entertainment choices during the industry’s COVID-19 recovery. Please see our coronavirus updates to stay up to date with the latest information at the regional level.

Sara Mironovich from her new album “Northeast”: Who, Where, When, Why

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Courtney @ Farm Girl Photo Photo

I Growing up on a farm in the Mohawk Valley, upstate New York, I was fascinated by violins for as long as I can remember. Music was still playing on the radio, and records and cassettes played on the stereo. Most were old country, folk, bluegrass, and other traditional musical styles. Maternal grandparents were involved in the local bluegrass and ancient music scene. When I was young, I participated in many concerts and jam sessions hosted by them.

They gave me the first violin at the age of four, and I learned both classical violin and violin style and started my band at the age of nine. I picked up my guitar and started writing songs as a teenager, but until I was twenty I wasn’t sure if I would release anything as a singer-songwriter. (It was probably a good thing, as I had toured quite a bit in the country and abroad before. There were some real stories that I wouldn’t have had before.)

I’m still a big supporter of traditional music, especially New York style and violin songs (yes, we have our own violin tradition!), But telling stories through good songs is, today , especially my new album “Northeast”.

Inspired by the abilities of songwriters like Willie, Merle, Emiloo, Dolly, Chris, John Prine (and many more), I tell stories of people, places and times they are in. I go. Inspired by the creative melting pot, I was fortunate enough to spend time in New York’s incredibly diverse music scene. Such places have taught us a lot about the fertile environment that presents itself whenever we bring together many very creative minds under pressure. Like beautiful metamorphic rocks, you will get the most amazing art, connections, and experiences. But the images and experiences that are deeply rooted in me are the ones I grew up in, the blue collar workers and the countryside, and I think these are the best stories I can tell.

WHO: my name is Sara mironovich, And I’m an alternative singer-songwriter and violinist from upstate New York.

what: My new album, Northeast.

when: June 25, 2021

Or: You can use it anywhere you can get music!

Why: I grew up in country, bluegrass, and other types of traditional music and have always been inspired by how good songs can tell the story of the place and the people there. It has always been a wonderful song feature for me to evoke a sense of place, time and human experience. When I started to explore my experience as a songwriter, I realized how many of these great songs were in the south or the west. I’ve noticed that the Northeast shares the same blue collar experience as the rest of the world: devastated cities, abandoned farms, rural poverty, drug addiction, broken hearts, resilience and hope. It’s getting colder and colder, except that happens too! Inspired by the signs on the shipping docks of the abandoned factory in my hometown, I wanted to write an alternative record in the Northeast that shares some of these stories.

List of tracks:

  1. The last time everything
  2. Laurent, Kansas
  3. Valentine’s day
  4. Suburban queen
  5. The sun comes on the hill
  6. 87 North
  7. Electric body
  8. Two dollar town
  9. Strange domination
  10. Northeast

Connect with Sara Mironovich

website | Facebook

Sara Mironovich from her new album “Northeast”: Who, Where, When, Why


Waco Civic Theater Adds Song to History in ‘Little Women the Musical’ | Arts & Theater

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The lives and loves of the March sisters – Amy (Kayleigh Huser, left), Meg (Krystal Marshall), Jo (Tori Christensen) and Beth (Ally Varitek) – are at the origin of the songs and story of the Waco Civic Theater’s production of “Little Women the Musical”, which opens Friday.


Clarissa Pompey, on condition


For Waco Civic Theater executive director Eric Shephard, adding “Little Women the Musical” to the theatre’s summer lineup was a pretty obvious lineup choice.

Louisa May Alcott’s famous and beloved novel as source material? Check. Positive message of empowerment of women and family love? Check. Music? Check. Lots of roles for actresses? Check.

Shephard recalls hearing about the Broadway musical in 2005 while in the theater department at Baylor University from a student who attended an oral workshop on the play. While the workshop’s Broadway production did not attract the audiences its producers had expected, the years that followed showed that it struck a chord with audiences across the country when it was released. has been featured on tour and in regional productions.

“Everyday people really loved the stage production,” Shephard said.

The musical compresses the familiar story of the women of the March family – sisters Jo (Tori Christensen), Meg (Krystal Marshall), Amy (Kaleigh Huser) and Beth (Ally Varitek) as well as their mother Marmee (Kelly McGregor) and Aunt March (Kami Ellis -Yasko) – as they maintain their Massachusetts home during the Civil War while their father is away as a Union Army chaplain.

Girls have distinct personalities and their lives diverge as they grow up and find their own way in the world. Spirited Jo wants to be a writer. Older Meg is happy as a mother with children. Self-centered Amy longs for the social world while the youngest Beth sees her future constrained by illness. There is love and connection in women’s lives, with neighbor friend Laurie Laurence, German teacher Friedrich Bhaer (Jeremy Stallings) and calm but hardworking tutor John Brooke (Trey Shonkwiler).


10 unpopular opinions on Kylo Ren (according to Reddit)

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With a volatile personality and an emotional performance from Adam Driver, Kylo Ren came out of the Sequel trilogy a favorite among Star Wars fans. Considered a nuanced villain for a new era of the Star Wars franchise, the tall, dark, and irascible warrior would have often carried the trilogy on his shoulders.

RELATED: 5 Reason’s Kylo Ren Is The Most Dangerous Sith Lord (& 5 Who Could Take Him)

Like the Sequel trilogy itself, Kylo Ren has become a source of division in the Star Wars community, with the Supreme Leader of the First Order having as many detractors as die-hard fans. While some believe he will never compare to Darth Vader, others argue that he is the greatest villain the Skywalker Saga has ever seen, indicating a wide variety of unpopular opinions.

ten He did not wear the trilogy


Kylo ren Lightsaber crossguard star wars the last jedi force awakens

It’s no secret that the Sequel Trilogy was incredibly divisive among Star Wars fans, but one aspect almost universally agreed upon is the strength of Kylo Ren’s character arc. Most fans see him as nuanced, with the Warrior’s story constantly evolving as he is torn between his dedication to the First Order and his family in the Resistance. The fact that he is a villain who shows more emotion than Darth Vader is not seen as a weakness but as a strength, offering a more three-dimensional antagonist.

One Redditor was almost diametrically opposed to the idea that Kylo Ren brought anything of value to the three films, going so far as to say he certainly didn’t “carry the trilogy” like others have said. stated and if anything, his constant climaxes and sounding like “a 12 year old boy still having wheezing fits” only made him seem less effective as a villain.

9 He’s the best Star Wars antagonist


Star Wars: The Force Awakens Pictures - Kylo Ren (Adam Driver)

Star Wars has produced some of sci-fi’s most popular antagonists, including Emperor Palpatine, Darth Vader, Darth Maul, and others. Vader consistently ranks among the five best movie villains of all time on multiple lists that often include Hannibal Lecter, Thanos, Michael Myers, and The Terminator.

Some fans like Redditor DunkingKobain think Kylo Ren is actually the best Star Wars antagonist because he’s “a well-rounded character,” seeing villains like Vader and the Emperor as one-dimensional. Ren’s doubts, anxieties, and internal conflicts might make him more interesting and complex, but most fans believe the traits take him away from his intimidating character.

8 His shirtless scene was the only reason Reylo arrived


The romance between Kylo Ren and Rey brought an interesting and unexpected dynamic to the franchise, less tearful than that of Anakin and Padme but more passionate than that of Han and Leia. He was a potential Sith and she was a Jedi in training, so the feelings of intimacy that developed between the main villain and the hero were certainly subversive.

A Redditor claims that if Kylo Ren had never appeared to Rey shirtless, she would never have cared about him in the first place because there was “no clue about attraction, no chemistry, [and] no scenes together. Debates have flourished all over social media as to whether or not there was a legitimate basis for the development of “Reylo”, but most fans point to the “bridal porter” scene in Star Wars: The Force Awakens like the beginning.

7 He’s a better-written character than Vader


In the original trilogy, Darth Vader embodied the very essence of wickedness in a space opera based on a conflict of Good versus Evil. The Prequel Trilogy gave the Soulless Killer a rich history that painted him as a selfless young boy whose attachment to his mother and wife took him to the dark side.

RELATED: 5 Reasons Kylo Ren’s Redemption Arc Is Better Than Anakin’s In Star Wars (& 5 It’s Darth Vader)

Redditor belowthemask42 explains that even with the Prequel trilogy, Anakin Skywalker’s descent into darkness seemed forced and mechanical over the course of three films, only really manifesting towards the end, as Kylo Ren “struggled with the dark side for 3 films and had to lose both his parents before he saw the light. ” Fans would say that just because he didn’t “automatically get bad,” his struggle was nonetheless multifaceted and multidimensional.

6 Adam Driver’s performance was horrible


Considered one of the best actors of his generation as a result of the Sequel Trilogy, Adam Driver is known for his complex, visceral and highly emotional performances. Most Star Wars fans point to his on-screen presence as adding a dynamic element to the films, in particular embodying a villain torn between his desire to do evil despite a compulsion to do good.

Redditor DarthFarris decided that Adam Driver’s presence in the films was one of the “most underwhelming and underwhelming aspects of the new trilogy, along with not only how it looked, but [also] its performance. His constantly painful facial expressions, emotionless delivery, and ill-fitting body language all contributed to an incredible character.

5 Its theme is more intimidating than that of Darth Vader


Kylo Ren Lightsaber form compared to Darth Vader Snape

The musical score John Williams wrote for the Skywalker saga is considered iconic by Star Wars fans. In particular, the theme song he created for Darth Vader – known as The Imperial March – is one of the most popular pieces of music in the entire franchise outside of the main theme. Melodious, authoritarian and moving, the military march perfectly captures both the raw power of the dark side and the might of the Empire.

RELATED: 10 Inspirational Jedi-Themed Music Tracks In Star Wars

A Redditor ruled that Kylo Ren’s theme song, with its weird brassy notes, “has a deeper, darker sound,” especially because it isn’t as fast and represents his character alone (and not l ‘Empire). For a hopeful Sith, it’s written appropriately in a minor key, without the major chords and positive flourishes of the Imperial March.

4 He should have gotten Luke and Leia’s lightsabers


Rey buries Luke and Leia's lightsabers on Tatooine in Star Wars: The Rise of Skywalker

After Star Wars: The Rise of Skywalker, Rey buries Luke and Leia’s lightsabers in the sand near Lars’ farm where Luke grew up, signifying the end of this chapter in Jedi and Galactic history. Most fans believe she was entitled to lightsabers because Kylo Ren aligned with the Evil Emperor by choice, while Rey worked to actively change the fate of her birth.

LIXLAX12 argues that because Kylo Ren actually had Skywalker blood in him, he was “much closer to the Skywalkers than Rey ever was” and he should have been given Luke and Leia’s lightsabers, not a Palpatine. who changed his name to Skywalker. Having a Palpatine change her name to Skywalker, while subverting her fate, stole a true Skywalker from her redemption arc.

3 His lightsaber technique is awesome


There are a variety of fighting styles for users of the Dark Side in the Star Wars universe, from the worthy and inspired technique of Count Dooku’s sword to the more acrobatic style of Darth Maul, but the fighting form of Kylo Ren is generally considered the worst. because of his erratic, frantic and clumsy execution. After all, he could have been beaten by a former stormtrooper who had never wielded a lightsaber before.

A Redditor decided that Kylo Ren’s lightsaber technique was actually the best because of its brutality, and Adam Driver was truly delivering “the intensity, anger, and meanness of Kylo’s strikes.” To them, it seems more realistic for a conflicting Dark Side user to carry their emotional turmoil in their fights, when most fans see it as a handicap.

2 He’s a better character than Anakin


Star Wars Kylo Ren Anakin Skywalker Darth Vader

Much of the Skywalker Saga hinges on the choices made by Anakin Skywalker, whose disgrace received an entire Prequel trilogy in its own right. The Dark Side provided him with a way to save the people he loved, making his conflict both relatable and tragic.

Fans like this Redditor believe Kylo Ren’s redemption arc is actually better than Anakin’s, with more “character development.” [and] play better. ”It should be noted that fans only got a glimpse of Kylo Ren as Ben Solo before his fall from grace, as the Prequel trilogy chronicled much of Anakin’s youth, making the sudden fall to the dark side more dismal.

1 He gets a useless hatred for being powerful


Kylo Ren Stops Blaster Bolt In Star Wars The Force Awakens

The Skywalker Saga focuses on two main family heirlooms in the galaxy; the Skywalkers and the Palpatines. The offspring of both bloodlines are more powerful than any other Force user in the galaxy, which is generally accepted by Star Wars fans given their natural abilities to connect with the Force. Their inherent ability to tap into its energy flow replaces the amount of training that might normally be required.

One Redditor believes that although he comes from a powerful line of Force users, Kylo Ren receives too much criticism for his abilities. Like Rey or Anakin Skywalker, he didn’t get his “power for plot devices” but his legacy, which makes him more of an aspect of character development, while the majority of fans believe his abilities don’t. are undeserved (perhaps because so little of her story is shown in the onscreen flashbacks).

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Moneybabiii, independent, has the album ‘Impulsive Behavior’ in preparation and big plans for the future

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Growing up on the west side of Montgomery in Gibbs Village and surrounding neighborhoods, Leverdis “Moneybabiii” Mack had lyrical dreams leading him to a better path.

“I had a lot of problems,” he said. “They told me to start doing different things to ease my anger. Writing poetry was part of that.”

It grew up adding rhythms to her words, listening to and learning from older guys rapping in her neighborhood.

“I’ve been in love with it ever since,” Moneybabiii said.

Since 2018, Moneybabiii has stated that he takes his music seriously and is learning the game behind the music industry so that he can more easily rely on himself.

Leverdis "Moneybabiii" Mack is a rap artist from Montgomery who has the new Smurfgang Music Group label.

Moneybabiii has a production company called EyevisionzFilm. He also has a new album project in the works titled Impulsive Behavior, which is slated for release on August 1.

“I feel like that represents what this game is,” Moneybabiii said. “Everything you do in this game is time sensitive and you have to act on impulse. Some are bad decisions. Others are good. But that’s the nature of the game.”

With the goal of becoming a mainstream artist, Moneybabiii said what sets him apart musically is his versatility.

“In the north, artists are known for their penchant for lyrics, but I also like to promote myself as lyrical,” Moneybabiii said. “My favorite type of music is real music, talking about things that I go through. Talking about the emotions that I feel. A lot of people get away from actually talking about their emotions. We’re all in it. We all go through them.”

Its autonomy pushes it forward. Moneybabiii records himself, and has learned to shoot and edit his own music videos. But he also works with other artists from the region.

“I work with different DJs in Georgia, Florida, Texas, Louisiana, Mississippi and here,” he said. “I partnered up with LiveMixtapes, Dj Killswitch (Montgomery coalition djs), Dj Dillieon (Birmingham 95.7). And I also worked on partnering with Raymond Daniels SVP A&R from Warner Records. “

He just signed a distribution agreement with livemixtape.com.

At the same time as he pushes himself, he also pushes his new label Smurfgang Music Group. He established it in Prattville, and Moneybabiii said his biggest dream was to make it into a major operation. He is currently looking to build a building there.

“There is so much talent here that is really being overlooked because we have no outlet,” Moneybabiii said.

SMG is also the name of his band and his clothing line. He said the two were growing daily.

“My plan is to expand SMG globally,” Moneybabiii said.

On the live performance side, Moneybabiii is present but said it has slowed down a lot around Montgomery. He recently performed five days at Black Beach Weekend in Biloxi, Mississippi, and he has an upcoming show in Atlanta.

“I’m also working on booking shows in Florida,” he said.

Moneybabiii is also a father, with a 7 year old son and a 4 year old daughter. He said the two are already showing talent.

“They both love music,” Moneybabiii said. “I have a studio set up in my house, and when I get there, they’re there with me. My son, he’s already showing interest in the technical side of playing music.”

Follow him on Facebook @MoneyBabiii and Instagram @ moneybabiii100. His YouTube channel is Moneybabiii Official.

Contact reporter Shannon Heupel of Montgomery Advertiser at [email protected]



Do you like country music? Southern Roots Lake Jam arrives at Lake Lanier Olympic Park

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People are invited to listen to live country music and give back to the inaugural Southern Roots Lake Jam.

The concert will take place from noon to 10:30 p.m. on Saturday July 24, at Lake Lanier Olympic Park in Gainesville.

Brothers Zach and Brent Pridgen, owners of Lake Shows Entertainment, are hosting the event. Country music singer and songwriter Tyler Farr will headline the concert. Other featured musicians include Jacob Bryant, Ray Fulcher, Blane Rudd, Carly Rogers, Jordan James, and Hunter Chastain.

Local businesses on Lake Lanier will set up booths at the event alongside food trucks and beverage vendors.

“We want it to be a very unique and awesome environment and, most importantly, a comeback to the community,” Zach said. “We try to use as many local resources as possible to help local businesses here.”

Attendees are encouraged to bring cans and non-perishable items to benefit the Atlanta Community Food Bank and Georgia Mountain Food Bank. A wharf will be set up so that boaters can stop and drop off their donations. Brent said Lake Shows Entertainment has partnered with Whole Foods to raise 30,000 pounds of merchandise to donate to local food banks.

“We want to make sure that each of our concerts is good for the community,” he said.

Tickets cost $ 35 per person. People can buy them online at bigtickets.com or on site on the day of the event.

Album review: Modest Mouse // The Golden Coffin

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Epic records

4.5 out of 5 stars

It’s hard to critique a Modest Mouse album without referring to the time since Modest Mouse’s last album. New music from indie rock giants adjacent to Seattle is a luxury, never a given. Even the band’s weakest album, 2015’s Strangers to Ourselves, was crafted around a number of diverse singles and high-energy guitar parts that would make former guitarist Johnny Marr blush. So how does The Golden Casket, the band’s newest psych-pop opus, stand out? Frontman Isaac Brock calls it the band’s “sound effects record” and it’s not hard to see why. The album uses guitars sparingly and tastefully, like on college radio ready “We Are Between” and post-punk “Japanese Trees”. While longtime fans may struggle with the band’s more pop moments this time around, that is balanced with the band’s penchant for strangeness and trying new things. Brock’s ear for melody is as good as ever (“F * ck Your Acid Trip”), but most surprisingly are a number of sentimental moments about being a partner and a parent (“Wooden Soldiers” ). If we never get another Modest Mouse album, it’s heartwarming to know that they still go through life like the rest of us – panicked and sometimes bursting with joy.


Violinist Hyung Joon Won on the Healing Power of Antibody Music | Blogs

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My dream while attending Juilliard School was that music could solve social problems and save human lives – a little further from a violinist’s duty to play only a beautiful melody.

However, when Tod Machover, a professor at the MIT Media Lab, released “Gamified” – music based on medical information that 40Hz gamma sounds are useful for treating Alzheimer’s patients – I thought it was Perhaps it was no longer a dream.

In 2020, the coronavirus arrived in Korea where I live. Almost all concerts have been canceled and many musicians have lost their jobs. However, due to my faith in music, I have visited hospitals and played the violin for quarantined Covid-19 patients and medical staff.

At the time, there was an infected baby and his family who visited Korea from Cambodia and were quarantined in hospital. They felt and expressed their condolences after listening to my Gounod piece Ave Maria & Elgar’s Hello love. As a result, I became convinced that music not only heals human emotions, but musicians can also contribute to the pandemic with music.

My performance at the hospital led to a meeting with Markus Buehler, an MIT professor. He translated the peak protein of the coronavirus into a musical scale of one hour and 49 minutes. It was seen as a potential innovative alternative to cure viral infections through the vibrational frequency of proteins where a vaccine had not yet been released. After Professor Buehler arranged it for solo violin, I played Coronavirus music(Viral counterpoint to the Covid-19 spike protein) in the Demilitarized Zone (DMZ) separating South Korea and North Korea in August 2020 – a place civilians have struggled to enter for more than 70 years.

Professor Buehler and I continued to exchange our opinions and in March 2021 Covid-19 Antibody Music (Protein antibody in E minor) finally enjoyed its world premiere. Musically, “viral” music and “antibody” music have very different styles and moods. The viral music is slow and repetitive and sounds a bit melancholy, while the antibody music consists of notes with lively and varied rhythms. Both pieces use a theory developed by Buehler to translate protein structures into musical scores: both proteins – the antigen and the pathogen – have 20 amino acids, which can be expressed as 20 unique vibrational tones. Proteins, like other molecules, vibrate at different frequencies, a phenomenon Buehler used to “see” the virus and its variants, capturing their complex entanglements in a musical score.

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The room, Music Antibody Covid-19 has racked up over a million downloads on SoundCloud and we plan to do more Antibody Music concerts this year.

There are many research papers that show that music – or vibrational frequency – stimulates human emotions and increases immunity, and it is currently widely used in music therapy. In the future, music will be used to provide therapeutic value against the threat of viral diseases. I hope that this opinion from a musical point of view will help protect human lives from the current threat of the virus.

Watch: Violinist Plays Classical Music for Hospital Patients in South Korea

Watch: Peace Through Music: Violinist Hyeong-Joon Won