Home Musical score Why Batman’s Music Sounded Like Star Wars’ Imperial March

Why Batman’s Music Sounded Like Star Wars’ Imperial March


While watching The Batmanmany were distracted by the film’s score, namely its similarity to another classic soundtrack that accompanied a cinematic struggle between good and evil: Star Wars. During several scenes, where the Dark Knight emerges from the shadows, the music is eerily reminiscent of “The Imperial March” by The Empire Strikes Back. Both themes actually share the same ancestor, a piece of classical music which itself brings out several connotations of evil and death.

The first installment of the latest Batman film trilogy starring Robert Pattinson featured music composed by Michael Giacchino, winner of the 2009 Disney Pixar Best Original Score Oscar. At the top. Reunion with Matt Reeves for 2022 The Batmanthe pair have previously collaborated on Cloverfield and Let me enter. Other songs on The Batman The soundtrack included Nirvana’s “Something in the Way,” which masterfully lent the film a tender yet angsty tone, compounding Bruce Wayne’s reimagining as an emo teenager. The star wars the films’ iconic scores were composed by the legendary John Williams. Throughout his unprecedented career, Williams has created some of the greatest scores in cinematic history. Williams’ “The Imperial March” first appeared in The Empire Strikes Back, accompanying appearances by the villain, Darth Vader. The theme would appear in each star wars film, either in its entirety or referenced melodically as a pattern.

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The score for The Batman featured a “Batman theme”, which reminded many of Darth Vader’s villainous music from star wars. The similarities are, in fact, due to a classical source from which the two themes were inspired, Chopin’s “Funeral March”. The dark and haunting classic tune first appeared in the 1830s and has since become synonymous with death and funerals, evoking impressions of grief and pain that audiences have learned from its appearances in various media, including in early animations such as the looney tunes.

These connotations are beautifully exploited by Williams, who heralds each Darth Vader arrival with subtle metaphors of death and pain. This is achieved through the opening notes of the “Imperial March”, which are an inversion of the opening of Chopin’s “Funeral March”. The BatmanThe theme from uses two of these opening notes in a repeating four-note pattern that mirrors the half-notes and the rising and falling effect of Chopin’s “Funeral March”. Referring to Chopin’s play, Giacchino can draw on the same implications as Williams, except repositioning them from a criminal rather than a victim perspective. Rather than the innocent members of the Rebel Alliance fearing the death that follows the arrival of the villainous Vader, the criminals of Gotham fear the arrival of vengeance and Batman.

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Although “The Imperial March” does not appear in the first star wars film, A new hope, the theme’s association with Darth Vader is so strong that many still draw a connection between the towering theme and Vader’s terrifying first entry. Recalling one of 1977’s most iconic films, Reeves perfectly complemented The BatmanGotham’s 1970s-influenced design that hovered over his vision of the Dark Knight. This connection also drew parallels between Reeves’ hulking Batman, whose figure and shadow would truly terrify Gotham’s criminal underbelly, and the ominous presence of black-clad Darth Vader, whose iconic image scared a generation. of moviegoers.

Matt Reeves’ explosive superhero debut had many fascinating intricacies for fans. Whether it’s major clues about The Batman‘s Riddler or more subtle details in Catwoman and Batman’s costumes, Reeves’ film thrilled and teased fans in equal measure, fueling calls for a sequel. Previous Batman sagas have retained the same character themes across multiple films, suggesting that Giacchino’s Chopin-influenced score will return to terrify the underbelly of Gotham, along with Batman himself.