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NEA names its 2022 Jazz Masters: Hart, Clarke, Wilson and Harrison


Drummer and educator Billy Hart, one of the NEA’s jazz masters in 2022.

Desmond White / Courtesy NEA

There is a moment on “Oceans of time”, From a 2016 album by The Cookers, when the alto saxophonist Donald Harrison, Jr. takes a self-confident deviant solo. Swaying mightily behind him is the composer of the melody, master drummer Billy hart.

To this day, Hart and Harrison can be identified not only as members of The Cookers, but also by a prestigious title: they are both NEA Jazz Masters 2022, as well as the magnetic singer-songwriter. Cassandra Wilson and virtuoso bassist Stanley clarke.

According to an announcement made this morning by the National Foundation for the Arts, these four new inductees will be celebrated with a concert and ceremony on March 31, 2022 at the SFJAZZ Center in San Francisco. They will also each receive a prize of $ 25,000, as well as what is considered the highest honor reserved for a jazz artist living in the United States.

“The National Endowment for the Arts is proud to celebrate the 40th anniversary of honoring outstanding jazz personalities with the NEA Jazz Masters class of 2022,” said Ann Eilers, Interim President of the National Endowment of the Arts, in a statement. . “Jazz continues to play an important role in American culture thanks to the dedication and artistry of individuals like these and we look forward to working with SFJAZZ on a concert that will share their music and stories with a wide audience throughout the world. next spring. “

Hart, at 80, is the senior member of this NEA Jazz Masters class. During a career that began in his hometown of Washington, DC, Hart has distinguished himself in a staggering range of settings, always with the earthy elasticity that is his rhythmic hallmark. He was a member of Mwandishi, the pioneer jazz-funk group formed by 2004 NEA Jazz Master Herbie Hancock, and supported everyone from Stan Getz to Shirley Horn. For the past 18 years, he has conducted an acclaimed quartet with several prominent young associates; his most recent album is All things are, performed with pianist Kevin Hays and bassist Ben Street.

Bassist, composer, arranger and producer Stanley Clarke.

Bassist, composer, arranger and producer Stanley Clarke.

Toshi Sakurai / Courtesy NEA

Clarke, who just turned 70, is originally from Philadelphia, where he studied classical music as well as jazz. Recognized as a young phenomenon almost from the moment he arrived in New York, he amassed numerous sideman credits before teaming up with the keyboardist. Chick Corea to form Return to Forever, another defining group in the formative era of jazz fusion. Clarke pursued a very successful solo career: her 1976 album School days hit the Top 40, and “Sweet baby“, a single he made with keyboardist George Duke, was a Top 20 hit. He has also scored heavily for film and television, and he runs the Stanley Clarke Scholarship Foundation, which supports promising young musicians. .

Cultural activist, educator, composer and saxophonist Donald Harrison, Jr.

Cultural activist, educator, composer and saxophonist Donald Harrison, Jr.

Donald Harrison / Courtesy NEA

Harrison, 61, is this year’s recipient of the AB Spellman NEA Jazz Masters for Jazz Advocacy Fellowship – an award that often goes to a writer or producer rather than a musician. His qualifications are rooted in a lifelong commitment to his native New Orleans, where he founded the Congo Square Nation Afro-New Orleans cultural group and is artistic director of the Tipitina Foundation internship program. Harrison is also an alto saxophonist and conductor of great distinction, and the ancestor of a hybrid genre he calls “new swing,” which combines elements from across the African diaspora. (Talk to me in 2019, he explained how this idea applies to his instrumental cover of “Old Town Road”, the Lil Nas X smash.)

Singer, songwriter and guitarist Cassandra Wilson.

Singer, songwriter and guitarist Cassandra Wilson.

Mark Seliger / Courtesy NEA

Finally, we come to Wilson, the youngest member of this year’s Musician Class at 65. Born and raised in Jackson, Mississippi, she’s been a genre-blurring artist since the 1993 release of her Commercial Breakthrough, Blue light until dawn (recognized by NPR Music as one of the 150 greatest albums made by women). Wilson first appeared nearly a decade earlier as an intrepid singer in the avant-garde musical cohort known as M-BASE. Its rich contralto, tinged with smoke and honey, is an inimitable tone at the crossroads of modern jazz, delta blues, classic country and American folk music.

Wilson has also publicly aligned, in recent years, with a political faction that calls for the elimination of the NEA, among other government programs. But she only expressed positive thoughts about the Jazz Masters award. “This honor bestowed upon me by the National Endowment of the Arts lifts my spirits,” she wrote in a statement, “and brings me great joy to know that music will always continue and that the best is to come. come.”

Copyright 2021 WBGO. To see more, visit https://www.wbgo.org/.

WonderStruck Festival to Kick Northeast Ohio’s Return to Big Live Music Events


KIRTLAND, Ohio – With the live music industry on hold for much of 2020 and into early 2021, the Elevation Festivals team was busy planning the WonderStruck Music Festival.

Postponed and then canceled in 2020, the event was set for July 24 and 25, 2021 in the hope that coronavirus vaccines would be underway and pandemic protocols would be lifted in time for the event.

That timing eventually worked, and WonderStruck established itself as one of the first major music events in Northeast Ohio after COVID-19 restrictions were lifted in May. So, face masks won’t be required for festival outfits – and social distancing won’t prevent crowds from gathering outside the stages of Lakeland Community College. And unlike some music festivals around the world, vaccines and negative COVID tests won’t be required for entry.

The global festival scene remains busy, even here in Ohio. Some festivals, like Nelsonville Music Festival and Sonic Temple, have completely canceled their 2021 events due to the pandemic, but others have decided to continue as planned.

Alive Music Festival was held July 15-18 at Atwood State Park without a face mask requirement, but a six-foot social distancing recommendation between the parties. The Country Fest also took place the same weekend, with no masks or social distancing requirements in place. Incarceration is scheduled for Sept. 10-12 in Mansfield, Ohio, with vague security measures outlined on its website.

  • 5 things to know before you go to the WonderStruck music festival

WonderStruck – and its sister September music festival in Columbus, WonderBus – is a big part of the 2021 music festival landscape in Ohio. And after a very abnormal year, WonderStruck aims to return to a normal festival before the pandemic, building on its first four years of existence as LaureLive at Laurel School’s Butler Campus, from 2016 to 2019.

Adjusting to ever-changing COVID-19 decisions, turbulent tour schedules and a new location have all created tight deadlines for the Elevation group, said Elevation chairman Denny Young.

“It’s busy. Not only are we doing 12 months of work in about four months, but we’re also entering a new site for the first time,” Young said. “So while everything is on schedule, sorted out and ready, it’s a really busy time for all of us at Groupe Elevation. ”


After separating from Laurel School in 2019, Elevation Group landed its new location for the festival at Lakeland Community College in 2020. The outdoor grounds, near an I-90 exit, provide easier access for drivers and on-site parking, as well as more space for festival crowds. .

“Where in Laurel we had a long, thin site from south to north when you came in, Lakeland is more of a square site,” Young said. “It’s not long and thin; it’s basically a big square. We had to reconfigure the way we position the scenes and make sure the lines of sight are good. The site is really comfortable.

It’s comfortable, but big. Lakeland Community College offers 400 acres of space for WonderStruck to use with three stages, a sales area, and food offerings from chef Fabio Salerno of Lago East Bank, who also designed LaureLive’s culinary options in 2019.

When it comes to COVID, attendees can primarily expect additional disinfection measures and a partnership with hand sanitizer company GermX – as well as a Lake County General Health District mobile clinic offering COVID-19 vaccines near the entrance to the festival grounds.

Young estimates that 25,000 attendees will attend the festival over its two days. (Tickets are still available for WonderStruck at wonderstruckfest.com.)

During these two days, 28 artists will perform on three stages, wearing some impressive headliners. On Saturday hit rock groups Walk the Moon and Third Eye Blind headlining, and Grammy-winning pop-rock group Portugal on Sunday. The Man and indie-pop stars AJR will close the festival.

But ahead of those shows, there are plenty of other eye-catching acts to perform on stage, including multi-instrumentalist showtopper Trombone Shorty, “You Broke Me First” singer Tate McRae and catchy pop artist Dayglow.

It will be the same for many artists in Cleveland.


This year, Northeast Ohio artists make up a big part of the lineup: Detention, The Floorwalkers, The Vindys, Sarah Bailey, Jack Harris, .wavrunner, Jon Caryl, Brent Kirby and Londin Thompson are all set to happen. KennyHoopla, from Cleveland, was also a late addition to the festival lineup, after Noah Cyrus left due to a scheduling conflict.

For Bailey, WonderStruck marks his first big performance. The musician, who was recently selected to work as the Rock & Roll Hall of Fame’s resident rocker, also released her self-produced debut album “13” earlier this year. Bailey will perform at the festival on Saturday.

“It’s my first real performance, which is crazy to say,” Bailey said. “The first time I sing my own songs with a band that I train with, who have learned all of my songs – this is my first big performance with my own music.”

It’s a big moment for Bailey, especially after last year.

“It’s so amazing knowing that I’ve been locked up for the past 15 months,” Bailey said. “Everything is happening so fast, and I think people are very anxious to come back and do some live music, to go to shows. I think there is going to be a big comeback in the music industry.

Kirby, who also plays on Saturday, feels the same way.

“An important part of music and the music experience is the people around you and the people you connect with. To have that kind of connection with an audience and in such an important way as a music festival like this, I think it will be a wonderful experience, ”Kirby said. “The main thing is that I feel like I’m part of something special and unique. And I don’t take that for granted, especially after everything that happened last year. Being able to play an event like this is really something that is close to my heart. “

Kirby has performed at the festival once before, when his name was LaureLive. He performed in 2016, the event’s first year, both as a solo artist and with his 10×3 songwriter showcase.

Now he’s playing the festival’s first year as WonderStruck, after receiving a call from Young – whom he considers a close friend.

“I really feel special. I feel honored, ”Kirby said. “I think it’s really important, and they understand it too, that having local Cleveland bands on the bill is a really important thing to have.”

The Cleveland music community has played an important role in running WonderStruck over the past year. Young said many ticket holders kept their weekend passes from 2019, rolling them over to the 2021 festival. This helped the festival maintain some of its revenue from the canceled event.

Tickets are still available for purchase online, ranging from $ 115 for one-day general admission tickets to $ 499 for weekend VIP passes (with discounts available for children under 10 years).

The excitement for the festival has been palpable, Young said, especially after the lack of live music due to the pandemic.

“Postponing, canceling whatever you want to call it, which took place in 2020, was devastating on so many levels… It was mentally, physically and economically devastating. So we’re all thrilled to have the opportunity to present live events once again, ”said Young. “I think the thirst for live music and entertainment, given that we’ve all been effectively locked up for a year and a half, is at an all time high.”

You can find more information about WonderStruck at wonderstruckfest.com.

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Union Point, Creekside, among six Craven County parks when looking for adventure


Craven County is home to several parks that residents and visitors can enjoy. Whether you want to go for a walk, go fishing, take in some of the county’s beautiful natural sites, or just sit on a bench and take in some of the breathtaking waterfront views that are available, there is always something available. thing to do when visiting one of the Craven Departmental Parks. Let’s take a look at a few from our list.

Creekside Park

1821 Old Airport Road, New Bern

Creekside Park is Craven County’s largest athletic park. The park has four full-size soccer fields, eight full-size sand volleyball courts, three hard-courts with LED lighting, four youth ball fields and adult softball fields, d A 1-hole disc golf course and an outdoor five-station fitness equipment system. There are also swings, picnic shelters and a walking path.

There are three playgrounds at Creekside Park for children of all ages. They are conveniently located next to shelters, youth ball fields and at the water’s edge, allowing children to play while being supervised from a safe distance. In 2016, an inclusive play area near the Rotary Hut was added with an additional play area for children 2-5 and 6-11. This playground also offers a wide range of play components for children of different ages and abilities and includes a triple zipline, musical play area and the Liberty wheelchair swing specially designed for anyone, from child to child. the adult in a wheelchair. Other features include disabled parking, wide sidewalks, and rubber flooring for safety and ease of movement. The Craven County Department of Recreation and Parks recently added 6 wheelchair accessible picnic tables to the Rotary Shelter, painted all buildings and applied a seal to the front playground in areas that have been rubber mulch.

The waterfront area offers canoe and kayak access, playgrounds, gazebo, picnic shelter, and walkways leading to Brice’s Creek.

Picnic shelters and a gazebo are available for hire for gatherings, such as birthdays, family reunions, business or family picnics. Reservations are not required but are required for exclusive use.

Bricks are available for purchase in memory or in honor of someone or if you wish to support park improvement. The bricks are on display near the flagpole in front of the new playground. For more information or to purchase a brick, contact Billy Wilkes at 252-636-6606 or email [email protected]

Pointe Union Park

210 East Front St., New Bern

The Union Point Park Lookout is a popular venue for events in New Bern.

Union Point Park, located in downtown New Bern, is one of the city’s busiest parks. Several events are held at the park throughout the year, including the New Bern City Summer Concert Series, the Great Trent River Raft Race, and the Seafood Festival. The park is located on six acres and is where the Neuse and Trent rivers meet.

There is a lighted gazebo which is frequently used for weddings and other special events. There is a walking path, boat launch, restrooms, picnic tables, fishing docks, barbecues and a children’s play area.

Visitors to Union Point Park enjoy river views and outdoor activities, along with pleasant weather and balmy summer temperatures, in historic New Bern, North Carolina. Union Point Park is benefiting from storm upgrades and repairs with renovated public facilities, a new boat dock, a new dock, and the completion of the Riverwalk Bridge that connects a popular footbridge along the Trent River and the Neuse river.

Craven Park West

2791 Streets Ferry Road, Vanceboro

Pictured is one of the covered shelters visitors can find at West Craven Park in Vanceboro

West Craven Park is located across from West Craven High School in Vanceboro. It opens from 8 a.m. to dusk and longer for scheduled activities.

The park has four youth baseball fields including one dedicated to older youth, four multi-use fields, six tennis courts, a sand golf course, a walking trail, a picnic shelter and a designed playground. for children from 5 to 12 years old.

The park hosts various sporting events in the county including the Twin Rivers Little League, West Craven Pop Warner League, Craven Jaquars, Cove City Cougars, and West Craven High School Tennis Team, to name a few. .

Latham-Whitehurst Nature Park

1095 Broad Creek Road, New Bern

Pictured is a jetty at Latham-Whitehurst Nature Park

This park opened in 2011 and has 133 acres of pristine coastal land. This is the county’s first nature park and it offers hiking, nature viewing, bird watching, and access to Broad Creek via a boardwalk. There are walking trails that range from 0.16 mile to 0.8 mile. All trails are color coded. The nature park has a 2,000-foot dock overlooking Broad Creek that includes an observation area, a fishing section, and a canoe / kayak launch pad. There is also a picnic shelter at the entrance to the park which is available for small groups and groups and on all trails, picnic tables and benches are available for your convenience as well as a lookout halfway up the gravel trail.

Martin Marietta Park

700 S. Glenburnie Road, New Bern

A recently completed playground at Martin Marietta Park features slides, swings, and a geodesic dome rope course.  An adjacent swimming beach and shelter are also slated to be completed this summer. [TODD WETHERINGTON/ SUN JOURNAL STAFF]

Martin Marietta Park is the newest park in the city, and when completed will be the largest park in the New Bern city park system. Construction of the park began in June 2020 and is currently in phase 1 which includes trails and roads, access to fishing and boating, restrooms, a playground, a picnic shelter and a swimming area. It is planned to add a tree climbing course and an amphitheater.

The park opens at dusk and the gates close at 5 p.m. Guests are urged to exercise caution when visiting the park as it is still currently under construction.

To learn more about Martin Marietta Park, go here.

Glenburnie Park

340 Glenburnie Drive, New Bern

Boaters are on the water while visitors enjoy a temperate climate and panoramic views of Glenburnie Historic Park.

Glenburnie Park is a 51 acre park located on the Neuse River and is located north of town and offers rolling terrain. The trail circles the perimeter of the park, including a short path through the woods and includes views of the river. Toilets are available and the park offers a disc golf course, a fenced dog park, a launching ramp, outdoor shelters, a perimeter path and a playground.

Sarker Tahsin: an aspiring musical artist and freelance writer


Sarker Tahsin, Bangladeshi blogger, writer, music artist, entrepreneur and digital marketer who started his career studying side by side, dreamed of achieving something big. Recently we looked at two books from The Story Of Digital Marketing which are popular in all online stores. The names of the books are “The Eye of the Prey” and “The Book of Dawn”. Both books are written by Bangladeshi freelance writer Sarker Tahsin.

Sarker Tahsin is a Bangladeshi freelance writer, music composer, musical artist and musician. He Personality providing books, music video, digital marketing, YouTube tutorial, blogging and more on his YouTube channel or website. Born: 2000 Narsingdi, Dhaka, Bangladesh. He studied in the science department of Narsingdi Government College. His research interests: technology, music, digital marketing, writing, musical composition. He founded a digital medium named “Tahsin Digital Media” and a label named “Sarker Tahsin”.

He is a successful entrepreneur, writer, music composer, musical artist and musician today. He is also a self-published author, has published several books on the topic of digital marketing, personal branding and entrepreneurship. Today he has a successful personality. Today, his initiative takes pride of place on social media platforms. At the age of 20, he established a successful career. His achievements are role models for the younger generation. It is a source of positive energy for young people who want to do something for their family and the country.

Its aim is to present its work to the people of the country through social media and various online websites. Sarker Tahsin recently wrote three books, such as – (1). The Eye of the Prey; it is written by a freelance musical artist and writer by Sarker Tahsin. (2) Book of Dawn: (Nazmus Shakib Tahsin). (3). Success Stories of Musical Artist (Nazmus Shakib Tahsin): This book is written by Sarker Tahsin. The most famous and popular instrumental songs of Sarker Tahsin are shown below: (1). So lonely for you, (2). Deep pain, (3). Mad love, (4). Get up, (5). You lost, (6). Need you .

At the beginning of 2020, he launches out with passion in learning musical composition and instrumental musical creation. Tahsin now works independently and tries to make music professionally. Her first song was released worldwide in 2021 on numerous music streaming platforms including Amazon Music, Deezer, iTunes, YouTube Music, JioSaavn, Pandora, Napster, Tidal, and more. Sarker Tahsin has already been verified on some of the major music streaming platforms among those mentioned. Recently he checked on Google and YouTube as a Music Artist. He continually tries to release more and be regular in his work! Now he wants to be a part of Bangladesh’s upcoming music industry and claim a notable place in the ranking. Recently Sarker Tahsin wrote a book, many books by Sarker Tahsin on google Books and amazon Kdp. It is doing better every day for the younger generation.

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MTH Theater announces casting and creations for HAIR: Then & Now


The Crown Center’s MTH Theater continues its 2021 season with an innovative and powerful production of the iconic musical that defined a generation and changed the world: HAIR: Then & Now.

The production is directed by Nedra Dixon, an actor on the original Broadway production’s 1st Nationwide Tour in 1972. Performing August 5-22 at the Crown Center’s 4th Floor Theater, HAIR: Then & Now captures the music of the legendary comedy musical that brought the passion and revolution of the late 1960s to audiences around the world. MTH’s concert production will feature the full musical score of HAIR, performed by an ensemble of 11 people, as well as a 5-piece rock band.

“We were fortunate to have been allowed to omit the dialogue and present only the songs. This allows us to approach the piece through a contemporary lens and see how current and relevant the music remains today. ‘hui, “Executive Artistic Director Tim Scott said. “Our hope is to blur the iconography of the late 1960s with current imagery to form a powerful portrait of HAIR then and now. We are fortunate to have Nedra and her vast experience with the room to guide us along the way. “

Also of note, HAIR: Then & Now will be one of the first theatrical productions approved by the Actors Equity Association (the union of professional actors and directors) in Kansas City since before the COVID-19 pandemic.

The production team includes musical direction by Mark T. Ferrell, choreography by Kenny Personett, lighting design by Zan de Spelder, sound design by Jon Robertson, costume design by Georgianna London Buchanan, stage design by Glyneisha Johnson and the directing of Lacey Willis.

The ensemble cast includes Abigail Becker, Gabriela Delano, Tyler Fromson, Camryn Hampton, Matthew Harris, Nora Hennessy, Lanette King, Austin Ragusin, Robert Vardiman, Francisco Javier Villegas and Marc Wayne. The five-person group includes Ferrell on piano, Tod Barnard on drums, Cindy Egger on guitar, Jacob Roemer on bass, and Evangelos Spanos on Keyboard II.

“I could go on and on about the power and real ‘magic’ of this groundbreaking rock musical that changed theater forever,” Dixon said. “I will just say that I was a lucky, extremely green, wide-eyed, extremely green new college graduate, a ‘serious’ theater student, when I was selected for this show … my first professional theater job … No! … adventure. HAIR has shaped me as a human being and as an artist in the most positive way. His messages of a global community of empathy, acceptance, peace, environmental awareness , freedom, love resonate as strongly today as I felt them many years ago. It will do the same for you.

Under Union guidelines, all eligible members of the ensemble are vaccinated and seats for the indoor production will be reduced capacity to allow physical distancing and safety. As per current CDC guidelines, masks are not required for fully vaccinated clients; however, other health and safety protocols, including sanitation stations, distancing and no intermission to avoid unnecessary overcrowding, will remain in place. Masks are always recommended for clients who are not fully immunized. MTH staff, ushers and volunteers will be required to wear masks at all performances.

HAIR: THEN & NOW is playing 16 performances, from August 5 to 22. Suitable for ages 17 and over. As a concert production, there will be no nudity.

Due to the reduced capacity, seating is extremely limited. Tickets are available by visiting www.MTHKC.com or by calling the box office at 816.221.6987.

Ideal panic opener for the Live Oak Bank Pavilion in Wilmington


Lightning passed Sunday night and widespread panic arrived, crackling, sizzling, landing like thunder. The curfew has worn off as the rain before and seven thousand people received another three-hour reprieve of similitude and insanity, savoring every bite of an original stew smoked and simmered for 35 years.

Popularity and longevity cannot be sought after. They can only be won through genuine actions. The proof was there in the sonic flight on Sunday night at the brand new Live Oak Bank pavilion in Wilmington. Fans waited during the storm. The group put on a show. It arrived in a tighter package than usual, but the product remained the same: 164 minutes of music, some soft and smooth, louder and dirtier. Despite the hour later than expected, the place was packed. And the group had no desire to release a substandard product and leave town.

Widespread Panic performs in front of thousands of people at the new Riverfront Park Amphitheater on Friday, July 16, 2021. It was the first of 3 shows the band will be performing in Wilmington this weekend.   [KEN BLEVINS/STARNEWS]

What seemed surreal just a few weeks ago came true over the weekend in the north corner of downtown Wilmington. The streets came alive, 12 hours in a row. People ate, drank and energized the local economy – as has been the case everywhere Panic has traveled for the past two decades. After a year of closures and layoffs, bar managers have surely smiled as they counted the receipts. (Palate on North Fourth Street, a few blocks from the new venue, was closed on Monday because there was no beer left on Sunday night.)

When word spreads, an array of artists will be craving a date at the Live Oak Bank Pavilion in Riverfront Park, the new star and centerpiece of a region hungry for live music. The idyllic riverside location, beautiful expansive stage, excellent sound quality and plentiful parking place the pavilion a cut above the competition, these cookie-cutter amphitheatres dotted around the suburbs of this city. country.

In the days leading up to the weekend, the business seemed ambitious. Was it wise to ask one of the finest and most prolific touring groups in the country to open an amphitheater still surrounded by construction fences and muddy, unfinished scenery?

Widespread Panic performs in front of thousands of people at the new Riverfront Park Amphitheater on Friday, July 16, 2021. It was the first of 3 shows the band will be performing in Wilmington this weekend.   [KEN BLEVINS/STARNEWS]

Moving to a new venue wasn’t something the band had given much thought to before the concerts. Last week, in a phone interview, singer and rhythm guitarist John Bell pointed out that there would be no graffiti to read on the locker room walls; otherwise, he expected the ordinary pre-show experience. (The group only likes to read other groups’ writings, not theirs). But he was eager to return to the stage after his longest layoff in 40 years and excited about the potential of a new market for future shows.

Panic played 61 songs in three nights without any rehearsals, as usual. Some fans came over this weekend to hear keyboardist JoJo Hermann perform “Big Wooly Mammoth” on his birthday. Maybe others sued “Arlene”. The braided “Stop / Go” bass wire is always a pleasant surprise. The familiar covers of Tom Petty, Traffic, and Buffalo Springfield certainly appealed to the casual fan. So many strong moments and to each his own. Anyone who left the premises unsatisfied did not pay attention.

After:Widespread panic at new Live Oak Bank pavilion puts Wilmington on national music scene

After:Wilmington’s Live Oak Bank Pavilion makes what could be the final 2021 concert announcement

Our small group of fans have come together, traveling by highway and commercial jet to celebrate the life of a friend we lost last year. For some, it had been almost 20 years since we got together. We remembered moments and shared experiences, our memories sharper than faded ticket stubs. The music took care of the rest. “Slippin Into Darkness”, “Happy Child”, “Climb to Safety” held their own meeting. The old-fashioned numbers drawn from the band’s roots and the smooth transitions between songs evoked nods and smiles, filling in the gaps.

Through marriage and divorce, birth and death, we have always relied on the next vacation. The Panic community thrives better than most, enjoying life’s victories and grabbing their necks to snatch a sibling from the blues. Panic provided an outlet for like-minded people to look after each other. The group is doing their part by organizing food drives and donating musical instruments to schools.

People feed the music, in their cities and on these trips. The group is aware of the unique relationship, protects and preserves it at all costs. It’s more valuable than any banknote.

There was a feeling in those seats over the weekend that is hard to find and even harder to explain. A shared joy that cannot be found in just any street. Mainly, it was just mind blowing rock ‘n’ roll.

A similar sensation will seep into the venue more often than not in the years to come, delighting tens of thousands and giving some fans their first glimpse of a musical hero. Locals won’t have to spend so much time traveling to listen to great music. People will come to Wilmington for the first time and leave knowing that the visit will not be their last.

Sight lines on the amphitheater’s lower lawn could be better. On-stage video screens would enhance the experience for those beyond the seats. Other minor tweaks improved the venue as the weekend unfolded. Fans flocked to the toilet from their seats and returned within a reasonable time. Plenty of beer and drink stalls alleviated the long lines. People returned home on Sunday evening praising the place and the city.

Widespread Panic performs in front of thousands of people at the new Riverfront Park Amphitheater on Friday, July 16, 2021. It was the first of 3 shows the band will be performing in Wilmington this weekend.   [KEN BLEVINS/STARNEWS]

It’s strange how time goes by. At the start of Widespread Panic, fans dialed a hotline from a landline and were asked to ‘call before transport’, a nudge to ensure the show was still scheduled before opening the roadmap. and take the highway. This weekend we all played in the digital wonderland, sending tickets to cyberspace, securely transferred to a friend’s smartphone and waiting for updates on the status of the Sunday show. delayed via social media feeds.

Besides the obvious appeal of three guaranteed sold-out concerts, Widespread Panic was the perfect band to open the Live Oak Bank Pavilion. Masters of their craft, they went full blast for nearly nine hours of music, showing the city proper professional performance and setting a high standard for the acts that follow.

Not always perfect, but always inspired, honest and real.

Contact StarNews Arts & Entertainment at 910-343-2343.

Tainy and Yandel’s “Dynasty” Album Evokes Reggaeton’s Past


Reggaeton isn’t that old in the grand scheme of things, but there is an industry-wide aspiration for the heyday of early perreo, which was encouraged in black communities in Puerto Rico in the 90s and 2000s. Artists from Bad Bunny to Rauw Alejandro paid homage to the sounds of their predecessors, reminding listeners that there is a lot of history to dig despite the genre’s relative youth. But while the new acts had to dig deep to capture the returning energy everyone is looking for, some veterans have been around long enough to tap into their past to shape the present.

Puerto Rican rapper Yandel, for example, started making music with the duo Wisin y Yandel over two decades ago. He was in his twenties when he started working with Tainy, a production prodigy whose beats were so loud he was signed to hitmakers Luny Tunes when he was just 15. A decade and a half later, Tainy is one of the most ubiquitous producers. on the global pop landscape, overseeing tracks for Bad Bunny and Selena Gomez, while Yandel claims a prolific career that has eschewed complacency, thanks to an openness to new styles (unexpected entries in his recent catalog include sad-boy trap on Eladio Carrion’s track ‘nightclub’). Despite how active they have been over the years, Yandel and Tainy have repeatedly returned to each other’s orbit – and on Dynasty, an agile eight-song project, they team up again to celebrate their longtime collaboration.

In an age when reggaeton release seems overworked, resulting in albums that can end up crowded and overloaded, Tainy and Yandel go for simplicity – a ’boutique’ approach, like Yandel Put the recently – this is serving the project well. (The leanness of the LP recalls the joint album of Bad Bunny and J Balvin Oasis from summer 2019.) Dynasty starts with the audio of the duo claiming to have won a sports championship, a framing device that is not needed at all, but the momentum picks up once the music arrives. “El Plan” and “Háblame Claro” are more robust, dance catchy pieces reminiscent of the beginnings of reggaeton in club. Overall, however, Dynasty is more forward-looking than nostalgic. Tainy’s production is crisp, spacious and crystal clear; he bends atmospheric synths and vibrant loops to punchy beats on songs such as “Cámara Lenta” and “Buscando Calor” examples of how he has taken the skeleton of reggaeton and constantly transformed it over the years .

Dynasty only has two featured artists, and both choices are intentional. Rauw Alejandro, the rising star whose recent album Vice versa rocketed to the top of the charts this month, delves into the slow groove of “Una Más” and adds dimension to Yandel’s verses with his ability to ramp up. The addition illustrates Yandel and Tainy’s desire to join forces with artists ready to carry the torch afterwards. On ‘Si Te Vas’, Brooklyn-born Guyana-raised rapper Saint Jhn rhymes in Spanish and English on Tainy’s laid-back afrobeat riff – a hint of the cross-cultural and global way Tainy sees the future of reggaeton. .

Old-school touches throughout ground the imagination of the project. Tainy has a penchant for expanding her outros and sprinkling them with surprise flourishes. In the last moments of “Deja Vu”, a star of the album, Yandel lets out some songs of “tra, tra, tra”, an ode to the iconic hit of the late 90s by Puerto Rican rapper Don Chezina. It’s a detail that lasts no more than a few seconds, but it’s a brief glimpse into the state of the genre, before the duo continue to push themselves to new horizons.

Closure of the Musical Theater Academy


The Musical Theater Academy, founded in 2009, will close at the end of this academic year.

In a statement posted to social media, the school’s principal / CEO Annemarie Lewis Thomas said that “the class of 2021 will be the last year of graduation from the college.” She said the reason for the closure is “not a lack of demand to train with us, there is a lack of funding to facilitate it,” given the financial impacts of the pandemic and a certain many other factors.

The school aimed to offer a musical theater course to aspiring professionals in two years rather than the conventional three years. The academy said it will continue to support all current students, including with all-day access to a mental health clinician.

Lewis Thomas issued a new warning, saying: ‘The UK vocational training industry has been completely decimated in recent years … we are not the first college to close, and we certainly will not be the last. , but the industry needs to wake up and see what’s going on. A conglomerate of “big” colleges shouldn’t be the ultimate goal here. Our industry screams about inclusiveness, diversity and celebrating the individual, but that goes out the window when we have a corporate training industry in the UK. “

She called for an independent body to regulate training and said that “despite tangible successes [including the fact that 100 per cent of students secured agent representation prior to graduating], even our own industry did not give us the support we asked for, with Equity and Spotlight refusing to recognize us as a graduate course, thus preventing our students from getting any of the various scholarships they endorse or manage. “

MTA Chairman Jon Harris further cited Brexit issues as an issue and that the removal of the Professional Career Development Loan program in 2019 also severely compromised students’ ability to apply to the course.

Patrons of the organization included Lara Pulver, the academy twice winning “School of the Year” in The Stage Awards.

You can see the full three page letter below:


Italian government releases video game


The Italian government is entering the world of video game publishing. Italy: wonderland is an attempt by the Italian Ministry of Foreign Affairs to introduce the world to Italian cultural heritage. It is launched today for mobile devices.

Wait what? The Italian government publishes a video game?

Yeah. Italy: wonderland contains over 100 puzzle levels for players to solve and will focus on the story of Elio (based on the Greek sun god Helios), a lighthouse keeper who must turn on the sun that rises over Italy. As a new recruit, you must help Elio collect 20 Sparks in a series of adventures across Italy. You will meet five guardians on the theme of the five touchstones of Italian culture: nature, cuisine, art, performance and design. It’s a little strange, but it looks quite charming. You can check out the game’s trailer here.

Italy: wonderland, a game published by the Italian government, will introduce players to Italian culture and monuments.

What the gameplay looks like in Italy: wonderland?

Each of the Italy: wonderland‘100 levels will feature a 3D reconstruction of an iconic Italian monument, so while you’re bound to see a lot of things you know well, there will be some fun surprises, too. The Italian MFA says it is designed for “those who already know Italy, as well as for those who do not know it and want to know more”. In addition to the game, Italy: wonderland will also come with 600 articles filled with “stories, news and fun facts”. Of course, there is also a musical score inspired by centuries of Italian classical music and film scores to enjoy.

Elio in Italy: Land of Wonders, tells you you're the new keeper
Italy may be a heavy responsibility, but Italy: wonderland‘Elio thinks you’re ready for this.

Italy: wonderland promises to be a pretty unique experience. You can download it right now via Android or iOS. The App Store page says the game was designed for iPad devices, so it’s probably best to play this one on a tablet. If you don’t have one, your smartphone will do just fine. It’s completely free to download, so be sure to check it out if you’re interested in a cultural tour of Italy.

Will you give Italy: wonderland a download? What other governments around the world would you like to see a video game release? Let us know in the comments below!

Sunday Supper Art and Music Exhibition Showcases the Creators of Savannah GA

Sunday Supper Art and Music Exhibition Showcases the Creators of Savannah GA

The room is dark. Jewel-toned stage lights pulsate and swell. The walls adorned with works of art disappear and TNai Amani climbs to the floor. Microphone in hand, Amani begins to sing her song “Island Boy” to an intimate crowd of Savannah art and music lovers.

Slightly backlit, Amani weaves the play of colored light and shadow in her vocal performance. Hypnotized, the audience sways, smiling at each note.

The singer and songwriter warmed up the crowd at the Sunday Supper Art and Music Show last month. This month, she is the lead actor, supported by and working with a talented team of the best R&B and contemporary urban adult artists and visual artists from Savannah at ABZ Studio Gallery.

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The gallery, which opened in April, is the brainchild of Savannah State University graduate Xavier “Zay” Hutchins. He and his colleagues noted a lack of creative space dedicated to artists of color and set out to create such a platform where artists, musicians and performers can express themselves on a professional level. Shows at the studio change monthly and are organized by theme.

Xavier 'Zay' Hutchins with his piece 'Marathon Mentality'

“This month’s theme is ‘For Culture’, explained Hutchins. “Cultural diversity and sensitivity are important issues right now. For this show, the idea is that the artists create works that reflect the culture in which they are anchored.

Visual artists include Ta’Mar Hamilton, Tony Burns and Maya Futch who work in acrylic, oil and mixed media. Hutchins will also exhibit his paintings.

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Phil Beach, who for the past five years has hosted the Creatively Crafted open mic Thursday night at Stafford’s Public House, is the MC for the night. Like Hutchins, he is enthusiastic about the creative potential of space to nurture and stimulate artists of color.

“We are not waiting because it is time. We have to create the spaces in which we want to perform, ”Beach said. “The Stafford’s open mic has been a talent incubator, and for many a therapeutic night of speaking people. We’ve got some killer musical talent lined up for Sunday supper, and I’m looking forward to TNai’s performance. People don’t even know what’s going to hit them.

Phillip Davis, known professionally as Phil Beach, is a local artist and native of Savannah.

With an undergraduate degree in music from the State of Savannah and an MA from Georgia Southern, TNai Amani is a musical powerhouse. Classical, jazz, pop and urban contemporary – she sings it. Currently, Amani teaches music with public schools in Savannah-Chatham County.

“Last month when I played I noticed the audience weren’t there to be entertained,” Amani said. “They were there to embrace the talents of the artists, to immerse themselves in and enjoy the show. It created a real sense of connection and appreciation.

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On Saturday evening, Amani is also leading a workshop at the ABZ Studio gallery, We Are Eclectic, in which speakers, performers and visual artists focus on cultural awareness and sensitivity and how to put these values ​​into practice. in an authentic way.

“I look forward to how I can educate and inspire through my art and my performances,” Amani said. “It’s the teacher in me who forces me to find ways to teach more holistic lessons through performance.

Artist Artist Xavier Hutchins with his canvas on the building fence on Bull near 31st Street.

Hutchins is also on board teaching and uplifting through creative expression. As the sole owner of the gallery, it is his job to make sure the bills are paid, which he is sure to be able to do one painting, one exhibit, one Sunday dinner at a time.

“The night is really something special – the art, the performances, our host is amazing. It’s a five hour event, and you’re going to want to be involved until the very end because there is There isn’t a dead moment in those five hours. We’re creating the space we want and need, and as long as I’m consistent, that – growth and greater opportunity – will come. “

Sunday Dinner is held every last Sunday of the month at ABZ Studio Gallery, Savannah Mall. Doors open at 3 p.m. with a show from 5 p.m.

Tickets are $ 10 in advance, $ 15 at the door. Wing-N-It Savannah is bringing wings and more to this month’s dinner.


WHAT: Artist show for Sunday dinner

WHEN: Sunday from 3 p.m. to 7:30 p.m.

O: ABZ Studio Gallery, Savannah Mall, 14045 Abercorn St.

COT: $ 10 in advance, $ 15 at the door

“Sob Rock” a musical low point for John Mayer | Culture


Veteran singer-songwriter John Mayer released studio album # 9 last weekend July 16. Supported by the singles “New Light”, “I Guess I Just Feel Like” and “Last Train Home”, “Sob Rock” has only 10 songs but spans 38 and a half minutes.

Mayer has come a long way in his 22-year career as a musician, since being lit on gas by Taylor Swift become a TikTok sensation to keep up with the times, but one thing has remained true: The guy dreads relationships. Going through this millennium without finding and keeping love would cost most people dearly, but Mayer apparently sees no danger in going his own way.

Considering this, the idea of ​​the rock sob seems very much in its wheelhouse. It is therefore curious to know why the album begins with “Last Train Home”. While this is a good song, and certainly the biggest hit on the album, it doesn’t necessarily live up to the album’s title promise and actually seems out of place as it gives way. to “Shouldn’t Matter but It Does”. Songs like this, and later “I Guess I Just Feel Like,” set the tone for the album: understated songs with thoughtful production and lyrics that sometimes pop up as Mayer shows off his mature side.

There are also songs like “New Light” and “Why You No Love Me” that show her other side. The first, although serious, is a few words from an incel hymn and the second has a chorus that absolutely shouldn’t have been written by a 43-year-old man.

“Wild Blue” sneaks up on you. It comes in the middle of the album and is a good change of sound. The most unique track of the 10, it also has the best lyrics on the album, “and you’ll never know the unlikely beauty of letting you go”. It’s head and shoulders above the other songs on the album and gets better with each repeat listening.

“Shot in the Dark” is a heartbreaking song not because of its subject matter, but because it builds towards a perfect bridge and then refuses to cross it. “Til the Right One Comes” exposes the weakness of the album and all of a sudden it becomes hard to endure the mediocrity that is rampant here. Taken with “Carry Me Away” and “All I Want Is to Be With You”, the album limps to the end.

Once it’s over, it’s clear that something is missing and that’s a cornerstone. This latest album feels less like a cohesive piece of art and more like Mayer went to the studio whenever he felt like it, did some cool sounding songs and called it an album when he had had enough. . There isn’t a single song that sums up what this record is because it’s just a collection of songs scattered together somewhat at random.

Looks like Mayer knows he’s on the other side of the hill. When you’ve done “Slow Dancing in a Burning Room”, “Why Georgia”, “Daughters” and the list goes on, who cares if your new music doesn’t take it into account? You are playing with house money, so you don’t have to put in the effort you used to make.

“Sob Rock” is a testament to the struggles artists go through as they age. Like gravity, it’s an inescapable struggle to fight for the light of day against new acts and your own already existing discography. To his credit, he’s fought to delay things by releasing increasingly rare albums, but he may have already emptied the wishing well.

John Mayer could go the rest of his life without releasing more music, and his legacy would be one that 99.9% of artists can only aspire to. Unfortunately for his listeners, he seems to know.

Shakespeare in Boulder, Immersive ‘Beer Quest’ in Denver, ‘Oliver’ in Longmont – Loveland Reporter-Herald


Beer Quest Immersive theater experience filled with games, puzzles and puzzles, until August 1, Black Actors Guild, 16th and Welton Streets, Denver; $ 35 to $ 45; playbeerquest.com.

Fractured moonlight World premiere of a war reporter trying to rebuild his wounded life, through July 24, And Toto Too Theater Company, Outdoors (bring lawn chairs) at Colorado Free University, 7653 E. 1st Place, Denver $ 25 ; andtototo.org.

JQA Timely Imagination of John Quincy Adams’ Conversations with George Washington, Frederick Douglass and Abigail Adams, Butterfly Effect Theater of Colorado, Butterfly Ensemble Theater of Colorado Theater Truck July 16 at Buntport Theater, 717 Lipan St., Denver; July 17, Firehouse Art Center, 667 4th Ave., Longmont; July 23, Dairy Arts Center, 2590 Walnut St., Boulder; July 31, Depot Museum, 2201 W. 19th Ave., Broomfield; August 8, Echo Brewing and Pizzeria, 600 Briggs St., Erie; free; betc.org.

A Midsummer Night’s dream Shakespeare’s Tale follows the paths of four lovers and a clumsy cast of actors as they collide, until August 15 (sold out), CU Presents, Mary Rippon Outdoor Theater, 277 University Ave., Boulder, cupresents.org.

Mixed taste Two improvisational artists enlighten the public on subjects of their choice, until August 11; Off-Center, Seawell Ballroom, Denver Performing Arts Center, 14th and Curtis Streets, Denver; $ 10 to $ 50; denvercenter.org.

The odyssey The epic journey follows as Odysseus returns to his own kingdom after the fall of Troy, until August 14; $ 19 to $ 71 (sold out); CU Presents, Mary Rippon Outdoor Theater, 277 University Ave., Boulder, cupresents.org.

Olivier An orphan goes through stages of neglect, wrongful accusations, then experiences the true love of a family, until August 29; Jesters Theater, 224 Main Street, Longmont; $ 20 to $ 45; 303-682-9980; jestersheatre.com.

Reading the red thread Actors solicit and replay stories from audiences, July 17, Red Thread Playback Theater, via Zoom; $ 5 to $ 20; eventbrite.com.

Sherwood: The Adventures of Robin Hood A new take on the beloved folk tale, through Sherwood Forest, through July 24; OpenStage Theater Company, Museum of Discovery, 408 Mason Court, Fort Collins; $ 27; 970-221-6730; openstage.com.

Shrek the musical A swamp ogre embarks on a life-changing adventure until August 22; Candlelight Dinner Playhouse, 4747 Marketplace Drive, Johnstown; $ 55.50; coloradocandlelight.com.

Treasurer An adult son has to look after an elderly mother who abandoned him when he was a child, until August 7; Miners Alley Playhouse, 1224 Washington Ave., Golden; minesalley.com.

Coming soon

Alice in Wonderland Musical adaptation of Lewis Carroll’s classic, July 22-Sept. 5; Phamaly Theater Company, Su Teatro Performing Arts Center, 721 Santa Fe Dr., Denver; phamaly.org.

Pericles The story of a castaway prince on the run, from August 1 to 3; out of print; CU Presents, Mary Rippon Outdoor Theater, 277 University Ave., Boulder, cupresents.org.

Communication solutions: an extravagant love story A salacious tale of senior management intrigue, authoritarian coercion and corporate S&M, from July 26 to August 2. 1; Theater29, Denver, $ 20; theatre29denver.com.

Five guys named Moe A musical featuring the works of jazz legend Louis Jordan, from July 23 to August. 22; Period Theater Company, 1468 Dayton St., Aurora; $ 20 to $ 32; 303-856-7830; vintagetheatre.org.

The remarkable life of Howard Barnes Average man wakes up to find his life has turned into a musical, August 6-21, ForgeLight TheaterWorks, The People’s Building, 9995 East Colfax Ave., Aurora; forgelighttheatreworks.org.

Beautiful sisters The story of two opposing poles who happen to be the first and second women on the Supreme Court of the United States, from September 25 to October 2. 31, Theater Or, John Hand Theater, 7653 1st Place, Denver; theatreor.com.

Tenderly, the musical Rosemary Clooney Musical that takes you beyond the limelight with an intimate look at its Appalachian roots, from August 6 to 29; Cherry Creek Theater Company, Mizel Center, 350 S. Dahlia St., Denver; $ 26 to $ 42; cherrycreektheatre.org.

Fires World’s first musical about the lives of eight people in Grand County for a week facing unprecedented fires in 2020, August 16-22; DCPA Theater Company, various locations; $ 30; denvercenter.org.

To submit a theater choice, email the entry along with a high-resolution photo to [email protected], with “Friday Mag Theater pick” in the subject line.

Dark and Stormy Rewards – The Boston Musical Intelligencer


Saturday night’s threatening weather in Tanglewood anticipated not only Brahms’ first piano concerto, but also Prokofiev’s brilliant, succinct meditation on modern life and its multicolored umbrella rituals.

With the rise of Dadaism in New York and Zurich, a similar revolutionary avant-garde movement was developing in Russia when Prokofiev composed his Symphony No.1 in D major, Op. 25, and nicknamed it “Classic”. Although not himself a Dadaist, Prokofiev hinted at some influence, writing “When our classically inclined (in my opinion false-classical) musicians and teachers hear this symphony, they will be forced to shout for protest against this new example of Prokofiev’s insolence… when the audience will no doubt be content to hear joyful and simple music which they will of course applaud.

With BSOs in their summer white, Nelsons all in black – gave us a read you don’t hear often, taking the Prokofiev with dead seriousness rather than an entertaining plush toy. He infused the opening allegro with a subtle circus feel, taking it at a moderate pace, which worked well to bring out the interplay between the instrumental sections. The Larghetto, pulsing gently and with high, singing strings, evoked a slightly satirical love song, ending in sadness. Nelsons skillfully delivered the quintessentially Hydnesque moment, reminiscent of the “Clock” symphony, a tinge of grotesque, a slight feel of Egon Schiele. Under Nelson’s sharp wand, Prokofiev’s vanity “What would Haydn write if he composed in 1916?” – revealed an uncomfortable parallel between two unstable world orders on the verge of falling into chaos. The moderately paced Gavotte, on the other hand, appropriated Haydn’s appreciation of courtly rituals to ironicize their modern metamorphoses into equally joyful new rituals, such as audiences attending concerts with tickets in hand as laissez-faire. -pass magic, or mass shows for mass consumers. A dark, if not sinister midsection, briefly hinted at the foul smell of nationalism, followed by a distant repetition that inexorably receded with pomp and circumstance to culminate in thermal death. Nelsons transformed Molto vivace’s finale into a manifesto of modern aesthetics: speed, telegraph, mechanization, noise and bustle, almost manic in energy, creating a new modern classicism. Rocking and comedic, with a development of folk dance, it led with an increasing coda rush and star cadence. The modern world, with all its serious progress and confident march towards disaster.

In an attempt to go beyond Beethoven, Prokofiev chose to revive Haydn’s succinct and sober format. Brahms, whose First Piano Concerto honors and struggles with Beethoven’s Ninth Symphony at every turn, has taken the opposite route, plunging his concerto massively into subjectivity. Would Nelsons and Daniil Trifonov fight it, or give it “all the time in the world”?

The last. Keenly probing the ‘Maestoso’ mark and the key of D minor, Nelsons gave the orchestral introduction a fiercely sublime sense of ‘unchanging fate’. The exhibition emerges from the outset with a suffering lyricism, which Trifonov quickly transforms into a kind of Rachmaninoff martyrdom, more titanic in pain than Beethoven’s Prometheus, but infinitely more uncertain in his quest for divine fire. Trifonov is sometimes criticized for resorting to exaggeration for the special effect, but in this context it worked semantically: Absorbing the pain of Schumann’s tragedy, Trifonov’s piano tried unsuccessfully to assert itself against the domineering orchestra, then gathered the inner resources to erupt in violence, provocative crescendo octaves. The hero / songwriter has transformed before our eyes into a visionary – able to meet the challenge of Fate with his own creativity. And, yes, to help Clara – to hold her a mirror, so that she can see the outline and meaning of her own vast and possibly upset genius.

Andris Nelsons and Danil Trifonov at Symphony Hall (photo by Hilary Scott)

The Adagio, explicitly a portrait of Clara, began with an unusually beautiful expansion in the orchestra, spreading stillness like a vast cloak in the night. Against this swollen, melodic flesh, Trifonov entered with a distinctly lonely voice, made of soft phrasing, sweet and deliciously slow passages swollen with emotion, with a dramatic and emphatic trio, as if the young composer’s tribute to Clara was hollowing out a safe hollow. for its own rebirth. The return of Section A felt a little more grounded in the here and now, as well as more nostalgic, topped off with trills descending into a long sigh. The divine gift, at this point, stolen from a maternal and inaccessible figure, is quite simply love, timeless, fulfilling and dangerous.

Which brings us back to the quest for the composer and to the Promethean struggle. Trifonov opened the Rondo finale with a whirlwind of fierce determination – forget the “non troppo” – seizing on those deep subjective energies that make the composer a possessed and irresistible mage. We have now experienced the Paganini-style Trifonov, holding nothing back, harnessing primitive inner powers and rhythms the rest of us have long forgotten and suppressed. A shamanic, captivating, sacrificial priest but also a sacrificial victim of his own barbaric prowess, Trifonov has delighted and captivated, drawing gypsy frenzy from his own substance. Neither could the elegant horns of the orchestra prevent the piano from taking over irreversibly and dominating the score, more menacing in adulthood than triumphant; more volcanic than illuminating in its magnificent and terrible subjective glow.

The audience responded with all the primitive, irrational, and cathartic enthusiasm that Trifonov had mustered, and flashes without the shed reinforced the ovation. Tellingly, Trifonov played an exquisite, calm, and restrained encore: Bist du bei meir, of Anna Magdalena Bach notebook. “If you’re with me. “

We have come to expect the unexpected from Trifonov. He is an extremely gifted pianist and he can give us breathtaking and impressive performances. It can also render a work in the most confusing and even the weirdest way. Saturday night we shared a visceral excitement. Trifonov has proven to be a Paganini-style mage, captivating with his daring daring and captivating with his mind-boggling risk-taking. But he also hinted at his many other incarnations and perspectives.

Leon Golub is an astrophysicist at the Center for Astrophysics in Cambridge and has been a lover of classical music for over 50 years.

Deutschtown Music Festival returns to the North Side – CBS Pittsburgh


By: KDKA-TV News Staff

NORTH SIDE (KDKA) – The Deutschtown Music Festival returned to the North Side on Saturday.

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It was called “Hands Over Deutschtown”, and it was the eighth year of the festival.

They actually canceled earlier this year due to COVID-19 issues, but organizers have changed their minds as things started to open.

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“I think people are ready to go out and see music and the bands are ready to play in front of people and we were happy to bring these two together,” said festival organizer Ben Soltesz.

People flocked to Allegheny Commons Park to enjoy music, food trucks, family activities and an artists’ market.
Even the rain didn’t deter fans.

“It’s just us dipping our feet in the water or in the puddle, I guess. But we’re having a great time and looking forward to next year and lots of other things we’re going to do, ”said festival president and co-founder Cody Walters.

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Walters and Soltesz said they’ve cut things down a bit for this year to keep it manageable, but plan to get back to normal next summer.

With music and art, Archives Coffee House is preparing for new events


As with many businesses, 2020 has been a lean year for coffee, located just off University Avenue and Harvard Street. Owner Kyle Thorson has had to cut staff and work hours to stay afloat. He reopened his store in August last year and was successful with a loan from the Paycheck Protection Program and a low-interest business loan from the Bank of North Dakota. They were almost not enough, but things are starting to change.

“It really was a few months ago that I almost thought we weren’t going to exist anymore,” Thorson said.

Thorson had to cut its staff from 15 to six at the worst of the pandemic, when UND students switched to e-learning. Then there were the months when it had to close. But now he feels a renewed optimism. He is hiring more staff and will soon be increasing his food supply, which he had to reduce when students were not on campus.

“Literally, it was from ‘we could go bankrupt’ to ‘there’s some hope at the end of the tunnel,'” Thorson said.

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Part of the renewal is a beer and wine license, which Thorson obtained earlier in July. The cafe, he said, doesn’t sell very well in the evenings and it wants to be open again until 11 p.m., to provide students with a place to study or socialize. The new drink selections will add to the boutique atmosphere as it hosts open mic events, like live music and poetry readings. They usually attract between 30 and 40 people, and he hopes the chance to have a drink will increase the numbers.

“I think it will just help us become profitable again and hopefully provide a unique service to the students, faculty and staff here,” Thorson said.

Archives Coffee House will also begin to organize artistic events. Local artists Adam Kemp and Sheila Dalgliesh have created a gallery of their work around the store, which customers can purchase. He also hopes to have live music at the event.

The staff have started showing enthusiasm again and come up with new ideas for events and activities. An evening of desserts and wine could make a lovely date night, Thorson said, and he’s bringing back Sunday brunch. He can tell that the air has changed in the community, in part due to widespread access to vaccines, and in part because people feel ready to reunite with others.

“I feel a part of life is coming back to the archives, and that’s what turns me on,” Thorson said. “You rediscover this passion. “

Gadsden Theater once again puts gospel music in the spotlight


The Theater of Gadsden’s “Looking for a City” in 2019 was performed to a sold-out audience drawn to the southern gospel music it was spotlighting.

A follow-up production last year fell victim to the COVID-19 pandemic, but a cast of over 60 singers of all ages are prepared for “In Search of a City: The Gospel Journey Continues” , scheduled for July 22-25 at the Ritz Theater in Alabama City.

This will be the theater troupe’s first full production in over a year (“Charlotte’s Web” premiered earlier this month).

“It’s so exciting to reopen the Ritz Theater after more than a year,” said director Mike Beecham. “Music and theater are an integral part of our lives. ”

About two dozen cast members are veterans of the initial show, and the music will be presented by soloists, small groups, and the full ensemble. Some of the cast grew up singing gospel music; others have only recently become involved in the genre.

There will be familiar selections from older hymns as well as more recent music in the Gadsden Theater. "In Search of a City: The Journey of the Gospel Continues."

There will be old favorites such as “Rock of Ages”, “Mansion Over the Hilltop” and “Dwelling in Beulah Land”, as well as more recent songs such as “Use Me” by Justin Myers, an anthem writer. from Georgia that David Wooten, the show’s musical director, met at a gospel singing school.

“There’s so much gospel music that we could do the show for 10 years and never repeat a song, but we’re bringing back some of the favorites from the last time we did it, as well as other classic gospel songs.” , Beecham said.

There will be a tribute to the musical director of the first show, Rhonda Kiser Ledbetter, who died in a car crash shortly after this production. Revonda Pruitt, Ledbetter’s sister and lifelong partner, will be present in a solo.

This is Wooten’s first show as a music director, and he said he was initially hesitant when Beecham contacted him.

“However, I really enjoyed the process and look forward to getting more into musical direction in the future,” he said. “In addition to the experience, it’s a chance for me to grow as a leader, director and musician. I love collaborating with my fellow musicians on stage, which is a huge part of what we do anyway.

“I enjoyed the spiritual journey this has brought us, and I hope the audience can experience the same fun and heartfelt moments as we do,” said Wooten.

The production will also feature narrations from Harry Butler, a longtime Gadsden radio personality, about the songs and their history.

“Southern gospel music is an art form that must be saved,” Beecham said.

Performances are scheduled at 7:30 p.m. on July 22, 23 and 24 and at 2:30 p.m. on July 24 and 25.

Tickets cost $ 17 for adults and $ 15 for seniors / military / students, and there is a discounted rate for 10 or more tickets.

They can be purchased at www.theatreofgadsden.org or by calling 256-547-7469.

Every Taylor Swift movie ranked from worst to best


Taylor Swift is one of the best-selling musical artists working today, but how do her movie roles rank from worst to best? It is true that the 11-time Grammy-winning artist did not become a total movie celebrity. She doesn’t have an Oscar like Jennifer Hudson, and she failed to land a major Christopher Nolan vehicle like Harry Styles did with Dunkirk. His film career has been varied and filled for the most part with misfires, but his on-screen character has never been an embarrassment. While she’s excelled fantastically in every other aspect of her career, it feels like she’s just getting started on the big screen.

Somehow, between selling 200 million records worldwide, winning album of the year three times, and writing and producing nine albums, Swift found the time to sow the seeds of a film career. While she has appeared in cameos on shows like New girl, and while his performances in his movie clips have always been exceptional, his films have struggled to win over critics and audiences. Of Cats at The donor, hers might not be the most impressive filmography, but she brought something unique to each of the four films she appeared in.

Related: How Taylor Swift’s New Cameo Created A Plot Hole

Swift has just had one of his most successful years, releasing phenomenally successful albums Folklore and Always in 2020, as well as the acclaimed documentaries Miss American and Folklore: Long pond sessions. While both of these films are indeed excellent, this list will only focus on his performance in narrative feature films. Here are Taylor Swift’s films, ranked from worst to best.

4. Valentine’s Day (2010)

Taylor Swift interviewed on Valentine's Day

In 2010, Garry Marshall made this all-out rom-com bombshell, weaving together the love struggles of a star-studded ensemble for 18 hours on Valentine’s Day. Many critics have noted its imitating nature compared to 2003 Love in fact another star-filled romantic comedy focused on a big vacation, but even the naysayers of this the movie should be okay, looks like Citizen Kane compared to that bland, Hallmark greeting card from a movie. In her first on-screen acting role, Taylor Swift completes a massive cast that also includes Razzie winning spins from Ashton Kutcher and Jessica Alba. It’s a shaky start, especially since his role as ditzy wastes the recording artist’s laser-focused intelligence. There are a lot of awkward, awkward line reads, and for much of the movie, she’s forced to carry a life-size teddy bear. Of course, it’s also a bit of a time capsule movie: its on-screen romantic partner is dusk‘s Taylor Lautner, who she was going to date in real life. The star also recorded a song for the film’s soundtrack, the recently updated country-pop song “Today Was a Fairytale” for the re-recorded 2021 version of Swift from her 2008 album. Intrepid.

3. The Donor (2014)


Anyone who took an English class in college has discovered the novel YA by Newberry Medal winner Lois Lowry. The donor. A coming-of-age tale set in a dystopian society where sameness is valued above all else, the book tells the story of a young boy named Jonas, chosen by his community to receive past memories from the Giver ( Jeff Bridges). As he learns more and more about the era before sameness, he becomes more and more sensitive to his emotions and thus rebels against society. Bridges was apparently attached to the film for years before it was finally made, and his performance gives an idea of ​​the infinitely superior film that could have been crafted from this striking source material. Alas, the movie The donor go for a more futuristic, action-packed style, Hunger games ambiance, spoiling much of the textural haunting of the novel and introducing a well-worn love triangle. Brunette Taylor Swift in The donor is actually one of the less offensive parts of the film, playing the expanded role of the Daughter of the Giver, Rosemary, who introduces Jonas to music. While playing an emotionless young woman might not be a natural fit for the bleeding heart singer-songwriter, it’s a clever use of her character in one of the film’s key emotional moments.

2. The Lorax (2012)

Taylor Swift the Lorax

Lois Lowry could certainly regret the lackluster on-screen adaptations of fantasy books with the late great Dr Seuss, whose iconic prose inspired a litany of cinematic catastrophes, from the screaming Jim Carrey Grumpy to Mike Myers’ staple The cat in the hat. Somewhere right in the middle of the pack of these disappointing adaptations lies The Lorax, which has at least one animation style somewhat complementary to the iconic art of Seuss. Of course, he’s also forced to develop the elegant simplicity of one of the writer’s greatest works, telling the story of a boy named Ted (voiced by Zac Efron) who lives in a city without nature. and wants to win the heart. of local girl Audrey (Swift) by bringing her a Truffula tree. Swift gives a solid vocal performance, and the whole movie adds up to perfectly enjoyable family entertainment, but one can’t help but feel the fabulous quality of the book’s tale of nature versus environmental destruction taking place. lose in the wacky antics of the film.

Related: Wonder Woman 1984: Why Cheetah Looked Much Better Than CGI In The Cats Movie

1. Cats (2019)

This could very well be the only list ranked from ‘worst to best’ that Cats never in mind. The bad news is, this isn’t the movie Tom Hooper thinks he made. At the film’s New York premiere, Hooper introduced it as a film about the “The perils of tribalism”, but much of it is four-alarm mayhem that is disproportionately serious for a cat song movie, while still possessing a look that can only be described as absolutely insane. The good news is that hardly any of this matters; not only is it not fun to say the Cats the movie is bad, it’s also just incorrect. There is too much weirdness, too much oddly endearing energy of Theater Kid to consider this a total failure.

Anyone who has seen this film in a theater with a loud, rushed audience understands the common joy Cats can bring, a Jellicle Ball that transcends hate watching and lands in an ineluctably pure place. Yes, James Corden and Rebel Wilson are wrong there, but that ignores Sir Ian McKellen’s honestly Oscar-worthy turn as Gus the Theater Cat; the deeply bizarre, eerily regal and unmistakably alluring performance of Dame Judi Dench as Old Deuteronomy; and Skimbleshanks the Railway Cat, whose tap number would honestly be at home in any golden age musical. Taylor Swift has a brief role singing one of the score’s most genuinely good songs, “Macavity,” a vampy jazz tune that culminates in a pas de deux with Cat Idris Elba, and she’s having a blast. For a film starring hordes of ominous CGI cats, as well as a five-minute streak of James Corden eating trash, his performance is that of an old pro.

Next: Every Use of Taylor Swift’s “Shake It Off” In Movies & TV

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Alibaba-sponsored Taobao Music Festival to feature Chinese artists selling NFT


TL; Distribution DR

  • This year’s Taobao Music Festival will host the sale of NFT, supported by Alibaba.
  • The artist who will be presented will be Heshan Huang from China with the sale of his “real estate”.
  • This event will also see the association of the NEAR protocol with Web3Games.

While Bitcoin may be having a rough time now, there is bullish news in the NFT industry. According to the recent tweet from the official NEAR Protocol pseudonym, the partnership between Web3Games and Protocol has been announced.

The partnership will be responsible for promoting and selling the sale of NFT-powered “real estate” from a renowned Chinese artist. The artist is Heshan Huang, who will be the first artist to sell his NFT at the Taobao Music Festival held this year.

Taobao Music Festival started in 2016

Taobao is a subsidiary of Chinese giant Alibaba. The e-commerce site has made a name for itself over the past five years with the Taobao Music Festival which started in 2016. This year, the sixth festival will be held.

The aim of the Taobao Music Festival is to promote Chinese artists and their works by organizing a real exhibition of their works. This is the first time that the festival has hosted the sale of NFT. It can be a revolutionary festival in the NFT industry, paving the way for more such exhibitions.

Registration in a NEAR wallet is mandatory for all buyers

It is mandatory for all buyers to register on a link that they will provide on their mobile phones. The link will direct them to a NEAR wallet. This year’s Taobao Music Festival is powered by the partnership of NEAR Protocol and Web3Games, and therefore, NEAR wallet is mandatory to receive digital NFT for any buyer.

In May, when another Alibaba subsidiary, Alipay, launched two of its NFT tokens, around 16,000 of those tokens were sold within an hour. This art would appear on the payment page of all users who purchased these tokens.

A Quick Lesson on Leadership Transfer and a Thank You | News, Sports, Jobs



Chairman and CEO of the Chautauqua County Chamber of Commerce and Executive Director of the Manufacturers Association of the Southern Tier

At the end of July 2020, I gave one year’s notice to the Board of Directors of the Chamber of Commerce that I was planning to step down from my role as President / CEO. Over the course of my career, I’ve found that even the most well-thought-out deadlines and action plans don’t always turn out exactly as planned. Some jobs are delayed, some are sped up, and there are often curves and challenges along the way that require reorientation. But there are times when “the stars and the planets align” and things fall into place and the job gets done as planned. In the case of the Chamber, our transfer of leadership went as planned. He was on time and produced an exceptional result. To the merit of the board of directors and the team, we put in place a succession plan a few years ago and the executive committee executed it with the support of RA Koerner & Associates who accompanied us throughout. of our process. So, some practical advice to our members / investors, I recommend that you take the time to develop a succession plan if you do not currently have one. It is worth the time invested.

As I noted, we couldn’t be happier with the outcome. We had several excellent candidates for the position of President / CEO and ultimately the House Board of Directors chose Dan Heitzenrater. I have had the pleasure of working with Dan in various settings for several years and you can rest assured that the Chamber of Commerce is in good hands. Dan loves Chautauqua County, he works hard, he works smart and is dedicated. I am delighted to see him lead and take the organization to new heights.

On leaving, I say thank you to our members and investors for supporting the mission of the Chamber of Commerce, the hard work you put into your businesses and, ultimately, the engines of our economy. I have not only been fortunate enough to work with many of you, but have developed lasting friendships along the way. To our many partner organizations across the region; things only get done if we all work together, and I appreciated your partnership with us on this journey.

Thank you also to our board of directors for supporting me, and sometimes just tolerating me. I would like to note that, especially last year, for about three months, we met every week with the members of the Board of Directors of the Manufacturers Association to navigate through COVID-19. The advice and feedback from the Board of Directors has been extremely helpful at a critical time as we have helped our business community through these difficult days and months.

And a final note of appreciation to the team / staff I have had the pleasure of working with both past and present: Thank you for your dedication and hard work in support of the business community. . You’ve been a wonderful team of people to work with, and for the most part, you’ve done a really good job keeping me out of trouble!

I wish our members / investors, partner organizations, the Chamber team and the new “Room man”, Dan Heitzenrater, only the best in the future!


The Hanover Community Chamber of Commerce will once again host its annual Silver Creek Yard Sales event on Saturday, July 31. The sales are a fundraiser for the Hanover Community Chamber, helping them with events throughout the year, including scholarships for Silver Creek and Forestville School Districts. Residents can register to participate for $ 10 per sale. Registration is now open in person at Silver Creek Optical or online on the Chamber calendar at www.chautauquachamber.org. All registrations must be received by Monday July 26 in order to be included on the card.


The Jamestown Community Chamber of Commerce is proud to welcome the return of Jamestown Cruise-In on Friday August 6th! In partnership with the Der Kobblers Automobile Association, the Chamber of Commerce will host this fun annual event from 5 p.m. to 10 p.m. along Third Street between Washington and Spring Streets. Regional collectors of classic cars, hot rods and special vehicles will exhibit their cars and trucks. The evening will also include live music and the Babe Ruth World Series Committee will sell burgers, hot dogs and Pepsi merchandise. Downtown businesses are encouraged to offer extended hours and evening specials. Jamestown Cruise-In is proudly sponsored by Ahlstrom Schaeffer Electric, M&T Bank and Media One Radio Group. Cars can be pre-registered online through the Chamber’s events calendar at www.chautauquachamber.org or can be registered on site. All vehicle registrations are $ 10. Everyone is welcome to stroll downtown and enjoy this free and fun family event!


The First Friday is the first Friday of each month during the summer and the next is August 6 in the village of Westfield. These popular events are organized by the Westfield-Barcelona Community Chamber of Commerce and create a street fair every month on Main Street in Westfield, with live music, children’s games, wine, food, vendors and much more. Moreover. The event runs from 5 p.m. to 8 p.m. Everyone is welcome!


Once again this year, the Chautauqua County Chamber of Commerce will host its annual golf tournament at the Peek’n Peak Resort in Clymer. The event will kick off with a shotgun start at 11 a.m. on August 19. Space is limited. Golfers can register online now with preferential rates until July 29 at www.chamberrsvp.org. The 2021 Chamber Golf Tournament is sponsored by: A Automotive, AES / Empire Solar, Bush Industries, Chautauqua Lake Dental, Chautauqua Patrons Insurance, Community Bank, Dahlstrom Roll Form, DFT Communications, Express Employment Professionals, Graf Realty, Jamestown Container, Jamestown Kitchen & Bath, Jamestown Mattress Company, Koester Associates, Lake Shore Savings Bank, Lawley Insurance, Nestlé Purina PetCare, OBSERVER, The Post-Journal and Shults Auto Group.

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Cleveland musician Joe Wunderle releases aptly titled “Times Are Strange” album


CLEVELAND, Ohio – For Cleveland musician Joe Wunderle, the past year has been odd.

In late February, he packed his van, ready to move to Tennessee to find work and write a new country record, he said. But then, when the spread of the coronavirus pandemic led to closures in March, Wunderle put his move on hold and moved to Cincinnati for a while.

“The idea occurred to me that they might close the state borders as the news got darker and darker,” he said. “It was like the beginning of the end of the world. So I chose to stay on the Ohio side of the river in Cincinnati.

There, Wunderle lived in his van, quarantined and camping outside his friend’s house for a few months.

“I was homeless and heartbroken, out of work and watching the world go up in flames,” Wunderle said. “Of course, I wrote and thought a lot. The times were really strange.

This sentiment marks the title and title song of Wunderle’s latest album, “Times Are Strange,” released Friday, July 16.

The project follows on from Wunderle’s debut album in 2020, “Nowhere From Here”. Unlike the fancy 2020 project, “Times Are Strange” features tape-recorded lo-fi sound, captured by drummer and producer Matt Kurtz’s tape, live at Kurtz’s last summer after Wunderle moved north. eastern Ohio in July 2020.

The group on “Times Are Strange” includes Wunderle, Kurtz, singer Jane Frazier, pedal steel player Tebbs Karney, violinist Cory Grinder, banjo player Ben Fried and bassist Dan Nicholson. The album was mixed by Matt Kurtz and mastered by Justin Morris.

“Kurtz asked me how many songs I had that I wanted to record and I said, ‘About 50’. We settled for ten, ”said Wunderle. “We did one or two takes per song. None of us used headphones except Kurtz. It was good, friends playing music together in a living room.

“Times Are Strange” captures moments of heartbreak in 10 old-fashioned country tracks. Upbeat and cheerful “Tell the Conductor” meets fiery Wunderle vocals on “Yodel Along”. Wunderle’s band creates a full blues backdrop to songs like “Walkin ‘The Blues With You”, “Go Right Ahead” and “Following the Lines”.

The songs are quite different from some of Wunderle’s other works, playing in Greater Cleveland metal bands like Embalmer. But in some ways, death metal and old country music scratch the same kind of itch, Wunderle said.

“A lot of songs in these genres seem to come from the depths. The themes of death, grief and anguish cut across genres, ”Wunderle said. “I guess the dynamic between playing death metal and country music would be like making tiramisu, rather than grilling a steak, or comparing peaches and burgers. The approach is very different, but who can say one better than the other? I like both of them.

Wunderle will celebrate the release of “Times Are Strange” with a performance at the Beachland Ballroom on Sunday, July 18, which will feature a six-piece band behind Wunderle. Joe Macheret of Joe’s Truck Stop will open the show. Find information about the concert on beachlandballroom.com.

Beyond the release of the album, Wunderle is already working on new songs; he recorded 20 more songs in April 2021 and is planning another recording session in August.

“I’m very proud of the work everyone has done to make my songs the music that they are,” said Wunderle. “I can’t wait to share the new material with everyone. “

You can follow Joe Wunderle on Facebook at facebook.com/joewunderle.

Get a good start on the weekend and Register now for the cleveland.com weekly “At the CLE” email newsletter, your essential guide to the best things to do in Greater Cleveland. It’ll arrive in your inbox on Friday morning – an exclusive to-do list, focusing on the best weekend fun. Restaurants, music, movies, the performing arts, family entertainment and more. Click here to subscribe. All cleveland.com newsletters are free.

In the United States: the failure of the FBI to investigate Nassar; Encore musical theater; Flint Poet Semaj Brown


Today the In the USA, a new report describes how the FBI failed to investigate Larry Nasser. Additionally, a theater company in Dexter took risks during the lockdown and finally returned to the stage. Additionally, poet Semaj Brown spoke of the power to introduce people to writing.

[Get Stateside on your phone: subscribe on Apple Podcasts or Google Podcasts today.]

Listen to the full show above or find individual segments below.

IG finds FBI failed to mitigate threat posed by Larry Nassar, mismanaged investigation

  • Lindsey smith is a Michigan Radio investigative reporter and co-host of the award-winning Peabody Podcast Believed on the conviction of Nassar.

Bis! Dexter theater company takes over after pandemic

  • Dan Cooney is the co-founder and artistic director of the Encore Musical Theater Company and a professional Broadway actor.
  • David Moan is currently a cast member at Encore and professional actor.

Flint Semaj Brown’s poet receives American Academy of Poets scholarship

  • Semaj Brown is Flint-area’s first Poet Laureate and an author, playwright, educator and playwright.
  • Support for arts and culture coverage in the United States comes in part from the Michigan Council for Arts and Cultural Affairs.

The Electric Violin Twins are no strangers to the Redlands music scene | New


Jason and Nolan Livesay, the Electric Violin Twins, are from Southern California.

Jason and Nolan Livesay are no strangers to Redlands theatergoers. Their original theatrical musical scores have graced the LifeHouse Theater stage for years. Nolan’s score with Michael Tennant for the musical “Moses” is on view at LifeHouse through Sunday August 15th.

The identical twins, graduates of Azusa Pacific University and UCLA, are award-winning composers, orchestrators and conductors for film, television, video games, Broadway and theme parks.

Their particularly comprehensive skills and effective team efforts have led them to create music for many of Hollywood’s biggest music projects, collaborating with composers like John Ottman, John Paesano, John Debney, David Newman, Christopher Lennertz, Chris Bacon, Jason Robert Brown Alain Silvestri

According to the Fandom.com website, Nolan’s professional career began assisting songwriter Lee Sanders on “The Amazing Race” for CBS, opening the door to composing many independent films and trailers for all of the major studios in the world. ‘Hollywood.

The Electric Violin Twins’ show at 8 p.m. on Tuesday, July 20 is sponsored by Loma Linda University Health.

Caro Pierotto:

Brazil beyond samba

As soon as Caro Pierotto expresses her first note, you have the idea that she was born to share her music with the world. Listening to his original tracks and covers transports the listener to Caro’s Brazilian roots, not apologizing for his love of all things Brazil.

Caro’s captivating vintage voice includes a repertoire of samba, forró, reggae, soul and pop. Ernesto Lechner, Latin Alternative to NPR, says: “The expressiveness and technical mastery of Caro Pierotto’s voice underscore the Brazilian tradition of great singers – from Sylvia Telles to Gal Costa. Indeed, Caro Pierotto is listening for a hot summer night at the bowl!

Caro sings in Portuguese, Spanish and English and has toured Indonesia, France, Portugal, Mexico, Canada, UK, Ecuador, Colombia and now Redlands.

Caro Pierotto’s Brazil Beyond Samba show at 8 p.m. on Friday, July 23 is sponsored by Charles R. and Marsha Gebara Geiger in memory of Jim Gebara and Yvonne Geiger.

Tonight’s show

Joya Kazi Unlimited, a Bollywood show, will perform at 8 a.m. tonight as part of the Redlands Bowl Summer Music Festival.

Kazi, who was born in Mumbai, formed the group at the age of 16. She has been training in Indian classical dances for over 28 years and is known for her ability to bridge the gap between Indian classical and commercial dance styles without sacrificing authenticity or quality.

The Redlands Bowl is free and open to the public. The shows start at 8 p.m. on Tuesdays and Fridays until Friday, August 13. There is no restriction.

Metro Detroit hip-hop artist Rod Wallace as community leader


The Local Spins series showcasing the talent of Eastern Michigan today focuses on a Detroit educator, hip hop producer and community leader who leverages collaboration to develop talent and promote education .

Producing & Talking About The Music That Makes The Difference: Rod Wallace (Photo / Kyla McGrath)

EDITOR’S NOTE: It’s part of a series partnered with Ypsilanti’s Grove Studios to spotlight artists from eastern Michigan – a venture aimed at bridging the gap between east and west. Today, writer Lori Stratton profiles hip-hop producer Rod Wallace, who has become a leader in leading collaborative hip-hop projects and launching a scholarship program for black artists.

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Fueled by community, collaboration and creativity, Rod Wallace continually breaks the mold.

The Metro Detroit educator, hip-hop producer and community leader quickly establishes and maintains local partnerships rooted in art, advocacy and outreach, including the Washtenaw County Amplify Fellowship for black artists.

“It was a manifestation of all the work I have ever done on collaborating, connecting music to the community, and getting involved with the educational side of music. It also includes a production, engineering and project management component, and all of those things helped make it special to me, ”Wallace said.

Last fall, Wallace co-launched the Amplify Fellowship with Maia Evans on behalf of Grove Studios Ypsilanti and Leon Speakers Ann Arbor. The eight-month fellowship provides black artists with 40 hours of studio time and engineering and production support.

Fueling Collective and Individual Growth: Wallace (Courtesy photo)

Three artists from Washtenaw County – singer-instrumentalist London Beck, R&B singer Kenyatta rashon and singer-guitarist Dani Darling – won the scholarship, partnered with community nonprofits and started new projects.

“We’ve seen them grow up collectively and they’ve developed such a fantastic kinship throughout this process. Individually, they all grew up in different ways too. We saw London become that machine almost as Kenyatta became a mother and Dani let go of all conventions while working on her project, ”said Wallace, educational programs coordinator for Grove Studios.

With the end of the inaugural fellowship, Wallace and Evans will bring in another class of fellows later this year and will continue to work with nearly 40 collaborators on the next round of artist projects.

“Our team is even stronger thanks to the opportunity to work with the fellows who were part of it this year. We have great confidence in the program, and I hope to be able to use a lot of our creative and administrative energies in the future, ”said Wallace.


Outside of the stock exchange, Wallace has played a central role in driving collaborative hip-hop projects at the local and national levels.

In 2020, he co-produced “Formula 734”, a community hip-hop album, with Jamall Bufford and in partnership with Washtenaw County My Brother’s Keeper, the Ann Arbor Area Community Foundation and the Washtenaw Intermediate School District.

Together, Wallace and Bufford have brought together an intergenerational group of disparate male creators to write, record and release a fascinating album featuring emerging hip-hop artists, producers and engineers. The 12 tracks of “Formula 734” challenge false narratives about men of color and raise awareness of the underlying causes of systemic racism.

LISTEN: “Race Relations”

“We have created a historical record for this particular period in Washtenaw County history that people can refer to. They can get a primary analysis of what it was like to be here during the COVID-19 pandemic and the troubles related to the death of George Floyd, ”said Wallace, who hopes to start another cohort of Formula 734 plus late this year.

Wallace also oversaw two releases last year for Dirty Ol ‘Men, an international collective of hip-hop producers, musicians and curators from the United States and Japan.

The Dirty Ol ‘Men: Wallace with the band outside of Grove Studios. (Courtesy photo)

In September, Dirty Ol ‘Men released the midlife-fueled album, “Six Feet,” to reveal life-changing conversations, thought-provoking stories and enduring tales of social injustice, systemic racism, struggles. internal and personal aspirations.

Last February, they also ditched “East Grand,” which was created in a Detroit loft on the corner of East Grand Boulevard and Oakland Avenue during a three-day retreat. The album captures the authentic vibrations of Motor City and features alternative sounds from vinyl records purchased at local record stores.

“I design these projects, so I have the opportunity to take all these diverse ideas and sounds and turn them into a collective vision. It’s almost like the albums are my medium, and I study the albums on the Zero Noize podcast, ”Wallace said.

LISTEN: “Superprédateurs”

This month, Wallace will join Dirty Ol ‘Men in an unknown town to work on a new project. This will be their first in-person gathering in two years and will offer a refreshing change from virtual collaboration on Songlab TV, an online approach to a songwriting session.

“Making ‘Six Feet’ virtually was a great experience for us, and it taught us what we liked and didn’t like. ‘East Grand’ also had a lot of edits and stuff that was done online after the fact. It wasn’t all recorded when we were out of town together, ”he said.


In addition to collaborative projects, Wallace is pursuing a doctorate in educational studies with a concentration in urban education at Eastern Michigan University. Its graduate courses focus on the critical pedagogy of hip-hop, or how the creation and study of music is a method of performance for those interested in hip-hop culture.

“I studied hip hop a lot in response to social conditions. I’ve done analyzes of public policy as interpreted through hip hop, and I’ve done quantitative studies related to producers and their trends, ”said Wallace, a former high school teacher and administrator.

“I like to call them mad scientists to a point. Manipulation with technology and alignment with artistic theory as well as the context of what is popular does not receive enough attention in terms of people and their creative capacity.

The solo album: “unfreqdblk”

Wallace plans to finish his classes this summer, prepare for the comprehensive exams in the fall, and begin his thesis later this year. He also leads UEM’s Upward Bound program, a federally funded initiative that provides students at Ypsilanti Community High School with improved academic skills and motivation to earn a college degree.

“Upward Bound has kept me grounded in being a hotspot for kids. It gave me the opportunity to broaden my knowledge about a lot of different things and my involvement in the state and the county when it comes to access to education in general, ”he said.

Wallace continues to combine his passions for education and hip-hop through the Zero Noize podcast, which provides a forum for discussing music analytically rather than comparatively. He explores classic albums with artists, producers, educators and executives and examines the impact these works have had on them.

“I wondered what it would be like if I brought people in and started talking to them about the music that made a difference. Music has touched us all at some point in our lives, so I wanted to talk with the guests about a project that represented a time in their lives that we could really dig into without getting too technical, ”said Wallace, who released 16 episodes since February.

Wallace recently moved this musical analysis to his latest album, “unfreqdblk” (pronounced “unfreaked black”), which uses the metaphor of a broken cigar to represent the search for value in any situation. Co-produced by JB Swift, the project addresses loss, marriage, deception, resilience and growth through seven powerful introspective tracks.

LISTEN: “321 / Frontmatter (unfreqdblk)”

Released in January via Bandcamp, “unfreqdblk” allowed Wallace to refine his lyrics against vintage and hypnotic beats and dynamic collaborations with F13ldz, Snapeasy, Josh Hype and Houston Patton. For Wallace, it is about moving from the seat of producer-engineer to that of artist.

“I wanted to be in a position where I was working on a project and all I did was rhyme. JB (Swift) gave me the tracks and the beats, and I worked on things from there, ”Wallace said.

The album’s thoughtful and contemplative opening, “321 / Frontmatter (unfreqdblk)”, pays homage to Wallace’s late father and reflects on his life lessons. Meanwhile, the bouncy and brilliant braggart of “Slush” addresses how tumultuous relationships slowly erode self-confidence over time.

“I hope people recognize that there is always an opportunity to redefine yourself and understand that an end is a beginning. That’s why the project starts with my dad’s funeral because it was a transition for me, ”said Wallace, who will be adding“ unfreqdblk ”to other streaming platforms later this summer.

“I had to grow up from that and the realization that I no longer had that person in my life to tell me if I was wrong. You must have this compass in your life, and when you don’t have this compass, you must become this compass.

Copyright 2021, Spins on Music LLC

10 Things To Do This Week In Philly / NJ / Del.


The annual children’s concert festival is not just a show: there are also activities and events for children before the live show. And this is not a one-off event – there was one in June and another is on August 13. The concert this Friday presents Alex and the kaleidoscope as well as on-site food trucks and special gifts.

  • What: Live concert for children
  • Or: Smith Memorial Playground, 3500 reservoir promenade
  • When: Friday July 16, 5 p.m.
  • How: $ 12 and more, ACCESS cardholders and Smith members pay $ 6. (You can register in advance to receive your passcode or purchase in person once you’ve presented your card.)
(Upper Darby Performing Arts Center)

the Junie B. Jones Book Series entertained children since its inception in 1992. The 30-book series on the Adventures of 6-year-old Junie, Kindergarten and Grade 1, written by the late Barbara Park, has sold over 55 million copies in the United States alone. In 2005, Junie’s character was adapted for a musical that the Upper Darby Performing Arts Center product, both in person and live.

  • What: Hybrid theater
  • Or: Upper Darby Performing Arts Center, 601 N. Lansdowne Ave
  • When: Thursday July 15, 10:30 am, 7 pm; Friday July 16, 10:30 a.m., 7:30 p.m. (online); Saturday July 17, 1:30 p.m. (online)
  • How: $ 10 – $ 15
(Live World Café)

Local artists Dame Alma, the reigning diva of the city’s house music, and jazz group Vertical current bring their talents to Cira Green Friday night. The rooftop park with stunning city views is the backdrop for the free show, hosted by World Cafe Live. Until the popular indie music hall, which is just down the street, reopens in the fall, this is the best way to see some of the most popular artists who would normally perform there.

(Laura Wheeler Waring, PAFA)

Since its founding in 1805, the Pennsylvania Academy of Fine Arts has been a champion of women artists. More than 80 works of art by more than 50 artists will be on display in the year-long exhibition which opened earlier this month. The works cover the years 1005 until the end of the Second World War. Two of these artists, painter Lauren Wheeler Waring and sculptor Mai Howard Jackson, were among the first African-American women to study at PAFA, and their art has recently been included in PAFA’s permanent collection.

  • What: Art exhibition in person
  • Or: Pennsylvania Academy of Fine Arts 118-128 N. Broad St.
  • When: Until Sunday July 24, 2022
  • How: Free with admission to the museum $ 8 – $ 15
(Camden County website)

South Jersey’s parks are not only places to experience nature and enjoy recreation, they are also outdoor concert halls. The 2021 concert series spread across four leading parks runs through September and technically incorporates the XPoNential Music Festival taking place at Wiggins Waterfront Park from September 17-19. But unlike the festival, the summer concerts – which include the Urban Guerilla Orchestra (August 19, Lindenwold), Grammy winner Lisa Fischer (August 9, Wiggins), Kathy Luge (August 5, Cooper River), The Harlem Spanish Orchestra (July 26, Wiggins), True Diamond Tribute to Neil Diamond (July 22, Lindenwold) and more – are free.

Keep checking back with “Things to Do” as we continue to deliver our entertainment choices during the industry’s COVID-19 recovery. Please see our coronavirus updates to stay up to date with the latest information at the regional level.

Sara Mironovich from her new album “Northeast”: Who, Where, When, Why


Courtney @ Farm Girl Photo Photo

I Growing up on a farm in the Mohawk Valley, upstate New York, I was fascinated by violins for as long as I can remember. Music was still playing on the radio, and records and cassettes played on the stereo. Most were old country, folk, bluegrass, and other traditional musical styles. Maternal grandparents were involved in the local bluegrass and ancient music scene. When I was young, I participated in many concerts and jam sessions hosted by them.

They gave me the first violin at the age of four, and I learned both classical violin and violin style and started my band at the age of nine. I picked up my guitar and started writing songs as a teenager, but until I was twenty I wasn’t sure if I would release anything as a singer-songwriter. (It was probably a good thing, as I had toured quite a bit in the country and abroad before. There were some real stories that I wouldn’t have had before.)

I’m still a big supporter of traditional music, especially New York style and violin songs (yes, we have our own violin tradition!), But telling stories through good songs is, today , especially my new album “Northeast”.

Inspired by the abilities of songwriters like Willie, Merle, Emiloo, Dolly, Chris, John Prine (and many more), I tell stories of people, places and times they are in. I go. Inspired by the creative melting pot, I was fortunate enough to spend time in New York’s incredibly diverse music scene. Such places have taught us a lot about the fertile environment that presents itself whenever we bring together many very creative minds under pressure. Like beautiful metamorphic rocks, you will get the most amazing art, connections, and experiences. But the images and experiences that are deeply rooted in me are the ones I grew up in, the blue collar workers and the countryside, and I think these are the best stories I can tell.

WHO: my name is Sara mironovich, And I’m an alternative singer-songwriter and violinist from upstate New York.

what: My new album, Northeast.

when: June 25, 2021

Or: You can use it anywhere you can get music!

Why: I grew up in country, bluegrass, and other types of traditional music and have always been inspired by how good songs can tell the story of the place and the people there. It has always been a wonderful song feature for me to evoke a sense of place, time and human experience. When I started to explore my experience as a songwriter, I realized how many of these great songs were in the south or the west. I’ve noticed that the Northeast shares the same blue collar experience as the rest of the world: devastated cities, abandoned farms, rural poverty, drug addiction, broken hearts, resilience and hope. It’s getting colder and colder, except that happens too! Inspired by the signs on the shipping docks of the abandoned factory in my hometown, I wanted to write an alternative record in the Northeast that shares some of these stories.

List of tracks:

  1. The last time everything
  2. Laurent, Kansas
  3. Valentine’s day
  4. Suburban queen
  5. The sun comes on the hill
  6. 87 North
  7. Electric body
  8. Two dollar town
  9. Strange domination
  10. Northeast

Connect with Sara Mironovich

website | Facebook

Sara Mironovich from her new album “Northeast”: Who, Where, When, Why

Waco Civic Theater Adds Song to History in ‘Little Women the Musical’ | Arts & Theater


The lives and loves of the March sisters – Amy (Kayleigh Huser, left), Meg (Krystal Marshall), Jo (Tori Christensen) and Beth (Ally Varitek) – are at the origin of the songs and story of the Waco Civic Theater’s production of “Little Women the Musical”, which opens Friday.

Clarissa Pompey, on condition

For Waco Civic Theater executive director Eric Shephard, adding “Little Women the Musical” to the theatre’s summer lineup was a pretty obvious lineup choice.

Louisa May Alcott’s famous and beloved novel as source material? Check. Positive message of empowerment of women and family love? Check. Music? Check. Lots of roles for actresses? Check.

Shephard recalls hearing about the Broadway musical in 2005 while in the theater department at Baylor University from a student who attended an oral workshop on the play. While the workshop’s Broadway production did not attract the audiences its producers had expected, the years that followed showed that it struck a chord with audiences across the country when it was released. has been featured on tour and in regional productions.

“Everyday people really loved the stage production,” Shephard said.

The musical compresses the familiar story of the women of the March family – sisters Jo (Tori Christensen), Meg (Krystal Marshall), Amy (Kaleigh Huser) and Beth (Ally Varitek) as well as their mother Marmee (Kelly McGregor) and Aunt March (Kami Ellis -Yasko) – as they maintain their Massachusetts home during the Civil War while their father is away as a Union Army chaplain.

Girls have distinct personalities and their lives diverge as they grow up and find their own way in the world. Spirited Jo wants to be a writer. Older Meg is happy as a mother with children. Self-centered Amy longs for the social world while the youngest Beth sees her future constrained by illness. There is love and connection in women’s lives, with neighbor friend Laurie Laurence, German teacher Friedrich Bhaer (Jeremy Stallings) and calm but hardworking tutor John Brooke (Trey Shonkwiler).

10 unpopular opinions on Kylo Ren (according to Reddit)


With a volatile personality and an emotional performance from Adam Driver, Kylo Ren came out of the Sequel trilogy a favorite among Star Wars fans. Considered a nuanced villain for a new era of the Star Wars franchise, the tall, dark, and irascible warrior would have often carried the trilogy on his shoulders.

RELATED: 5 Reason’s Kylo Ren Is The Most Dangerous Sith Lord (& 5 Who Could Take Him)

Like the Sequel trilogy itself, Kylo Ren has become a source of division in the Star Wars community, with the Supreme Leader of the First Order having as many detractors as die-hard fans. While some believe he will never compare to Darth Vader, others argue that he is the greatest villain the Skywalker Saga has ever seen, indicating a wide variety of unpopular opinions.

ten He did not wear the trilogy

Kylo ren Lightsaber crossguard star wars the last jedi force awakens

It’s no secret that the Sequel Trilogy was incredibly divisive among Star Wars fans, but one aspect almost universally agreed upon is the strength of Kylo Ren’s character arc. Most fans see him as nuanced, with the Warrior’s story constantly evolving as he is torn between his dedication to the First Order and his family in the Resistance. The fact that he is a villain who shows more emotion than Darth Vader is not seen as a weakness but as a strength, offering a more three-dimensional antagonist.

One Redditor was almost diametrically opposed to the idea that Kylo Ren brought anything of value to the three films, going so far as to say he certainly didn’t “carry the trilogy” like others have said. stated and if anything, his constant climaxes and sounding like “a 12 year old boy still having wheezing fits” only made him seem less effective as a villain.

9 He’s the best Star Wars antagonist

Star Wars: The Force Awakens Pictures - Kylo Ren (Adam Driver)

Star Wars has produced some of sci-fi’s most popular antagonists, including Emperor Palpatine, Darth Vader, Darth Maul, and others. Vader consistently ranks among the five best movie villains of all time on multiple lists that often include Hannibal Lecter, Thanos, Michael Myers, and The Terminator.

Some fans like Redditor DunkingKobain think Kylo Ren is actually the best Star Wars antagonist because he’s “a well-rounded character,” seeing villains like Vader and the Emperor as one-dimensional. Ren’s doubts, anxieties, and internal conflicts might make him more interesting and complex, but most fans believe the traits take him away from his intimidating character.

8 His shirtless scene was the only reason Reylo arrived

The romance between Kylo Ren and Rey brought an interesting and unexpected dynamic to the franchise, less tearful than that of Anakin and Padme but more passionate than that of Han and Leia. He was a potential Sith and she was a Jedi in training, so the feelings of intimacy that developed between the main villain and the hero were certainly subversive.

A Redditor claims that if Kylo Ren had never appeared to Rey shirtless, she would never have cared about him in the first place because there was “no clue about attraction, no chemistry, [and] no scenes together. Debates have flourished all over social media as to whether or not there was a legitimate basis for the development of “Reylo”, but most fans point to the “bridal porter” scene in Star Wars: The Force Awakens like the beginning.

7 He’s a better-written character than Vader

In the original trilogy, Darth Vader embodied the very essence of wickedness in a space opera based on a conflict of Good versus Evil. The Prequel Trilogy gave the Soulless Killer a rich history that painted him as a selfless young boy whose attachment to his mother and wife took him to the dark side.

RELATED: 5 Reasons Kylo Ren’s Redemption Arc Is Better Than Anakin’s In Star Wars (& 5 It’s Darth Vader)

Redditor belowthemask42 explains that even with the Prequel trilogy, Anakin Skywalker’s descent into darkness seemed forced and mechanical over the course of three films, only really manifesting towards the end, as Kylo Ren “struggled with the dark side for 3 films and had to lose both his parents before he saw the light. ” Fans would say that just because he didn’t “automatically get bad,” his struggle was nonetheless multifaceted and multidimensional.

6 Adam Driver’s performance was horrible

Considered one of the best actors of his generation as a result of the Sequel Trilogy, Adam Driver is known for his complex, visceral and highly emotional performances. Most Star Wars fans point to his on-screen presence as adding a dynamic element to the films, in particular embodying a villain torn between his desire to do evil despite a compulsion to do good.

Redditor DarthFarris decided that Adam Driver’s presence in the films was one of the “most underwhelming and underwhelming aspects of the new trilogy, along with not only how it looked, but [also] its performance. His constantly painful facial expressions, emotionless delivery, and ill-fitting body language all contributed to an incredible character.

5 Its theme is more intimidating than that of Darth Vader

Kylo Ren Lightsaber form compared to Darth Vader Snape

The musical score John Williams wrote for the Skywalker saga is considered iconic by Star Wars fans. In particular, the theme song he created for Darth Vader – known as The Imperial March – is one of the most popular pieces of music in the entire franchise outside of the main theme. Melodious, authoritarian and moving, the military march perfectly captures both the raw power of the dark side and the might of the Empire.

RELATED: 10 Inspirational Jedi-Themed Music Tracks In Star Wars

A Redditor ruled that Kylo Ren’s theme song, with its weird brassy notes, “has a deeper, darker sound,” especially because it isn’t as fast and represents his character alone (and not l ‘Empire). For a hopeful Sith, it’s written appropriately in a minor key, without the major chords and positive flourishes of the Imperial March.

4 He should have gotten Luke and Leia’s lightsabers

Rey buries Luke and Leia's lightsabers on Tatooine in Star Wars: The Rise of Skywalker

After Star Wars: The Rise of Skywalker, Rey buries Luke and Leia’s lightsabers in the sand near Lars’ farm where Luke grew up, signifying the end of this chapter in Jedi and Galactic history. Most fans believe she was entitled to lightsabers because Kylo Ren aligned with the Evil Emperor by choice, while Rey worked to actively change the fate of her birth.

LIXLAX12 argues that because Kylo Ren actually had Skywalker blood in him, he was “much closer to the Skywalkers than Rey ever was” and he should have been given Luke and Leia’s lightsabers, not a Palpatine. who changed his name to Skywalker. Having a Palpatine change her name to Skywalker, while subverting her fate, stole a true Skywalker from her redemption arc.

3 His lightsaber technique is awesome

There are a variety of fighting styles for users of the Dark Side in the Star Wars universe, from the worthy and inspired technique of Count Dooku’s sword to the more acrobatic style of Darth Maul, but the fighting form of Kylo Ren is generally considered the worst. because of his erratic, frantic and clumsy execution. After all, he could have been beaten by a former stormtrooper who had never wielded a lightsaber before.

A Redditor decided that Kylo Ren’s lightsaber technique was actually the best because of its brutality, and Adam Driver was truly delivering “the intensity, anger, and meanness of Kylo’s strikes.” To them, it seems more realistic for a conflicting Dark Side user to carry their emotional turmoil in their fights, when most fans see it as a handicap.

2 He’s a better character than Anakin

Star Wars Kylo Ren Anakin Skywalker Darth Vader

Much of the Skywalker Saga hinges on the choices made by Anakin Skywalker, whose disgrace received an entire Prequel trilogy in its own right. The Dark Side provided him with a way to save the people he loved, making his conflict both relatable and tragic.

Fans like this Redditor believe Kylo Ren’s redemption arc is actually better than Anakin’s, with more “character development.” [and] play better. ”It should be noted that fans only got a glimpse of Kylo Ren as Ben Solo before his fall from grace, as the Prequel trilogy chronicled much of Anakin’s youth, making the sudden fall to the dark side more dismal.

1 He gets a useless hatred for being powerful

Kylo Ren Stops Blaster Bolt In Star Wars The Force Awakens

The Skywalker Saga focuses on two main family heirlooms in the galaxy; the Skywalkers and the Palpatines. The offspring of both bloodlines are more powerful than any other Force user in the galaxy, which is generally accepted by Star Wars fans given their natural abilities to connect with the Force. Their inherent ability to tap into its energy flow replaces the amount of training that might normally be required.

One Redditor believes that although he comes from a powerful line of Force users, Kylo Ren receives too much criticism for his abilities. Like Rey or Anakin Skywalker, he didn’t get his “power for plot devices” but his legacy, which makes him more of an aspect of character development, while the majority of fans believe his abilities don’t. are undeserved (perhaps because so little of her story is shown in the onscreen flashbacks).

NEXT: 10 Unpopular Opinions About The Flash Series (According To Reddit)

Split image of Captain America, Captain Marvel and Star-Lord in the MCU

The 10 Worst MCU Movies (According To Metacritic)

About the Author

Moneybabiii, independent, has the album ‘Impulsive Behavior’ in preparation and big plans for the future


Growing up on the west side of Montgomery in Gibbs Village and surrounding neighborhoods, Leverdis “Moneybabiii” Mack had lyrical dreams leading him to a better path.

“I had a lot of problems,” he said. “They told me to start doing different things to ease my anger. Writing poetry was part of that.”

It grew up adding rhythms to her words, listening to and learning from older guys rapping in her neighborhood.

“I’ve been in love with it ever since,” Moneybabiii said.

Since 2018, Moneybabiii has stated that he takes his music seriously and is learning the game behind the music industry so that he can more easily rely on himself.

Leverdis "Moneybabiii" Mack is a rap artist from Montgomery who has the new Smurfgang Music Group label.

Moneybabiii has a production company called EyevisionzFilm. He also has a new album project in the works titled Impulsive Behavior, which is slated for release on August 1.

“I feel like that represents what this game is,” Moneybabiii said. “Everything you do in this game is time sensitive and you have to act on impulse. Some are bad decisions. Others are good. But that’s the nature of the game.”

With the goal of becoming a mainstream artist, Moneybabiii said what sets him apart musically is his versatility.

“In the north, artists are known for their penchant for lyrics, but I also like to promote myself as lyrical,” Moneybabiii said. “My favorite type of music is real music, talking about things that I go through. Talking about the emotions that I feel. A lot of people get away from actually talking about their emotions. We’re all in it. We all go through them.”

Its autonomy pushes it forward. Moneybabiii records himself, and has learned to shoot and edit his own music videos. But he also works with other artists from the region.

“I work with different DJs in Georgia, Florida, Texas, Louisiana, Mississippi and here,” he said. “I partnered up with LiveMixtapes, Dj Killswitch (Montgomery coalition djs), Dj Dillieon (Birmingham 95.7). And I also worked on partnering with Raymond Daniels SVP A&R from Warner Records. “

He just signed a distribution agreement with livemixtape.com.

At the same time as he pushes himself, he also pushes his new label Smurfgang Music Group. He established it in Prattville, and Moneybabiii said his biggest dream was to make it into a major operation. He is currently looking to build a building there.

“There is so much talent here that is really being overlooked because we have no outlet,” Moneybabiii said.

SMG is also the name of his band and his clothing line. He said the two were growing daily.

“My plan is to expand SMG globally,” Moneybabiii said.

On the live performance side, Moneybabiii is present but said it has slowed down a lot around Montgomery. He recently performed five days at Black Beach Weekend in Biloxi, Mississippi, and he has an upcoming show in Atlanta.

“I’m also working on booking shows in Florida,” he said.

Moneybabiii is also a father, with a 7 year old son and a 4 year old daughter. He said the two are already showing talent.

“They both love music,” Moneybabiii said. “I have a studio set up in my house, and when I get there, they’re there with me. My son, he’s already showing interest in the technical side of playing music.”

Follow him on Facebook @MoneyBabiii and Instagram @ moneybabiii100. His YouTube channel is Moneybabiii Official.

Contact reporter Shannon Heupel of Montgomery Advertiser at [email protected]

Do you like country music? Southern Roots Lake Jam arrives at Lake Lanier Olympic Park


People are invited to listen to live country music and give back to the inaugural Southern Roots Lake Jam.

The concert will take place from noon to 10:30 p.m. on Saturday July 24, at Lake Lanier Olympic Park in Gainesville.

Brothers Zach and Brent Pridgen, owners of Lake Shows Entertainment, are hosting the event. Country music singer and songwriter Tyler Farr will headline the concert. Other featured musicians include Jacob Bryant, Ray Fulcher, Blane Rudd, Carly Rogers, Jordan James, and Hunter Chastain.

Local businesses on Lake Lanier will set up booths at the event alongside food trucks and beverage vendors.

“We want it to be a very unique and awesome environment and, most importantly, a comeback to the community,” Zach said. “We try to use as many local resources as possible to help local businesses here.”

Attendees are encouraged to bring cans and non-perishable items to benefit the Atlanta Community Food Bank and Georgia Mountain Food Bank. A wharf will be set up so that boaters can stop and drop off their donations. Brent said Lake Shows Entertainment has partnered with Whole Foods to raise 30,000 pounds of merchandise to donate to local food banks.

“We want to make sure that each of our concerts is good for the community,” he said.

Tickets cost $ 35 per person. People can buy them online at bigtickets.com or on site on the day of the event.

Album review: Modest Mouse // The Golden Coffin


Epic records

4.5 out of 5 stars

It’s hard to critique a Modest Mouse album without referring to the time since Modest Mouse’s last album. New music from indie rock giants adjacent to Seattle is a luxury, never a given. Even the band’s weakest album, 2015’s Strangers to Ourselves, was crafted around a number of diverse singles and high-energy guitar parts that would make former guitarist Johnny Marr blush. So how does The Golden Casket, the band’s newest psych-pop opus, stand out? Frontman Isaac Brock calls it the band’s “sound effects record” and it’s not hard to see why. The album uses guitars sparingly and tastefully, like on college radio ready “We Are Between” and post-punk “Japanese Trees”. While longtime fans may struggle with the band’s more pop moments this time around, that is balanced with the band’s penchant for strangeness and trying new things. Brock’s ear for melody is as good as ever (“F * ck Your Acid Trip”), but most surprisingly are a number of sentimental moments about being a partner and a parent (“Wooden Soldiers” ). If we never get another Modest Mouse album, it’s heartwarming to know that they still go through life like the rest of us – panicked and sometimes bursting with joy.

Violinist Hyung Joon Won on the Healing Power of Antibody Music | Blogs


My dream while attending Juilliard School was that music could solve social problems and save human lives – a little further from a violinist’s duty to play only a beautiful melody.

However, when Tod Machover, a professor at the MIT Media Lab, released “Gamified” – music based on medical information that 40Hz gamma sounds are useful for treating Alzheimer’s patients – I thought it was Perhaps it was no longer a dream.

In 2020, the coronavirus arrived in Korea where I live. Almost all concerts have been canceled and many musicians have lost their jobs. However, due to my faith in music, I have visited hospitals and played the violin for quarantined Covid-19 patients and medical staff.

At the time, there was an infected baby and his family who visited Korea from Cambodia and were quarantined in hospital. They felt and expressed their condolences after listening to my Gounod piece Ave Maria & Elgar’s Hello love. As a result, I became convinced that music not only heals human emotions, but musicians can also contribute to the pandemic with music.

My performance at the hospital led to a meeting with Markus Buehler, an MIT professor. He translated the peak protein of the coronavirus into a musical scale of one hour and 49 minutes. It was seen as a potential innovative alternative to cure viral infections through the vibrational frequency of proteins where a vaccine had not yet been released. After Professor Buehler arranged it for solo violin, I played Coronavirus music(Viral counterpoint to the Covid-19 spike protein) in the Demilitarized Zone (DMZ) separating South Korea and North Korea in August 2020 – a place civilians have struggled to enter for more than 70 years.

Professor Buehler and I continued to exchange our opinions and in March 2021 Covid-19 Antibody Music (Protein antibody in E minor) finally enjoyed its world premiere. Musically, “viral” music and “antibody” music have very different styles and moods. The viral music is slow and repetitive and sounds a bit melancholy, while the antibody music consists of notes with lively and varied rhythms. Both pieces use a theory developed by Buehler to translate protein structures into musical scores: both proteins – the antigen and the pathogen – have 20 amino acids, which can be expressed as 20 unique vibrational tones. Proteins, like other molecules, vibrate at different frequencies, a phenomenon Buehler used to “see” the virus and its variants, capturing their complex entanglements in a musical score.


The room, Music Antibody Covid-19 has racked up over a million downloads on SoundCloud and we plan to do more Antibody Music concerts this year.

There are many research papers that show that music – or vibrational frequency – stimulates human emotions and increases immunity, and it is currently widely used in music therapy. In the future, music will be used to provide therapeutic value against the threat of viral diseases. I hope that this opinion from a musical point of view will help protect human lives from the current threat of the virus.

Watch: Violinist Plays Classical Music for Hospital Patients in South Korea

Watch: Peace Through Music: Violinist Hyeong-Joon Won

SF Playhouse announces 2021-22 season and sets up in-person summer shows


The always breathtaking and impressive SF Playhouse near Union Square is resurfacing with live performances earlier than some of its bigger Bay Area counterparts, and they announced their next full season today.

The 2021-22 season will be crowned by the major musical production that was scheduled for the end of the 2019-2020 season of the company, that of Stephen Sondheim Follies. The show depicts a reunion taking place in 1971 of the former choir of Weismann’s fictional “Follies”, based on the famous Ziegfeld Follies, which had its last performances in the early 1940s. The complicated show, which includes classic songs de Sondheim as “I’m Still Here” and “Losing My Mind”, was last revived on Broadway in 2011.

The production of SF Playhouse will be directed by company co-founder and artistic director Bill English.

“We passionately believe that at this point in American history our 19th season just might be the most important,” said English. “We will happily collaborate with artists who speak from largely unique perspectives on universal themes that generate greater empathy and compassion.”

The new season starts on October 12th with The Grand Kahn, a world premiere by Michael Gene Sullivan, and a co-production with SF Mime Troupe. It’s the story of two African-American teenagers confronted with what it means to grow up black and be coerced into certain stereotypes – then Genghis Kahn gets involved.

Previews start on November 24th is a new musical adaptation by Shakespeare Twelfth Night, on an original jazz-funk score by Shaina Taub. It is managed by the co-founder of the company Susi Damilano. And from January 15 is a production of Heroes of the Fourth Turn, Pulitzer Prize finalist for dramatic theater from playwright Will Arbery.

Harry Chin’s paper dreams, a drama based on the true story of an immigrant who circumvented China’s exclusion law, opens in March, and is followed by a production by the 2012 Pulitzer Prize winner, Water with a spoon by Quiara Alegria Hudes. Follies premieres June 29, 2022.

First off, SF Playhouse is presenting two productions this summer with a limited in-person audience and a streaming option.

The first, titled The song of summer from playwright Lauren Yee, is about a young pop superstar who unexpectedly achieved fame with a summer earworm – and escapes a world tour to revisit her childhood home. It runs from July 20 to August 14, and you can find tickets here. (A video on demand option is available for $ 30.)

And on August 31 there will be a production of Start here, start now, a musical review using songs by Richard Maltby, Jr., and David Shire (Big baby, Closer than ever). “Using songs from their various early musicals (produced or not), this daring, outgoing journey takes an alluring cast of three through the maze of modern relationships with its heart firmly on its sleeve,” says the theater. This is also available for in-person or video tickets, which will go on sale soon.

Award-winning Sunday at the Reno Chalk Art and Music Festival (photos)


By Maria Palma

The Reno Chalk Art and Music Festival wrapped up Sunday with a final bouquet of vibrant colors and excitement.

For three days, artists from across the country showcased their skills in the West Parking Lot of the Atlantis Casino Resort Spa while battling for prizes in categories such as Best Use of Color, Best 3D Design, and Best Color Reproduction. ‘a master’s job.

A record 151 artists took part in the fifth edition of the event which returned in 2021 after being canceled last year due to the pandemic.

Local artist Chloe Payne has participated in the chalk art event for the fourth time. In this version, she competed with a recreation of the self-portrait of “The Desperate Man” by French artist Gustave Courbet.

“It means a lot because last year we didn’t have the opportunity to be a part of this festival,” she said.

Recreation of the self-portrait of “The Desperate Man” (Gustave Courbet) by Chloe Payne at the 5th Annual Reno Chalk Art and Music Festival on July 10, 2021 in Reno, Nevada María Palma / This Is Reno

Live concerts during the festival included Eddie Cotton, JP Soars, David Gerald, Whesli, Onoleigh Pommier and Hot Rod Rebellion. There was also a variety of local food, drink, and craft vendors on hand.

Sojung Lee, one of the festival attendees, came despite the heat over the weekend.

“It’s great to see these vibrant and colorful paintings. One of the things I liked is that they offered free water and places to sit in the shade to withstand the high temperatures, ”said Lee.

This year’s winners are:

  • Team division in 1st place: Sherri and Eric Majors – “Heart and Soul”
  • 1st Place Individual Division: Tiffany Manchip – “New Moon”
  • 1st place Student Division / People’s Choice: Faith Phillips – “Wonder”
  • Best Use of Color: Reilly Moss – “Sea Turtles”
  • Best use of 3D: Nestor Mendoza – “Shark”
  • Best Reproduction of a Masterpiece: Ashlyn Miles – “Drawing Hands” by MC Escher

For more information visit Chalk Art (atlantiscasino.com)

Beckmen YOLA Center designed by Frank Gehry to open in September


Three years after first unveiling the design of a new music education complex designed by Frank Gehry and Gehry Partners, LLC, in Inglewood, Calif., The Youth Orchestra of Los Angeles (YOLA) announced that it is now expected to welcome students in September. Commissioned by the Los Angeles Philharmonic, housed in the Walt Disney Concert Hall, a structure designed by Gehry, the Judith and Thomas L. Beckmen YOLA Center will provide performance space and educational facilities for budding musicians from Inglewood and neighboring districts.

With an expected cost of $ 14.5 million, the Beckmen YOLA Center is one of the few adaptive reuse projects completed by the company, transforming an 18,000 square foot former bank building, designed in 1965 by Austin, Field & Fry, in a 25,000 square foot complex. Overall, the project is reminiscent of earlier, more minimalist work from Gehry’s career, such as the Danzinger Studio or the Frances Howard Goldwyn Hollywood Regional Library. The building’s glassy exterior recalls the square silhouette of the bank that preceded it, while the decision to retain the columns of the original structure facing the street adds a sense of sobriety and symmetry – rare qualities in the work of the architect indeed.

Although recently released footage of the Edgerton Foundation performance hall reveals a decidedly more humble interior than the concert hall, it is an equally joyful temple to music thanks to the abundant natural light it provides. receives from a raised part of the roof (which Gehry calls the “lighthouse”) and an equally powerful musical space. Using a movable acoustic wall, the hall can be divided into two smaller rehearsal rooms, each large enough for a full YOLA orchestra, and features an impressive 45-foot ceiling made possible by the excavation of the basement of the original structure.

“The high ceiling also reflects sound with an even distribution of delays to create excellent clarity to balance richness,” according to the press release from Gehry Partners. “Heavy materials were chosen for the interior construction to reflect sound energy over a wide range of frequencies, improving bass response and warmth. Sloped walls and sloped ceiling panels help prevent damaging floating echoes from occurring.

This main space can accommodate 190 seated spectators, with seats that can collapse into the ground to provide more performance space, and a balcony on the second floor that can accommodate an additional 70 people. Smaller rooms surround the performance hall, offering additional community services including individual practice studios, a tech-equipped classroom, a family lounge, and the YOLA Music Library.

When complete, the Beckman YOLA Center will be the newest cultural and architectural addition to the Inglewood Civic Center. The 29-acre Brutalist campus was designed by Charles Luckman Associates in 1973 and includes Inglewood Town Hall, the Public Library, the Fire Hall, and the Public Health Complex.

Foodman: Yasuragi Land Album Review


Foodman’s music brings together tiny sounds into complex grooves. Short clicks and pops, cut gurgles and swishs, and tiny synth snippets organize themselves into tangled beats that refer to different types of electronic music, from house and footwork to classic video game soundtracks. , but still feel biased and toy-like. Often times, this feels like a miniature approximation of dance music, like he’s built a club out of a colorful assortment of Legos, just waiting for the tiny figures to come alive and find their rhythm. It’s a whirlwind of joy and creative energy, leaving an unmistakable impression of the awe of the Japanese producer as he discovers the answer to the question “What if I do?” this? ”over and over again. No matter how difficult or obtuse the rhythms become, a sense of joyful exploration is evident.

The Lilliputian scale of the music highlights its warm playfulness. “I want to make music from these funny little moments in our everyday life”, Foodman, aka Takahide Higuchi, mentionned A few years ago. “I really enjoy those psychedelic sensations that you can sometimes get from little things, like totally forgetting yourself while taking a bath because it feels so good, or eating curry at home … I want to transpose what I feel at those moments into the music. At Yasuragi Land, Foodman’s first full-length feature film in three years, he delves into this aspect of his music, leaning into the intimate familiarity of the acoustic guitar and squeezing out any low-end leftovers from the mix. Yasuragi translates to “peace of mind” or “serenity”; it is also the name of a japanese bath in Sweden, which may not be a coincidence, given documented affinity for saunas and spas. Although the music on Yasuragi Land is not at all a new age at all, it reveals a calm and focused mind agile assembling hundreds of different sounds and textures.

Yasuragi Land has more in common with the whimsical cut-and-paste style Foodman perfected in 2018 Aru Otoko No Densetsu than with the more direct, almost club-ready EPs he’s released for Mad Decent and Highball over the past two years. It tends towards an omnivorous approach, throwing everything to the wall, and while almost every track has a loose groove tying it to dry land, the syncopated hits and added wandering beats can make it endlessly complex. One of the defining characteristics of the album is its very sparse use of bass, a technique that improves the crispness of the sound. Endless kicks and strong bass pulses can be exhilarating but also exhausting; at the end of each listening through Yasuragi Land I felt rejuvenated and light, having experienced the unused energy and movement of music as a purely uplifting force.

The muffled twang of the digitally rendered acoustic guitar is a pervasive, yet subtle presence. It often appears as a counterpoint to synth blips and complex percussive strikes, either wildly strummed, as on “Shiboritate”, or existing in the margin, buried among sampled flutes, squeaks and claves that strike, as on “Food Court “. Several years ago, Higuchi moved to his hometown of Nagoya, and talked about the surge of nostalgia that followed his return, including memories of playing guitar and playing in the streets outside train stations. His music has always existed just beyond the grid, but the loose and untamed nature of the guitar makes the album feel like the random effervescence of the real world is creeping into the vivid but orderly digital environment. These happy memories of playing music for others for the first time seem to be a powerful source of inspiration, adding to the album’s feel of sweet euphoria.

Whether it’s getting lost in the gooey umami of a shoyu tamago – as Foodman’s name suggests, eating has been a major influence on Higuchi – or feeling your body slowly being enveloped in steam, the experiences on which he draws his inspiration are moments when the ego dissolves into a pure sensory experience. Yasuragi Land, with all of its bizarre nooks and silly tangents, doesn’t attempt to replicate the stillness of those moments, but rather serves as a reminder of the spirit of curiosity that makes them possible. The complexity of the album is an invitation to listen up close and decipher all of its little sleight-of-hand details, letting the simple joy of the music excite its own little moment of everyday happiness.

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NASCAR stars in new Post Malone music video


The worlds of mainstream rap and stock cars finally collided in the strangest way imaginable: NASCAR serves as the backdrop for Post Malone’s new music video, “Motley Crew.”

I don’t know what else to say, so I’ll let you watch for yourself:

The song was officially dropped on Friday by the six-time Grammy-nominated artist who also won 10 Billboard Music Awards, three American Music Awards and an MTV Video Music Award. The video, which was directed by Cole Bennett and co-produced by DreVision Media, features stellar cameos from NASCAR drivers Denny Hamlin and Bubba Wallace alongside stars like Tommy Lee, Big Sean, French Montana, Tyga, Ty Dolla $ ign and several other names that I don’t recognize.

This was mostly a collaboration with 23XI racing, the team owned by Hamlin and Michael Jordan and for which Wallace races. Wallace’s Root Insurance car is featured in the video, alongside a 23XI wrapped car designed to look like Hamlins, a traditional NRE No.43 car, and a car with Raising Cane chicken wrap.

Here are a few more from the NASCAR website:

“The Post Malone video was a good time,” Hamlin said. “I’m a Post Malone fan and being able to represent NASCAR and 23XI Racing in his last clip was awesome. We experienced their side of things, now I’d like to take these guys to a race and show them our team and the ins and outs of NASCAR, take them to the track in one of our Camrys and let them feel our cars . It was a good day overall. Can’t wait to see the finished video this week with everyone.

“It was a really cool experience,” Wallace said. “It all fell into place quite quickly, but a great opportunity and a lot of fun. These are the things we need to keep doing to bring new eyes and new fans to our sport. Since meeting Post Malone, everyone involved, being in the video, seeing it all come together, a 24 hour whirlwind, but great weather.

Wallace and Malone have a story; in 2018, Wallace invited Malone and Drake to play with him. It’s unclear if this actually happened, but Malone responded to Wallace’s tweet.

I’m not a rap fanatic so I can’t really comment on the quality of the music, but the video is… actually pretty awesome.

‘Loki’ songwriter Natalie Holt wrote this glorious theme without ever seeing the show


The jury still doesn’t know where Loki Will rank in the growing Marvel TV universe, but Natalie Holt’s musical score has been a mind-blowing highlight since Episode 1.

British composer who grew up playing the violin, Holt gives Loki a sound both strange and playful – the most perfect musical accompaniment imaginable for the god of mischief in his first solo release. Mashable spoke with Holt about the challenges (and surprisingly easy) of scoring Loki, which ends July 14.

“You know that feeling when you sit in a symphony orchestra and hear that power and weight of a large orchestra playing a theme? I wanted it to have that, but also to have the scale to be enough. nimble too, “she said via the Zoom interview. “He’s pretty mercurial and he’s not always tall and daring, he’s a little sneaky sometimes and… I just knew you had to have this lineup.”

Despite the challenge of impersonating Loki’s multitudes via the melody, Holt says she came up with the main Loki theme before her pitch meeting with director Kate Herron – based purely on scripts.

“I found the theme for him very quickly,” she recalls. “So he’s been there for me in my head, associated with him since day one.”

Herron requested the use of the electronic theremin to give Loki that sound from another world. Holt had recently met thereminist Charlie Draper, “the perfect guy to collaborate with” and a Marvel fan to boot. Holt had never composed for theremin before, nor even worked with a large brass section like that heard in the Loki theme, but Herron and Kevin Feige encouraged her to experiment with “pushing it too far.”

“I feel like I always want to do something a little twisted and unusual in what I write, I always want to turn things around a bit,” Holt says. “All on Loki I was doing something unusual, I was just really creative and I was trying stuff … So it was amazing to have their support to try something different. “

the Thor films do not have a common composer – Patrick Doyle wrote the score for the first Thor, Bryan Tyler did The dark world, and Ragnarok‘s Mark Mothersbaugh will return for Love and thunder. While a few themes repeat themselves throughout the series, Marvel agreed with Loki being entirely new.

The main themes of Loki are simple, but Holt enriches them with layered harmonies, surprising chord progressions and, of course, that heavy brass. As The Falcon and the Winter Soldier composer Henry Jackman, she admires Alan Silvestri and his work on The Avengers – “his coloring and the type of textures he creates”.

Holt also worked extensively with the Swedish nyckelharpa and the Norwegian hardanger violin, two stringed instruments that were still difficult to translate from the violin. She ended up entrusting experienced folk musicians with the task of improvising the right sound for pieces like “Frigga”.

“I was like, ‘Just play it’,” she said. “” Give it some heart, and you can also add folk ornaments to it. “

“I always think that composers should be very grateful for the incredible skills of the musicians they work with,” she adds. bad violin on top – if it was just me all alone, that would sound awful. I have to be very grateful for everyone I work with. “

Loki airs Wednesdays on Disney +.

“Beauty and the Beat” at 40: The Go-Go’s Landmark Debut ushered in a New Wave of Music


On July 8, 1981, the Go-Go released their first album, “Beauty and the Beat”. To call the LP a defining musical moment would be to underestimate the influence of the album.

Musically, the mix of edgy pop, gritty punk, rock and harmonic girl group glow was a revelation. The five members – singer Belinda Carlisle, guitarists Charlotte Caffey and Jane Wiedlin, bassist Kathy Valentine and drummer Gina Schock – were cool and confident on stage. They were talented women who made music in their own way, went their own way and showed legions of fans that they too could carve out a place for themselves anywhere.

Thematically, the band softened the provocative stance of punk with lyrics related to everyday life. Like the Go-Goes themselves, the characters in “Beauty and the Beat” were smart and intelligent. Even if things didn’t go as planned – for example, “You can’t walk in your sleep” uses the extended metaphor of insomnia and sleep disturbance (relatable!) Feeling gloomy or trapped.

For example, the most personal and introverted songs offer complexity and the knowledge that the gap between what you want – and what you get – can be vast. “How Much More” is smoldering with nostalgia, as well as a bit of jealousy and self-loathing (“She looks good / Just like I would / If it could be me”) while the iconic “Lust to Love ”is about the universal experience of falling in love with someone (and losing“ control of the game ”) that was meant to be an emotionless adventure.

Yet the characters in “Beauty and the Beat” have agency and are not passive participants in any life experience. The romantic co-conspirators of “Our Lips Are Sealed” use (what else?) The Silent Cure to fight rumors or jealousy. And the main character of “Fading Fast” tries to convince himself that an ex is a distant stranger (“Are you just another boy / Who I met a long time ago?”) Because they’re a jerk : “You had me all to yourself / I thought you were such a prize / I finally came to my senses / When I heard one lie too many.”

“Beauty and the Beat” also updates common lyrical imagery for the modern era. This collision of classical and contemporary sounds fresh: “We Got the Beat” mentions dance moves such as Watusi and Pony as inspirations for today’s youth, while “Skidmarks on My Heart” uses a metaphor from the car to talk to a faltering relationship torpedoed by personality differences with a future ex: “I buy you cologne / You want axle grease / You say take a mechanic / I say take a shrink. ” And “This Town” showcases the courage and glamor of their hometown of LA, with piercing observations and incisive commentary.

Despite high visibility on the LA club circuit, the Go-Go’s initially struggled to land a recording deal. “We were told, ‘We love you. We can see that everyone loves you, but there has never been an all-girl group that has been great. I mean, you’ve had some cult hits, like the Runaways and Fanny, but in terms of having a great chance of success, because you’re all women, there’s never been anything before, you know, like you, so I’m sorry we’ll move on, ”Carlisle said Yahoo Entertainment in 2020.

There are several layers to the sexism that permeates this quote. A past lack of (perceived) success should not be an indication of future musical fortunes. Blaming the lack of precedent for conveying something that sounds new or different is why music often sounds so seamless – and why many non-cis men have to work twice as hard to be successful.

More than that, the idea that only one woman (or group of women) can be successful at a time is an unfortunately common (and pernicious) sentiment. It causes artists to pit against each other – Madonna vs. Cyndi Lauper, Britney Spears vs. Christina Aguilera, Taylor Swift vs. Katy Perry – and negates opportunities for other acts. Moreover, it is absurd, insulting and condescending to regard women as some kind of monolith. As has been said many times, in so many words, “fronted female” or “women rocker” is not a genre.

And for Go-Go’s to transcend that Stone Age mindset, it was pretty impressive. But the fact that the Go-Go’s so skillfully distinguished between pop, rock, and punk made them so unique. Today, countless bands mix these influences; however, at the time, this fusion of sounds and scenes gave them a distinct advantage.

“To me that’s still what our band is: we have these pop melodies, but we have this punk motivation, the undercurrent of being a punk band,” said drummer Gina Schock. NPR Music in 2020. “I feel like our music is still like this, but this debut album sounds pretty pop.”

For the latter, credit can go to “Beauty and the Beat” producer Richard Gottehrer, who co-wrote the indelible ’60s hits “My Boyfriend’s Back” and “I Want Candy” and also produced the first two albums. by Blondie, in Beat form. ”At first, his approach to the album – the songs were slower and more polished than the Go-Go’s were used to – was difficult for the band to embrace.

“We were crying and cursing him, and it didn’t even look like us, because it didn’t look like us live,” Charlotte Caffey told NPR Music in 2020. “A few months later when we finally got“ Our Lips ” Are Sealed ‘on the radio, so I understood, at that point, what he was trying to accomplish: people would listen to us. “

It’s hard to believe now, but it wasn’t necessarily obvious. To illustrate how new Go-Goes were in 1981, it’s instructive to look at the rock charts of the time. For example, the band’s first single, “Our Lips Are Sealed,” peaked at No. 15 on Billboard’s Rock Top Tracks charts for the week of December 5, 1981.

That week, the Go-Go’s were the highest-ranked girl group on the table; every song in front of them was by a male solo artist or an all-male group. Overall, only nine out of 60 songs (or 15%) featured female singers. The only other prominent women to feature in the overall top 60 were Stevie Nicks (who had three songs, all from her debut album “Bella Donna”), Pat Benatar, Rindy Ross of Quarterflash, and Chrissie Hynde of The Pretenders.

There were small signs that things were changing: That same week, Plasmatics and Joan Jett were new additions to the chart. However, when the band’s second single, “We Got the Beat” reached No. 7 on the rock singles charts on April 17, 1982, things were still dominated by men. Joan Jett had two songs in the top 20, while a live song by Stevie Nicks, the Human League’s “Don’t You Want Me” co-ed and one song each by Bonnie Raitt and Quarterflash were. This time only 11.7% of the rock chart had a female vocal presence.

There has never been any doubt that “Beauty and the Beat” has a permanent place in the history of music. In March 1982, the album reached No. 1 on the Billboard 200 (then known as Top LPs & Tape Chart), where it remained for six consecutive weeks. It was the first album released by an all-female group who played their own instruments and wrote their own songs to top the Billboard Albums chart. However, 40 years later, the Go-Go are still the only all-girl group to have achieved this feat, which clearly shows how far the music has yet to go.

Still, the group’s punk verve helped bring out rock and pop music from the staid 1970s and into the 80s more colorful and dancing. The Go-Go’s preceded the rise of invading British bands such as Duran Duran and Culture Club, pop greats Madonna and Michael Jackson, and a whole wave of shameless new wave acts. The fact that the Go-Go’s are finally inducted into the Rock & Roll Hall of Fame this year is an important step in recognizing not only their cultural influence, but also their enduring status as music pioneers.

Watch: WEi presents a passionate performance and strong competitive streak on “Immortal Songs”


On July 10, the “Immortal songs“hosted a special” Summer Gayo Daejeon “with guests from” Gayo Top 10 “and” Music Bank. “” Gayo Top 10 “was a music ranking television show that aired from 1981 to 1998, preceding the current music show of KBS “Music Bank”.


The summer special will be split into two parts, with the full artist lineup being Hyun Jin Young, Goo Jun Yeop (DJ Koo), Sang Min Park, Lee Ki Chan, Hong Kyung Min and NRG in the “Gayo Top 10” team, and Go Yoo Jin, Changmin of 2AM, Shin Seung Tae & Jiha, N.Flying, HYNN and WEi in the “Music Bank” team .

The first match was between Park Sang Min and WEi. Park Sang Min said he made his debut in 1993 and the members of WEi shocked him by revealing that none of them were born around that time. Jang Daehyeon is the oldest member of WEi, born in 1997, and Park Sang Min said, “I had just left the military at that time.” WEi also showed his sense of competition by declaring: “Our leader [Jang Daehyeon] says if we don’t win at least once he will cease to be the leader.

For their performance, WEi covered “Passion” from Seven, showcasing perfect timing in a powerful performance on love.

Park Sang Min sang “You In My Arms” by Yoo Jae Ha with his characteristic hoarse voice. In the end, WEi won the round and the members shared, “This is the first time we have won in a competition.

They later lost to Hyun Jin Young, and the overall Part 1 victory went to 2AM’s Changmin, who sang Lim Chang Jung’s “Dancing with Wolves”.

Watch “Immortal Songs” below!

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The Heartshakers concert is scheduled for Wednesday at the Holmes Theater


“We like to play both outdoors (at Music on the Mountain) and indoors (at Holmes),” Mark Childers, the band’s bassist, said in an interview with Zoom on Wednesday. “It’s gonna be fun.”

The group also can’t wait to spend a few days in the heart of the Minnesota Lake District during the Detroit Lakes Northwest Water Carnival.

“We are delighted to be coming to Detroit Lakes,” said Ty Smith, the band’s lead singer, adding that he was very impressed with what he had seen of the Holmes Theater facilities online.

Although they have only been performing together as The Heartshakers for a few years now, Childers said they all had extensive experience as professional musicians. “I play for Carrie Underwood, Ty played for Easton Corbin and Ronny Milsap – he’s a drummer by trade,” he added. “Our guitarist also plays for Leann Rimes – everyone does whatever they want when we’re not together.”

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All five of the band members landed on the music of Tom Petty and the Heartbreakers not only because of their mutual love of music, but also because of Smith’s eerie resemblance to the American rock icon.

“It was kind of crazy how it all started,” Smith said. “It was in the mid-2000s… I was playing in Los Angeles with a guy named Gary Puckett (from famous Union Gap)… we had finished our show and this lady came up to me and asked: Someone you Said it, do you look like Tom Petty? ‘”

When he said yes, the lady asked him if he could sing like Petty too, so Smith sang a few bars of one of the Heartbreakers’ most famous hits.

“She pulled out that business card and said, ‘I’m booking a tribute show in (Las) Vegas, and I’d like to book you. “”

Although Smith was obviously flattered by his interest, he said, “I was too busy being a touring musician at the time.” So he refused it.

It wasn’t until about a decade and a half later that he and Childers came up with the idea of ​​doing their own Petty tribute show. Although they decided on the concept before Petty’s unexpected death in 2017, it wasn’t until after the singer’s death that it became reality.

“I only really knew him as a drummer,” Childers noted, but once he heard Smith’s voice he thought, “He’s really good at it, connecting with an audience. . “

“We do about 20-21 songs,” Smith said. “We obviously cover all the hits, but we also try to work on some of them in a way that only true Petty fans will know. We have a few surprises in there.”

For example, he added, a lot of people don’t know that Petty and her guitarist, Mike Campbell, wrote some of the band’s hits together – and Campbell wrote a few for other musicians in course. Some of those songs could have been Heartbreakers hits as well, Smith said.

“Campbell wrote this song and brought it to Tom, who passed it on,” he recalls. “So he brought it to his good friend Don.”

The song, titled “The Boys of Summer”, became the single biggest hit in the solo career of Eagles singer-drummer Don Henley. He also made the cut for the Heartshakers playlist.

“We do it kind of in a cool way,” Smith said. “I let our guitarist – who’s also a great singer – do a little bit of it, and I’m showing people how it could have been a Tom Petty song.”

Although their show is expected to be around 90 minutes long, he added, “Sometimes if I feel very sassy it can go a little longer – because I’ve talked so much.”

Like many musicians, the Heartshakers only recently started performing live again, after an unexpected COVID-related hiatus that lasted for several months.

“We’ve done about four shows so far,” Childers said. “We are really enjoying what is going on.”

At a recent show, the audience “didn’t stop dancing the night away,” he added. “They were having a good time.

“We can’t wait to get to Minnesota,” Childers continued. “We heard that there are a lot of Tom Petty fans out there, so we’re pretty happy to be here.”

If you are going to

What: “The Heartshakers: A Tom Petty Experience”

Or: Historic Holmes Theater, 806 Summit Ave., Detroit Lakes

When: Wednesday July 14, 7:30 p.m.

How? ‘Or’ What: All tickets $ 30; order online at dlccc.org/holmes-theatre.html or call 218-844-7469.

Cast, ‘Seize The Day’ Crew to Bring ‘Newsies’ to Life on the Greenville Stage | Local News


By Alice Reese

Herald-Banner Contributor

“Extra! Extra!”

Meet the newspaper vendors and the girls selling publisher Joseph Pulitzer’s “New York World” newspaper on the streets of the big city in “Newsies,” a wild Broadway musical on stage at the City Hall of Greenville in downtown Greenville.

The Greenville Family Theater follows its incredible series of theatrical accomplishments with the presentation of a classic underdog story inspired by the newspaper vendor strike of 1899. With a huge (75-plus) cast of singers, dancers and acrobats, ” Newsies “mixes romance, comedic antics and dramatic social issues in a dynamic production featuring a Tony Award-winning musical score and stunning dance numbers.

Because the Greenville Family Theater has so many talented artists, some roles have been double. For example, reporter Katherine is played by Mary Alyce Holleman as well as Makenzie Hyde. Adele Money and Alex Delgado both portray Newsie Racetrack. The triple casting allows Bobby Hale, Ella Selph and Charlie Holleman to each play young Les.

The charismatic Jack Kelly (Juan Botero) leads reporters and journalists in a strike against Pulitzer (Austin Hutson), the wealthy owner who has raised newspaper prices from 50 cents to 60 cents per 100 newspapers. Despite the newspaper’s struggles with rising prices, Pulitzer is simply focused on making profits.

“But it’s so hard on the kids,” says Pulitzer secretary Hannah (Avery Tibboel). To make matters worse, newspaper distributor Weisel (Abigail Weimar) likes to torment newspapers with “Cash up front.” New day! New price!”

As Jack, Davey (Gus Holleman), Davy Les’s little brother and the other reporters are beaten up by hired bullies, Crutchie (George Holleman, Emily Collins) is attacked with the crutch and delivered to the miserable detention center known as the name of Refuge.

Katherine shows off a copy of the New York Sun front page photo with her story on the strikers, and previously demoralized reporters instantly rejoice. The title “Newsies Stop the World” inspires joy. Racetrack sings “Look at me I’m the King of New York” and is joined by the ensemble of singers and dancers.

Each musical number remains memorable: Jack’s dream of “Santa Fe”, the “Carry the Banner” of the TV news, the “That’s Rich” of Miss Medda Larkin (Sydnee Hawkins, Rebekah Oglesby), the Bowery Beauties, Jack and Katherine “I Never Planned on You / Don’t Come A-Knocking”, “The World Will Know” by Jack, Davey and Crutchie, picked up by journalists, “Something to Believe In” by Jack and Katherine and the journalists’ anthem “Sixteen the Day”.

“Newsies” features breathtaking dance sequences and spectacular gymnastic stunts. The frenzied dance numbers reflect the time period with Irish jigs and flawless step dancing. Congratulations to choreographer Margaret Smith and her assistant Ariel Ross, as well as acroreographer Jennifer Snyder. Smith and Ross also choreographed the compelling fight scenes.

Four massive mobile structures provide an elaborate setting serving as the main setting for the “Newsies”. The construction represents various places such as the newsies’ shelter and its roof, Jack’s “penthouse”.

The steps and ladders suggest the back alleys and fire escape stairs where reporters walk away from the Delancey brothers (Quinn Lucas and Tristan Hall), henchmen and cops. In addition, the set provides “windows” in a church where nuns feed and drink newsies. Jimmy Hyde designed the set.

With “Newsies,” veteran Greenville Family Theater Creative Director Amy Hale skillfully directs another challenging and thrilling Broadway show. Hale is also the musical director. Ellene Weimar conducts the orchestra.


” We are a family ! “If it’s not in the newspaper, it never happened.” “Welcome to my theater and to your revolution! “A gang of ragtaguffins want to face the King of New York!” “” You put yourself in the paper! “” It’s so much better than school! “

“Newsies” continues at the Municipal Auditorium in Greenville Sat. July 10 at 2 p.m. and 7 p.m., Fri July 16 at 7 p.m. and Sat July 17 at 2 p.m. and 7 p.m. Tickets are available at https://showtimeatthegma.com/events/. Call 903-457-3179 or visit the GMA counter at 2821 Washington St., 8 a.m. to 5 p.m. Monday through Friday.

The many faces of Kate Torralba – Manila bulletin


After music and fashion, cinema is his new passion

MODERN PERFORMANCE OF A CLASSIC Kate Torralba as Lidi Makbet, the Visayan embodiment of Lady Macbeth

There’s a new manager in the neighborhood: musician and fashion designer Kate Torralba! We were invited to review the Mowelfund Film Institute’s Master Class in Film Director “recital” under the direction of Jose Javier Reyes last month and were surprised to see the Little Piano Princess of the Philippines perform and direct her short film. , Kulba, a suspenseful doppelganger.

Her life as a touring musician was cut short due to the global pandemic. She has lost loved ones to COVID-19. “In my family alone, 17 people have contracted the virus,” she admits. Depression arrived, but luckily her art saved her. “I’m honestly surprised at how much creative I am doing,” says the former piano prodigy. The post-pandemic creative renaissance is something Kate looks forward to in the coming months. “We have a lot of pent-up energy inside – imagine the colors, the music, the movies, the art that comes with it! “

An instant authority in music and fashion, Kate believes that in screenwriting and directing she has limited experience. But learning never stops for her even at the height of confinement. “As I’m always thirsty to learn, I managed to get scholarships that kept me busy throughout the pandemic,” she volunteered. She applied to Ricky Lee’s first online screenplay writing workshop, took music theory lessons with her mentor, National Music Artist Ryan Cayabyab, and took Cherie Gil’s acting master class. .

Kate started her creative journey in music, then drawing, turned to fashion and now film. “I really love beautiful things and I love doing beautiful and meaningful things,” Cebuana says. “I had a non-linear journey as an artist, but everything makes sense to me now – cinema is all these different mediums. I don’t think I’ve ever been so prolific in my artistic life, a silver lining of the pandemic. “

The former front of alternative pop-rock group Hard Candy isn’t returning to styling anytime soon. “I never considered going back, but maybe through costume design for a movie or a limited edition collaboration,” she says.

Demands for her clothes keep coming from interested customers. “Nakakatuwa (warming)”, radiates the Drunk with your love singer. She is tagged in the return posts of her clients wearing her designs. “I swear if I had a good business partner to run the show for me I would go back, but it’s a really tough and demanding business,” she says, the San Miguel’s first singer of the year. Cebu Music Awards. “Only those who are fashionable know how unglamorous it is! “

DRAWN IN KATE Robert Alejandro illustration by Kate Torralba

His first album, Long overdue was released in 2013. Does it offer a new repertoire after acclaimed performances in Bangkok, Singapore, Paris, Berlin, London, among others? “I was about to record my long awaited second album Moods in Berlin last year, ”she says. “It was all sorted out, but Germany declared the lockdown and we had to cancel just the night before we started recording. But his distinctive music thrives. Long lost, “Freefall” is gaining popularity thanks to her good friend, Ellen Adarna, who played it during her engagement. “Apparently it became sort of a theme song as she and Derek Ramsey got to know each other – it’s a song about taking a leap and falling in love.”

As an artist who works internationally, I always feel a huge urge to see how governments abroad like France, South Korea, Norway and New Zealand defend and support their artists.

A song almost forgotten two decades ago can take on new life unexpectedly. “It’s the sound of young KT, who also plays the terrible violin,” she squeaks. “I was channeling Andrea Corr and was cheeky enough to record!” Nostalgic and gentle, he portrays the multi-talented artist during his youth. “I think that’s the beauty of art, whether it’s music, cinema or any other medium,” she adds. “It captures who the artist is at that moment, at that moment.”

RETROSPECTIVE MUSIC Kate Torralba’s Long Delay Album

Recently, his music concerts include Visayas Filipino Music Festival Stage with Brass Pas Pas Pas Pas and Project Yazz. He was also featured in the Pinoy Jam Paris show. “Thanks to the virtual performance, I was able to perform in two countries this festival! She exclaims. The songwriter also played Lidi Makbet, the Visayan embodiment of Lady Macbeth for Khavn de la Cruz. Makbetamaximus Theater of Destruction.

Today, what keeps her busy is being the founder and creative director of a transcontinental artists’ initiative called Pandemic Pop-up. “I put it in place at the height of the pandemic to foster community and mutual support among my artist friends around the world,” she says. “As an artist who works internationally, I always feel a huge urge to envy when I see how foreign governments like France, South Korea, Norway and New Zealand defend and support their artists. . “

She is pushing for the Philippines Creative Industries Act (House Bill No. 8101) to recognize the potential of our country’s creative economy. “The Philippines is brimming with talent, it’s mind-boggling, but the lack of infrastructure and support hinders the greatest success we could have as a creative economy,” she says.

The aspiring director also stars in her shorts and we asked her if she aspires to be the next Angelina Jolie, Woody Allen, or Clint Eastwood from artists turned directors. “I only act in my short films by default. There is no one else to shoot at the moment! she laughs.



Where to celebrate July 14 around the Bay


July 14 is Bastille Day, the French national holiday which commemorates the capture of the Bastille prison in 1789 and the overthrow of the French monarchy. What better excuse to celebrate Liberty, Equality and Fraternity while enjoying French food, music and drinks? Hoodline has hosted some July 14 celebrations in the Bay Area.

July 10, 1 pm-4pm: C’est Si Bon
Umbriaso at Treasure Island Wines, 995 Ninth St., Building 201, Treasure Island, San Francisco.

This Treasure Island spot transforms its parklet into a Parisian bistro terrace for July 14. There will be live French café music and classic bistro cuisine to accompany Sauvignon Blanc, Rosé, Pouilly Fuissé Chardonnay, Pinot Bourguignon and Sparkling Wine.

More information: tiwines.net

July 11-18: Bastille Photo Week – Visit French companies in the Bay to win prizes

Residents of the Greater Bay Area can win some pretty impressive prizes by posting photos online of their visits to French and French restaurants, wineries, shops and more – even French artists, hairdressers and schools. ! (You can also enter by ordering online.) Just take photos or videos of yourself on site (or of yourself with a product from this merchant if you ordered online), then post them.

Winners will be chosen based on the number of posts and visits they have made throughout the week.
Many prices include Club Med vacations; gift certificates for meals, wine, beauty treatments, etc. ; gift boxes; event tickets and more. Many participating businesses will also have special promotions during this week.

For all the details and more information: www.bastilledaysf.org

Wednesday July 14, 8 p.m .: BARDOT A GO GO Bastille Day Dance Party
Rickshaw stop, 155 Fell Street, San Francisco

Decadent ’60s French pop from Brigitte Bardot, Serge Gainsbourg, Jacques Dutronc, Françoise Hardy and many more, plus other international garage / soul / bubblegum sounds, featuring DJ Brother Grimm. This groovy night features fun drink specials and 60s French videos. Hosts say “shagadelic attire” is encouraged. $ 10 / all ages

* All participants must present full proof of vaccination. *

More information: bardotagogo.com

Source: Café Bastille / Facebook

Wednesday July 14: Celebration of July 14 at Café Bastille / B44
Café Bastille / B44, 44 Belden Place, San Francisco

The traditional Café Bastille celebration will take place at B44, with a DJ, dinner, drinks and more. Café Bastille and B44 merged into one location during the pandemic, which serves separate menus for both restaurants; both will be available during the party.

More information: https://www.facebook.com/CafeBastille/posts/4701176743250423

Live music for July 14 Photo: Brasserie Rive Gauche

Wednesday July 14: Celebration of July 14 at the Brasserie Rive Gauche
Three locations: 377 Santana Row, Suite 1100, San José; 635 Santa Cruz Avenue, Menlo Park; 507 Magnolia Avenue, Larkspur

Local French restaurant Left Bank Brasserie will host Bastille Day celebrations at its three locations, with special menu additions, festive decorations, live music (12 p.m. to 8 p.m. in Larkspur; 5 to 8 p.m. in San Jose and Menlo Park) and special entertainment: a unicyclist and a magician in San José, a unicyclist in Menlo Park and a wader and a make-up artist in Larkspur.

Special additions to the “Plats de la Révolution” menu will be “Freedom Fries” with caramelized onions, bacon and melted Swiss cheese ($ 10.00); French dip with Kaiser roll, roast beef, caramelized onions and Comté cheese ($ 19); apricot tart with almond cream and pistachio ice cream ($ 9); a martini tower with your choice of classic lemon, Kir Royal or blueberry candy ($ 14); and Moët & Chandon staff in a souvenir flute ($ 25).

More information: www.leftbank.com/events-calendar/

Album review: Angélique Kidjo – Mother Nature


Album review: Angélique Kidjo - Mother Nature

The cultural musical vision of Angélique Kidjo

Country of origin of Benin in West Africa, singer-songwriter, actress and activist Angélique Kidjo places culture at the center of her art. The four-time Grammy winner released her 15th studio album on June 18, titled Mother Nature. Kidjo stirred a pot with various flavors of sounds native to the black community. Featuring a series of black artists from countries like Zimbabwe, Mali, Nigeria and the United States, she has crafted a bouncy and versatile project true to the heart of the Afrobeat genre and African spirituality.

Mother Nature is not only dynamic for its mix of sounds but also for the use of different languages ​​which highlight its value in the culture as well as the emphasis on its activism. Kidjo sings in Yoruba, French, Fon and English as she uplifts the next generation of Africa raised by political discontent and calls for women’s sovereignty. Serving as a call for the empowerment of women, “Dignity” cries out for courtesy to marginalized people with words like “Respect is reciprocal”. Kidjo and Nigerian artist Yemi Alade join forces in this track to sing about their growth as women and those who raised them, gently crisscrossing pop and Afrobeats.

“Africa, One Of A Kind” mixes three generations of pan-African pride, Mr Eazi (Nigerian singer Banku), Salif Keita (legend of Mailan) and Kidjo, to confront those who claim their devotion to Africa to celebrate cultural pride. Kidjo puts Nigerian feature film Burna Boy in the spotlight in “Do Yourself,” sprinkling a sprinkle of vocal riffs that tell stories and add eccentricity. This accentuates his attention to detail which gives fullness to the project. “Oman Oba” and “Take It Or Leave It” are unmistakably inspired by old-school Zimbabwean music and the mundane style / tones of highlife (a genre originating in Ghana).

Leaving powerful messages throughout this project, Kidjo once again shouts his activism from the rooftops in “Fired Up.” It speaks of mobilizing action in times of mourning and marginalization and pays homage to those who before it stood up against deception and colonialism. She puts together the last piece of a stimulating quilt, shouting, “Get set, get set, we’re excited! The album’s title track is also filled with important messages about the power of mother nature and union. An African urban legend claims that the environment / weather is a clear sign of dark and harsh times and is a way for Mother Nature to try and say something to those who pay attention. Kidjo underlines this by proclaiming, “Mother Nature has a way to warn us / we need each other now. ”

Kidjo’s trajectory throughout his career has been to show love to his home while changing both the perspective of its inhabitants and the world at large, which is clear in Mother Nature. She gives young Pan-African artists a chance to shine while incorporating powerful storytelling and structured idiosyncrasies.


Acclaimed Musical “Songs for a New World” Airs at the Monumental Theater


Monumental Theater Company: Songs for a New World

Fans of songwriter / lyricist Jason Robert Brown are in luck, with not one but two of his musicals being shown by two local theater companies.

Until Sunday July 11, you can watch the Constellation Theater stream from The last five years with Adelina Mitchell and Alex Stone.

Meanwhile, Monumental Theater Company has just launched a large-scale virtual offering of the famous Songs for a New World, a cycle of pop / rock songs created in limited edition Off-Broadway in 1995.

The show introduced the world to both Brown, who also served as a pianist in the production’s five-piece group, and Billy Porter, who performed alongside Brooks Ashmanskas, Andrea Burns and Jessical Molaskey in the original cast. .

A series of seemingly unrelated stories revealing personal truths confidently shared as part of a small support group, Songs for a New World presents a demanding and varied vocal and emotional showcase for its performers, and includes acts that have since become showtune standards, including “Stars and the Moon”, “King of the World” and “I’m Not Afraid of Anything . “

Directed by Megan Bunn with choreography by David Singleton, the production of Monumental, based on the 2018 New York City Center Encores! version, includes Kylie Clare Smith, Sarah Anne Sillers, Elvie Ellis and Ryan Burke, as well as a nine-piece orchestra conducted by Marika Countouris. Nearly double the group size in the original Off-Broadway series, the Monumental production adds a luscious string section to four pieces.

Songs for a New World talks about how growth is constant, but not always linear – it’s the mess of being human, ”Bunn says in the show’s press release.

“After the past year of isolation, reflection and judgment, the potential for compassion and community in the stories of these characters resonates more than ever with us.”

Songs for a New World is available to stream on demand until July 31. Tickets, allowing unlimited views within a 48-hour window, start at $ 25 for one viewer on one device, or $ 30 for multiple viewers per device, plus a service charge. Visit www.monumentalheatre.org.

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“Space Jam: A New Legacy” soundtrack has surfaced


It’s been over 24 years since the iconic Space Jam movie starring goat Michael Jordan and the Looney Tunes was released. We all know and love the joy this has brought us as young children and teenagers and it is certainly a warm feeling to have the following with Lebron James among us. The highly anticipated film not only came with some great moments for the new generation to treasure, but it was the soundtrack that provided more substance overall. If you had high expectations for it, you’re in luck because if it were classified as an emoji, it would be the flame emoji for sure. Today we are honored to Space Jam: a new legacy with its star-studded soundtrack.

The soundtrack of the first Space jam The film was huge, going six times platinum thanks to songs like “I Believe I Can Fly”, “Fly Like an Eagle” and artists like Monica, Quad City DJ’s and D’Angelo. Now programming the soundtrack to Space Jam: a new legacy is in full effect and it does a good job of giving the Space jam soundtrack gets its money’s worth.

“It’s a type of heritage building stuff. Space Jam is so revered in the hearts of young and old alike. And now the next generation is going to be able to have the same experience with this one, ”24kGoldn shared with Rolling Stone about his track with Lil Wayne. One of the bands joining 24kGoldn and Weezy on the soundtrack is Salt-N-Pepa, the only one that appears on both the 1996 and 2021 soundtracks.

The 16-track effort includes musical contributions from Lil Baby, Kirk Franklin, Lil Wayne, 24kGoldn, SZA, Saint JHN, Chance The Rapper, John Legend, Damian Lillard (aka Dame DOLLA), G-Eazy, P-Lo, White Dave Symba and Saweetie. Make sure to check Space Jam: a new legacy and vibrate on the accompanying LP.

Number Thirty Eight announces live music partnership with AEG


What could be better than spending an evening at Number thirty eight a huge outdoor patio with some of Colorado’s finest spirits, ciders and beers? Well, doing it to the tune of your favorite musical number could make it even better. Number thirty-eight located in RiNo, unique for its distribution Breweries, distilleries, cider houses, wineries, chefs, artists and musicians, all representative of Colorado, have also lived up to its mission of providing customers with free live music since it opened last year. Now, a new promotional partnership with AEG Presents promises to bring the best national artists to the local Mile Hile scene in the booming RiNo Art District.

AEG Presents, a global leader in the music and entertainment industries, will present its first live performance of Wynonna Judd and the Big Noise, at number thirty-eight on Friday, August 27. Stephen Marley is also announced on Thursday, September 2.

“Live music is the backbone of Number Thirty Eight. From the start, we recognized the opportunity to enhance the experience we can provide our guests by bringing artists on a national tour, ”said Spencer Fronk, CEO of Number Thirty Eight. “The partnership with AEG brings national talent to our intimate outdoor venue. We look forward to building on AEG’s unparalleled expertise and success as we continue to bring live music to Colorado. “

The 1,000-seat open-air venue will continue to host free concerts every week, but the new partnership wants to add another element with national acts and paid concerts in the unique location of Number Thirty Eight.

“AEG Presents Rocky Mountains is excited to partner with Number Thirty Eight to attract national talent to this unique new outdoor location in Denver’s RiNo neighborhood,” said Brent Fedrizzi, Co-President and COO of AEG Presents Rocky Mountains. “It’s perfectly complementary, which is a win-win for fans and artists.”

For AEG shows, fans will have access to general admission and VIP ticket options. While only two performances have been announced so far, there are plenty more to come.

All the photographs of Brittany Werges

Springfield’s Legacy Theater to Present “The Music Man”


After not being seen on stage locally for over a decade and rehearsals suspended for over a year due to the pandemic, the group will be reunited again. The Legacy Theater presents the classic Broadway and movie “The Music Man” from Friday to August 1, 76 trombones and all.

“Originally slated for production in July 2020,” said executive director and show director of The Legacy Scott Richardson, “that we’re opening this wellness show right now is essentially a fortuitous event. But what a perfect convergence it is. This story in which all the characters are sort of broken up and an entire city is self-centered and isolated is redeemed just over two hours later. The outlook is changed and the spirits are uplifted. And don’t we all need that right now too?

While many people may be familiar with the story of the fasting vendor forcing locals to buy instruments for an imaginary band and falling in love with the town librarian, the cast is what makes this production unique, said Richardson. . Rich Beans plays Harold Hill (“Newsies” and “Bright Star” from Legacy “) and Diane Dietz (” Mary Poppins “from Legacy,” Violet “and” Bright Star “) as librarian Marian Paroo. “These two wonderful performers bring a warmth and charm to the stage that will delight the audience. And the rest of the cast are filled with the loudest bunch of hooligans ever assembled. Each of them brings their own unique sense of clowning to the stage, and most of us spend the majority of rehearsals laughing. “

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Rich Beans recalled that he grew up watching the film version of this production with Robert Preston and Shirley Jones. “I was delighted with it. I loved the charm and arrogance of Harold Hill, the beauty and intelligence of Marian Paroo, and the gullibility and innocence of the people of the small town of River City. I have spent most of my life living in small rural towns like River City, and although people who live in small towns are not saints, they support each other through thick and thin. This earth-grade salt is endearing, and our cast captures it beautifully. I love how the series combines humor, romance, pathos, and redemption in one package. “

Although the show contains many memorable songs, some of the performers have their favorites and a calling to be a part of the musical. Diane Dietz liked the production because “Marian Paroo has been on my list ever since I learned the song ‘Till There Was You’ as a vocal student in my teenage years. She’s the show’s ballad singer, singing some of the familiar tunes that will stay etched in your head when you leave the theater.

Also:Levitt AMP Springfield Music Series opens its downtown summer run

“Marianne is an independent and determined truth seeker who guards her heart,” continued Dietz. “She strives to improve the quality of life in River City, Iowa, by reading books and exploring music. She is a part-time librarian and piano teacher. She lives with her mother and younger brother, not having much luck in the area of ​​love. I guess Marian and I share some similarities. She’s a dreamer, but she also keeps a very practical sense of herself.

While the cast originally auditioned in December 2019, most of the cast stayed with the production – impressive for a cast of 38 with nearly 200 costumes. “The nicest part of the process,” said Richardson, “has been working with this beautiful group of performers. The cast is a wonderful mix of familiar names and new faces making their Legacy debut. tell that our first rehearsal featured our salespeople for the train scene. The group of gentlemen are between 20 and 70 years old, and when they got to the theater it was like a group of third graders running for them. swings Everyone was really giddy to get out of the house and sing a few songs and be creative with each other.

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Beans added, “This pandemic has been difficult for so many people. Many have lost loved ones and family members. Collectively, our mental and physical health has suffered. Therefore, as we come out of this pandemic we all need an escape and this show is the perfect escape. It reminds us that in the midst of all this suffering and bickering, there is still good in the world. The music is still there if we are willing to come together and listen to each other. As Harold says, ‘I still think there’s a band, kid.’ “

More information

When: July 9-August 1. Performances 7 p.m. Wednesday-Thursday, 8 p.m. Friday-Saturday, 2 p.m. Sunday

Or: The Legacy Theater, 101 E. Lawrence Ave., Springfield.

Tickets: $ 25 in advance, $ 30 daytime show, $ 23 for seniors and children on Wednesday and Thursday with advance purchase only.

Visit www.AtTheLegacy.com or call 217-528-9760.

Chillicothe Civic Theater presents “Shrek: The Musical”


CHILLICOTHE – Shrek is love, Shrek is life, Shrek arrives on a stage near you.

The spotlight has been on and the Chillicothe Civic Theater is preparing to perform for the public for the first time since March 2020. With their return comes the musical version of the beloved film Dreamworks. “Shrek: The Musical” is an unconventional fairy tale containing important messages about tolerance, inner beauty, love and friendship.

“It’s just one of those shows that if you’ve got the talent, you have to do it,” director Tahrea Maynard said. “He has a lot of heart with good morals and a good message.”

CCT planned to do the production last year and opened applications for directors at the end of 2019. At the time, Maynard had taken a hiatus from directing and had never been interested in the series but decided on him. give a chance.

After viewing, she understood.

Drawn to the great comedy, Maynard was captivated by the lovable ogre and the gang of misfits he met along the way. Amid the crass humor and musical numbers, there are even valuable messages about accepting oneself and accepting one’s differences.

Joseph Herzog stars as Lord Farquaad in the production of Chillicothe Civic Theater "Shrek: The musical."

The show picks up on the nostalgic points of the film while also featuring new songs that echo the essence of the soundtrack. But it also pokes fun at other musicals, making it a great choice for novice and seasoned theatergoers alike.

Although CCT was able to perform “Blithe Spirit” in March via online streaming, “Shrek: The Musical” will be the community theater’s first in-person production since COVID-19.

For local comedians, that’s it.

“I haven’t been on stage since high school,” said Emily Schafer who was a choreographer and part of the ensemble and the Ugly Duckling, Captain of the Guard. After graduating from Chillicothe High School in 2019, she moved to Dayton. “I’m willing to make this trip to my hometown because of what it means.”

Other cast members are commuting from Jackson, Athens and Grove City, according to Maynard. She said it shows the commitment and dedication of the actors who translate into the show.

Samuel Jeffries and Kelly Frailly star as Shrek and Fiona in the Chillicothe Civic Theater's production of

Rehearsals started in mid-May and the actors quickly worked together. In addition to memorizing their lines, they also learn numbers and musical routines as well as cues for props and lighting. The actors also wear several hats, helping to create and teach choreography and sew costumes.

“We have teachers and pastors, moms and dads. People of all sizes, ages and races. It’s so varied and they’re all thirsty for an outlet,” Maynard said. “It is such a relief to work those muscles again.”

She added that she felt lucky to even have the chance to host a performance as not all theaters have reopened. Although the Civic Theater could have hosted the performance at their Walnut Street location, they chose Chillicothe High School as the venue to accommodate a larger audience.

“Shrek: The Musical” will be played at 7pm July 8-10 and 2pm on Sunday July 11th. The live broadcast will also be available for the 7 p.m. show on Friday and Saturday. Tickets are $ 17.50 to attend the show in person and $ 30 for the streaming link. For more information, please visit http://cctchillicothe.com/.

Do you have a tip or a comment? Contact Toria at [email protected] or 740-349-1106. Follow her on Twitter @ToriaBarnhart or on facebook.com/ToriaBarnhartNews.

Newport Music Festival has classical music pro Gillian Friedman Fox


Amanda M. Grosvenor

Starting a highly visible and stimulating job in an unfamiliar city is never easy. But leading a festival planning organization during a pandemic that has crippled events around the world requires a special level of courage, clarity and resilience.

After speaking with Gillian Friedman Fox, it becomes clear why the Newport Music Festival selected her from over 100 applicants to become the organization’s new executive director. If Fox is able to replicate the kind of visionary success it has achieved by launching the Dallas Symphony Orchestra’s SOLUNA Festival, then NMF should be well positioned to attract new audiences and launch new creative endeavors as well.

Some might be surprised by his appointment at first. “I’m young and I think that sometimes disarms people,” acknowledges Fox. But a look at her career path and character traits reveals a past that has beautifully prepared her for this particular opportunity at this particular time. The trajectory, however, was anything but sharp.

Fox certainly has a long-standing love of music: piano lessons from age three, then jazz and tap lessons, musical theater, and a Bachelor of Music degree from the University of Rochester. Although singing is her passion, she never saw it as a real career option; his childhood dream was to be a marine biologist, and scuba diving is still one of his favorite hobbies.

“It’s funny,” Fox mused. “As much as I loved music and studied it, I didn’t really have a real game plan. It wasn’t until she found herself applying for doctoral programs in music composition in her senior year that Fox was contacted by a friend and alumnus, Daniel Israel, who worked as an agent at Addeo. Music International in New York. He asked about his post-graduate projects.

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“I said, ‘I’m applying for a doctorate. programs, ”Fox recalls. “And he said,” No. No. You have too much personality to spend seven more years in school. Have you ever thought about becoming an agent? I didn’t even know what it was.

Addeo needed an intern, and Fox was chosen. She enjoyed working with emerging jazz artists (now “big business”) Robert Glasper and José James. The internship work was mostly administrative, but Fox “got to observe and see everything… and see a ton of shows,” she says. “I was just completely addicted.”

Back then, there weren’t the types of arts administration programs that many colleges offer today. “Everything I did I learned on the job,” says Fox. She attributes her success to being a very observant person and a quick learner, with a long-standing propensity for planning and organizing. After Addeo, she worked for boutique agency Unlimited Myles, managing artists like Regina Carter, Vijay Iyer, Kenny Baron and the Yellowjackets before becoming an agent for the West Coast of Columbia Artists Music. There Fox entered the realm of classical music and orchestra, working with artists like Ray Chen, Cameron Carpenter, and a list of brilliant conductors.

“It rekindled my love for classical music,” she said, noting how fortuitous the moment was. “There has been this kind of resurgence of interest and an incredible group of new generation musicians looking to make classical music more inclusive and celebrate it as a living art form. She heard industry leaders question the lack of diversity in classical music and what could be done to engage the younger generations.

“I really wanted to be a part of this conversation and the solution,” Fox says.

This quest led her to the Dallas Symphony Orchestra, then in the process of launching their now world-renowned international music and art festival SOLUNA, designed to create new audiences (and new relevance) for the orchestra.

What’s on it? :The Newport Music Festival unveils the 2021 program

“We adopted an inter-gender and interdisciplinary programming approach, which required [Fox] to forge a number of new partnerships and work with talent from around the world, ”said former Dallas Symphony Association President and CEO Jonathan Martin. “From the start, Gillian demonstrated her intelligence and integrity. She is relentlessly focused, lucid and radiates optimism, which has allowed her to succeed in a very complex company that previously had no track record.

The Harlem Quartet will perform on July 9 on the lawn of The Breakers Mansion as part of the Newport Music Festival.

Fox’s many relationships with the music industry are obviously beneficial, as is his ability to think quickly while projecting a warm and accessible atmosphere. It’s another attribute she attributes to her smooth transition from agent to festival planner: her empathy with touring musicians. “What has served me the most,” she explains, “is having a deep understanding of what it takes for an artist to tour. This allows you to make very well-organized decisions that work not only for your organization, but also for the health of the tour and the artist’s artistic goals.

Fox’s career path also led him to meet her husband, fellow music agent Michael Fox, at the Arts Midwest 2014 conference in Minneapolis. “I knew him and he knew me, but we met at the opening conference and we immediately hit it off.”

This will be the first time living in Newport for the Foxes, but both have spent time in the Northeast. She grew up in New Jersey and lived in Massachusetts for seven years, and both look forward to reconnecting with their friends and family in the area. As an agent for some of the best jazz musicians in the world, Michael has attended the Newport Jazz Festival on several occasions, often thinking, “How cool would it be to live here?” He shared the sentiment with Gillian when the NMF position opened. They moved in December and enjoyed watching their dog, Penelope, experience her first snowfall.

Governor Dan McKee:“There will be music in Newport this summer”

Of course, Newport residents will not forget the indelible impact left by longtime NMF general manager Mark Malkovich III, who for 36 seasons helped bring the festival to world renown before his untimely passing. in 2010. “For a long time the Newport Music Festival and Malkovich were synonymous, so I imagine anyone following that legacy would be a tough change,” Fox said. Her appointment appears to enjoy broad community support, she notes, in large part thanks to NMF’s passionate board and forward-looking vision.

Fox knows that what makes NMF so unique is attending classical music concerts in more intimate settings such as historic mansions. “There is something really magical about experiencing this high quality of classical music with only 200 to 300 other people, instead of the 2,000 to 3,000 you would have in a symphony hall,” she says.

This summer’s festival is being held outdoors with limited capacity and social distancing in place. The public seems eager to rediscover live music; by the end of May almost all 17 concerts were sold out. Fox looks forward to welcoming new viewers with a series of collaborative events hosted for families and voters at the Martin Luther King Center. The festival is also commissioning new musical works from under-represented artists in this genre, starting with a piece written by composer Stacy Garrop and inspired by the Castle Hill Lighthouse and its role in protecting Newport for over 130 years. .

More live music:Here’s where you can listen to live music all summer long in Newport

Fox’s hope for the commissioning initiative is that “Newport will have an impact on classical music in the future. It gives our clients the opportunity to see what’s going on in the composition and what that entails, ”she says. She also hopes it prompts young girls to say to themselves, “This is a career path for me. Because I love music and it’s something that fascinates me, I can do that too.

Perhaps Fox’s own career will be just as inspiring.

Click here to learn more about Newport life

Route 358 plays River Bottom; DeMeo in the spa town


Route 358 occurs at 4 p.m. on Saturdays and Ten penny gypsy occurs at 3 p.m. on Sunday at Vineyard at the bottom of the river, 13810 Combee Lane, Roland. (501) 868-8860.

◼️ Long way performance at 7 p.m. on Friday, Wightman harris occurs on Saturday noon and Mecappelerob occurs at 9 p.m. on Saturday at Fassler room, 311 E. Capitol Ave., Little Rock. (501) 246-4757.

◼️ Ross Cooper occurs at 8 p.m. on Friday at Stickyz Rock ‘n’ Roll Chicken Shack, 107 River Market Ave., Little Rock. Tickets for seats at the table are $ 10 in advance, $ 13 at the door (if any remainder); some standing tickets are $ 8 in advance, $ 10 at the door. Dawson hollow performance at 8:30 p.m. on Saturday. Tickets are $ 12 in advance, $ 15 at the door; tickets for standing are $ 10 in advance, $ 12 at the door. (501) 372-7707; stickyz.com.

◼️ Smokey emerson play at 6 pm today; Buh Jones Band occurs at 8:30 p.m. on Friday; and Jack Fantasy performance at 8:30 p.m. on Saturday at JJ’s Grill, 12111 W. Markham St., Little Rock. Free entry. (501) 414-0843.

◼️ Rob leines occurs at 9 p.m. on Friday and Woody and Sun performance at 9:30 p.m. on Saturday at Four quarters bar, 415 Main Street, North Little Rock. Admission is $ 7 each night. (501) 313-4704; quatrequartbar.com.

◼️ Mafia Moonshine occurs at 11 p.m. on Friday and Stay like vegas occurs at 11 p.m. on Saturday at Midtown billiards, 1316 Main Street, Little Rock. (501) 372-9990.

◼️ Chad Marshall Band performance at 7 p.m. on Saturday at The marshalling yard, 1212 E. Sixth St., Little Rock. (501) 372-9273.

◼️ Jameson Burton and Tai Nishiuchi performance, from 7 p.m. to 9 p.m. on Friday, at Stone’s Throw Rigid Station, 3015 W. Markham St., Little Rock. Free entry. (501) 379-8663; stonethrowbeer.com.

◼️ The Kitchen + Living Room Library, 313 President Clinton Ave., Little Rock, offers “Friday evening live”, 7 pm-10pm on Friday, and “The musical madness of Saturday” 7:30 p.m. to 10:30 p.m. Saturday. (501) 916-9826.

◼️ Mortal, with Omnibane, occurs at 8 p.m. on Friday at Vino’s, Seventh and Chester Streets, Little Rock. Admission is $ 15. The pizzeria-club will host a drag show at 8 p.m. on Saturday. (501) 375-8466; vinosbrewpub.com.

◼️ Seth Freeman occurs at 7 p.m. on Sunday at Jay’s sandbank (formerly Goal Post), 7607 John Harden Drive, Jacksonville. (501) 982-2900.

◼️ There will be music from noon to 4 p.m. on Saturday during the 12th anniversary celebration of The green corner store, 1423 Main Street, Little Rock. (501) 374-1111.

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the BKLR Quartet Convention will take place until Saturday at Antioch Full Gospel Baptist Church, 3824 Antioch Blvd., College Station. The convention ends with a final concert at 4:30 p.m. Sunday at St. Luke Baptist Church, 8205 Arkansas 161, North Little Rock. Registration is $ 175 for groups, $ 125 for solo artists and $ 100 for individuals. Grand prizes for groups are $ 1,000 for first place, $ 500 for second place and $ 250 for third place; and $ 300 for solo artists. (501) 291-9099; e-mail [email protected]

The schedule: The Golatt Links of Harmony, Voices of victory and Blessed, Totally committed and the Women in White Women’s Choir at 7 pm today; The Gospel Crusaders, Victory Travelers, The troop of God and The fantastic Jones family at 7:30 p.m. on Friday; Mellotones at 7:30 p.m. on Saturday; and for the final concert on Sunday, Bishop Neal Roberson, Pastor Darrell Petties and Take 2, Pastor Tim Rogers and the guys, Lisa Knowles-Smith and the Brown Singers, The Racy Brothers, The echoaries, The Sonz of God, Bishop Kenneth Robinson & CHOISI, The exciting holy sons and Victory Travelers.

Sunday admission is $ 20 in advance, $ 25 at the door, $ 35 for “VIP”; tickets are available at branches of the Robinson Mortuary.


Presley drake occurs at 8 p.m. on Friday and Bluesboy Jag & Learn to Crawl performance at 8 p.m. on Saturday at Live music of kings, 1020 Front Street, Conway. Admission is $ 5. (501) 205-8512: kingslivemusic.com.

◼️ Jason and Robby occurs at 7:30 p.m. today; Jack Fantasy occurs at 7:30 p.m. on Friday; and Morgan Road performance at 7:30 p.m. on Saturday at JJ’s Grill, 1010 Main Street. Free entry. (501) 336-0100.


Jason crabb performs an evening of worship music, with the comedian Mickey bell, at 7 p.m. today at Premier Music Hall Financial, 101 E. Locust St. (870) 863-4547.


The blue brothers “On a mission from God” will be on stage at 7:30 p.m. today, with “Dreams: a tribute to Fleetwood Mac” 7:30 p.m. Friday and “Motown & More” at 7:30 p.m. on Saturday at The Legendary Steamer Club, 315 Park Ave. Tickets for each show are $ 45, available through Eventbrite.com; (501) 463-4463; banjostrings.com.

◼️ Christine DeMeo occurs from 6 p.m. to 9 p.m. on Friday at 420 eats the food court, 420 Malvern Ave., Hot Springs. Free entry. (501) 420-3286. And DeMeo is performing at 6 p.m. Saturday at mom taco, 1209 Malvern Ave. Free entry. (501) 624-6262.

◼️ Collective, with first part After grace, occurs at 7 p.m. on Saturday at Magic Springs Theme and Water Park, 1701 E. Grand Ave. (US 70 East). (501) 624-0100; magicsprings.com. Seasonal subscriptions and day tickets are available.

◼️ Cinema “Playing with sharks” will have a waterfront screening at 7:30 p.m. on Friday at Futrell Marine, 4918 Central Ave. (Arkansas 7), Hot Springs, as part of “Docs on the quay”, sponsored by the Hot Springs Documentary Film Festival. (501) 538-0452.

◼️ Alex and Liv performance at 8:30 p.m. on Friday at Fat Jack’s Oyster Sports Bar & Grill, 101 central avenue (501) 623-5225.


Shannon Hushaw occurs at 7 p.m. on Friday and Liquid kitty occurs at 7 p.m. on Saturday at Hive, 220 route de Menorca. (501) 777-8176.


Platinum hit, a multi-instrumental and vocal R&B group, performs from 5 p.m. to 7 p.m. on Friday Live @ 5 of the Arts and Sciences Center concert series at Southeast Arkansas Arts and Science Center, 701 S. Main St, Pine Bluff. Admission is $ 10; $ 5 for members of the center. (870) 536-3375.


Alanis Morissette, with opening acts Garbage and Liz Phair, will perform on August 18 at Rogers’ Walmart AMP. (AP File Photo / Greg Allen / Invision)

Outdoor shows are back, especially at Walmart AMP at Rogers. For more information on the shows there, see amptickets.com or call (479) 443-5600. The latest bookings there:

  • ◼️ Phishing, 7 p.m. on July 28; $ 189 to $ 579 (reprogrammed from July 29, 2020)
  • ◼️ Alanis Morissette, with Garbage and Liz Phair, 7 p.m. on August 18; $ 50 to $ 105 (reprogrammed from June 18, 2020)
  • ◼️ Luke Bryan, 7 p.m. on August 27; $ 70 to $ 260
  • ◼️ Trippi redd, with Iann Dior and SoFaygo, 7 p.m. on August 29; $ 29.50 – $ 69.50
  • ◼️ Kelly machine gun, 7 p.m. on October 2; $ 79 to $ 167
  • ◼️ Dave Matthews Group, 7:30 p.m. October 13; $ 63 to $ 302 (rescheduled from September 22, 2020 and September 21, 2021)
  • ◼️ Rapper from Michigan NF, with first part Michael, 8 p.m. October 14; $ 29.50 to $ 59.50
  • ◼️ Jonah Brothers with Kelsea Ballerini, 7 p.m. October 21; $ 84 to $ 303.

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Looking ahead to 2022, Jojo silwa performs at 7 p.m. on January 31 at North Little Rock’s Simmons Bank Arena. Tickets are $ 33 to $ 128, available at the arena box office and Ticketmaster.com.


Matt stell and compatriot Arkansan Collin raye will be part of the free Frontline Festival at 6 p.m. Monday in Nashville, Tenn., which will also feature Walker hayes, Arts of the Tenille, Adam Doléac, Hannah dasher and Southern countries. The festival is described as “an event in honor of frontline healthcare workers. The concert, open to those 21 and over, takes place in the parking lot of Losers Bar & Grill, 1911 Division Street, Nashville.

Stell, a native of Center Ridge in Conway County, is thrilled to perform, according to a press release, as his aunt is a frontline home health care worker in Arkansas, and he also expects that. .. I can play in Collin Raye’s band and he’s gonna sing ‘Little Rock’, yeah! “

Food bank milestone and live music galore


Pender Harbor Community Food Bank is pleased to announce that the food bank operating out of Pender Harbor Community Church for 25 years has been granted charitable status.

Pender Harbor Community Food Bank is pleased to announce that the food bank operating out of Pender Harbor Community Church for 25 years has been granted charitable status. They so appreciate the support of the community throughout these years and welcome continued support to help members of our vital community who have gone through difficult times. They continue to operate from the site of the church. Their contact details are: Pender Harbor Food Bank Society, PO Box 436, Madeira Park, BC V0N 2H0, email [email protected]

Friday July 9 at the Clubhouse dinner-show, the dynamic Patricia Burnett will host from 5 p.m. to 8 p.m. Sunday’s show will be the long-awaited return of the fantastic Steve Hinton Band, from 2 p.m. to 5 p.m. Reserve your table now. $ 5 covered on Sunday.

Every Saturday, the Backeddy Resort and Marina features live music with the incredibly talented Joe Stanton, from 4 p.m. to 7 p.m.

A big thank you to the Mellquist family who gave us a most enjoyable afternoon of good music on the water with the Peter Van Trio.

Are you ready? Thursday night Bingo at the hall will be back very soon. Sunny is working hard to make it happen! Stay tuned for the big announcement.

The Madeira Market, Saturdays from 10 am to 2 pm, thrives with a variety of talented new vendors “making it, baking it, growing it, writing it”. In addition, there are information centers for Sunshine Coast Bear Alliance and ElderDog. Come visit! Come shop! Call the musicians and singers – come have fun from noon to 2 p.m. for the Mad Market Acoustic Jam. For more information, call 604-989-0851. Organized by the Pender Harbor Community Club.

FibreWorks Studio and Gallery is presenting The Poetry of Line, an exhibition by Alexis Bach, Jill Denton and Catherine Nicholls, until August 1. Hours are Wednesday through Sunday, 11 a.m. to 4 p.m. Visit www.fibreworksgallery.com, email [email protected] or call 604-883-2380.

Contact me with your news at [email protected] for the Friday edition of the Coast Reporter.